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Art Basel Qatar Taps Former Mathaf Director Wassan Al-Khudhairi to Shape 2027 Fair

Art Basel has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for the 2027 edition of Art Basel Qatar, succeeding Egyptian artist Wael Shawky who shaped the inaugural edition. The fair will take place January 28–30, 2027, with preview days on January 26–27, at Doha Design District and M7 in Msheireb Downtown Doha. Al-Khudhairi, former founding director of Mathaf: Arab Museum of Modern Art, brings deep ties to Qatar and international curatorial experience from biennials including Gwangju and the Asian Art Biennial.

Secretive LA art dealer Larry Gagosian to be subject of 'juicy' unauthorized doc

An unauthorized documentary about mega-gallerist Larry Gagosian is in the works, directed by Barry Avrich, who previously helmed the Netflix hit "Made You Look: A True Story About Fake Art." Titled "Shadow Man: Inside The Secret World of Larry Gagosian," the film promises to feature former employees and artists sharing insider stories about Gagosian's empire. Avrich has a track record of documentaries on high-profile figures, including Lew Wasserman and Harvey Weinstein.

DOZIE KANU’S FIRST FORAY INTO MASS-PRODUCTION

Artist Dozie Kanu has debuted his first mass-production collaboration with Knoll, a line of leather-tasseled tables launched in 2026 during Milan's Salone del Mobile, shortly after the opening of his solo exhibition at Fondazione ICA Milano. The Texas-born, Portugal-based artist, who first appeared in PIN–UP magazine in 2018 as an emerging design wunderkind, has since expanded his practice beyond collectible design into art, exhibition-making, film, and music. His recent projects include a documentary short screened at South by Southwest, a two-person exhibition with László Moholy-Nagy at Meyer Voggenreiter's project space piece*unique in Cologne, and a solo show at ICA Milano that dialogues with Marc Camille Chaimowicz and Jean Cocteau, featuring works alongside selections from the Nicoletta Fiorucci Foundation collection.

You Can’t Drive It; You Can Only Look At It: A Conversation with Heidi Vaughan

Houston gallerist, secondary market art broker, and fine art appraiser Heidi Vaughan discusses her gallery Heidi Vaughan Fine Art (HVFA), the recent opening of McKay Otto's show 'GOLD,' and her multifaceted role in the art world. Vaughan represents established Houston artists like McKay Otto and Thedra Cullar-Ledford, as well as emerging painter Afi Lane, and offers services ranging from valuation and authentication to collection management and liquidation. She also hosts a radio show, 'The Houston Hour,' on 90.1 KPFT HD2, and is a prominent advocate for the arts in Houston.

Why our country needs the artist Lubaina Himid right now: "I had to figure out how to represent Britain"

Lubaina Himid has been selected to represent Great Britain at the Venice Biennale, taking over the British Pavilion. The announcement came just before Christmas 2024, shortly before the opening of her first solo exhibition in China at the UCCA Center for Contemporary Art in Beijing, which features major works including 'Naming the Money' (2004). Himid, who was born in Zanzibar and raised in London, is a Turner Prize-winning artist known for centering Black narratives and marginalized histories through theatrical, life-size cut-out figures.

FAD News: Gozo Yoshimasu awarded inaugural Serpentine x FLAG Art Foundation Prize

Gozo Yoshimasu has been awarded the inaugural Serpentine x FLAG Art Foundation Prize, a new biennial award providing £200,000 per recipient over ten years, totaling £1 million in artist support. The jury included Michelle Kuo, Venus Lau, Hans Ulrich Obrist, Jonathan Rider, and Rirkrit Tiravanija. Yoshimasu, born in Tokyo in 1939, is known for his interdisciplinary practice spanning poetry, performance, photography, and experimental moving image. As part of the prize, he will stage a solo exhibition at Serpentine North in autumn 2027, traveling to The FLAG Art Foundation in New York in spring 2028—his first major solo institutional presentations in Europe and the United States.

Kevin Troyano Cuturi On Building A Singapore Art Gallery With Global Reach

Kevin Troyano Cuturi, raised on museum visits across Europe and trained in physics and finance, founded Cuturi Gallery in Singapore after co-founding Mazel Gallery in 2017. The gallery now operates a Paris outpost in the former Didier Ludot boutique and runs a discoveries platform for emerging artists, a residency program hosting over 20 artists, and has nurtured Singaporean talents like Aisha Rosli and Faris Heizer.

Serralves museum director steps down

Philippe Vergne, the French curator who has served as director of the Serralves Museum of Contemporary Art in Porto since 2019, will step down at the end of July 2026 at his own request. The Serralves Foundation announced that Vergne will continue contributing to exhibition curation until his departure, and the search for a new director will begin immediately. During his tenure, the museum presented major exhibitions of artists including Alexander Calder, Joan Miró, Cindy Sherman, Mark Bradford, and Maurizio Cattelan, and expanded its space with the Álvaro Siza Wing.

LACMA Director Michael Govan ’85 talks museum architecture, public art, mounds of dirt

Michael Govan, director of the Los Angeles County Museum of Art (LACMA) and a 1985 graduate of Williams College, discussed his career and philosophy in an interview with the Williams Record. Govan reflected on his early work at the Williams College Museum of Art (WCMA), where he helped install pieces in Lawrence Hall after an expansion by architect Charles Moore, and his subsequent collaborations with Frank Gehry on the Guggenheim Museum Bilbao and Zaha Hadid at the Solomon R. Guggenheim Museum. He also highlighted his recent oversight of LACMA's new David Geffen Galleries, a $720 million project that has drawn significant attention.

Meet Vanessa Liem, The Singaporean Artist Exploring The Surreal And Dreamlike

Singaporean artist Vanessa Liem, a 23-year-old recent graduate of the University of the Arts, London, creates surreal, dreamlike paintings that explore themes of performance, vulnerability, and the impact of the outside gaze on the human body. Her works, characterized by humanoid figures with smooth faces and unusual light effects, have been exhibited at the ArtScience Museum and won the top prize in the Emerging Category for UOB's 2019 Painting of the Year. She is preparing for a solo exhibition titled 'The Third Person in the Room' at Cuturi Gallery in Singapore, her first show in the city in three years, marking a homecoming and artistic maturation.

Montclair Art Museum Names Kate Kraczon Chief Curator

The Montclair Art Museum (MAM) has appointed Kate Kraczon as its new Chief Curator, effective June 15, 2026. Kraczon, a nationally respected curator with over two decades of experience, joins MAM from Brown University, where she served as Director of Exhibitions and Chief Curator of the David Winton Bell Gallery. At Brown, she oversaw a program of more than 7,000 works and developed partnerships with major institutions including the Andy Warhol Foundation and the Terra Foundation for American Art. Her previous roles include Laporte Associate Curator at the Institute of Contemporary Art at the University of Pennsylvania, where she organized over 30 exhibitions.

2026 Sobey Art Award shortlist revealed

The National Gallery of Canada and the Sobey Art Foundation have announced the six finalists for the 2026 Sobey Art Award, Canada's most prestigious contemporary visual arts prize. The shortlisted artists are Melaw Nakehk'o (Circumpolar region), Samuel Roy-Bois (Pacific), Audie Murray (Prairies), Lotus L. Kang (Ontario), Caroline Monnet (Quebec), and Shane Perley-Dutcher (Atlantic). Their practices range from land-based pedagogy and architectural sculpture to ancestral materiality and metal basketry.

PAM CUT Announces 2026 Sustainability Labs Fellows

PAM CUT // Center for an Untold Tomorrow, the film and new media arm of the Portland Art Museum, has announced the 2026 Sustainability Labs Fellows. The program, now in its fifth year, supports five mid-career media artists—Kamari Bright, Peter Burr, and others—with bespoke mentorship in business planning, financial strategy, creative brand expansion, and mental health. The Labs culminate in a pitch session at Wieden + Kennedy and attendance at PAM CUT’s Cinema Unbound Awards on May 29, honoring polymath artists including Titus Kaphar, Emma McIlroy, and Maria Bamford.

Kiran Nadar’s Ambition to Put Indian Art On the World Stage

Kiran Nadar, one of India's most influential arts patrons, is spearheading the development of the Kiran Nadar Museum of Art (KNMA) in Delhi, set to become the largest integrated cultural center in India at over one million square feet. The museum, supported by the Shiv Nadar Foundation, will feature multiple exhibition spaces, a performing arts center, a library, an education center, and restaurants. Nadar recently appointed Manuel Rabaté, former director of Louvre Abu Dhabi, as KNMA's director. She also made headlines by purchasing M.F. Husain's record-breaking painting *Untitled (Gram Yatra)* for $13.8 million at Christie's New York. On the occasion of Nalini Malani's collateral exhibition "Of Woman Born" at the 2026 Venice Biennale, supported by KNMA, Nadar discussed her vision for putting Indian art on the world stage.

MoMA PS1 chief curator has a vision for Art Basel’s outsized sector, Unlimited

Ruba Katrib, Chief Curator and Director of Curatorial Affairs at MoMA PS1, has been appointed curator of Art Basel's Unlimited sector for 2026. Unlimited is a dedicated platform for large-scale installations, sculptures, wall paintings, and video works. Katrib, a Syrian American curator known for bold exhibitions and amplifying emerging voices, will select around 69 projects from over 100 gallery proposals to create a coherent curatorial narrative within a 16,000 m² space. She succeeds Giovanni Carmine, director of the Kunst Halle Sankt Gallen.

'It keeps me in touch with life': The London artist still working at 103

London painter Anthony Eyton, who turned 103, is preparing to exhibit new works at the 258th Royal Academy Summer Exhibition, the world's oldest open-submission exhibition. A figurative painter and Royal Academician since 1976, Eyton has shown at Tate Modern, Tate Britain, and the Imperial War Museum. He continues to paint daily, finding satisfaction in the act of creation, and has embraced social media with his daughter Sarah, posting regularly on Instagram to reach a global audience.

Dallas Contemporary Appoints Interim Director & New Strategic Advisor

Dallas Contemporary has appointed John McBride as Interim Director and Jeremy Strick as Strategic Advisor. McBride, formerly Deputy Director of the Nasher Sculpture Center, will oversee daily operations, programming, and financial stewardship during a multiyear planning period. Strick, former Director of the Nasher and the Museum of Contemporary Art, Los Angeles, will advise on mission, governance, and curatorial programming. The appointments follow recent leadership turnover, including the departure of Executive Director Lucia Simek in December 2025.

Interview. Max Goelitz

In an interview marking the sixth anniversary of his gallery, Max Goelitz reflects on the founding and evolution of his two-location operation in Munich and Berlin. He discusses how his decade at Häusler Contemporary, where he served as director, prepared him for the unpredictable nature of running his own gallery. The COVID-19 pandemic forced a strategic pivot from international ambitions to a focus on the local German market, which proved unexpectedly sustainable. Goelitz also addresses the current challenges facing galleries, including generational shifts and a more difficult art market, while advocating for an "old-school" reconsideration of what defines a gallery in times of transition.

De Pont Director Maria Schnyder On Why Financial Independence Is a Museum’s Greatest Asset

Maria Schnyder, who has served as deputy director of the De Pont Museum of Contemporary Art in Tilburg, Netherlands, since 2021, has been appointed as its new director, succeeding Martijn van Nieuwenhuyzen. In an interview, Schnyder discusses the advantages of rising from within, emphasizing continuity and deep knowledge of the institution's artist-first ethos. The museum, housed in a former woolen mill with 7,000 square meters of exhibition space, operates with only 18 full-time employees and is financially independent, allowing it to prioritize artistic vision over audience-driven agendas.

Montclair Art Museum Announces Retirement of Longtime Chief Curator Dr. Gail Stavitsky

The Montclair Art Museum (MAM) has announced that Dr. Gail Stavitsky, its Chief Curator, will retire on July 1, 2026, after a tenure of more than 30 years. Stavitsky joined MAM in 1994 as Curator of Collections and Exhibitions, was promoted to Chief Curator in 1998, and curated over 200 exhibitions, including landmark shows such as "Cézanne and American Modernism" (2009) and "Matisse and American Art" (2017). Her recent exhibitions include solo shows for vanessa german and Tom Nussbaum, and she co-curated "Shifting Terrain: Perspectives on Land in North America." She also oversaw major acquisitions and the care of the museum's collections of George Inness and Morgan Russell.

For Gayane Umerova, Art and Culture in Uzbekistan are ‘About Empowerment’

The article profiles Gayane Umerova, a cultural leader in Uzbekistan, who discusses how art and culture in the country are centered on empowerment. It highlights her role in promoting Uzbek art and heritage through various initiatives and exhibitions, aiming to elevate the nation's cultural profile on the global stage.

Maddy Inez talks to Phillip Edward Spradley

Maddy Inez, a Los Angeles-based ceramic artist, discusses her practice in an interview with Phillip Edward Spradley. Her work draws on California's natural environment and histories of displacement, using ceramics to explore maternal lineage, oral history, and plant-based knowledge. A key inspiration is a midwifery certificate belonging to her great-great-great grandmother from the era of enslavement. Inez's upcoming solo exhibition at Megan Mulrooney opens May 16, 2026.

THE ASHLEY GIBSON BARNETT MUSEUM OF ART ANNOUNCES LAURA PUTNAM AS CURATOR OF EXHIBITIONS

The Ashley Gibson Barnett Museum of Art at Florida Southern College has appointed Laura V. Putnam as its new Curator of Exhibitions. Putnam, who has worked at the museum since 2013 and most recently served as Manager of Exhibitions and Adult Programs, steps into the role following the departure of former Executive Director and Chief Curator Dr. Alex Rich. She will lead the conceptualization, development, and execution of all exhibitions, including original research, artwork selection, and collaboration with artists and partner institutions.

AGB Museum promotes Putnam to Curator of Exhbitions role

Laura V. Putnam has been promoted to Curator of Exhibitions at the Ashley Gibson Barnett Museum of Art (AGB) at Florida Southern College in Lakeland. Putnam, who has worked at the museum since 2013 and previously served as manager of exhibitions and adult programs, stepped into an expanded role following the departure of former Executive Director and Chief Curator Alex Rich. She has curated recent exhibitions including "Darkroom Alchemy: Photographs by Jerry Uelsmann," "Surreal Scenarios: The Art of Susanne Schuenke," and "The Medici Dynasty: Renaissance in Florence."

Here are the six finalists shortlisted for the Sobey Art Award

The Sobey Art Award has announced its six finalists for 2024: Melaw Nakehk'o, Samuel Roy-Bois, Audie Murray, Lotus L. Kang, Caroline Monnet, and Shane Perley-Dutcher. Nakehk'o, a Yellowknife-based textile artist and co-founder of the collective Dene Nahjo, is noted for reviving traditional moosehide tanning. The winner receives $100,000, while each remaining finalist gets $25,000. The award is presented by the Sobey Art Foundation and the National Gallery of Canada, with the winner announced on November 14.

Exciting evolution for SJIMA

Blake DeYoung is stepping down as Executive Director of the San Juan Islands Museum of Art (SJIMA) at the end of May to become Executive Director of the Skagit Valley College San Juan Center branch, replacing Randy Martin. Deputy Director Wendy Smith will serve as Acting Director during the transition. The museum board remains unchanged, and the institution views this as an opportunity to realign its structure and build on recent successes, including record attendance in 2025.

3 Questions with Gallerist Daniel Cooney

Santa Fe gallerist Daniel Cooney of Daniel Cooney Fine Art discusses his gallery's focus one year after relocating from New York City. In an interview, Cooney explains that while his gallery prominently features LGBTQ artists, its core mission is supporting underrepresented artists broadly—including emerging talents, overlooked older artists, and estates. He notes a continued emphasis on photography, his own background, but also shows other mediums. Cooney expresses interest in featuring more local New Mexico artists but has not yet integrated deeply into the local scene.

Fátima González Doesn’t Want You to Shy Away From Asking Your Art Questions

Fátima González, founder of Mexico City-based gallery Campeche, recounts her journey from working the front desk at Kurimanzutto to opening her own gallery. After earning a graduate degree at the School of Visual Arts in New York and returning to Kurimanzutto in sales, she left in February 2020, just before lockdown. During the pandemic, she planned her gallery, found a space in one day, and opened with a group show of all-women artists from Mexico City. Campeche is now making its Frieze New York debut.

Ronald Rose-Antoinette is the new Max Stern Curator at the Ellen Art Gallery

Ronald Rose-Antoinette has been appointed the new Max Stern Curator at Concordia University’s Leonard & Bina Ellen Art Gallery. A Concordia graduate with a BFA, MA in film studies, and PhD in humanities, Rose-Antoinette has over 20 years of experience studying, working, and collaborating at the university. His role includes curating the SIGHTINGS exhibition series, developing public programming, and overseeing the gallery’s permanent collection of more than 1,800 works, primarily by Canadian artists. He describes his return as a "homecoming" and emphasizes a curatorial vision focused on decolonial practices, cross-cultural work, and intersectional approaches.

Q&A: Laura Pass Barry

Laura Pass Barry has been appointed the Carlisle H. Humelsine chief curator at Colonial Williamsburg, a role that expands her responsibilities to include leadership of Collections, Conservation and Museums as vice president. Barry began her career at Colonial Williamsburg over 30 years ago as a curatorial intern in folk art, later working as assistant curator to Margaret Pritchard and eventually overseeing the graphics, paintings, and folk art collections. She holds degrees from the College of Wooster and the College of William & Mary.