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The Interview: Amar Kanwar

ArtReview interviews Amar Kanwar, a New Delhi-based artist known for films and multimedia installations that blend poetry, activism, and documentary to explore power, conflict, and social justice. Kanwar discusses his career trajectory from documentary filmmaking to occupational health research in a coal mining region, and back to filmmaking on his own terms. His best-known work, *The Sovereign Forest* (2012), addresses government-corporate collusion in Odisha, while his latest, *The Peacock's Graveyard* (2023), is a seven-channel film installation currently paired with *The Torn First Pages* (2004–08) at Palazzo Grassi in Venice under the heading "Co-Travellers." Kanwar has participated in four consecutive editions of Documenta (2002–2017) and was a curator of the 2022 Istanbul Biennial.

Minor Keys and Major Silences: Yoshiko Shimada and the Art of Outrage

Yoshiko Shimada, a Japanese feminist and antiwar artist, is featured in a conversation with ArtAsiaPacific ahead of her inclusion in the 2026 Venice Biennale, curated by Koyo Kouoh under the theme "In Minor Keys." The article explores Shimada's decades-long practice of excavating the gendered scars of Japanese imperialism, focusing on her collaborative work with BuBu de la Madeleine, which uses drag and irony to critique imperial frameworks and the erasure of wartime atrocities. It also highlights her revival of the Chū-pi-ren movement, a 1970s feminist group that fought for abortion rights and access to birth control, arguing that their legacy remains urgent in 2026 given Japan's slow progress on women's bodily autonomy.