Grants from the Kordelin Foundation’s Rauma Fund for 2026 Awarded – Emphasis on Local Roots and New Experiments

Grants from the Kordelin Foundation’s Rauma Fund for 2026 Awarded – Emphasis on Local Roots and New Experiments

The Alfred Kordelin Foundation’s Rauma Fund has awarded €30,000 in cultural grants for 2026, distributed equally among three recipients. The funding supports puppet theatre artist Aati Hanikka for an experimental underwater performance, Rauman Konserttiyhdistys ry for an immersive musical storytelling project in Old Rauma, and Tarvonsaari Art House for a series of pilot exhibitions.

US Government Submits Plans for Triumphal Arch to Commission

US-Regierung reicht Plan für Triumphbogen bei Kommission ein

President Donald Trump has submitted formal plans to the Commission of Fine Arts for a monumental triumphal arch to be located near Washington, D.C. Proposed to stand at 76 meters tall, the structure would significantly surpass the height of Paris's Arc de Triomphe. The project, which Trump describes as the "largest and most beautiful" in the world, is slated for a site near the Arlington Memorial Bridge leading to the Lincoln Memorial.

ACLU and anti-censorship group target UNT over art exhibit removal with mobile billboard

The ACLU of Texas and the National Coalition Against Censorship have deployed a mobile billboard to the University of North Texas (UNT) campus to protest the administration's removal of an art exhibition by Victor Quiñonez, known as Marka27. The show, titled “Ni de Aquí, Ni de Allá,” was abruptly taken down in February after being open for only a week, with administrators later citing concerns that the artist's critiques of U.S. Immigration and Customs Enforcement (ICE) could cause campus disruptions.

Did the US Holocaust Memorial Museum self-censor to preempt Trump’s wrath?

The United States Holocaust Memorial Museum (USHMM) is facing allegations of preemptive self-censorship to avoid conflict with the Trump administration. Former employees report that the institution removed online educational resources linking Jim Crow laws to Nazi ideology, unlisted videos discussing American racism, and renamed or cancelled workshops focused on the "fragility of democracy." While a museum spokesperson denied these claims, internal emails suggest leadership was concerned about how certain terms might be interpreted in the current political climate.

Texas university's sudden cancellation of exhibition with works critical of Ice sparks censorship row

The University of North Texas (UNT) abruptly shuttered a solo exhibition by Brooklyn-based artist Victor Quiñonez just nine days after its opening at the College of Visual Art & Design Gallery. The show, titled "Ni de Acquí," featured sculptures from the artist’s "I.C.E. Scream" series, which utilizes Mexican popsicle motifs to critique the enforcement tactics of U.S. Immigration and Customs Enforcement. Following the closure, university staff covered the gallery windows with brown paper and terminated the loan agreement with Boston University without providing a detailed public explanation.

UNT cancels Dallas artist's exhibit without explanation, sparking campus backlash

The University of North Texas abruptly canceled artist Victor Quiñonez's (Marka27) exhibition 'Ni de Aquí Ni de Allá' at its College of Visual Arts and Design shortly after its opening. The show, which explores dual identity and cultural heritage, was taken down and covered with paper, with the university providing no explanation for its removal, leading to confusion and frustration for the artist.

Artist whose art was pulled by UNT credits students with alerting him about his exhibit's removal

Street artist Victor Quiñonez (Marka27) spoke at the Latino Cultural Center in Dallas, addressing the sudden closure of his exhibition at the University of North Texas (UNT). The university covered the gallery windows with paper and terminated its loan agreement with Boston University without explanation, removing art that confronted U.S. immigration policy and criticized ICE. Quiñonez credited UNT students for alerting him to the removal, stating he was "ghosted" by the institution and received only a vague justification after their intervention.

U of North Texas Cancels Exhibit With Anti-ICE Art

The University of North Texas College of Visual Arts and Design canceled the exhibition 'Ni De Aquí Ni De Allá' by artist Victor Quiñonez just before its scheduled opening. The show, which includes works critical of U.S. Immigration and Customs Enforcement (ICE), was removed after the university terminated its loan agreement with Boston University Art Galleries, providing no public explanation for the decision.

UNT Faculty Denounce Closure of Victor Quiñonez Show in Open Letter to University President

Faculty at the University of North Texas College of Visual Art & Design have issued an open letter to university leadership, protesting the sudden and unexplained closure of artist Victor "MARKA27" Quiñonez's solo exhibition, 'Ni de Aqui, Ni de Allá,' just nine days after it opened. The letter demands an explanation for the cancellation, which occurred before a scheduled public reception, and cites university policies protecting artistic expression and academic freedom.

Russia's winter bombardment puts strain on Ukrainian museum workers

UNESCO has expressed serious concern over recent Russian attacks damaging cultural heritage sites in Ukrainian cities including Odesa, Lviv, and Kyiv. The winter bombardment has targeted power grids and infrastructure, complicating the work of museums and cultural institutions. The Kyiv-Pechersk Lavra, a World Heritage Site, suffered its first military damage since WWII, and the historic center of Odesa, already on UNESCO's endangered list, saw its Holy Dormition Monastery severely hit.

US National Park Service removes slavery memorial at Philadelphia historic site

The US National Park Service has removed an outdoor exhibit titled “Freedom and Slavery in the Making of a New Nation” at Independence National Historical Park in Philadelphia. The exhibit, which focused on nine people enslaved by George Washington and explored the paradox between slavery and freedom in the nation's founding, was dismantled following a directive from President Donald Trump to eliminate “corrosive ideology” from cultural heritage sites. The removal, captured on social media on January 22, aligns with a March 2025 executive order instructing the NPS to emphasize American achievements and avoid materials that “inappropriately disparage Americans.”

Smithsonian’s National Portrait Gallery removes wall text mentioning Trump’s impeachments

The Smithsonian's National Portrait Gallery in Washington, DC, has removed wall text accompanying a portrait of Donald Trump that mentioned his two impeachments. The text, part of the America's Presidents exhibition, listed Trump's achievements and noted he was impeached for abuse of power and incitement of insurrection, then acquitted by the Senate. The portrait by Matt McClain was replaced with a black-and-white photo by Daniel Torok, with a simplified label stating only Trump's birth year and status as the 45th and 47th president. The museum says it is beginning a planned update of the gallery, which will close from April 6 to May 14.

Following controversy, all names will be left off Canadian monument to ‘victims of communism’

Canada's monument to the victims of communism in Ottawa, officially opened a year ago, will no longer include individual names on its Wall of Remembrance after a federal government report revealed that many of the unvetted "victims" had ties to Nazi or fascist groups. Originally designed by architect Paul Raff to feature 553 entries, the Department of Canadian Heritage reversed its decision following alarms raised by Jewish groups and independent media outlets like Ricochet and The Maple, which found that more than half of the 550 names should be removed. The department stated that the wall will now feature only thematic content aligned with Canadian values of democracy and human rights.

‘Re-scoped’ Alice Springs art gallery on public exhibition

The Northern Territory government has unveiled revised plans for the Aboriginal and Torres Strait Islander Art Gallery of Australia (ATSIAGA) in Alice Springs/Mparntwe. The redesigned project, led by BVN, Susan Dugdale and Associates, and Clouston Associates, has been reduced from five storeys to three, with 1,300 square metres of exhibition space. A development consent application was submitted earlier this month and is now on public exhibition until 22 August, following cost blowouts that prompted a "re-scoping" of the original scheme. Construction is expected to take 18–24 months, with an opening targeted for late 2027.

US states step up to fund the arts in the wake of federal cuts

State legislatures across the US have continued to fund their arts and humanities agencies for fiscal year 2026, with aggregate spending totaling $649.2 million across 50 states and four territories—a 7.4% decrease from 2025 levels. While 29 states increased their arts funding, others saw significant cuts, including New Hampshire (90% reduction), Hawaii (74.9% drop), and Missouri (59.7% decline). The data comes from the National Assembly of State Arts Agencies (NASAA), which notes an uncertain fiscal environment but highlights that overall state investment in the arts is being sustained despite federal pressures.

EU sanctions Mikhail Piotrovsky, director of the Hermitage

L’UE sanctionne Mikhaïl Piotrovski, directeur de l’Ermitage

The European Union has added Mikhail Piotrovsky, the 81-year-old director of the State Hermitage Museum in St. Petersburg, to its sanctions list as part of the 20th package of measures against Russia. Brussels accuses him of publicly supporting the war in Ukraine and of conducting archaeological excavations by the museum in occupied Crimea. His assets in the EU are frozen and he is banned from entering European territory.

In Berlin, a controversy over subsidies sweeps away the culture official

À Berlin, une polémique sur des subventions emporte l’élue à la Culture

Sarah Wedl-Wilson, Berlin's senator for culture, resigned after the Berlin Court of Auditors ruled that €2.6 million in public subsidies for 13 antisemitism-fighting projects were awarded illegally, bypassing regulatory checks and violating budget law. The controversy intensified when a parliamentary inquiry revealed that CDU politicians, including Christian Goiny and Dirk Stettner, pressured her to approve the funds immediately, coordinating with the Israeli embassy, despite warnings from state secretary Oliver Friederici, whom she later dismissed. Stefan Evers, the finance senator, has been appointed interim successor until Berlin's parliamentary elections in September.

Pablo Diaz, directeur de Sciences Po Rennes : « L’acte II de l’INSEAC de Guingamp »

Pablo Diaz, director of Sciences Po Rennes, announces that the Institut national supérieur de l'éducation artistique et culturelle (INSEAC) in Guingamp has been transferred from the Conservatoire national des arts et métiers (Cnam) to Sciences Po Rennes as of January 1, 2026. The institute, which opened in 2021 and focuses on training, research, and resources for arts and cultural education, will now operate under public-sector governance with oversight from the French ministries of Culture, Education, and Higher Education. Diaz outlines plans to appoint a dedicated site director in Guingamp and establish a strategic orientation committee chaired by interministerial delegate Emmanuel Ethis, aiming to resolve past management and governance issues.

A U.S. agency that funds culture wins a judicial reprieve

Une agence américaine qui finance la culture gagne un répit judiciaire

A U.S. federal court has blocked the Trump administration's attempt to cut funding for the Institute of Museum and Library Services (IMLS), a key agency supporting museums and libraries nationwide. The lawsuit was brought by the American Library Association (ALA) and the AFSCME union, with support from the legal organization Democracy Forward, arguing that the executive branch cannot unilaterally reduce programs authorized by Congress. The ruling temporarily halts the funding reductions, which were part of broader efforts to slash federal cultural spending during Donald Trump's second term.

L’offre de formation se développe

French art training institutions are expanding their curricula to include provenance research, responding to a 2022 government report that identified gaps in conservator education. The Institut national du patrimoine (INP) now offers seminars on Nazi-era spoliation (1933-1945) and has added a five-day provenance research module for external competition students since 2024-2025. Paris-Nanterre University launched a master's-level diploma in 2022 covering legal, historical, and methodological aspects of provenance research. The École du Louvre now offers a specialized master's in "sensitive goods and provenance research" addressing spoliated works, human remains, colonial acquisitions, and illicit trafficking, while also integrating provenance methodology into its general curriculum from master's level one.

The Savvy Balancing Act of the 'Bern 2026' Regional Sites

Le savant dosage des sites régionaux « Bern 2026 »

The French Heritage Foundation (Fondation du patrimoine) has announced the 2026 list of 18 emblematic regional sites selected for the 'Loto du patrimoine' (Heritage Lottery) funding initiative. The sites, chosen from 650 endangered candidates, include religious buildings like the Chapelle Notre-Dame du Kreisker in Saint-Pol-de-Léon and the Antana-Bé Mosque in Mayotte, forts and castles such as the Royal Castle of Senlis and Fort Boyard, as well as industrial, rural, and residential ensembles like the Beaufonds sugar factory in La Réunion. The selection balances architectural significance, state of decay, project maturity, and potential for revitalization.

At the INHA, the summer closure of the library revives the debate

À l’INHA, la fermeture estivale de la bibliothèque ravive le sujet

The National Institute for Art History (INHA) in Paris is facing backlash over its decision to implement a permanent two-week summer closure of its library every August. Originally introduced as a temporary measure during the 2024 Olympics and subsequent renovations, the closure is now being formalized by the administration despite a change in leadership. Staff and researchers have launched a petition, arguing that August is a critical period for international scholars and students who rely on the library’s extensive collections.

CAF AND PINTA FOUNDATION ANNOUNCE ALLIANCE TO STRENGTHEN THE LATIN AMERICAN ART ECOSYSTEM

CAF – Development Bank of Latin America and the Caribbean – and the Pinta Foundation have formed a strategic alliance to bolster the Latin American art ecosystem. The partnership will support professional exchange, international visibility, and cultural integration for artists, artisans, and creators across the region, with CAF acting as a strategic partner for Pinta's network of events.

Venice Biennale jury excludes Russia and Israel from artist awards as EU threatens funding cut

The Venice Biennale jury has excluded Russia and Israel from eligibility for artist awards, following the EU's threat to cut funding over geopolitical concerns. The decision bars artists from these countries from being considered for official prizes at the prestigious international art exhibition.

New report reveals increasing inequality in arts and culture

A new report from the Creative Industries Policy and Evidence Centre (Creative PEC) reveals growing inequality in the arts, culture, and heritage workforce and participation in England following the Covid-19 pandemic. The study provides detailed data at the Local Authority level, highlighting disparities in access for both workers and audiences.

Reasoning beyond accounting: here is the first step for a valuation of cultural heritage

Ragionare oltre la contabilità: ecco il primo step per una valutazione del patrimonio culturale

Angelo Argento recently published an article examining the valuation of cultural heritage in light of ongoing public accounting reforms in Italy. The piece moves beyond iconic landmarks like the Colosseum or Uffizi to focus on smaller, territorial assets such as archives, civic museums, and lesser-known archaeological sites, questioning how and whether a specific economic value can be assigned to them. It explores different international approaches—from market-based valuations in Australia and France to symbolic €1 entries in the U.S.—highlighting the global trend toward quantifying cultural heritage.

The church, the village, the park. FAI's 'Places of the Heart' returns to save ruins

La chiesa, il borgo, il parco. Tornano i Luoghi del Cuore del FAI per salvare i beni in rovina

The Fondo per l’Ambiente Italiano (FAI) has launched the 13th edition of its "Luoghi del Cuore" (Places of the Heart) initiative, a biennial census that invites Italians to vote for cultural heritage sites most in need of restoration. Since 2003, the campaign has collected over 13.5 million votes, with the 2024 edition alone receiving more than 2.3 million votes for over 41,000 sites across 6,508 municipalities. The initiative has funded 180 recovery projects, 40% of which involve churches, followed by environmental, architectural, and archaeological assets. Notable successes include the Church of San Pietro dei Samari in Gallipoli, the Oratorio del Sasso in Orasso, and the Complesso di Sant’Angelo Magno in Ascoli Piceno.

Cultural Observatories: Dinosaurs or Subjects Capable of Interpreting the Present?

Osservatori culturali. Dinosauri o soggetti in grado di interpretare il presente?

The Cultural Observatory of Canton Ticino has published a study on cultural observatories worldwide, including a map and list of surveyed organizations. The analysis reveals that cultural observatories are not a global phenomenon but are concentrated mainly in Europe and South America, with occasional presence in North America (especially Canada and Hispanic-oriented organizations in the US). Africa, Asia, and Oceania are almost entirely absent from the map. The study also highlights a high rate of inactive observatories: among the top 10 countries by active observatories, only Germany shows an effective activity ratio. Spain has 26 active observatories out of about 45 total, while Italy has 11 active out of over 20 inactive. The research defines observatories as non-profit organizations that combine cultural and statistical expertise to deepen and transfer knowledge about the cultural sector, and classifies as inactive those with no recent activity on web or social channels.

Aumenti salariali e welfare per i lavori della cultura. È stato firmato il nuovo Contratto Nazionale di Lavoro. L’intervista

A new national labor contract for Italy's cultural sector has been signed. The Federculture National Labor Contract, finalized on April 30, 2026, includes a 7.5% increase in minimum wages (effective December 1, 2024), doubled welfare contributions for healthcare, and a simplified job classification system. The agreement was reached between Federculture and major unions including FP CGIL, CISL FP, UIL FPL, and UIL PA, with negotiations for the 2025-2027 term set to resume on May 26.

A new certification has been created to improve the management and valorization of Italian cultural heritage

È nata una nuova certificazione per migliorare gestione e valorizzazione del patrimonio culturale italiano

A new certification standard called SGPI01:2024 has been launched in Italy to improve the management and valorization of cultural heritage. Developed by Certiquality and the Stati Generali del Patrimonio Italiano (SGPI), the standard was presented in Florence at Palazzo Guadagni Strozzi Sacrati, with the patronage of the Tuscany Region. It applies to all public and private entities that own or manage cultural and landscape assets, introducing a comprehensive management system that goes beyond legal compliance, focusing on conservation, economic sustainability, accessibility, and safety through independent third-party audits.