cancelled nea grants for underserved audiences

The National Endowment for the Arts (NEA) has updated its 2026 fiscal year grant guidelines, cancelling the Challenge America grants that targeted underserved communities and replacing them with a focus on projects celebrating the 250th anniversary of the United States (America250). The changes, announced in response to executive orders by President Donald Trump, eliminate DEI-related funding and require applicants to have a five-year history of arts programming. Organizations that had applied for the $10,000 Challenge America grants must now resubmit under the broader Grants for Arts Projects category, with extended deadlines.

trump big beautiful bill space shuttle discovery museum houston

President Donald Trump signed the "One Big Beautiful Bill Act" on July 4, which includes a provision requiring the Smithsonian Institution to transfer a space vehicle—widely understood to be the space shuttle Discovery—to NASA. The shuttle has been displayed at the Steven F. Udvar-Hazy Center in Chantilly, Virginia, since 2012. The move must be completed by January 4, 2027, and $85 million has been allocated for planning, transportation, and a new exhibition facility in Houston. The provision originated from the "Bring the Space Shuttle Home Act" introduced by Texas senators John Cornyn and Ted Cruz, after their state lost the original competition to host Discovery.

hidden camera found in womens restroom at centre pompidous offices in paris

A hidden camera was discovered in a women's restroom at the Centre Pompidou's administrative offices in Paris in mid-January. The device was found by an employee, leading the museum to file a legal complaint and suspend a staff member accused of installing it.

french art world opposes proposal new taxes

Two French parliamentarians, Jean-Paul Matteï and Philippe Juvin, have proposed a new tax regime on art as part of France's 2026 budget, which would make France the only major art market to impose a wealth tax on the mere possession of artworks. The French art world has strongly opposed the proposal, with 27 signatories including Art Basel, auctioneer Drouot, visual artists' rights organization ADAGP, the Association for the International Diffusion of French Art (ADIAF), and the Comité Professionel des Galeries d’Art (CPGA). Critics argue the tax is technically unenforceable, would drive collectors away, and harm the broader art ecosystem.

Weston Loan Programme with Art Fund marks first decade

The Weston Loan Programme with Art Fund has announced support for 15 new exhibitions as it celebrates its tenth anniversary. This grant initiative provides regional and smaller UK museums with the necessary funding to cover logistical costs—such as insurance, transport, and security—required to borrow major works from national collections. Notable upcoming projects for 2026 include the return of John Constable’s 'The Hay Wain' to Suffolk and Joseph Wright of Derby’s 'An Experiment on a Bird in the Air Pump' to the artist's hometown for the first time in eight decades.

Getty’s Black Visual Arts Archives receives additional $1.8m in funding

The Getty Foundation has awarded an additional $1.8 million to its Black Visual Arts Archives initiative, bringing total funding to $4.5 million across 20 awards. The program supports institutions in processing, digitizing, preserving, and activating archival collections related to Black artists and arts organizations in the US. Grantees include Afro Charities, the Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, the South Side Community Art Center, the University of Chicago’s South Side Home Movie Project, and the David C. Driskell Center. Notable discoveries include footage of the original Wall of Respect mural from the South Side Home Movie Project.

(BPRW) Getty Awards $1.8M to Increase Access to Black Visual Arts Archives

The Getty Foundation has awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archives initiative, a multi-year program aimed at increasing access to archival collections related to Black artists and arts organizations. The grants will support processing, digitization, and public programming at venues including Afro Charities, Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, South Side Community Art Center, the University of Chicago's South Side Home Movie Project, and the David C. Driskell Center. This brings Getty's total funding for the initiative to $4.5 million since 2022, supporting 20 grants nationwide.

Artists and scholars respond to White House’s list of Smithsonian grievances

Over the weekend, artists, scholars, and concerned citizens responded to the White House's list of objectionable Smithsonian Institution exhibits and texts, released under the heading 'President Trump Is Right About the Smithsonian.' The list includes bullet points targeting exhibits on white culture, LGBTQ+ history, Afrofuturism, and works by artists such as Ibram X. Kendi, Ayana V. Jackson, Hugo Crosthwaite, Rigoberto A. Gonzalez, and Amy Sherald. Those singled out defended their work, with some comparing the administration's actions to Jim Crow-era censorship or Nazi Germany's 'degenerate art' campaigns, while others expressed pride in being included and vowed to continue making political art.

American Museum of Natural History announces free admission for low-income New Yorkers

The American Museum of Natural History (AMNH) in New York City has launched the Discoverer program, offering free admission and educational programming to low-income New Yorkers who receive Supplemental Nutrition Assistance Program (SNAP) benefits. The program, developed with NYC's Department of Cultural Affairs and Human Resources Administration, allows SNAP beneficiaries to bring up to four guests and reserve advance tickets online, with membership renewable annually. Nearly 1.8 million city residents rely on SNAP, and the initiative aims to remove financial barriers to museum access.

Workers Push to Rename Wexner Center for the Arts Over Epstein Ties

Unionized staff at Ohio State University's Wexner Center for the Arts, organized as Wex Workers United, have officially called for the renaming of the arts center and other campus buildings named after billionaire benefactor Les Wexner. The union argues that Wexner's name, due to his decades-long association with convicted sex offender Jeffrey Epstein—who had power of attorney over Wexner's fortune—harms artists and community members. The call follows similar demands from the Ohio Nurses Association regarding the Wexner Medical Center and ongoing student protests, including an April 10 action where students covered Wexner's name on the art center's façade with a black tarp. OSU spokesperson Chris Booker noted that over 500 renaming requests have been filed under the university's official review procedure, while OSU President Ted Carter has emphasized that name changes require fact-finding and cannot be based on supposition.

How the State Supports Provenance Research

Comment l’État soutient la recherche de provenance

The French Ministry of Culture has created two specialized missions to assist museums in researching the provenance of their collections, addressing looted artworks, human remains, colonial acquisitions, and illicit trafficking. The Mission for Research and Restitution of Looted Cultural Property (M2RS), established in 2019, focuses on Nazi-era spoliations (1933-1945) with a budget of €220,000 annually, while the newer Mission "Provenance," launched in 2024 under curator Catherine Chevillot, covers human remains, colonial-era objects, and illicit goods with a €450,000 budget. These missions provide expertise, funding, and coordination with institutions like the Commission for the Restitution of Property and Compensation of Victims of Anti-Semitic Spoliation (CIVS), though most museums still only initiate provenance checks during acquisitions or donations.

When a Palestinian Artist Asserts Her Own Humanity

Palestinian artist Basma al-Sharif faced a coordinated smear campaign and threats after being invited to screen her film "Morgenkreis" at the Kunstakademie Düsseldorf. The controversy erupted not over the film's content, but over her social media posts referencing Palestinian resistance and historical injustices, leading to demands from public officials and advocacy groups to cancel the event.

What is Art Allowed to Do?

Was darf die Kunst?

German Minister of State for Culture Wolfram Weimer has sparked a heated debate over artistic freedom after excluding three bookstores from the German Bookstore Prize due to undisclosed intelligence reports. The controversy has escalated into a broader confrontation with cultural institutions, highlighted by the Berlin Volksbühne's public criticism and Weimer's subsequent refusal to participate in a scheduled panel discussion. This incident follows a string of high-profile disputes regarding political expression in the arts, particularly concerning the Berlinale and documenta fifteen.

grant william penn foundation support low income disabled museum goers philadelphia

The William Penn Foundation has awarded $7.6 million in grants to six Philadelphia-based cultural institutions to enhance accessibility for low-income families and individuals with disabilities. The funding is allocated based on the volume of visitors using the ACCESS card program, which provides deeply discounted admission to residents receiving public assistance or those with disabilities. Key recipients include the Philadelphia Museum of Art, the Academy of Natural Sciences, and the Franklin Institute, along with Art-Reach, the organization managing the program.

Arts Groups Speak Out Against US Trade Representative’s Potential New Tariffs

The U.S. Trade Representative, Jamieson Greer, has launched a Section 301 investigation into 60 countries to determine if forced labor practices create unfair trade advantages. This move follows President Trump’s continued push for sweeping tariffs after previous attempts were struck down by the Supreme Court. Major art organizations, including the Association of Art Museum Directors (AAMD) and Heritage Auctions, are formally petitioning for works of art and antiquities to be exempt from any resulting duties.

Closure of UNT art show points to larger climate of fear on college campuses

The University of North Texas recently shuttered an on-campus art exhibition shortly after its opening, marking a significant escalation in campus censorship. This incident follows a pattern of administrative interference, including the removal of pro-Palestinian student work and the resignation of a museum director at Pepperdine University over the alteration of politically sensitive artworks. These actions are part of a broader national trend where university administrations are increasingly intervening in artistic expression to avoid political controversy.

Museums Are Under Fire. Silence Isn’t an Option

James Steward, director of the Princeton University Art Museum, argues that museums are under coordinated attack in a polarized political climate. He cites threats including scrutiny of the Smithsonian Institution for its narratives, pressure on directors who uphold diversity and inclusion principles, and immigration agents targeting museums serving communities of color. Steward calls on museum leaders to resist the impulse to remain silent and instead double down on their role as spaces for dialogue, debate, and the holding of contradictory ideas.

Comment | Trump's 100 days should remind us to be brave—because in an autocracy there is no safety

The article examines the impact of the first 100 days of Donald Trump's second term on the U.S. cultural sector, detailing executive actions that force museums, libraries, and arts institutions into ideological conformity. Orders targeting diversity, equity, inclusion, and gender threaten funding from the National Endowment for the Arts and the National Endowment for the Humanities, while the Smithsonian Institution and Kennedy Center face direct political oversight. The administration also redirects funds toward patriotic projects like a sculpture garden of 'American Heroes,' and private institutions such as the Rhode Island School of Design and Creative Capital face pressure over pro-Palestinian expression and diversity-focused programs.

New School Faculty React to Plans to Lay Off 15% of Workforce

The New School announced plans to lay off 15% of its full-time faculty and staff by mid-June, a move driven by a projected $48 million deficit and a 20% enrollment decline since 2021. The cuts are part of a broader workforce reduction strategy that has already included voluntary buyouts. The restructuring will disproportionately affect the New School for Social Research and Eugene Lang College of Liberal Arts, which are undergoing major mergers and program discontinuations, while the Parsons School of Design faces fewer cuts.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

Pepperdine Closes Exhibit Featuring “Overtly Political” Art

Pepperdine University in Malibu, California, closed the exhibition “Hold My Hand In Yours” at the Frederick R. Weisman Museum of Art on October 6, after artists discovered their works had been removed or altered for being “overtly political.” The show, curated by museum director Andrea Gyorody, explored the imagery of hands in relation to labor and care. One artist found her video turned off at the university’s request, and a sculpture was modified to hide text reading “Save the Children” and “Abolish ICE.” The affected artists requested their pieces be removed, and others withdrew in solidarity. University officials cited a policy to avoid overtly political content consistent with its nonprofit status, and offered apologies while honoring compensation agreements.

China Orders Nationwide Museum Audit After Missing Masterpieces Scandal

China's National Cultural Heritage Administration has mandated a comprehensive, item-by-item inventory of all state-run museum collections following a major scandal at the Nanjing Museum. The audit aims to verify that objects listed in official records physically exist in storage, a direct response to the discovery that donated national treasures, including a valuable Ming dynasty painting, were improperly transferred or sold into the private market over decades.

In Cleveland, Smokers Are Helping to Keep the Arts Alive

A novel cigarette tax in the Cleveland area has generated $270 million for cultural organizations, funding everything from museums to performing arts venues. The tax, designed to support the arts while discouraging smoking, has become a significant revenue source for the region's cultural sector.

Art freedom under fire

The Bangkok Art and Culture Centre (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese embassy. The exhibition, which opened on July 24, featured works by exiled artists from Myanmar, Iran, Russia, and Syria exploring authoritarian alliances. Following a visit by Chinese embassy staff, several works were removed, including a multimedia installation by a Tibetan artist, and texts mentioning 'Hong Kong', 'Tibet', and 'Uyghur' were redacted. The curator, Sai, a Myanmar artist in exile, said the interference was not unexpected.

Why the new EU law aimed at stopping antiquities trafficking may hamper museum loans

A new EU regulation (2019/880) taking effect on 28 June aims to prevent trafficking of looted antiquities by requiring importers to provide extensive provenance records and export permits for cultural goods over 200 years old or worth more than €18,000. While the law includes an exemption for temporary exhibitions, implementing rules limit this exemption to loans from museums outside the EU, excluding private collectors. Museum directors and art fair officials warn that the administrative burden may discourage private lenders from participating in temporary exhibitions, potentially reducing the diversity of cultural offerings in the EU.

Shanghai Artists Association Holds Third Meeting of Its Ninth Council

上海美协九届三次理事会召开

The Shanghai Artists Association convened its Ninth Council Third Meeting at the Shanghai Literary and Art Hall. Key figures including Fang Kun, Vice Chairman of the Shanghai Federation of Literary and Art Circles, and Zeng Chenggang, Chairman of the Shanghai Artists Association, delivered speeches reviewing the association's 2025 achievements and outlining plans for 2026. The meeting focused on five major work areas: ideological guidance, creating high-quality artworks, embracing technological change, innovating service mechanisms, and expanding international influence. Over 60 council members participated in discussions covering exhibition optimization, talent cultivation, art-tech integration, and improving association services.

Fellowship Open Call – Shaping Africa’s Curatorial Futures

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) and the University of the Western Cape (UWC) have launched an open call for their fully funded 2027 Museum Fellowship Programme. The year-long initiative offers emerging African art professionals a combination of practical museum training and postgraduate academic study, aiming to develop the next generation of curators, researchers, and arts professionals on the continent.