The Borghese Gallery in Rome has proposed building an adjacent facility to expand its exhibition space and increase visitor capacity beyond the current limit of 360 people per two-hour slot. The museum, which welcomed over 630,000 visitors in 2025, argues the expansion is needed to display works long held in storage. A press conference is scheduled for May 19 to provide further details.
Chanel has renewed its financial partnership with Paris's Centre Pompidou, extending their collaboration through another five-year agreement. The luxury fashion house will continue supporting the museum's operations, acquisitions, and exhibitions, despite the Pompidou being closed until 2030 for a major renovation costing over $500 million. Chanel previously sponsored the museum's acquisition of 21 artworks by 15 contemporary Chinese artists in 2024 and supported the related exhibition “目 China: A New Generation of Artists.” The renewed investment aims to bolster access, scholarship, and preservation of public knowledge.
A Paris judge has rejected a bid to suspend the removal of six 19th-century stained-glass windows by Eugène Viollet-le-Duc from Notre-Dame Cathedral, clearing the way for their replacement with contemporary works commissioned by the French government. The Paris Administrative Court ruled that the project does not constitute an irreversible alteration because the new windows, designed by artist Claire Tabouret and produced by glassmakers Simon-Marq, could be removed in the future, and the original windows will be preserved. The judge did not rule on the legality of the project, which had previously been vetoed by the National Commission of Patrimony and Architecture, leaving the door open for further legal challenges.
The Van Gogh Museum in Amsterdam has entered mediation with the Dutch government after initiating legal proceedings to secure additional public funding for a major renovation. The museum, which plans a three-year, €104m renovation starting in 2028, claims it could be forced to close unless its annual subsidy increases by €2.5m. The Dutch government, facing a budget deficit, considers the current €8.5m subsidy sufficient and argues the museum should contribute more itself. Mediation talks are making progress, and legal proceedings have been postponed indefinitely, with both sides aiming to conclude before summer.
Creative New Zealand (CNZ) explicitly states on its website that it does not fund fashion design, classifying it as primarily part of the commercial creative industries. The article highlights the contradiction that while major institutions like The Dowse Art Museum, Auckland Art Gallery, and World of WearableArt treat fashion as art, CNZ denies funding to fashion designers, with rare exceptions for non-commercial, cross-cultural, or collaborative projects. Fashion designer Doris de Pont, founder of The New Zealand Fashion Museum, notes that even when her trust received CNZ support, it was for the art connection, not the fashion itself.
Berlin's cultural senator Sarah Wedl-Wilson resigned on Friday after the Berlin Court of Auditors ruled that millions in funding for antisemitism prevention projects were illegal. The resignation has sparked a political debate, with CDU general secretary Ottilie Klein defending governing mayor Kai Wegner against opposition criticism, while Franziska Stoff of the Berlin Culture Conference demands stability and a reversal of budget cuts. Thomas Fehrle, director of the Deutsche Oper Berlin, expressed personal regret over Wedl-Wilson's departure, praising her competence and engagement.
À quoi ressemblera le futur musée du Louvre ? Les architectes du chantier du siècle désignés
On May 18, the French Ministry of Culture announced the winner of the international competition for the 'Louvre Nouvelle Renaissance' plan, championed by President Emmanuel Macron in January 2025. The winning consortium, led by Studios Architecture Paris and Selldorf Architects with landscape firm Base, will design a major renovation of the Louvre. The project includes a new entrance on the east side near Saint-Germain-l’Auxerrois to relieve congestion at the pyramid, a belvedere overlooking vegetated moats, and a new 3,000-square-meter gallery dedicated to the Mona Lisa. Construction is not expected to begin before 2028.
The UK government is exploring a proposal to charge admission fees for foreign tourists at national museums in England, sparking widespread opposition from cultural institutions. The idea was raised in a review of Arts Council England by Labour peer Margaret Hodge, who suggested digital ID checks could enable such a system, though she noted it would bring in less than £10 million and may not be worth the hassle. Museums like the Royal Armouries have condemned the plan as undermining universal access and projecting a lack of generosity, while the Cultural Policy Unit warns it would be logistically complex and ideologically problematic given the colonial origins of many collections.
The Penn Cultural Heritage Center (PennCHC) at the University of Pennsylvania's Penn Museum will launch the National Survey of Museum Collecting Practices on May 20, running through August 20. This first-of-its-kind survey, part of the Museums: Missions and Acquisitions Project (M2A Project), will collect data on acquisitions, deaccessions, loans, provenance research, and policies from U.S. nonprofit museums and libraries. Results will be published in 2027, with only generalized insights to maintain anonymity.
Matthew Goudeau has been appointed as San Francisco's first-ever executive director of arts and culture, tasked with safeguarding the arts as a key part of the city's creative economy and identity. The appointment comes amid uncertain federal arts funding, but local arts funding in San Francisco is projected to increase this year under Mayor Daniel Lurie's leadership.
The National Gallery of Art (NGA) in Washington, DC, has received a landmark $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its Across the Nation lending programme. Launched in spring 2025, the initiative has already reached around 900,000 visitors at ten partner institutions, including the Anchorage Museum and the Mint Museum, by loaning works from the NGA's collection at no cost—covering transport, installation, insurance, and marketing. The next cycle will run from autumn 2027 to 2029, with new partners to be announced.
Two letter writers to The Guardian criticize the UK government's arts funding imbalance, highlighting that London receives disproportionate investment compared to northern England. Christine Baranski points out that £135m was spent on the V&A East in London while the Tate in Liverpool has been closed for over two years and the Albert Docks cultural area appears neglected. Sharon Maher notes that Arts Council spending is roughly £57 per Londoner versus £28 per person in the north, and argues that future national museum outposts should be located in the north.
The Sainsbury Centre in Norwich, England, has received a £91.2 million donation from politician and philanthropist Lord David Sainsbury, one of the largest gifts ever made to a UK museum. The funds will support a major refurbishment of the Grade II* listed building, originally designed by Norman Foster, including the conversion of the south cafe terrace into a sustainable space and the installation of photovoltaic panels. The museum was founded in 1973 through a donation from Lord Sainsbury’s parents, Sir Robert and Lady Lisa Sainsbury, who also commissioned Foster to design the gallery.
The Getty Foundation has awarded an additional $1.8 million to its Black Visual Arts Archives initiative, bringing total funding to $4.5 million across 20 awards. The program supports institutions in processing, digitizing, preserving, and activating archival collections related to Black artists and arts organizations in the US. Grantees include Afro Charities, the Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, the South Side Community Art Center, the University of Chicago’s South Side Home Movie Project, and the David C. Driskell Center. Notable discoveries include footage of the original Wall of Respect mural from the South Side Home Movie Project.
On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.
The Sainsbury Centre in Norwich, one of England's greatest art galleries, has received a £91.2 million donation from the Gatsby Charitable Foundation, created by David Sainsbury. The funds will finance a major refurbishment of the Grade II-listed building, originally designed by Norman Foster in 1978, including structural repairs, energy efficiency upgrades, and enhanced visitor amenities. The centre houses a renowned collection featuring works by Picasso, Degas, Bacon, Moore, and Lalique.
The Getty Foundation has awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archives initiative, a multi-year program aimed at increasing access to archival collections related to Black artists and arts organizations. The grants will support processing, digitization, and public programming at venues including Afro Charities, Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, South Side Community Art Center, the University of Chicago's South Side Home Movie Project, and the David C. Driskell Center. This brings Getty's total funding for the initiative to $4.5 million since 2022, supporting 20 grants nationwide.
Die AfD probt die Machtergreifung
The article reports that in the German state of Saxony-Anhalt, the far-right party AfD could achieve an absolute majority in the upcoming September election—a first in postwar German history. The state government has preemptively introduced a cultural funding law to protect the arts. The AfD's platform includes a "new patriotic cultural policy" under the slogan "#deutschdenken," which explicitly targets the Bauhaus and modernist art as symbols of an "identity disorder" they promise to "heal."
Cuyahoga County, Ohio, has funneled $270 million into arts and culture since 2007 through a cigarette tax, distributed by the nonprofit Cuyahoga Arts and Culture. Beneficiaries include the Cleveland Museum of Art, the Museum of Contemporary Art Cleveland, the Cleveland Institute of Art, ICA-Art Conservation, Sculpture Center, and the Cleveland Arts Prize. The tax has funded roughly 4,000 grants to 485 organizations, far exceeding the $48 million the entire state received from the National Endowment for the Arts in the same period.
Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.
The Trump administration has proposed painting the granite Eisenhower Executive Office Building in Washington, D.C., white. The National Capital Planning Commission met on May 7, 2026, to review the plan, which was also submitted to the U.S. Commission of Fine Arts on April 16. That commission approved the idea conditionally, pending successful paint testing. The project, estimated to cost $7.5 million, has drawn over 2,000 public comments, most negative.
L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre
The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.
The Sainsbury Centre, an art museum in Norwich, England, has received a £91.2 million donation from British politician and businessman David Sainsbury through his charitable foundation, Gatsby. The funds will be used to renovate the grade II* listed building, originally designed by Norman Foster and completed in 1978. The renovation, led by Foster + Partners, includes improvements to the building envelope, photovoltaic panels, and upgraded visitor facilities, aiming to halve the museum's energy use and support the University of East Anglia's net zero campus goal by 2045.
Was die Sanierung des Pergamonmuseums kostet
The Pergamon Museum in Berlin is undergoing a major renovation with a total budget of €1.5 billion for both construction phases, including cost risks. The Federal Office for Building and Regional Planning (BBR) has announced that current projections indicate the overall costs will not be exceeded. Phase A, which includes the hall housing the famous Pergamon Altar, is expected to open on June 4, 2027, with a potential cost increase of up to 5% over the originally approved €489 million. Phase B, covering the Ishtar Gate and Babylonian Processional Way, has seen its cost forecast reduced by €27 million to €722.4 million, with an additional €295.6 million set aside for risks and price increases. The museum will fully reopen only in 2037.
A survey of 329 museum directors in the UK, published in the Art Fund's Museum Directors Research 2026 report, reveals that staff shortages have overtaken building maintenance as the top concern for cultural institutions. Conducted by Wafer Hadley between January and March 2026, the study shows that 85% of directors cite team size and capacity as the main barrier to programming, ahead of budget constraints (67%) and lack of specialized expertise (23%). The National Gallery in London launched a voluntary redundancy plan in February 2026 to address a projected deficit of £8.2 million, while the Museum of Cambridge cut a third of its staff and reduced opening hours. Local authority grants have decreased or ceased for 45% of institutions between 2024-2025 and 2025-2026, and over a third of museums have reduced or plan to reduce opening hours and annual exhibitions.
À Rome, l’extension de la Galerie Borghèse provoque une fronde
The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.
Five museum collections in Scotland have been awarded national significance status on International Museum Day, bringing the total number of recognized collections in Scotland to 56. The newly designated collections are the Linoleum Collection (managed by OnFife), the Photographic Collection (University of St Andrews), the Duncan of Jordanstone College of Art & Design Collection (University of Dundee Museums), the Oakbank Collection (Scottish Crannog Centre), and the Art Collection (University of Stirling). The Recognition Scheme, managed by Museums Galleries Scotland, highlights collections beyond those held in national museums and galleries, spanning from Shetland to Dumfries and Galloway.
The Oklahoma Arts Council has announced a historic gift of artworks for the Oklahoma State Art Collection. The donation, described as one of the largest in the collection's history, includes a significant number of works by Oklahoma artists and will be formally added to the state's holdings.
Sachsen-Anhalt has enshrined support for art and culture as a state objective in a new law, passed by the state parliament in Magdeburg with the exception of the AfD faction, which abstained. Culture Minister Rainer Robra (CDU) framed the law as fulfilling a promise from 1989, defining what constitutes art and culture in the state, including their roles in education and as an economic factor, and aiming to make cultural structures resilient against future attacks on artistic freedom.
Die Biennale muss offen bleiben – auch für Russland
The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.