A nationwide general strike, called for Friday, January 30, 2026, in protest of U.S. Immigration and Customs Enforcement (ICE) operations in Minneapolis, has prompted numerous art galleries and organizations to close their doors. Major commercial galleries like Gagosian, David Zwirner, Hauser & Wirth, and Pace Gallery, alongside institutions such as the Museum of Contemporary Art Los Angeles and the Drawing Center, are participating in the shutdown.
The New York City Council passed the Climate Mobilization Act, a sweeping piece of legislation designed to drastically reduce greenhouse gas emissions from large and mid-sized buildings. The law sets strict emissions reduction targets for 2024, 2030, 2040, and 2050, with the ultimate goal of an 80% reduction by 2050. Major cultural institutions like the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the New Museum, and the planned headquarters of Pace Gallery are among the buildings affected.
The National Endowment for the Arts (NEA) has announced funding cuts to arts organizations across the U.S. as part of broader government spending reductions under the Trump administration. These cuts disproportionately affect Black-led art institutions, including the Museum of Contemporary African Diasporan Art (MoCADA), Museum Hue, and the Billie Holiday Theatre, which rely heavily on federal grants for programming and operations. While some organizations received final payments or avoided returning funds, they face an uncertain future as critical funding streams are terminated or made ineligible for renewal.
MoMA PS1, the contemporary art satellite of New York's Museum of Modern Art, announced it will offer free admission to all visitors starting January 1, 2026, thanks to a $900,000 donation from entrepreneur Sonya Yu. Previously, only New York City residents received free entry, while others faced a suggested $10 fee. The move positions MoMA PS1 as New York's largest free art museum, joining institutions like the Bronx Museum of the Arts and the American Folk Art Museum.
Members of the Wexner Center for the Arts union, Wexner Workers United, have formally demanded that Ohio State University remove Leslie Wexner's name from the art center. In a letter posted on Instagram, the union cites Wexner's documented ties to convicted sex offender Jeffrey Epstein, noting his name appears over 1,300 times in Department of Justice files. The union argues that the connection meets the university's criteria for renaming, and that staff face daily harassment while artists refuse to collaborate due to the Epstein association.
Unionized staff at the Guggenheim Museum staged a rally outside the institution during a VIP preview for artist Carol Bove, demanding a more robust second contract. Members of UAW Local 2110, including conservators, archivists, and educators, are protesting recent layoffs that cut 7% of the workforce and left remaining employees with unsustainable workloads. The union is currently negotiating for higher wages, lower healthcare benefit costs, and improved job security following a grievance filed against the museum in February 2025.
Saudi Arabia is significantly scaling back its ambitious "Vision 2030" cultural and infrastructure spending due to falling oil prices and massive budget overruns. Major international projects, including a $200 million investment deal with the Metropolitan Opera in New York and funding for the Centre Pompidou’s refurbishment, are currently in limbo or facing payment delays. Reports of unpaid invoices to art service firms and the halting of "gigaprojects" like Neom suggest a period of financial retrenchment for the kingdom.
President Donald Trump has initiated a controversial overhaul of the Kennedy Center in Washington, D.C., renaming it the 'Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts' and appointing himself chairman. Following the dismissal of long-time president Deborah Rutter and the installation of a board led by Richard Grenell, the institution has pivoted toward conservative programming, leading to a 93% to 57% drop in ticket sales and high-profile boycotts from artists like Philip Glass. The center is now slated for a two-year closure starting after July 4 for major renovations, a move that has sparked alarm among preservationists and political figures.
Artists in the United States are facing heightened repression, including censorship, funding cuts, and deportation threats, during the first 100 days of Donald Trump's second presidential term. The administration's executive orders have targeted cultural institutions, with a campaign to purge the Smithsonian of 'improper ideology' and the gutting of the Institute of Museum and Library Services. Funding for arts grants, particularly those focused on underserved communities, has been canceled or left in limbo, creating a climate of fear and uncertainty.
The National Endowment for the Arts (NEA) has updated its 2026 fiscal year grant guidelines, cancelling the Challenge America grants that targeted underserved communities and replacing them with a focus on projects celebrating the 250th anniversary of the United States (America250). The changes, announced in response to executive orders by President Donald Trump, eliminate DEI-related funding and require applicants to have a five-year history of arts programming. Organizations that had applied for the $10,000 Challenge America grants must now resubmit under the broader Grants for Arts Projects category, with extended deadlines.
On June 24, New Yorkers will vote in the Democratic primary for mayor, with candidates including embattled incumbent Eric Adams, former governor Andrew Cuomo, and Democratic Socialist Zohran Mamdani, who is gaining support from artists and art dealers. The article outlines the arts-related positions of several candidates: City Council Speaker Adrienne Adams restored $53 million in cultural funding after proposed cuts; Eric Adams has an uneven record, having proposed cuts but later launching the 'NYC Create in Place' pilot program; and Andrew Cuomo's arts stance is mentioned but not detailed.
The Trump administration is moving to eliminate the National Endowment for the Humanities (NEH) while simultaneously cutting its funding and reshaping its priorities. In early May, the NEH announced $9.55 million for 68 projects, a sharp drop from $26.2 million for 238 projects the previous year. The number of Summer Stipends was slashed from nearly 100 to just 18, with total funding cut by three-fourths to $144,000. Only one Media Project grant was awarded, down from ten. The administration has also sought to lay off NEH workers, cancel grants, and divert funds to a National Garden of American Heroes, a presidential pet project.
The Metropolitan Museum of Art has received a $23 million donation from newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, made through the Rubio Butterfield Foundation. The principal gift will endow the museum's undergraduate and graduate internship program in perpetuity, which will be renamed after the couple starting September 2026. An additional donation supports the Met's new Tang Wing for modern and contemporary art, set to open in 2030.
A new report from Remuseum, an initiative of the Crystal Bridges Museum of American Art funded by collector David Booth and the Ford Foundation, reveals that American museums are struggling with post-pandemic visitation declines and rising costs, yet they invest less than three percent of their operating budgets on marketing—comparable to mining and construction industries. The report contrasts historical resistance to marketing, exemplified by former Met president William Luers, with the Getty's Harold Williams, who embraced it. Case studies from the Art Gallery of Ontario and the Peabody Essex Museum show how museums can use audience personas to boost attendance, but current spending remains far below the 13.9 to 18.7 percent of revenues that consultant Colleen Dilenschneider says is needed to reach full market potential.
The Louvre Museum board has voted to raise ticket prices by 45% for visitors outside the European Economic Area, effective January 14. The price will increase from €22 ($25) to €32 ($37), affecting tourists from the United States, Britain, and Russia. The move is part of a broader effort to fund infrastructure upgrades and security improvements following a high-profile heist in October in which thieves stole nine pieces of jewelry worth an estimated $102 million from the Apollo Gallery. The museum's director, Laurence des Cars, acknowledged that the institution has "very inadequate" and "outdated" security systems, and a full overhaul is not expected until 2032.
MoMA PS1 in New York will eliminate admission fees for all visitors starting in 2026, funded by a gift from collector and creative strategist Sonya Yu. The three-year initiative coincides with the museum's 50th anniversary and expands its existing free admission for New Yorkers to everyone. Director Connie Butler said the goal is to remove barriers and welcome broader audiences, including families with strollers, while Yu cited her own experience as a Chinese immigrant to explain her motivation.
The New York City Landmarks Preservation Commission has designated the former Whitney Museum building at 945 Madison Avenue as both an individual and interior landmark. Designed by Marcel Breuer and completed in 1966, the inverted ziggurat structure with raw concrete interior served as the Whitney's home until 2015, later housing the Metropolitan Museum of Art's contemporary art annex and the Frick Collection during its renovation. Sotheby's acquired the building in 2023 and plans to relocate its global headquarters there, with renovations led by Herzog & de Meuron. Preservationist groups pushed for landmark status amid concerns about commercial alterations, and the designation now legally protects the exterior and key interior elements like the lobby and main staircase.
Metropolitan Museum of Art director Max Hollein stated in an interview with French publication Le Quotidien de l'Art that the Trump administration's push to eliminate federal DEI programs will not affect the Met, as it is a private organization not subject to those executive orders. The interview, conducted during the Centre Pompidou's 'TransFORMS' exhibition dedicated to Hollein's father, architect Hans Hollein, also covered deaccessioning, repatriation, and the upcoming opening of the renovated Michael C. Rockefeller Wing.
Hundreds of arts organizations and professionals have signed an open letter denouncing censorship, titled 'Cultural Freedom Demands Collective Courage: A Nation-Wide Statement of Values and Principles for the Field of Arts and Culture.' The statement, issued by the National Coalition Against Censorship (NCAC) and New York’s Vera List Center for Art and Politics, responds to the National Endowment for the Arts terminating over $27 million in grants. This follows President Donald Trump's second term, which has banned diversity, equity, and inclusion initiatives in federal government, forcing DEI offices at the National Gallery of Art in Washington, D.C., and the Smithsonian Institution to close. The White House also published a list of artworks at the Smithsonian it deems to feature 'improper ideology.' The letter aims to rally cultural institutions against increasing pressure on programming decisions.
A partial U.S. government shutdown occurred after the Senate passed a funding package but temporarily blocked additional funding for Immigration and Customs Enforcement (ICE). Unlike the previous shutdown, this one does not affect major cultural institutions; the Smithsonian Institution, the National Gallery of Art, the National Endowment for the Arts (NEA), and the National Endowment for the Humanities (NEH) remain open because their funding was approved on time.
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Federal immigration enforcement operations in Minneapolis, led by U.S. Customs and Border Protection and ICE under Operation Metro Surge, have resulted in the deaths of two American citizens, poet Renee Good and nurse Alex Pretti, near major art institutions. The violence and subsequent shelter-in-place orders have directly impacted the local arts community, forcing school closures, remote learning, and causing widespread fear.
The Victoria & Albert Museum in London removed an image of an artwork depicting the Prophet Muhammad from its website due to security concerns following the Charlie Hebdo terrorist attack. The artwork, a poster made by an Iranian artist around 1990, remains in the museum's collection and is available to scholars by appointment. The decision has drawn criticism from experts who view it as self-censorship that could undermine the study of Islamic art.
On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.
The Walker Art Center in Minneapolis is navigating the civic distress caused by 'Operation Metro Surge,' a federal immigration enforcement initiative that has disrupted the lives of local artists, staff, and residents. In response to the atmosphere of fear and the shift to virtual schooling, the museum has positioned itself as a sanctuary, offering art-making kits, indigenous-led workshops, and public screenings to foster community resilience.
Glenn Lowry, the influential former director of the Museum of Modern Art (MoMA) in New York, expressed deep concern that non-profit U.S. museums could lose their tax-exempt 501(c)(3) status under the Trump administration. Speaking on the podcast "The Art World: What If…?!" hosted by Charlotte Burns, Lowry warned that the federal government is prepared to exert significant power to achieve its ambitions, potentially revoking the tax exemption that he calls the "magic wand" behind America's robust cultural programming. His comments follow a House bill passed in November that would allow the Treasury Secretary broad powers to revoke non-profit status, though the bill has stalled in the Senate.
Tate has launched the Tate Future Fund, a US-style endowment fund aiming to raise £150 million by 2030 to secure its long-term financial future. More than £43 million has already been raised, announced at a fundraising gala in Tate Modern's Turbine Hall marking the museum's 25th anniversary, attended by artists Steve McQueen and Tracey Emin. Tate director Maria Balshaw explained that the fund will sit separately, managed by the Tate Foundation, with only the interest drawn annually to support artistic creativity, groundbreaking exhibitions, collection building, research, and public benefit programs like school and family learning.
A l’enterrement d’un centre d’art
The article reports on the closure of a contemporary art center, described metaphorically as a funeral. It details the final days of the institution, the reactions from the artistic community, and the circumstances leading to its demise, such as funding cuts or policy changes.
Leaders from roughly 10 Ivy League and top private research universities have formed a private collective to coordinate their response to the Trump administration's attacks on academic independence and research funding. The administration has paused billions in funding at Cornell and Northwestern, cut $400 million from Columbia, and blocked $2 million from Harvard, which is now suing the government. The collective, operating behind the scenes, is concerned about federal overreach into admissions, hiring, curricula, and international student and faculty policies.
Unionized workers at the Wexner Center for the Arts in Columbus, Ohio, have demanded that the institution remove the name of top funder Les Wexner from its moniker, citing his close ties to convicted pedophile Jeffrey Epstein. In a letter to Ohio State University leadership, Wexner Workers United (WWU) argued that Wexner’s name on the building harms the center’s mission and community trust. Wexner, a billionaire retail magnate and art collector, donated $25 million to the center’s construction in the 1980s and has been mentioned over a thousand times in the Epstein Files; Epstein victim Virginia Giuffre named Wexner as among those she was trafficked to, though Wexner denies the allegations.
The Philadelphia Museum of Art is reinstating a pay-what-you-wish admission policy for Friday nights from April 2026 through Labor Day. This initiative, funded by the William Penn Foundation and board chair Ellen Caplan, coincides with the museum's 150th anniversary and the launch of "Nation of Artists," a massive collaborative exhibition with the Pennsylvania Academy of the Fine Arts featuring over 1,000 works.