howard hodgkin mrs acton export bar

The U.K. government has placed a temporary export bar on Howard Hodgkin’s painting "Mrs Acton in Delhi" (1967–71) following its record-breaking £1.7 million sale at Bonhams. The move by the Department for Culture, Media, and Sport is intended to provide British institutions or domestic collectors the opportunity to match the price and keep the work within the country. The painting is considered a national treasure due to its aesthetic importance and its role in documenting Hodgkin's transition from Pop art to his signature emotive abstraction.

david nahmad denies modigliani nazi loot

Art collector David Nahmad has publicly denied allegations that Amedeo Modigliani’s "Seated Man with a Cane" (1918) is Nazi-looted property. Following revelations from the Panama Papers that Nahmad is the true owner of the painting via the International Art Center, he defended his provenance, claiming the work sought by the heirs of Jewish art dealer Oscar Stettiner is a different painting entirely. Nahmad asserted that if the work is definitively proven to be looted, he will return it, but he currently maintains that the historical documentation regarding a 1944 sale at Drouot refers to a self-portrait, not the work in his possession.

South Carolina’s International African American Museum Officially Acquires Earliest Known Daguerreotypes of Enslaved Americans

South Carolina’s International African American Museum Officially Acquires Earliest Known Daguerreotypes of Enslaved Americans

The International African American Museum in Charleston, South Carolina, has officially acquired the "1850 Daguerreotypes," the earliest known photographs of enslaved Americans. The set of 15 images, taken by J.T. Zealy, depicts seven enslaved individuals—Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—and had been held by Harvard University until a recent legal settlement. Harvard had owned the daguerreotypes since they were commissioned in 1850 by natural historian Louis Agassiz.

california revives nazi looted pissarro cassirer case

California Attorney General Rob Bonta filed a motion on November 17 to intervene in the Cassirer family's two-decade-long restitution case for a Camille Pissarro painting stolen by the Nazis. The artwork, *Rue Saint Honore, Apres Midi, Effet De Pluie* (1897), is owned by Spain's Thyssen-Bornemisza Collection Foundation. The U.S. Court of Appeals for the Ninth Circuit had previously ruled that Spanish law applied, allowing the museum to keep the painting, but California's Assembly Bill 2867, signed into law in September, now seeks to apply California law to protect victims of art theft. The case has been sent back to the U.S. District Court for the Central District of California for reconsideration.

botticelli virgin and child export bar

The United Kingdom has imposed a temporary export bar on Sandro Botticelli's painting "The Virgin and Child Enthroned" (c. 1470), valued at £10.2 million ($13.5 million). The work was sold to a foreign buyer at Sotheby's London last fall for £8.6 million, but the export license deferral—recommended by the Reviewing Committee on the Export of Works of Art—gives British institutions until August 8 to express interest in acquiring it. The painting, previously attributed to Botticelli's workshop, was confirmed as an autograph work through new scientific analyses and has been in the private collection of Lady Wantage since 1904.

nazi looted egon schiele art return

A Manhattan judge has blocked London-based art dealer Richard Nagy from selling or transporting two watercolors by Egon Schiele, which were on display at his booth during the Salon of Art + Design fair at the Park Avenue Armory. The works—Woman in a Black Pinafore and Woman Hiding Her Face—are claimed by the heirs of Fritz Grünbaum, a Jewish Holocaust victim and cabaret performer who died at Dachau. The heirs, Timothy Reif and David Fraenkel, filed suit in Manhattan Supreme Court, alleging the paintings were among 400 artworks surrendered to the Nazis by Grünbaum's wife. Nagy disputes the claim, arguing the works were sold legally by Grünbaum's sister-in-law in 1956 and that previous arbitration boards found no evidence of Nazi looting.

British artist says the Met ‘should take responsibility’ for dress copyright dispute

British artist Anouska Samms has publicly criticized the Metropolitan Museum of Art in New York over a copyright dispute involving a dress displayed in the Met Gala opening exhibition. Samms claims the museum included a garment called the Nervina Hair Dress, which she says is a copy of her collaborative work Hair Dress, created with fashion designer Yoav Hadari during their residency at the Sarabande Foundation. The Met had expressed interest in acquiring the original dress for its Costume Art exhibition but shelved those plans in December. Samms says she was not credited or paid, while Hadari acknowledges her IP rights over the textile but asserts the design and construction are his own. The Met has declined to comment, directing the artists to resolve the matter themselves.

London’s V&A launches webpage exploring provenance of its objects

The Victoria and Albert Museum (V&A) in London has launched a dedicated digital hub to document the provenance of its collection, specifically addressing objects acquired through violence, coercion, or looting. The initiative includes detailed research on controversial items such as the Maqdala material from Ethiopia, Asante Regalia from Ghana, and imperial Chinese jade. This transparency effort coincides with International Provenance Research Day and aims to provide public accountability regarding the museum's colonial-era acquisitions.

Dürer ‘copy’ at London’s National Gallery is the real thing, expert claims

A German scholar, Christof Metzger, has published a new catalogue raisonné claiming that a portrait of Albrecht Dürer's father held by London's National Gallery is an authentic work by the master, painted in 1497. This directly challenges the gallery's long-standing position that the painting is a later copy made after a lost original.

men guilty forging selling fake royal furniture versailles

An antiques expert and a cabinet maker have been found guilty of forging and selling nine imitation 18th-century armchairs that they falsely claimed belonged to French royalty, including Marie Antoinette. Georges "Bill" Pallot, a leading furniture expert, and Bruno Desnoues, a former Versailles restorer, sold the fakes through Paris galleries and Sotheby's to the Château of Versailles and private collectors, including Qatari Prince Tamim ibn Hamad Al Thani and an Hermès family heir. Pallot was sentenced to four years in prison (44 months suspended), fined €200,000, and banned from working as an expert for five years; Desnoues received three years (32 months suspended) and a €100,000 fine. Both must pay €1.6 million in indemnities. The gallery Laurent Kraemer was acquitted, with the court ruling it was also a victim.

Lebanese Artist Ali Cherri Files War Crimes Complaint Against Israel After 2024 Beirut Bombing

Lebanese artist Ali Cherri, with the International Federation for Human Rights (FIDH), has filed a civil complaint in France seeking an investigation into an Israeli airstrike on a Beirut residential building in November 2024. The strike killed seven civilians, including Cherri's parents. The complaint, supported by forensic analysis from Forensic Architecture and Amnesty International, alleges the attack used munitions documented as being employed by the Israeli air force and targeted a civilian object, potentially constituting a war crime.

Congress Moves to Expand Holocaust Art Restitution Claims

The U.S. Congress has passed an extension of the Holocaust Expropriated Art Recovery (HEAR) Act, a 2016 law designed to help heirs of Holocaust victims recover looted art. The new legislation aims to limit the ability of museums and other current holders to use time-based legal defenses, such as statutes of limitations, to block restitution claims, thereby pushing more cases to be decided on their factual merits.

Dealer Yves Bouvier to stand trial in Paris over missing Picassos

Swiss dealer Yves Bouvier has been ordered to stand trial in a Paris criminal court over the alleged disappearance of dozens of works by Pablo Picasso from a storage unit. The unit was rented by Picasso's stepdaughter, Catherine Hutin, from Bouvier's company. Bouvier faces charges of concealing stolen goods and laundering, while his business partner, Olivier Thomas, is charged with breach of trust, embezzlement, and laundering. The investigation, triggered by Hutin's 2015 complaint, found that nearly 70 works went missing, with some, including two portraits and 60 drawings, later discovered to have been sold by Bouvier to Russian collector Dmitri Rybolovlev for €36 million.

No, the courts have not cleared the way for contemporary stained-glass windows at Notre-Dame

Non, la justice n'a pas laissé la voie libre aux vitraux contemporains de Notre-Dame

The article clarifies that legal challenges against installing contemporary stained-glass windows in Notre-Dame Cathedral are still ongoing, contrary to misleading headlines. Two judicial procedures remain active: an appeal by the heritage association Sites & Monuments after losing a first-instance ruling on procedural grounds, and a separate case contesting the legitimacy of the works themselves. Although an emergency injunction was denied because the judge found no urgency, the core legal arguments—that replacing Viollet-le-Duc's windows is not conservation or restoration—remain strong. The author warns that if the windows are installed before the appeals are resolved, they may later have to be removed at great expense.

How did a 16th-century European basin end up as a sacred object in West Africa?

The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.

France Returns Looted Talking Drum to Côte d’Ivoire

france returns looted talking drum cote divoire

France has officially returned the Djidji Ayôkwé, a historic "talking drum," to the Republic of Côte d’Ivoire during a ceremony at the Musée du Quai Branly in Paris. The 940-pound artifact, which was used by the Atchan people to communicate across distances and warn of colonial troop movements, was seized by French authorities in 1916 to suppress local resistance. After decades in French collections, the drum is being transferred to the Museum of Civilizations in Abidjan following a specific vote by the French parliament.

right wing group great british pac block parthenon marbles

Former U.K. Prime Minister Liz Truss and right-wing group Great British Pac have sent a letter to current Prime Minister Keir Starmer, Culture Secretary Lisa Nandy, and British Museum trustees, threatening legal action against an alleged "covert" deal to return the Parthenon Marbles to Greece. The letter, signed by 34 individuals including historian David Starkey, claims the British Museum is engaged in an "accelerating campaign" to remove the sculptures and warns of seeking an injunction to halt negotiations. The British Museum confirmed receipt of the letter but stated that discussions with Greece about a Parthenon partnership are "ongoing and constructive."

ucla fowler museum returns artifacts australia larrakia

The Fowler Museum at UCLA has voluntarily returned 11 culturally significant objects to the Larrakia Community of Australia’s Northern Territory. The items, including a kangaroo tooth headband and 10 glass spearheads dating from the late 19th and early 20th centuries, were handed over in a ceremony on May 20. Half of the objects arrived at the museum in 1965 via a large donation from the Wellcome Trust, while the rest were gifts from private collectors. Since 2021, Larrakia elders have worked with AIATSIS and the Fowler Museum to identify and facilitate the return. The Larrakia community plans to open a cultural center next year to house the repatriated items.

David Nahmad maintains that his Modigliani was not looted by the Nazis

David Nahmad is continuing his legal battle to prove that his Modigliani painting, *Seated Man with a Cane* (1918), was not looted by the Nazis from the Jewish dealer Oscar Stettiner. Despite a recent New York ruling against him, Nahmad’s lawyers have filed a motion to review the case based on new eyewitness testimony. Two witnesses claim the painting they saw in the Van der Klip family—which bought the Nazi-looted work in 1944—is completely different from Nahmad’s painting, lacking a seated man or a cane. Nahmad’s legal team also cites a 1946 French bailiff report and a recent catalogue raisonné by Marc Restellini to argue that Mondex, the restitution firm working for Stettiner’s heirs, misidentified the work.

Nahmad Seeks to Reopen Modigliani Restitution Case With New Witnesses

David Nahmad's lawyers are asking a New York court to reconsider its April 3 decision in the restitution case over Amedeo Modigliani's *Seated Man with a Cane* (1918), which awarded the painting to the estate of dealer Oscar Stettiner. They cite new eyewitness testimony from Frédéric Allain, who recalls a different Modigliani—smaller, darker, and without a seated man or cane—hidden by the Van der Klip family in Paris during World War II, suggesting the wrong painting may have been the focus of the case. The filing also references a 1946 report describing the missing work as a self-portrait and a new catalogue raisonné by Marc Restellini that finds no link between the painting and Stettiner. Mondex, representing Stettiner's heirs, rejects the claims, asserting that *Seated Man with a Cane* bears Stettiner's name and was in the family's possession from 1944 to 1996.

nahmad lawsuit nazi looted modigliani

The estate of Jewish art dealer Oscar Stettiner has filed a new lawsuit in the New York State Supreme Court against the Nahmad family, seeking the restitution of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The suit alleges that the $25 million portrait was looted by the Nazis in Paris and is currently held by the International Art Center, which the plaintiffs claim is a shell company controlled by the Nahmads. This legal action follows a 2012 dismissal of a similar claim by Stettiner’s grandson, Philippe Maestracci, due to a lack of standing.

jackson pollock painting lawsuit molly mcqueen

Molly McQueen, the granddaughter of actor Steve McQueen, is suing South Carolina lawyer Brent Borchert for a Jackson Pollock painting valued at $68 million. The lawsuit, filed in Los Angeles County Superior Court in August, alleges that Steve McQueen transferred the Pollock drip painting to Borchert's parents, Rudolph and Pamela, in exchange for a motorcycle and a property in Latigo Canyon. When the motorcycle was crashed and the property title never changed hands, McQueen demanded the painting back, but the Borcherts failed to return it. Brent Borchert, who inherited the painting along with his sister Bettina after his parents' deaths, told the Mirror that the deal was 'hazy' and that he is open to a reasonable agreement if evidence supports the claim.

Dutch Panel Designs Plan to Deal With ‘Orphaned’ Nazi-Looted Art

A Dutch advisory panel has recommended the creation of a new independent Jewish foundation to manage a vast collection of artworks looted by the Nazis that remain unclaimed. The collection, known as the NK collection, consists of over 3,000 objects currently held by the Dutch state, but whose original owners or heirs have not been identified.

MFA Boston returns work by enslaved artist David Drake to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi—podcast

The Museum of Fine Arts (MFA) in Boston has agreed to return two 1857 works by the enslaved potter David Drake to his descendants. One vessel will remain on loan to the museum for at least two years, while the other, known as the "Poem Jar," has been purchased back by the museum for an undisclosed sum, now carrying a certificate of ethical ownership. The episode also covers the opening of the exhibition "Wifredo Lam: When I Don’t Sleep, I Dream" at the Museum of Modern Art in New York, featuring the modernist painter of African and Chinese descent, and discusses Domenico Ghirlandaio's "Adoration of the Magi" (1488) in the context of a new book on Renaissance foundlings.

Where are the Louvre Jewels?

Wo sind die Louvre-Juwelen?

Six months after a high-profile heist at the Louvre, investigators remain in pursuit of stolen jewelry valued at approximately €88 million. While four suspects are currently in custody, the bulk of the Second Empire-era treasures remains missing, leading to fears that the pieces may have been dismantled or melted down. The investigation has shifted focus toward how the thieves obtained a sensitive 2018 security audit that detailed vulnerabilities in the museum's defenses.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.

1815, a Key Year for the Question of Art Restitution at the Heart of an Enlightening Book

1815, année clé de la question des restitutions d’œuvres d’art au cœur d’un ouvrage éclairant

Art historian Bénédicte Savoy has released a new book, "1815, le temps du retour," which examines the massive wave of art restitutions following the collapse of the Napoleonic Empire. Between 1794 and 1811, French revolutionary and imperial forces seized thousands of artworks and cultural objects from across Europe to fill the Louvre under the guise of creating a universal museum. After Napoleon's defeat in 1815, the subsequent return of these works sparked a global debate involving intellectuals and politicians regarding national identity, cultural property, and the legal status of looted heritage.

New York Court Orders Restitution of a Modigliani to the Oscar Stettiner Estate

La justice new-yorkaise ordonne la restitution d’un Modigliani à la succession d’Oscar Stettiner

A New York court has ordered the restitution of Amedeo Modigliani’s 1918 painting 'Seated Man with a Cane' to the heirs of Oscar Stettiner, a Jewish art dealer. The work was seized during the Nazi occupation of Paris and sold at a forced auction in 1944 before eventually being purchased by the billionaire Nahmad family via an offshore company in 1996. Judge Joel M. Cohen ruled that the evidence of Stettiner’s prior ownership was "unusually strong" and dismissed the defense's claims that the painting was a different version or that the claim was filed too late.

The Founders of Open Restitution Africa (ORA) on Their New Open Data Platform

On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.

nazi looted painting disappears argentina home

A Dutch newspaper, Algemeen Dagblad, discovered a Nazi-looted Baroque painting by Giuseppe Ghislandi (also known as Fra Galgario) listed in a real estate ad for a home in Mar del Plata, Argentina. The painting, which once belonged to Jewish dealer Jacques Goudstikker, was later removed from the listing and disappeared from the house, prompting a police investigation involving Interpol. The work had been in the possession of SS officer Friedrich Kadgien, who fled to Argentina after World War II.