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gavel restitution schedule May 11, 2026 visibility 11 link 6 artists

The Founders of Open Restitution Africa (ORA) on Their New Open Data Platform

On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.

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gavel restitution schedule May 14, 2026 visibility 5 link 1 artist

London's Wellcome Collection returns 2,000 manuscripts to the Jain community

London's Wellcome Collection is returning 2,000 Jain manuscripts to the Jain community, the largest such collection outside South Asia. Acquired in 1919 at a low price from a Jain temple in what is now Pakistan, the manuscripts will be transferred to the UK-based Institute of Jainology and deposited at the University of Birmingham. A Memorandum of Understanding is being signed at the House of Commons. The restitution bypasses the country of origin because the Jain community in Pakistan was displaced after the 1947 partition, leaving no suitable depository there.

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gavel restitution schedule May 14, 2026 visibility 6 link 1 artist

Nazi-looted painting discovered in home of Dutch SS commander's heirs

Art detective Arthur Brand announced the discovery of a Nazi-looted painting, *Portrait of a Young Girl* by Toon Kelder, in the home of the heirs of Hendrik Seyffardt, a notorious Dutch SS commander. The painting was part of the more than 1,100 works plundered from Amsterdam art dealer Jacques Goudstikker by German occupiers. An anonymous heir, who changed his family name, contacted Brand after learning of his ancestry, expressing shame and demanding the painting be returned to the rightful Jewish owners. The current owner, a relative, claims ignorance of its provenance and says the family is discussing restitution.

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