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almeida and dale raided missing alfredo volpi works

Brazilian police raided the São Paulo branch of Almeida & Dale, a prominent gallery, on Wednesday in connection with three missing paintings by modernist Alfredo Volpi. The São Paulo State Department of Criminal Investigations (Deic) executed a search warrant regarding the works, valued at R$6.4 million (about $1.2 million), which have been the subject of a civil dispute. The artist's estate accuses gallery cofounder Carlos Dale of brokering an unauthorized sale in 2006 of the paintings, which were reported stolen in 2008. No artworks were seized, but a laptop was taken, and the gallery has denied wrongdoing, stating it acted as an intermediary in legitimate transactions before any theft report.

The Founders of Open Restitution Africa (ORA) on Their New Open Data Platform

On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.

ohio dutch paintings looted nazis monuments men foundation

The auction of two 17th-century Dutch still-life oil paintings of flowers was halted at Apple Tree Auction Center in Newark, Ohio, after the Monuments Men and Women Foundation and the Jewish Digital Cultural Recovery Project identified them as Nazi-looted art. The paintings, originally part of Adolphe and Lucie Haas Schloss's collection, were seized in 1943 and later stored in Hitler's Führerbau before being looted again. Foundation founder Robert Edsel traveled to Ohio to alert the auction house, which cooperated by removing the works from sale and placing them in a vault. The consignor's identity remains undisclosed, and the foundation is working to return the paintings to the Schloss family.