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rate_review review schedule Dec 10, 2025 visibility 26 link 21 artists

what are the 10 best works of art in new york museums let the debate begin

Artnet News critic Christian Viveros-Fauné has published a personal list of the ten best works of art in New York museums, sparking debate among readers. The selection includes iconic pieces such as Giovanni Bellini's *St. Francis in the Desert* at the Frick Collection, Gerhard Richter's *October 18, 1977* at MoMA, Paul Cézanne's *The Card Players* at the Metropolitan Museum of Art, James Rosenquist's *F-111* at MoMA, Diego Velázquez's *Juan de Pareja* at the Met, and Pablo Picasso's *Les Demoiselles d'Avignon* at MoMA, among others.

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rate_review review schedule Jun 16, 2025 visibility 23 link 14 artists

cubism at the met modern art that looks tragically antique

The Metropolitan Museum of Art's current "Cubism" exhibition showcases masterpieces from the Leonard A. Lauder Cubist Collection, featuring works by Pablo Picasso, Georges Braque, Juan Gris, and Fernand Léger. The show spans six galleries and presents some of the finest examples of Cubist art, including iconic pieces like Braque's *The Castle of La Roche-Guyon* (1909) and Picasso's *The Oil Mill* (1909). The exhibition is essentially a curated display of Lauder's promised gift to the Met, highlighting the "Four Horsemen" of Cubism while omitting the broader context of the movement's other pioneers, such as the Salon Cubists.

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rate_review review schedule Nov 28, 2025 visibility 16 link 7 artists

The Big Review | Fra Angelico at Palazzo Strozzi and Museo di San Marco, Florence ★★★★★

A major two-venue exhibition dedicated to early Renaissance master Fra Angelico (c. 1395-1455) has opened at Palazzo Strozzi and Museo di San Marco in Florence. The show, four years in the making, features unprecedented loans from over 70 museums and 28 newly conserved works, including the Fiesole Altarpiece (c. 1420-23) and the San Marco Altarpiece (1438-43). It reunites dispersed predella panels and decorative components looted during the Napoleonic era, presenting the most complete picture of Fra Angelico to date while challenging the notion that his work was archaic.

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