Frederic Remington's 1905 painting *Coming to the Call* sold for $13.3 million at Christie's in New York, setting a new auction record for the artist. The work was part of the two-part sale "Visions of the West: The William I. Koch Collection," which became the most successful Western art auction ever, realizing $84.1 million.
The Winter Show returns to New York's Park Avenue Armory from January 23 to February 1, 2026, blending blue-chip modernism with decorative arts, design, jewelry, and antiques. The fair features a special presentation titled 'Study of a Young Collector,' curated by Patrick Monahan in collaboration with executive director Helen Allen, which imagines the private study of a next-generation collector using works from 11 international dealers exhibiting for the first time. Notable highlights include Jonathan Boos's presentation of Christo and Jeanne-Claude's early work 'Wrapped Toy Horse' (1963), priced at $450,000, and a rare copper and gilt mask by Harlem Renaissance artist Sargent Claude Johnson from 1933, priced at $245,000. Boccara Gallery also showcases modern and contemporary tapestries by artists like Man Ray and Alexander Calder.
Artnet News published part two of a two-part series featuring advice from 11 experienced collectors. Among them are comedian Cheech Marin, who began collecting Chicano art in the 1980s and opened the Cheech Marin Center for Chicano Art and Culture in Riverside, California in 2022, and Kiran Nadar, founder of the Kiran Nadar Museum of Art in India, who with her husband has amassed over 15,000 works. Marin emphasizes trusting instincts, building relationships with artists, seeing art in person, and warns about storage space becoming an addiction. Nadar advises staying open and curious, and not hesitating to explore the unfamiliar.
Claudia Alarcón, a Wichí artist from Argentina, learned the traditional yica stitch from her mother and grandmother at age 12. Her weavings, created in collaboration with the all-female collective Silät, were a standout at the 2024 Venice Biennale, earning critical praise from Barry Schwabsky in The Nation. The works are now featured in a solo show at James Cohan Gallery in New York, as well as in Brazil’s Bienal do Mercosul, and will travel to the De La Warr Pavilion in England, the Museo de Arte de São Paulo, and the Guggenheim Bilbao.
A new exhibition at the Princeton University Art Museum, titled "Photography as a Way of Life," celebrates the photographers who helped establish art photography as a serious movement from the 1940s to the 1970s. The show features works by Minor White, Aaron Siskind, Harry Callahan, and others, including images by Ming Smith, Donna-Lee Phillips, and Walter Chappell. The exhibition runs until September 7 and highlights how these educators and artists transformed photography's role in both the art world and higher education.
The latest edition of Expo Chicago has reinforced its reputation as a curator-centric fair, with more than half of its booths dedicated to curated or thematic sections. Under the leadership of new director Kate Sierzputowski, the fair integrated institutional voices directly into the floor plan through sections like 'Embodiment,' curated by Louise Bernard of the Obama Presidential Center. This strategic focus on curation and local institutional ties resulted in strong early sales, including works by María Magdalena Campos-Pons, Torkwase Dyson, and Ambreen Butt, with several pieces acquired by American institutions.
Rebecca Salsbury James, an artist who mastered reverse painting on glass and colcha embroidery, is gaining renewed attention. Born in 1891 in London to parents involved in the Buffalo Bill Wild West Show, she later moved to Taos, New Mexico, where she lived until her death in 1968. She was married to photographer Paul Strand, a close friend of Georgia O'Keeffe, and exhibited at Alfred Stieglitz's gallery. Recent milestones include her inclusion in the 2025 Site Santa Fe International, a new acquisition by the Georgia O'Keeffe Museum, and a record auction price for her work at Christie's in 2016.
This edition of State of Play, part of Artnet Pro's The Asia Pivot newsletter, reports on multiple developments across Asia's art scene. Highlights include the launch of Art Fairs Pavilion Taipei, a new alternative art fair co-founded by Hong Kong dealers Willem Molesworth and Ysabelle Cheung, with 13 galleries for its inaugural edition. Galleries Antenna Space and Kwai Fung Hin Art Gallery are expanding into Hong Kong and Singapore respectively, while veteran Beijing gallery Long March Space has closed its physical venue. The Taipei Fine Arts Museum announced Taiwan's collateral exhibition at the Venice Biennale, and the Hong Kong Museum of Art named artists for its collateral show. The Asia Society Museum in New York will open a 70th-anniversary exhibition, and the H+ Museum in Suzhou, designed by Tadao Ando, officially opened with two inaugural shows.
Christie's will auction over 100 objects from Maurice Sendak's personal collection on June 10, 2025, at Rockefeller Center, with an online component from May 29 to June 10. The sale includes works by Dürer, Rembrandt, David Hockney, Pablo Picasso, George Stubbs, and William Blake, as well as rare editions of Blake's *Songs of Experience* (1794) and *Songs of Innocence* (1789), a vintage Mickey and Minnie Mouse tinplate toy, and 30 lots by Sendak himself, including a first-edition cover of *Where the Wild Things Are* (1963). Proceeds will support the Sendak Fellowship residency program at the Sendak Foundation in Ridgefield, Connecticut.
Schoelkopf Gallery in New York has opened "Mary Abbott: To Draw Imagination," the first comprehensive survey exhibition dedicated to Abstract Expressionist painter Mary Abbott, who died in 2019. The show follows the gallery's announcement that it now represents Abbott's estate. Abbott, born in 1921 into a prominent New York family with presidential lineage, studied at the Art Students League and Subjects of the Artists, and showed alongside Jackson Pollock, Willem de Kooning, and others in the landmark 1951 Ninth Street Show, yet her legacy has remained largely overlooked.
Artsy Editorial profiles 10 contemporary artists whose work aligns with the visionary, technology-driven approach of fashion designer Iris van Herpen. The article highlights van Herpen's career milestones, including her 2011 invitation to join the Chambre Syndicale de la Haute Couture, and her ongoing fusion of traditional craftsmanship with cutting-edge technology to create wearable art. It then presents a curated list of artists who similarly explore themes of organic form, digital fabrication, and the intersection of art and fashion.
Scottsdale Art Week is returning for its second edition from March 19–22, 2026, at the Westworld of Scottsdale. The fair will feature over 110 international and local galleries, showcasing a mix of blue-chip modern and contemporary works alongside historic, Indigenous, and Western art. This year's event includes partnerships with major regional institutions like the Phoenix Art Museum and the Denver Art Museum for a series of curated programs and panel discussions.
The Rijksmuseum in Amsterdam has announced an $11.5 million permanent sculpture garden, funded by a €60 million donation from the Don Quixote Foundation. Designed by Foster + Partners and landscape architect Piet Blanckaert, the garden will transform three areas of the museum grounds into a permanent display of Modern and contemporary sculpture, featuring works by Alberto Giacometti, Louise Bourgeois, Alexander Calder, Henry Moore, and Roni Horn. Three existing pavilions will be converted into exhibition spaces, and the garden is slated to open later this year, pending local council approval.
Trustee Patsy Marino resigned from the Palm Springs Art Museum board just one week after Christine Vendredi was appointed director on September 29, 2024. In a resignation letter reported by the Los Angeles Times, Marino alleged that the hiring committee failed to interview any outside candidates, despite two "exceptional" candidates being considered, and cited "inappropriate interference" by the executive committee, individual trustees, and museum staff. Two other board members also left the 22-member body, though the museum claims their departures were unrelated. Vendredi, previously chief curator and interim CEO, has a background in luxury brand management at Louis Vuitton and holds multiple advanced degrees but no prior museum directorship experience.
Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.
President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.
Abstract Expressionist painter Mary Abbott has died at age 98 due to heart failure, as confirmed by McCormick Gallery in Chicago, which represented her for nearly 20 years. Known for her colorful canvases and sweeping brushstrokes, Abbott was praised by the New York Times in 2008 as one of the last great Abstract Expressionist painters of her generation. Despite her early modeling career on Vogue covers and her immersion in the downtown New York art scene alongside figures like Mark Rothko and Willem de Kooning, her work received little scholarly recognition until the 2016 Denver Art Museum exhibition "Women of Abstract Expressionism," which traveled to the Mint Museum and Palm Springs Art Museum.
Amanda Carneiro and Raphael Fonseca have been named curators of the 2027 Bienal de São Paulo. Carneiro, a curator at MASP since 2018, has organized solo exhibitions for artists including Santiago Yahuarcani, Beatriz Milhazes, and Sonia Gomes, and was part of Adriano Pedrosa’s curatorial team for the 2024 Venice Biennale. Fonseca, visual arts programmer at Culturgest and curator-at-large at the Denver Art Museum, is currently curating the Taiwan Pavilion for the 2026 Venice Biennale and co-curating the 3rd Counterpublic Triennial. He also curated the 2025 Bienal do Mercosul.
The Andy Warhol Foundation for the Visual Arts has announced its Fall 2025 grant recipients, awarding over $4 million to 57 arts organizations across 17 states, Washington, D.C., and two international locations. Grantees range from established institutions like the Contemporary Arts Museum Houston and Independent Curators International to smaller artist-run spaces such as Mini Mart City Park in Seattle and Transformer in Washington, D.C. Twenty organizations are first-time recipients, including Path with Arts in Seattle and Access Gallery in Denver. Exhibition support covers solo shows for artists like Ching Ho Cheng, Gisela Colón, and Leilah Babirye, as well as group exhibitions such as “Telenovelas” at the Americas Society and the Counterpublic 2026 Triennial.
The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.
The Fundação Bienal de São Paulo has appointed Brazilian curators Amanda Carneiro and Raphael Fonseca as chief curators for the 2027 Bienal de São Paulo, Latin America's largest and longest-running visual arts event. Carneiro, a curator at the Museu de Arte de São Paulo (MASP) since 2018, also organized the main exhibition at the 2024 Venice Biennale. Fonseca, based in Lisbon, works at Culturgest, serves as curator-at-large for Latin American art at the Denver Art Museum, and is curating the Taiwan Pavilion at the 61st Venice Biennale. The event will take place at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park, with further details expected in coming months.
Top 200 art collector and National Gallery of Art trustee Mitchell Rales has donated $116 million to permanently endow the museum's 'Across the Nation' lending program. The initiative loans artworks from the National Gallery's collection to regional museums across the United States, covering all associated costs.
The exhibition “Our Friend, Jean” returns to Brooklyn this May at The Bishop Gallery, coinciding with Frieze Week. The show features twenty artworks alongside personal ephemera and photographs from Jean-Michel Basquiat’s formative years between 1979 and 1980, primarily sourced from the collection of his former roommate Alexis Adler. This iteration includes previously unseen items from Adler’s trove, such as hand-painted garments and postcards, and will be activated by panels featuring Basquiat’s early collaborators.
The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.
The Denver Art Museum is hosting "Women of Abstract Expressionism," the first major museum exhibition dedicated exclusively to female painters of the movement. Curated by Gwen Chanzit, the show features over 50 works by artists including Helen Frankenthaler, Jay DeFeo, Elaine de Kooning, and Mary Abbott. The exhibition highlights how these women were integral to the first internationally influential American art movement but were historically sidelined in favor of male peers like Jackson Pollock and Willem de Kooning.
The article highlights six iconic horse-themed artworks from across history and cultures to mark the Year of the Fire Horse in the East Asian zodiac. It features George Stubbs's "Whistlejacket," Han Gan's "Night-Shining White," and Frederic Remington's "The Broncho Buster," among others, detailing their artistic significance and historical contexts.
A Nobilified, a start-up that lets customers insert themselves into classic paintings for about $140, has created a series of artworks depicting Super Bowl heroes from the New England Patriots and Seattle Seahawks in historical masterpieces. Patriots quarterback Tom Brady appears as Prometheus (1868) by Gustave Moreau, tight end Rob Gronkowski as Abduction of Ganymede by Jupiter (ca. 1644) by Eustache Le Sueur, while Seahawks quarterback Russell Wilson is shown in Ideal portrait of a Spanish King (ca. 1643) by Alonso Cano, with other players featured in works by John Singleton Copley and Benjamin West.
The Museum of Contemporary Art Denver has organized the first exhibition dedicated to conceptual artist Roni Horn's long-standing engagement with water. Titled "Roni Horn: Water, Water on the Wall, You're the Fairest of Them All," the show spans sculpture, photography, drawing, and bookmaking, exploring water's mutability, ecological resonance, and paradoxical purity. Horn, who has received a Ford Foundation grant, Guggenheim Fellowship, and three NEA fellowships, has shown at major institutions including the Menil Collection, Louisiana Museum of Modern Art, Whitney Museum, and Tate Modern, and is represented by Hauser and Wirth.
Italian fashion house Dolce & Gabbana announced that its exhibition “From the Heart to the Hands” will travel to the Institute of Contemporary Art, Miami, opening February 6, 2026, and running through June 14. Curated by fashion historian Florence Müller, the show features over 300 pieces from the brand’s archival and recent collections, including its Alta Moda, Alta Sartoria, and Alta Gioielleria lines, displayed in immersive rooms inspired by art, architecture, folklore, and the dolce vita. The exhibition also includes collaborations with visual artists such as Quayola, Alberto Maria Colombo, Obvious, Vittorio Bonapace, and Felice Limosani.
The Aspen Art Museum is undergoing a strategic shift under director Nicola Lees, moving away from its reputation as a collector's clubhouse toward becoming a global institution. The museum's annual ArtCrush gala and fundraiser week, once centered on wealth-displaying collector home visits and glitzy parties, now emphasizes intellectual programming like the inaugural AIR festival, a $20 million artist-led interdisciplinary initiative featuring talks by Werner Herzog and Hans Ulrich Obrist. This change comes amid soaring local real estate prices, including a $108 million home co-purchased by Steve Wynn and Thomas Peterffy, and contrasts the area's deep pockets with the museum's free admission since 2008.