How JR Transformed Paris’s Oldest Bridge Into a Massive Grotto

French artist JR has transformed Paris's Pont Neuf, the city's oldest bridge, into a massive inflatable grotto titled *La Caverne du Pont Neuf* (2026). The installation measures 120 meters long, 20 meters wide, and up to 18 meters tall, and will be open to the public from June 6 to June 28. It incorporates sound design by Thomas Bangalter of Daft Punk, augmented reality via Snap Inc., and a Bloomberg Connect guide. Over 800 people helped realize the project, which was fabricated from 18,900 square meters of fabric and 20,000 cubic meters of pressurized air by French firm Air Toiles Concept. The work concludes a five-year series of large-scale trompe l'oeil pieces by JR and pays homage to Christo and Jeanne-Claude's *The Pont Neuf Wrapped, Paris* (1975–85), with the blessing of their foundation.

Elle Pérez Envisions New Residency Built on Family Legacy

Artist Elle Pérez is raising $100,000 to buy out relatives from a family home in Cabo Rojo, Puerto Rico, that has been in their family since the 1920s, with the goal of transforming it into an artist residency called Casa Pérez. To fund the project, Pérez is selling a portfolio of chromogenic studio prints for $1,795 each, produced in collaboration with the cultural office Public Relations. The artist’s work, known for intimate portraits and scenes of underground music, has been featured in the Whitney Biennial and solo exhibitions at the Baltimore Museum of Art and Carnegie Museum of Art.

5 lieux d’art à visiter absolument à Rennes

Beaux Arts Magazine highlights five must-visit art venues in Rennes, France, a city known for its youthful energy and cultural heritage. The featured locations include the Musée des Beaux-Arts de Rennes, which houses masterpieces like Georges de La Tour's *Le Nouveau-né* (c. 1645) and recently opened a free satellite space in the Maurepas neighborhood in 2025; Les Champs Libres, a multi-purpose cultural center with a library, museum of Brittany, and science space; and La Criée, a contemporary art center located in a covered market. Other notable spots include the Oniris gallery and the Couvent des Jacobins, which hosts exhibitions from the Pinault Collection.

Andy Warhol’s Patek Philippe Poised for $400,000 Sale—and Other Hot Finds on the Market

Christie's will auction a Patek Philippe Calatrava Ref. 570 watch formerly owned by Andy Warhol on June 12, with an estimate of $200,000–$400,000. The timepiece, double-signed by retailer Hausmann & Co., was first sold in Sotheby's 1988 sell-off of Warhol's estate and later resold at Christie's in 2021 for $150,000. The article also highlights other market offerings, including a collection of John Keats letters estimated at $1.5–$2.5 million at Sotheby's, celebrity-painted garden gnomes for a Chelsea Flower Show charity sale, and spy-themed memorabilia at Bonhams.

New York auctions, James McNeill Whistler at Tate Britain, Edvard Munch—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories: the spring auction results in New York, which saw record prices for works by Jackson Pollock, Constantin Brancusi, and Mark Rothko; the opening of the largest James McNeill Whistler exhibition in Europe in over 30 years at Tate Britain in London, which will later travel to the Van Gogh Museum and The Mesdag Collection in the Netherlands; and a feature on Edvard Munch's 1922 frieze from the Freia Chocolate Factory, currently on loan to the Munch museum in Oslo for the exhibition 'Edvard Munch and the Chocolate Factory.'

Bringing Courbet’s ‘A Burial at Ornans’ Back to Life, While Visitors Watch

The Musée d’Orsay in Paris has turned the yearlong restoration of Gustave Courbet’s monumental 22-foot painting 'A Burial at Ornans' into a public spectacle, allowing visitors to watch conservators at work. The museum demystifies art conservation by making the meticulous process transparent and accessible, inviting audiences to observe the cleaning, repair, and analysis of the 19th-century masterpiece in real time.

Spanish Government Threatens to Fire Director of Museo Reina Sofía

Manuel Segade, director of the Museo Nacional Centro de Arte Reina Sofía in Spain, has been threatened with removal by lawmakers if he does not complete a full inventory of the museum’s over 25,000 artworks by December 31, 2025. The pressure comes from Spain’s Court of Auditors, which has criticized the museum’s cataloguing methods for years, and is backed by the far-right and the conservative Popular Party. Segade, appointed in 2023, has been overseeing a multi-year renovation and has increased the representation of women artists to 35%, though only 15% of the collection’s 26,000 pieces are by women. The museum recently refused to lend Picasso’s *Guernica* to the Guggenheim Bilbao, and a pro-Israel group filed a complaint over a Palestinian flag display and a seminar series.

Newcastle Art Gallery’s stunning new exhibitions open up a multiverse

Newcastle Art Gallery has opened three new exhibitions following its February reopening with the blockbuster show 'Iconic Loved Unexpected'. The new presentations include Tiyan Baker's solo show 'Mouth Mnemonica', 'The Mordant Family Gift' featuring 25 works donated by philanthropists Simon and Catriona Mordant, and Brian Robinson's 'Multiverse'. The exhibitions collectively showcase a diverse range of national and international artistry, with works by artists such as Gemma Smith, Tim Silver, Alasdair Macintyre, and Rafael Lozano-Hemmer. Baker's solo exhibition focuses on preserving the Bidayǔh language through multimedia works including autostereograms and video installations.

Lap-See Lam presented in major exhibition at Henie Onstad

Henie Onstad Kunstsenter in Oslo, Norway, is presenting a solo exhibition titled "Ombres" featuring Stockholm-based artist Lap-See Lam, the fourth recipient of The Lise Wilhelmsen Art Award. The exhibition showcases major works from Lam's career, including two shadow play installations brought together for the first time as a single immersive installation, alongside new glass-blown sculptures created during her residency at CIRVA in Marseille. Lam's work interprets traditional storytelling forms like Cantonese opera and shadow plays to explore the translation and mistranslation of cultural heritage, tracing histories from 18th-century Chinoiserie to Chinese restaurants in modern-day Sweden, reflecting her family's migration from Hong Kong.

One Fine Show: “Paula Rego, Dance Among Thorns” at MUNCH in Oslo

MUNCH in Oslo presents "Paula Rego: Dance Among Thorns," the first comprehensive museum survey of the Portuguese-British artist in the Nordic region and her largest since the 2021 Tate Britain retrospective. The exhibition brings together over 140 works spanning seven decades, from early abstract political collages to the grotesque papier-mâché tableaux of her final years. A central section traces previously undocumented links between Rego and Edvard Munch, including the discovery of a never-before-exhibited work by Rego's son, Nick Willing. Highlights include Rego's monumental "Oratorio" (2008-09) and "The Dance" (1988), which curator Kari J. Brandtzæg connects to Munch's "Dance of Life" (1898-1899).

10 Artist-Run Galleries Around the World You Should Know

Artsy Editorial profiles ten artist-run galleries worldwide that are thriving despite the challenge of balancing gallery operations with active art practices. These spaces, founded and operated by working artists, leverage their founders' firsthand experience navigating the art world to curate distinctive programming and build meaningful client relationships. Examples include galleries in underserved neighborhoods in Thailand and other global locations, highlighting the diversity of this grassroots movement.

"Es ist nur die Frage: Bist du reich genug oder nicht?"

A Christie's auction in New York saw Jackson Pollock's "Number 7A" sell for approximately $181 million, contributing to a total of $1.1 billion in sales for the evening. The auction, covered by Vanity Fair and the New York Times, featured intense bidding between figures like Iwan Wirth and Alex Rotter, while names such as Jeff Bezos and Ken Griffin were speculated to be involved. Combined with sales from Sotheby's and Phillips, the week generated around $2.5 billion. Meanwhile, a separate controversy erupted in France over artist Claire Tabouret's new stained-glass windows for Notre-Dame Cathedral, with critics arguing they violate heritage protection laws. Additionally, the Fondation Beyeler faces allegations that a Cézanne watercolor in its current exhibition may be Nazi-looted art from the collection of Jewish paper wholesaler Gustav Schweitzer.

Opinion: In galleries across Canada, too much art is being hidden away

Don LePan, a novelist, book publisher, and painter, argues that public art galleries across Canada are failing to display their permanent collections, using the MacKenzie Art Gallery in Regina as a prime example. During a visit in early March, LePan found that none of the gallery's extensive permanent collection—which includes works by Group of Seven artists, European masters like Picasso and Gauguin, and modernists such as Agnes Martin—was on view. Instead, the entire exhibition space was devoted to three special shows: a photographic and conceptual art exhibition by Plains Cree artist Joi T. Arcand, a selection of works by 2025 Governor General’s Awards in Visual and Media Arts recipients, and an Indigenous art exhibition. LePan praises these exhibits but criticizes the gallery's decision to completely exclude its permanent collection.

Kiev bombardé

The Journal des Arts issue of May 15, 2026, covers multiple art-world stories: the Venice Biennale opening amid controversy, France's final adoption of a law on restitution of colonial-era looted cultural property, the new V&A East museum targeting younger audiences, tensions in Giverny where Monet's legacy does not benefit all, and the structuring of the Nabis art market.

A favorable court decision for contemporary stained glass at Notre-Dame

Une décision de justice favorable aux vitraux contemporains à Notre-Dame

A French court has ruled in favor of keeping contemporary stained-glass windows installed at Notre-Dame Cathedral, rejecting a legal challenge from traditionalists who sought their removal. The decision upholds the controversial replacement of 19th-century grisaille windows designed by Eugène Viollet-le-Duc with modern works by artist Pierre Soulages and others, as part of the cathedral's post-fire restoration.

In London, Churchill's astonishing talent as a painter celebrated by an unprecedented retrospective

À Londres, l’étonnant talent de peintre de Churchill célébré par une rétrospective inédite

The Wallace Collection in London is hosting the first major posthumous retrospective of Winston Churchill's paintings, titled "Winston Churchill: The Painter." Running until November 29, 2026, the exhibition features nearly 60 still lifes and landscapes, many from private collections rarely shown publicly. Churchill took up painting in 1915 after the Dardanelles disaster and used art as a therapeutic escape from the pressures of politics and war, producing luminous, impressionistic works inspired by Monet, Cézanne, and Renoir.

‘BlowUp Jubilee’ Celebrates Inflatable Public Art in the Center of The Hague

BlowUp Jubilee, the sixth edition of The Hague's BlowUp Art event, has opened in the Dutch city, featuring 20 inflatable public art installations curated by Mary Hessing. The exhibition takes place at Madurodam and other locations around The Hague, with works by returning artists including Steve Messam, Eugenie Boon, John Körmeling, Sigrid Calon, and Yamuna Forzani. The sculptures interact with historic monuments and buildings, playing with scale, color, and form—such as a giant pink chair that is actually small and a green passageway installation.

Barrage of Russian missiles damages museums, library and theatre in Kyiv

A massive Russian missile and drone strike on Kyiv over the weekend of 24 May damaged multiple cultural institutions, including the National Art Museum of Ukraine, the Yaroslav Mudryi National Library of Ukraine, the Kyiv Opera Theatre, and the National Chornobyl Museum. The National Chornobyl Museum suffered the worst damage, with around 40% of its exhibition hall exhibits destroyed. Ukraine's culture ministry reported the hits, and President Volodymyr Zelensky visited the museum. Russia claimed the barrage was retaliation for a Ukrainian strike, while Ukraine stated it hit a drone unit. The attack killed four people and injured approximately 100.

Museums in England largely oppose proposal to charge admission for foreign tourists

The UK government is exploring a proposal to charge admission fees for foreign tourists at national museums in England, sparking widespread opposition from cultural institutions. The idea was raised in a review of Arts Council England by Labour peer Margaret Hodge, who suggested digital ID checks could enable such a system, though she noted it would bring in less than £10 million and may not be worth the hassle. Museums like the Royal Armouries have condemned the plan as undermining universal access and projecting a lack of generosity, while the Cultural Policy Unit warns it would be logistically complex and ideologically problematic given the colonial origins of many collections.

An Art-Lover’s Guide to Tunis’ Ground-Up Contemporary Scene

The article profiles Selma Feriani, a Tunisian gallerist who opened a new purpose-built gallery in the industrial El Kram district of Tunis in January 2024. Designed with architect Chacha Atallah, the three-story space features a concrete exterior referencing traditional Tunisian hand-application techniques and a garden of olive, palm, and orange trees. Feriani, who previously ran a gallery in London's Mayfair, returned to Tunisia after the Revolution to contribute to the country's cultural renaissance. The gallery currently hosts simultaneous exhibitions: Nadia Ayari's paintings of menacing plants and Nidhal Chamekh's "Frictions," part of his broader historical project "Et si Carthage…" exploring Mediterranean power dynamics.

A pop-up hotel format is born that focuses on culture: starting in an architecture in Arles, France (with photos by Carla Sozzani)

Nasce un format di hotel pop up che punta sulla cultura: si inizia in un’architettura di Arles in Francia (con le foto di Carla Sozzani)

Luca Pronzato, founder of the pop-up restaurant platform We Are Ona, is launching a new itinerant hospitality concept called Casa Ideale. The first edition will take place from July 1–10, 2026, at Villa Bank, a 1970s villa near Arles, France, designed by Emile Sala and protected as a Remarkable Contemporary Architecture by the French Ministry of Culture. Guests will stay in the villa and dine at a restaurant run by chef Gil Nogueira, while the space also hosts a photography exhibition titled "Prologo" curated by Maddalena Scarzella for Fondazione Sozzani, featuring over 60 works from Carla Sozzani's archive by artists such as Urs Lüthi and Helmut Newton, alongside design pieces from the gallery Downtown+ by Luna Laffanour.

Review of the Italian Pavilion by Chiara Camoni and its relationship with the Biennale

La recensione del Padiglione Italia di Chiara Camoni e la sua relazione con la Biennale

Chiara Camoni's Italian Pavilion at the 2026 Venice Biennale, titled "Con te con tutto," is reviewed in relation to Koyo Kouoh's central exhibition "In Minor Keys." Camoni's installation features a crowd of female figures sculpted in clay and natural materials, described as "donne tronco" (trunk women), which evoke growth, transformation, and the intuitive, manual gestures that Kouoh champions. The review highlights how Camoni's work dialogues with Kouoh's curatorial emphasis on drawing, painting, and craft as intuitive practices, moving away from conceptual art. It also notes a performance by Magdalena Campos Pons at the Tese theatre, which includes a portrait of Toni Morrison and Kouoh, accompanied by music by Kamal Malak.

Maddy Inez’s Mystic Ceramics Tell the Hidden Stories of Ancestral Plants

Ceramist Maddy Inez, daughter of artist Alison Saar and granddaughter of assemblage pioneer Betye Saar, creates hand-built biomorphic ceramic sculptures inspired by mysticism and ancestral knowledge. Her works have recently grown in scale, reflecting a deepening exploration of hidden stories tied to ancestral plants.

ICA Watershed reopens for the season with industrial-inspired installations

The Institute of Contemporary Art's Watershed in East Boston has reopened for its 2026 season with the exhibition "Lucy Raven: Rounds," featuring two large-scale installations by New York-based artist Lucy Raven. The show includes "Hardpan," a kinetic light sculpture co-commissioned by the ICA and Barbican Centre, and "Murderers Bar," a 44-minute film documenting the demolition of a concrete dam on the Klamath River in Northern California. Both works explore themes of industrial history, extraction, and environmental transformation, with the Watershed's former factory setting amplifying the industrial resonance.

Pourquoi ce secret autour du Désespéré de Gustave Courbet ?

Gustave Courbet's painting *Le Désespéré* (1843-1845), owned by Qatar Museums Authority, was loaned to the Musée d'Orsay in Paris. The French art publication La Tribune de l'Art requested the loan agreement under transparency laws, but the museum refused, citing a confidentiality clause. The publication then appealed to the Commission d'Accès aux Documents Administratifs (CADA), which has not responded for five months. Separately, the heritage association Sites & Monuments made a similar request to the Ministry of Culture and received a negative response from CADA in March 2026, citing a Conseil d'État ruling that disclosure could harm France's foreign policy.

No, the courts have not cleared the way for contemporary stained-glass windows at Notre-Dame

Non, la justice n'a pas laissé la voie libre aux vitraux contemporains de Notre-Dame

The article clarifies that legal challenges against installing contemporary stained-glass windows in Notre-Dame Cathedral are still ongoing, contrary to misleading headlines. Two judicial procedures remain active: an appeal by the heritage association Sites & Monuments after losing a first-instance ruling on procedural grounds, and a separate case contesting the legitimacy of the works themselves. Although an emergency injunction was denied because the judge found no urgency, the core legal arguments—that replacing Viollet-le-Duc's windows is not conservation or restoration—remain strong. The author warns that if the windows are installed before the appeals are resolved, they may later have to be removed at great expense.

The Invincible Spirit of Edmonia Lewis

The Peabody Essex Museum in Salem, Massachusetts, has opened "Edmonia Lewis: Said in Stone," the first major retrospective of the 19th-century sculptor Edmonia Lewis, who was of Black and Indigenous (Mississauga-Tuscarora) descent. The exhibition displays 30 of her Neoclassical white marble sculptures alongside archival materials and works by other artists, organized into four thematic rooms that explore antislavery, Indigenous artistic worlds, her studios in Rome, and religion and mythology. Co-organized with the Georgia Museum of Art, the show emphasizes Lewis's dual heritage without conflating the two identities, featuring extensive text and quotes from the artist herself.

Ain Bailey “The Jamaica Project” at Camden Art Centre, London

Camden Art Centre in London announces a major new exhibition by London-based composer, artist, and DJ Ain Bailey, featuring a new commission in Gallery 3. The commission is the latest installment of a film trilogy begun in 2021, rooted in Bailey's biography and centered on her personal history.

Brazilian Police name alleged thief of Matisse works

Brazilian police have named Laéssio Rodrigues de Oliveira Silva as the alleged mastermind behind the December 2024 theft of thirteen artworks from the Biblioteca Mario de Andrade in São Paulo. The stolen works include eight prints by Henri Matisse from his book *Jazz* (1947) and five illustrations by Candido Portinari for *Menino de Engenho* (1959). Two suspects were initially identified, with one arrested, but police now allege Rodrigues de Oliveira Silva orchestrated the heist from prison, where he is already serving time for previous thefts of rare books and manuscripts from institutions including the National Library Foundation and the University of São Paulo. He is also suspected of ties to the PCC organized crime gang. Two alleged intermediaries and one of the two gunmen have been arrested, while the other gunman, Gabriel Pereira Rodrigues de Mello, remains at large, and the artworks have not been recovered.

Steven Soderbergh, the Colors of Money

Steven Soderbergh, les couleurs de l’argent

Steven Soderbergh's new film "The Christophers" (2025) is a sharp, chamber-piece drama about art, inheritance, and money. The story follows Julian Skar, a former art superstar from the 1970s now living in seclusion and earning a living by caricaturing himself on social media. His children, Barnaby and Sally, eager to maximize their future inheritance, hire a repentant forger named Lori Butler to secretly complete Julian's unfinished masterpiece, an eight-portrait series titled "The Christophers." The film explores the complex relationships that develop between the four characters in a labyrinthine London house, written in the style of a lively theatrical play.