Pittsford Fine Art will host a solo exhibition of oil paintings by Western New York artist Gary E. Harris from May 1 through May 31, 2026. The showcase features landscapes inspired by Cape Cod and Western New York, alongside still life works that emphasize light, atmosphere, and open composition. Harris, a former creative director who transitioned to full-time painting, draws significant influence from 19th-century French Impressionism.
Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.
The Julia Stoschek Foundation will close its Berlin outpost at the end of October 2025, after a decade of operation. The Düsseldorf-based nonprofit, which holds one of the world's largest collections of time-based art, opened the Berlin space in 2016 and welcomed over 450,000 visitors across 22 exhibitions, including solo shows by Meriem Bennani, Stan Douglas, Arthur Jafa, and Mark Leckey. The foundation cited a "strategic realignment" that will shift focus to projects elsewhere in Germany and abroad. Its Düsseldorf space is currently closed for renovations and expected to reopen next year.
Local artist is set to present a new exhibition at Studio 2880 in Prince George, with nature as the central theme of the work. The exhibit will showcase the artist's creative response to the natural environment, reflecting local landscapes and ecological inspiration.
Studio Russo Gallery, in collaboration with Artvocate, is hosting the opening reception of "Disintegration Regeneration," a solo exhibition by artist Anastasia Travieso-Diaz. The show features works that explore themes of rupture and renewal, using layered compositions and material experimentation to examine cycles of loss, resilience, and transformation.
Gallery Jupiter in Little Silver, New Jersey, presents "The Immersive Landscape," a solo exhibition of paintings by artist Christie Scheele, running from April 30 through June 11, 2026. The show features Scheele's open vista landscape paintings and her new Place Series assemblages, which incorporate foraged natural materials like stones, bark, and seaweed. An opening reception is scheduled for April 30. In conjunction with Earth Day, Scheele also collaborated with artist Kathleen Sweeney and designer Dominick Santise on EcoAction Cards, a set of activity cards aimed at inspiring environmental action.
Actor Matt Dillon presents his first solo exhibition at The Journal Gallery in New York, titled "Porto Novo to Abomey," opening April 24. The series of paintings was inspired by Dillon's travels through Senegal and Benin after filming Claire Denis's movie *The Fence* (2025). Dillon, who began painting about a decade ago with little formal training, creates spontaneous, textured works featuring bold figures, symbols, and words. The show's title traces a 100-mile journey from Benin's capital to the historic Kingdom of Dahomey, reflecting the artist's impressions of local textiles, architecture, and landscapes.
The Musée des Tissus (Museum of Fabrics) has opened its doors, marking the return of a specialized textile museum in Paris. The article also covers several other art-world developments: American Rousseau works returning to Paris, the outsourcing of museum reception services as a growing model, the New Museum's expansion, and Art Brussels adapting to contemporary trends.
Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.
Navid Baraty's series "The Time Between" combines digital photographs of urban skylines like Manhattan and Chicago with dramatic natural landscapes such as desert dunes and snow-capped mountains. Using a double-exposure technique, the artist blends city lights and skyscraper outlines with geological features to explore contrasts between contemporary urban life and ancient, timeless terrains.
DDR-Frauen ohne Filter
The Kunsthaus Apolda in Thuringia is presenting a posthumous retrospective of Günter Rössler, the East German photographer who defined nude and fashion photography in the GDR, on what would have been his 100th birthday. The exhibition features 130 works spanning six decades, including fashion assignments, reportage from his travels abroad, and large-format black-and-white nudes. It is curated by his widow and estate manager Kirsten Schlegel, and complemented by an audio guide in which Rössler's models reflect on their collaboration with him.
The jury of the Venice Biennale has announced it will not award prizes to artists from countries whose leaders face charges of crimes against humanity by the International Criminal Court, a decision widely seen as targeting Russia and Israel. The five-member jury, appointed by the late curator Koyo Kouoh, stated its commitment to human rights and will exclude artists from nations whose governments are under ICC investigation when selecting winners of the Golden and Silver Lion awards for the 2026 edition, which opens on 9 May. The move follows controversy over Russia’s participation in the biennale, with the European Commission threatening to suspend a €2m grant due to Russia’s involvement, and Italy’s far-right government opposing the decision.
È nata una nuova certificazione per migliorare gestione e valorizzazione del patrimonio culturale italiano
A new certification standard called SGPI01:2024 has been launched in Italy to improve the management and valorization of cultural heritage. Developed by Certiquality and the Stati Generali del Patrimonio Italiano (SGPI), the standard was presented in Florence at Palazzo Guadagni Strozzi Sacrati, with the patronage of the Tuscany Region. It applies to all public and private entities that own or manage cultural and landscape assets, introducing a comprehensive management system that goes beyond legal compliance, focusing on conservation, economic sustainability, accessibility, and safety through independent third-party audits.
Springfield artists and married couple Randy Bacon and Heidi Herrman are opening a new collaborative exhibition titled "Two Voices, One Road" at their C-Art Gallery on Historic Commercial Street, running from April 29 to July 4. The show was inspired by a restorative road trip along Route 66 they took in 2021 after Herrman's mother died and as the world emerged from the COVID-19 pandemic. Bacon contributes landscape photographs taken as far back as 1992, while Herrman presents new mixed-media works combining her own photographs with vintage handkerchiefs inherited from her mother, printed on mulberry paper and fused with encaustic materials.
Patrizia Sandretto Re Rebaudengo has transformed a former gunpowder store on the Venetian island of Giudecca into a new exhibition space for her contemporary art collection. The venue, which emphasizes sustainability and adaptive reuse, will showcase works from her extensive collection in a setting that contrasts with the historic grandeur of Venice’s more famous art institutions.
The Vietnam Military History Museum in Hanoi is hosting a lacquer painting exhibition titled “Homeland and the Soldier,” featuring 55 artworks by multiple generations of artists, lecturers, and students. The exhibition, running until the end of May, marks the 51st anniversary of the Liberation of the South and National Reunification, as well as the 136th birth anniversary of President Ho Chi Minh. It is jointly organized by the Vietnam Military History Museum, the Vietnam University of Fine Arts, and the University of Arts and Design, and is structured into three thematic sections: “Homeland Imprints,” “The Soldier,” and “Colours of Peace,” highlighting landscapes, wartime experiences, and post-war development.
Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.
Il poeta della luce. Intervista al lighting designer Davide Groppi
Lighting designer Davide Groppi (born 1963 in Piacenza) is the subject of a rare retrospective exhibition titled "Un'ora di luce" (An Hour of Light), on view until May 26 at the Volumnia gallery in Piacenza, curated by Marco Sammicheli. The show, held in a deconsecrated late-16th-century church, traces Groppi's nearly 40-year career through products, prototypes, and personal artistic research, including his iconic lamp "Nulla" (2010), which won the first of his three Compasso d'Oro awards. In an interview, Groppi discusses the exhibition's themes of lightness, cosmic references, and his philosophy of subtraction in design.
Julia Stoschek Foundation schließt Berliner Standort
The Julia Stoschek Foundation is closing its Berlin exhibition space at the end of October. The foundation, which specializes in video art, opened the venue in 2016 in a former Czech cultural center on Leipziger Straße, quickly becoming a key destination for time-based art in the city. Over its run, it presented 22 solo and group shows featuring artists such as Arthur Jafa, Ian Cheng, and Mark Leckey, attracting more than 450,000 visitors. The closure is part of a strategic reorientation: the foundation will now focus on its headquarters in Düsseldorf and temporary international projects, building on recent presentations abroad like a show in Los Angeles that drew over 30,000 visitors in early 2026.
Berlin's Senator for Culture, Sarah Wedl-Wilson, has resigned after less than a year in office, following a damning report from the Berlin Court of Audit. The report found that the allocation of €2.6 million in funding for 13 projects aimed at combating antisemitism was 'evidently unlawful,' citing a lack of proper criteria, arbitrary project selection, and violations of budget regulations. Wedl-Wilson stated she stepped down to prevent damage to the fight against antisemitism, and Governing Mayor Kai Wegner accepted her resignation, vowing to reform the funding system. The opposition has accused CDU politicians of exerting improper influence to push through the projects.
Bundaberg Regional Galleries in Queensland, Australia, will launch five new exhibitions in May 2025, with opening events spread across the month. The shows include 'Lost in Palm Springs', a national touring exhibition curated by Dr Greer Honeywill featuring 14 artists and thinkers from America and Australia exploring Palm Springs' landscape and mid-century modern architecture; 'Shifting Perspectives: the Self Reconciliation Project' by local artist Avi Amesbury, which uses ceramics and storytelling to examine settler-colonial family history; 'Post Truth' by Gureng Gureng/Gangalu artist Darren Blackburn, addressing the Australian Government's Close the Gap campaign through led-neon signs; 'The Nature of Silk: The Glad Not Sad Book', a family-friendly exhibition of silk art by children's book author Kim Michelle Toft; and 'Metal in Motion' by Kevin Dekker, a collection of sculptures that transform steel, wood, stone and ceramics into dynamic, fluid forms. Opening events will be held at Bundaberg Regional Art Gallery and Childers Arts Space, with free admission and no RSVP required.
暗闇をくぐってみたら Part1 竹内公太展「のののののまつり」@ 市原湖畔美術館
The Ichihara Lakeside Museum, currently under renovation since late 2025, will partially reopen on May 1, 2026, with a theater-style series of solo exhibitions titled "Kōta Takeuchi: Nononononomatsuri" as its first installment. Artist Kōta Takeuchi, born in 1982 in Hyogo Prefecture and based in Fukushima, presents new video installations created during a four-month residency in Ichihara, where he visited over 70 stone monuments across the city—including horse-headed Kannon statues, Koyasu statues, and war memorials—to explore themes of parallel bodies and possession. The exhibition features works such as "Disassembly of the Sansha-za" (2013–2023), "Cement Thief" (2024), and "Sigh of the Ground" (2022), with a map showing the locations of the documented stone monuments.
The Vancouver Biennale has appointed Marcello Dantas as senior curator for its 2027-29 edition. Dantas, a Brazilian curator and art director, has worked on major projects including co-curating Desert X AlUla in Saudi Arabia, curating an Es Devlin exhibition in São Paulo, and serving as art director at Sfer Ik in Tulum. He previously contributed to the Vancouver Biennale's 2013-15 edition with a Vik Muniz project. Dantas emphasizes collaboration with local First Nations and community groups, and plans to explore themes of belonging, displacement, and public art that is ephemeral and participatory.
An art exhibit titled "Where the Seed Remembers: A Celebration of Earth, Lineage and Memory" opened on March 29 at the University of Minnesota’s Landscape Arboretum’s Reedy Gallery in Chaska, featuring 10 artists of color. Co-curated by Northside artist Joshua Gillespie (Brotha Aśe), the show includes works by Ron Brown, Ayolanda Evans, Imani Mansfield, and Allena Sweats, among others, and opened with a libation ceremony by Vusumuzi Zulu and Mariama Imani. The exhibition runs through May 17.
À Chaumont-sur-Loire, d’incroyables jardins recréent des films culte
The Domaine de Chaumont-sur-Loire in France has launched the 2026 edition of its Festival International des Jardins, themed around cinema. Participants including gardeners, landscape designers, and artists—among them actresses Sabine Azéma, Golshifteh Farahani, and Mélanie Laurent, and director Momoko Seto—have transformed small plots into living landscapes inspired by iconic films and cinematic genres, such as a vegetal Cannes Film Festival and a garden based on James Cameron's *Avatar* trilogy. The festival runs from April 22 to November 1, 2026, alongside the estate's ongoing 'Saison d'art' exhibition featuring works by Marc Desgrandchamps, Antonio Crespo Foix, and others.
Indiana University's University Collections at McCalla has opened "Capturing the Campus: T.C. Steele," a collaborative exhibition with the Indiana State Museum and Historic Sites that brings together many paintings by Hoosier artist T.C. Steele for the first time in decades. Steele, who served as IU's first artist in residence from 1922 until his death in 1926, created impressionist works depicting campus scenes, portraits of university presidents and faculty, and landscapes that capture what the campus looked like a century ago. The exhibit, which opened April 17, features paintings sorted by geographic location on campus, alongside a historic map, letters, documentaries, and 3D renderings.
London-based artist Dima Rebus creates large-scale watercolor paintings using water samples collected from strangers around the world. In her series "Floaters," she freezes the crowdsourced water with pigments, then lets it melt across paper to form abstract color fields, later adding figures and aquatic landscapes. Each sample arrives with a letter, building an archive of rain, rivers, seas, oceans, and glaciers that serve as both material and human message.
Carlton Gallery in Blowing Rock, North Carolina, is hosting its 43rd Winter Group and Small Works Exhibition, featuring artwork in all media by standing gallery artists. The exhibition includes paintings, sculptures, wood, glass, clay, and wearable fiber by local and regional artisans, with notable works by George Cadell, Joe Mareka, Nancy Brittelle, Valerie Schnaufer, Mary Means, Bob Meier, Eric Reichard, and others. The gallery invites visitors for holiday cheer, and the show highlights winter landscapes, abstract compositions, and handcrafted jewelry. Separately, Blowing Rock Frameworks & Gallery promotes its collection of local art and framing services, emphasizing works by Elliott Daingerfield, North Carolina's most prolific artist.
Saatchi Yates is partnering with creative director and makeup artist Isamaya Ffrench to launch Studio Iron, a new design gallery whose inaugural exhibition opens April 30 and runs through June 7, 2026. The show presents a dense, post-industrial landscape dominated by steel and iron, featuring works by artists including Jannis Kounellis, Paul McCarthy, Jordan Wolfson, Anne Imhof, Marina Abramovic, Nico Vascellari, and others. Furniture, sculpture, installation, and painting collide in a space that resists categorization, hovering between function and non-function, utility and image.
Museumsbau Berlin Modern verzögert sich bis 2030
The completion of Berlin Modern, a major new museum in Berlin, has been delayed again until 2030 due to moisture damage and microbial infestation found in parts of the raw structure. The Stiftung Preußischer Kulturbesitz (SPK) announced an estimated eight-month postponement, though no construction stop was required. The museum, designed by Herzog & de Meuron, is being built near Potsdamer Platz to expand the Neue Nationalgalerie's exhibition space. Costs have risen from an initial €200 million to a projected €507 million.