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Rare ‘Ocean Dream’ Diamond Sells for Record $17.3 Million at Christie’s

A rare 5.5-carat blue-green diamond known as the 'Ocean Dream' sold for $17.3 million at Christie’s Geneva jewelry sale, setting a record for a fancy vivid blue-green diamond at auction. The sale far exceeded its presale estimate of $9 million to $13 million after a 20-minute bidding battle. In other auction news, Sotheby’s New York sold over $433 million worth of art in its contemporary art sales, including 11 pieces from the Robert Mnuchin collection. Meanwhile, London’s Wellcome Collection agreed to return around 2,000 sacred Jain manuscripts to the Jain religious community under a new restitution framework, acknowledging they were acquired unethically. Several art fairs were announced, including Zero 10 curated by Trevor Paglen at Art Basel in Switzerland, CAN Art Fair Ibiza’s fifth edition, and Art-o-rama’s 20th edition in Marseille. Notable gallery news includes the bankruptcy and closure of French gallery Air de Paris after 36 years, and Carine Karam becoming director of Opera Gallery’s New York outpost. Hong Kong’s M+ and Paris’s Centre Pompidou announced a multi-year strategic alliance, and New York’s Frick Collection entered a three-year partnership with Louis Vuitton.

Artist Foundations’ Net Worth Has Nearly Tripled to $9 B., Led by Cy Twombly Foundation’s $1.5 B. in Art and Assets

New research from the Aspen Institute’s Artist-Endowed Foundation Initiative (AEFI) reveals that artist-endowed foundations in the U.S. now control roughly $9 billion in assets, nearly triple the $3.5 billion reported in 2011 and up 17% from $7.7 billion in 2018. The Cy Twombly Foundation leads with $1.5 billion in art and assets, followed by foundations for Alexander Calder, Joan Mitchell, Helen Frankenthaler, and Robert Rauschenberg, each holding over $500 million. The data, drawn from public tax forms, shows that just five of roughly 500 foundations account for more than half the total, with most established by postwar American artists born before 1931.

‘I am very decisive’: designer Jennifer Gilbert on what she collects and why

Designer, entrepreneur, and philanthropist Jennifer Gilbert, based in Detroit, is selling select works from her contemporary art and design collections at Sotheby's in New York this spring to fund the opening of her own cultural space, Lumana, in Detroit's Little Village neighborhood. Highlights include Joan Mitchell's 1976 canvas *Loom II* (est. $5m-$7m) and Kenneth Noland's 1958 *Circle* (est. $4m-$6m), with proceeds supporting new generations of artists and institutions. Gilbert, who serves on the boards of Cranbrook Academy of Art and BasBlue, recently featured works from her collection in the exhibition *Seen/Scene* at the Shepherd art space.

Wet Paint Does Frieze Week: The Dinosaur Dealer Downtown, David Zwirner Tribeca, and More Juicy Art-World Gossip

Artnet News' gossip column 'Wet Paint' covers the opening week of Frieze New York, beginning with the group show 'Statics of an Egg' at David Zwirner's newly renamed Tribeca gallery (formerly 52 Walker). Curated by Martin Germann, the exhibition features Japanese artists gathered by Yu Nishimura and Kenji Ide, with Nishimura's painting 'in waiting' highlighted. The column also reports on a private party at the River art-world hangout and a visit to Amanita gallery for 'A Land Before Time: Three Dinosaurs and a Gondola,' which includes a John Chamberlain sculpture. Notable attendees include artists Sasha Gordon, Olivia van Kuiken, Calvin Marcus, and Josh Smith, as well as dealers Marlene Zwirner and Matthew Brown.

My toddler threw a toy pig at an artwork – and inspired this guide for small kids in galleries

A journalist recounts a stressful visit to the Royal Academy with her toddler, where a toy pig was thrown toward a Kerry James Marshall painting. This incident serves as the catalyst for a new series exploring the compatibility of small children and art galleries, addressing the anxieties parents face regarding museum etiquette, accessibility, and the fear of damaging artworks.

New catalogues reveal Royal Collection's vast sculpture holdings—and Queen Victoria's acquisition spree

A new four-volume catalogue, authored by former royal surveyor Jonathan Marsden, documents approximately 1,800 sculptures in the Royal Collection. The publication reveals the unsystematic nature of the collection's growth, driven by royal tastes and historical opportunities, and highlights significant discoveries like a previously unknown bronze satyr by Benvenuto Cellini.

10 Exhibitions to See in Upstate New York This May

Hyperallergic's guide highlights 10 exhibitions opening in Upstate New York this May, including the Hessel Museum of Art's annual showcase of thesis exhibitions by graduates of the Center for Curatorial Studies at Bard College, featuring works by Alice Aycock, Arthur Jafa, Mike Kelley, and Ana Mendieta. Other notable shows include Daniele Frazier's camera-less photography at September Gallery, Onnis Luque's investigation into resource exploitation at Art Omi, and Japanese woodblock prints at the Frances Lehman Loeb Art Center. The guide also covers Lukaza Branfman-Verissimo's mixed-media works and Maria Auxiliadora da Silva's paintings.

Why Contemporary Photographers Are Rejecting the Camera

Contemporary photographers are increasingly rejecting traditional cameras in favor of alternative, camera-less techniques such as photograms, cyanotypes, and chemigrams. These artists draw inspiration from early scientific experiments with light-sensitive materials, like those of Johann Heinrich Schulze and Thomas Wedgwood, who created temporary images using silver nitrate and sunlight before photography was formally invented.

‘Harlem has always been evolving’: inside the Studio Museum’s $160m new home

The Studio Museum in Harlem is set to inaugurate its new $160 million, purpose-built home on Manhattan’s 125th Street. Designed by Adjaye Associates in collaboration with Cooper Robertson, the 82,000-square-foot facility nearly doubles the museum's previous exhibition space and replaces a repurposed 1914 bank building that lacked essential infrastructure like loading docks and large elevators. This milestone marks the first time in the institution's history that it will operate out of a structure specifically designed to support its mission of championing artists of African descent.

A Major Martin Puryear Retrospective Reveals an Artist Who Has Never Stopped Evolving

The Cleveland Museum of Art has opened "Nexus," a major retrospective of Martin Puryear featuring over 50 works, the first comprehensive survey of the artist's career in some time. The exhibition includes rarely displayed early pieces from Puryear's personal collection alongside recent works, organized in consultation with the 84-year-old artist. Highlights include the titular 1979 piece "Nexus" made of Alaskan yellow cedar, and other works like "Night and Day" and "Alien Huddle" that showcase his mastery of wood and cold-molding techniques.

Beverly Buchanan’s Anti-Monuments

Beverly Buchanan's outdoor sculptures, such as 'Marsh Ruins' (1981) and 'Unity Stones' (1983), are quietly eroding in landscapes across Georgia, Florida, and North Carolina. These anti-monuments, made from tabby concrete and stone, blend into their surroundings while subtly referencing the region's layered histories, including Indigenous shell middens, plantation ruins, and the 1803 slave revolt on St. Simons Island. Buchanan, who died in 2015, is now receiving renewed attention: her work will be featured at the Venice Biennale this spring, and a touring retrospective is currently at Frac Lorraine in Metz, following a posthumous show at the Brooklyn Museum in 2016–17.

Diedrick Brackens’s Tapestries Beckon the Light of Freedom

Diedrick Brackens presents his first solo exhibition in the Bay Area, "gather tender night," at Yerba Buena Center for the Arts in San Francisco. Guest-curated by Eungie Joo, the show features 15 tapestries from 2020 onward and three new works from 2026, including the immersive installation "clearing (2026)." Brackens, a Black queer artist and CCA professor, uses hand-dyed cotton and acrylic yarn to weave narratives of personal memory, myth, and the natural world, drawing from West African weaving, California fiber art, European tapestry, and Gee's Bend quilting. His approach, influenced by the "sloppy craft" ethos of his mentor Josh Faught, embraces unfinished edges and visible process as acts of refusal against polished traditions.

Luca De Michelis, chief executive of Marsilio Arte, on his favourite spots in Venice beyond the Biennale

Luca De Michelis, CEO of Marsilio Arte, shares his personal guide to Venice beyond the Biennale, highlighting historic sites, shopping, dining, and cultural venues. His recommendations include Palazzo Grimani, Micheluzzi Glass, the Gardens of the Church of the Redeemer on Giudecca, Antiche Carampane restaurant, the newly opened Dries Van Noten Foundation, San Giorgio Maggiore island, Codroma for spritz, and the upcoming exhibition 'Strange Rules' at Palazzo Diedo’s Berggruen Arts & Culture.

Montclair Art Museum Hires Esteemed Curator Kate Kraczon After Layoffs at Brown University

The Montclair Art Museum in New Jersey has appointed Kate Kraczon as its new chief curator, effective June 15. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was laid off in late 2024 amid a wave of cuts. She succeeds Gail Stavitsky, who held the post since 1994. The museum also recently hired Todd Caissie, an enrolled member of the Osage Nation and former director of Canada’s New Brunswick Internment Camp Museum, as its director.

‘Depraved in all the right ways’: why forgotten no wave visionary Gordon Stevenson is about to take off

The article profiles Gordon Stevenson, a forgotten visionary of the no wave movement in late-1970s New York, who was an artist, jewelry designer, musician, and filmmaker best known for the notorious film *Ecstatic Stigmatic*. Decades after his death from AIDS, a storage unit full of his lost work has been discovered, including jewelry, mail-art collaborations with Ray Johnson, and clues to a surviving print of his film. His family has also recovered hundreds of letters he wrote to his parents, chronicling his life in downtown New York and his experiences as one of the city's first AIDS patients. The piece traces his journey from a small town in Georgia, where he met his wife Mirielle Cervenka (who later renamed Exene Cervenka), to their punk-era jewelry brand LHOOQ and his lasting influence on gothic fashion.

"Kultursenator ist kein Nebenjob"

Berlin's finance senator Stefan Evers is set to additionally take on the role of culture senator following the resignation of Sarah Wedl-Wilson, a move criticized as a stopgap solution that creates a conflict of interest between austerity and cultural advocacy. Meanwhile, the Venice Biennale faces multiple controversies: critics question how to evaluate curator Koyo Kouoh's posthumous main exhibition "In Minor Keys," completed after her death in May 2025; Israeli artist Belu-Simion Fainaru speaks out against his exclusion from the Biennale competition, calling it politically biased and reminiscent of historical persecution; and German press decries the politicization of the Biennale, particularly the exclusion of Israel and Russia from the competition.

Zurich’s Galerie Philipp Zollinger Closes After 7 years

Galerie Philipp Zollinger in Zurich is closing after seven years, as announced by founder Philipp Zollinger on Instagram. Citing continued global instability and a lack of conditions necessary to sustain the gallery, Zollinger explained that despite his willingness to invest further, the market no longer supports growth. The gallery focused on Swiss and Scandinavian artists working in three-dimensional media, along with artists from Southeast Asia and the United States. Its final exhibition, a dual presentation of Renée Levi and Theo Eble, closed on April 18 at Galerie Mueller in Basel. The closure follows a previous move from a nomadic operation to a physical space on Rämistrasse, which shut in fall 2025 due to an unstable art market and shifting collecting trends.

New fund helps museums make purchases at Frieze New York

The Sherman Family Foundation Acquisition Fund has launched at Frieze New York, providing $50,000 annually to help US museums acquire works from the fair's Focus section, which features solo stands by galleries under 12 years old. In its first year, the Baltimore Museum of Art acquired works by Reika Takebayashi, Seba Calfuqueo, and Joanne Burke, while the Brooklyn Museum acquired two works by Bettina (Bettina Grossman). Each artist also receives an unrestricted $5,000 award.

Ghosts, nudes and lesbian pageant queens: highlights from NYC’s Photography Show – in pictures

Aipad: The Photography Show is taking place at the Park Avenue Armory in New York from April 22-26, 2026, featuring works from over 70 galleries. The exhibition highlights include Bill Brandt's 1952 nude, Rania Matar's portrait of a young woman in Lebanon, and Zanele Muholi's 2009 portrait of a lesbian pageant queen, alongside works by Tania Franco Klein, Ruth Thorne-Thomsen, and others that explore themes of identity, anxiety, and alternative realities.

Hube Guide: What to Do in New York During Frieze

Frieze Art Fair returns to New York from May 13th to 17th, 2026, at The Shed for its 15th edition, featuring over 65 galleries from 26 countries. The fair emphasizes Latin American practices and includes a Focus section curated by Lumi Tan highlighting younger galleries and experimental works. Notable presentations include Reika Takebayashi’s ecological dreamscapes, Bruno Cançado’s meditations on Brazilian vernacular architecture, and Abraham González Pacheco’s graphite works. Beyond the fair, performances and installations extend to institutions like the Whitney Museum of American Art and Dia Art Foundation. The article also previews concurrent exhibitions: "Costume Art" at the Metropolitan Museum of Art (May 2026–January 2027), a David Hammons and Jannis Kounellis show at White Cube (May 1–June 13, 2026), and Carol Bove’s exhibition at the Guggenheim (March 5–August 2, 2026).

Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks

Boston Art Review (BAR) has published a guide titled "Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks," highlighting a curated selection of ten spring exhibitions in the Boston area and beyond. The article provides a concise overview of each show, including opening and closing dates, venues, and featured artists, aimed at helping readers plan their art-viewing schedules during a compressed six-week window.

In Giuseppe Penone’s Sculptures, Humankind and Nature Are One

Giuseppe Penone is preparing for his exhibition 'The Reflection of Bronze' at Gagosian's New York flagship, running from April 22 through July 2. The show, curated by former Whitney Museum director Adam D. Weinberg, features eighteen artworks from 1995 to the present, including the new sculpture 'Marsia (Marsyas)', and is designed to create a forest-like sensory immersion using materials like cork.

Giant Buddha Lands in New York

Artist Xandra Ibarra staged a nude performance titled "Nude Laughing" at the Museum of Fine Arts, Boston, walking through the contemporary galleries to challenge viewer etiquette and spark conversations about consent, art history, and the human body. Separately, a 27-foot-tall Buddha sculpture has been installed on the High Line in New York, serving as a resurrection of the destroyed Bamiyan Buddhas and a critical piece of cultural heritage.

Artist Henry Ossawa Tanner

This article profiles Henry Ossawa Tanner (1859–1937), the pioneering African American artist who achieved international fame in the 19th and early 20th centuries. Born in Pittsburgh to a bishop father and a mother who escaped slavery, Tanner studied under Thomas Eakins at the Pennsylvania Academy of Fine Arts before moving to Paris to escape racial discrimination. He studied at the Académie Julian, became a mentor to Black artists including Aaron Douglas and Hale Woodruff, and gained renown for his biblical paintings such as "Daniel in the Lions' Den" (1896). Tanner traveled widely—to Egypt, Morocco, and Palestine—and was named a chevalier of the French Legion of Honor in 1927. The article lists numerous works by Tanner held in major collections, including the first painting by an African American artist acquired for the White House Collection.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

Roses and Thorns of Greater New York

The article is a digest of recent art news, with a primary focus on critical reviews of the 2026 "Greater New York" exhibition at MoMA PS1. Hyperallergic's editorial team provides mixed assessments of the works in the massive quinquennial survey of local artists. The piece also covers American-French sculptor Barbara Chase-Riboud's decision to decline an invitation to represent the United States at the 61st Venice Biennale, citing the problematic nature of the pavilion's commissioning entity.

Why the New Orleans Museum of Art Is One of the City’s Must-visit Cultural Gems

The New Orleans Museum of Art (NOMA), housed in a Beaux-Arts building within City Park, is profiled as a cultural cornerstone of the city. Founded in 1911 as the Isaac Delgado Museum of Art, it now holds over 50,000 works spanning global artifacts, Japanese ceramics, Egyptian relics, and modern pieces by artists such as Pablo Picasso, Edgar Degas, and Wangechi Mutu. The museum also features the Sydney and Walda Besthoff Sculpture Garden, a 12-acre free-admission outdoor space with works by Rodin, Moore, and Oldenburg. Upcoming 2026 programming includes Japan Fest, an Edo-period Rinpa exhibition, and a long-term show of French porcelain from the Thomas B. Lemann collection.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.

“Grammars of Light” at Astrup Fearnley Museet, Oslo

Astrup Fearnley Museet in Oslo presents "Grammars of Light," a major exhibition featuring immersive works by Cerith Wyn Evans, Ann Lislegaard, and P. Staff. The show includes architecturally scaled video projections and luminous sculptures made from repurposed consumer, medical, and industrial lighting, transforming the museum's galleries into sensory environments that challenge perception.

Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.