The New York art scene was bustling with events this week. The New York Botanical Garden held its annual Orchid Dinner at the Plaza Hotel, featuring elaborate floral designs and guests like Martha Stewart and Sigourney Weaver. Meanwhile, Sotheby's hosted the Art for Water benefit auction for the Waterkeeper Alliance, with works by Jeff Koons and Ed Ruscha, and the New Museum celebrated the opening of a major Raymond Pettibon exhibition.
Angel Otero, a Puerto Rican artist based in Somerset, discusses his emotional collaboration with musician Bad Bunny on the stage set "La Casita" for his 31-show residency in Puerto Rico. Otero's new solo exhibition at Hauser & Wirth Somerset features large-scale, semi-abstract paintings that draw from his childhood memories in Santurce, San Juan, including motifs like a pink vanity cabinet, birdcages, and a turbulent sea. His signature technique involves applying paint skins—dried sheets of oil paint on Perspex—to canvas, creating layered, sculptural surfaces. The show includes a diptych based on a photograph of Otero and his grandmother, marking his most figurative work to date.
The Metropolitan Museum of Art has partnered with Lego to release a $249.99 building set recreating Claude Monet's 1899 painting 'Bridge Over a Pond of Water Lilies.' The kit, containing 3,179 pieces, is the most expensive in Lego's Art series and launches March 4. The museum is also releasing a podcast hosted by curator Alison Hokanson to accompany the set.
Lorna Simpson's paintings are the subject of a new survey exhibition at the Metropolitan Museum of Art in New York, titled "Source Notes," on view through November 2. The show features over 20 paintings created between 2014 and 2024, marking the first exhibition to survey Simpson's output in this medium. Curated by Lauren Rosati, the exhibition aims to provide an overview of her painterly practice while connecting it to her collage work, with two vitrines displaying her collages to illustrate the fluidity between the two practices. Simpson, best known for her photography from the 1980s, debuted her paintings at the 2015 Venice Biennale organized by the late curator Okwui Enwezor.
ArtReview's editors have curated a list of 11 must-see exhibitions worldwide for May 2026, excluding Venice. Highlights include Audie Murray's solo show at april april in Pittsburgh, featuring works made with her own hair and breast milk; Delcy Morelos's monumental earthwork 'origo' at the Barbican Sculpture Court in London; and Bold Tendencies' 20th anniversary season in Peckham, titled 'Euphoria', with new commissions across multiple disciplines.
Artist and activist Michele Pred has opened a solo exhibition at Nancy Hoffman Gallery in New York, showcasing a body of work that addresses the erosion of civil and reproductive rights. The exhibition features her signature electroluminescent wire-stitched vintage handbags, sculptures made from found objects like wooden gavels and disarmed bullets, and large-scale inflatable abortion pill sculptures. Pred’s practice, rooted in her upbringing between California and Sweden, utilizes approachable domestic objects to deliver urgent political messages regarding bodily autonomy and social justice.
Cosmetics billionaire Ronald Lauder's Neue Galerie, a private museum on Manhattan's Fifth Avenue known for its collection of Austrian and German art, will merge with the Metropolitan Museum of Art. The merger takes effect in 2028, with the Neue Galerie retaining its physical space and staff. The announcement was made by The Met on May 14. The museum's star attraction is Gustav Klimt's "Portrait of Adele Bloch-Bauer I" (1907), and it also holds works by Egon Schiele, Oskar Kokoschka, and others. Lauder co-founded the Neue Galerie with dealer Serge Sabarsky in 2001. As part of the merger, Lauder and his daughter Aerin Lauder Zinterhofer will donate 13 additional paintings from their personal collection and make an undisclosed endowment gift.
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The Metropolitan Museum of Art has launched "Raphael: Sublime Poetry," the first major retrospective of the Renaissance master ever staged in the United States. Curated by Carmen C. Bambach, the exhibition features 237 works, including rare loans of drawings and monumental tapestries that have not left Madrid since the 16th century. While some of his most famous paintings remain in Europe, the show provides an exhaustive look at the artist's development from a teenage prodigy to a papal favorite.
The Hyperallergic Spring 2026 New York Art Guide outlines a massive seasonal program featuring nearly 70 exhibitions across the city's major institutions and alternative spaces. High-profile highlights include a Marcel Duchamp retrospective at MoMA, the first major U.S. exhibition of Raphael at the Metropolitan Museum of Art, the return of the Whitney Biennial, and the reopening of the New Museum. The guide also previews diverse showcases ranging from Molly Crabapple’s activist posters at Poster House to a rare Caravaggio loan at the Morgan Library.
New York's Metropolitan Museum of Art has announced plans to convert its centrally located gift shop off the Great Hall into a new gallery space dedicated to its Costume Institute, with a $50 million fundraising goal and an expected opening in 2026. The 11,500-square-foot space will replace the current Anna Wintour Costume Center, offering a more prominent location for the institute's annual blockbuster exhibitions, such as this year's "Karl Lagerfeld: A Line of Beauty." Anna Wintour, Condé Nast global editorial director and Vogue editor, will lead fundraising for the project, which also includes reconfiguring ground-floor dining and retail spaces and opening a new public entrance at East 83rd Street and Fifth Avenue.
The Metropolitan Museum of Art in New York is facing a new lawsuit over Vincent van Gogh's *Olive Picking* (1889), which it sold to a Greek collector in 1972. The suit, filed by heirs of Hedwig and Frederick Stern, alleges the painting was looted from the Sterns when they fled Nazi Germany and should never have entered the Met's collection. The Met bought the work in 1956 for $125,000 and later sold it to the Basil & Elise Goulandris Foundation in Athens, where it is now displayed. A previous 2022 lawsuit in California was dismissed on venue grounds; the heirs are now pursuing the case in New York federal court, arguing the painting was repeatedly trafficked through the city.
The Metropolitan Museum of Art has acquired a recently rediscovered Renaissance painting, 'Madonna and Child with Saint John the Evangelist,' by Rosso Fiorentino. The work, believed lost for centuries, was identified after conservation removed layers of overpaint, revealing the figure of Saint John. The Met has already placed the painting on view in its European painting galleries.
Frieze New York 2025, its 13th edition, opens May 7 at The Shed in Hudson Yards with over 65 international galleries. The fair features solo, group, and themed presentations, including the Focus section curated by Lumi Tan showcasing 12 emerging galleries. Highlights include the Artist Plate Project (a collaboration with Coalition for the Homeless featuring limited-edition plates by Cindy Sherman, Rashid Johnson, and Takashi Murakami), performances by Pilvi Takala, Asad Raza, and Carlos Reyes, and notable presentations by Christine Sun Kim at François Ghebaly and Jennie C. Jones at Alexander Gray Associates. Frieze’s director of Americas, Christine Messineo, shares her top picks.
The Metropolitan Museum of Art and Band-Aid have reunited for a second collaboration, releasing a new set of art-themed adhesive bandages in 2026. The bandages feature details from three flower paintings in the Met's collection: Claude Monet's *Water Lilies* (1919), Vincent van Gogh's *Irises* (1890), and Odilon Redon's *Bouquet of Flowers* (ca. 1900–1905). The 50-count assortment includes small, medium, and large fabric bandages packed in a collectible tin, available exclusively at Target for $7.29. The 2025 Hokusai collection, which sold out quickly, is also back on sale at major retailers.
The Metropolitan Museum of Art has announced a rare exhibition of Alberto Giacometti’s sculptures to be staged within the iconic Temple of Dendur this summer. Titled “Giacometti in the Temple of Dendur,” the show will feature 17 works, including "Walking Woman (I)" and "Women of Venice," marking a significant departure for the ancient Egyptian site which seldom hosts temporary exhibitions.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a curator in its Department of Photographs, a role she will assume this summer. Onabanjo, who joins from the Museum of Modern Art (MoMA), will primarily oversee the Walther Collection—a massive gift of over 6,500 photographs spanning diverse global regions—and will lead a major exhibition of the collection in 2028.
The Metropolitan Museum of Art is reportedly planning a major retrospective of the American artist Cy Twombly, scheduled for 2029. Evidence of the exhibition surfaced through a job posting for a researcher, which describes a comprehensive show featuring paintings, sculptures, and drawings that explore Twombly’s career across two continents and the influence of ancient myths and literature on his work. While the Met and the Cy Twombly Foundation have not yet officially confirmed the exhibition, the listing remains active on several professional platforms.
Iris Cantor, the prolific art collector and philanthropist whose patronage transformed major American institutions, has died at the age of 95 in Palm Beach, Florida. Alongside her late husband, B. Gerald Cantor, she amassed one of the world's most significant private collections of Auguste Rodin sculptures, eventually donating hundreds of works to museums including the Metropolitan Museum of Art and the Brooklyn Museum. Her death marks the end of an era for a donor whose name is synonymous with some of the most prominent gallery spaces and wings in the United States.
The Metropolitan Museum of Art announced its Spring 2026 Costume Institute exhibition, “Costume Art,” which will open on May 10, 2026, inaugurating the new 12,000-square-foot Condé M. Nast gallery designed by Peterson Rich Office. The exhibition will feature artworks from across the Met’s collections in dialogue with garments from the Costume Institute, focusing primarily on Western art from prehistory to the present. Major sponsors include Jeff Bezos and Lauren Sánchez Bezos, with additional support from Saint Laurent and Condé Nast. Curator Andrew Bolton and museum director Max Hollein spoke at the press conference, where preview objects included Rei Kawakubo’s Comme des Garçons ensemble and Hans Bellmer’s "La Poupée."
A 19-year-old tourist, Joshua Vaurin, allegedly vandalized artworks at the Metropolitan Museum of Art in New York on November 3. He threw water at Jean Auguste Dominique Ingres's 19th-century painting *The Princess de Broglie* and a 16th-century altarpiece by Girolamo dai Libri, then ripped two tapestries. Vaurin was taken into custody, arraigned on criminal mischief charges, and appeared to be under the influence of an unknown substance. The Met reported minor damage with repairs estimated at $1,000.
The Metropolitan Museum of Art has hired Maria Castro as an associate curator in its modern and contemporary department, a role she will begin later this month. Castro joins from the San Francisco Museum of Modern Art, where she served as associate curator of painting and sculpture and co-organized exhibitions including a current permanent collection hang and a show centered on Henri Matisse's "Femme au chapeau" (1905). Her appointment comes as the Met prepares for the opening of the Oscar L. and H.M. Agnes Hsu-Tang Wing in 2030, a major expansion that is driving departmental growth.
The Metropolitan Museum of Art's Michael C. Rockefeller Wing, closed since 2021, reopens after a $70 million renovation. The redesign by architect Kulapat Yantrasast transforms the previously dark and cramped galleries into airy, energizing spaces, with a major rehang that reconfigures the Oceania galleries. Notable changes include the repositioning of a Kwoma ceremonial house ceiling in collaboration with descendants of the original painters, the relocation of Asmat funerary poles to a dedicated gallery, and the addition of newly acquired works by Ömie artist Ilma Savari. The renovation also features revised wall texts that better contextualize the objects.
The Metropolitan Museum of Art's Costume Institute will open "Superfine: Tailoring Black Style" on May 10, an exhibition tracing over 300 years of Black dandyism. The show features around a dozen paintings, fashions, works on paper, photography, sculpture, and decorative objects, including a 1758 portrait of Roch Aza, a ten-year-old enslaved boy from Martinique, depicted in elegant livery alongside his enslaver. The exhibition examines how well-dressed Black figures appeared in European art as symbols of their owners' wealth and status during the transatlantic slave trade, and how subsequent generations have reappropriated and subverted that imagery.
The article highlights seven contemporary artists whose work embodies Black dandyism, timed to the 2025 Met Gala theme 'Superfine: Tailoring Black Style' and the corresponding exhibition at the Metropolitan Museum of Art's Costume Institute. It traces the history of Black dandyism from its 18th-century European roots through its evolution during slavery and the 20th century, emphasizing its role as a defiant, empowering form of self-expression that challenges gender norms and racial stereotypes. Featured artists include Barkley L. Hendricks, Derek Fordjour, and Tyler Mitchell, among others.
The Metropolitan Museum of Art and the Ronald S. Lauder Neue Galerie New York have announced a landmark merger agreement, set to take effect in 2028. The merger will unite the Neue Galerie's collection of 20th-century Austrian and German art—including Gustav Klimt's *Portrait of Adele Bloch-Bauer I*—with The Met, while preserving the Neue Galerie's distinct museum experience. Ronald S. Lauder and his daughter Aerin Lauder Zinterhofer plan to donate 13 additional paintings from their personal collection, and several Met trustees have pledged significant endowment gifts to support the integration and long-term operations.
Patricia Marroquin Norby, the Metropolitan Museum of Art’s first-ever curator of Native American art, has stepped down from her role after a five-year tenure. While both Norby and the museum cited health reasons for her December 2025 departure, the exit follows intense public scrutiny regarding her claims of Indigenous heritage. A 2024 report by the Tribal Alliance Against Frauds (TAAF) alleged that Norby has no American Indian ancestry, leading to a public debate over her qualifications and identity.
Wesley M. LePatner, a newly elected trustee of the Metropolitan Museum of Art in New York, was among four people killed by a gunman in a Midtown office building on Monday. LePatner was a senior managing director at Blackstone, where she served as global head of its Core+ Real Estate division and CEO of the Blackstone Real Estate Income Trust. She had just been elected to the Met’s board in February and was previously a member of the Met’s Friends of European Paintings group.
A donation of 500 guitars to the Metropolitan Museum of Art in May 2025, announced via a profile in The New Yorker, has become embroiled in controversy. Mick Taylor, former guitarist for the Rolling Stones, claims through his manager that one of the donated guitars—a Les Paul stolen from the band's French villa in 1971—is his property. The Met initially declined to comment, but later told The New York Times that Taylor played the guitar but never owned it, asserting a well-documented ownership history. The guitars were donated by collector Dirk Ziff, and the museum plans to open a permanent American guitar gallery in 2027.
This article, published by La Rédac with photos by Audrey de Sortiraparis, presents a curated selection of exhibitions opening in Paris and the Île-de-France region in May 2026. Highlights include a Giovanni Segantini retrospective at the Marmottan Monet Museum, a porcelain exhibition titled "Sèvres, a Rothschild Passion" at the Mobilier National, a comparative show of Michelangelo and Rodin at the Louvre Museum, the return of the Colors Festival with a street-art exhibition called Colors Light, a historical tribute to Madame de Sévigné at the Carnavalet Museum, a major Lee Miller retrospective at the Musée d'Art Moderne, a family-friendly Lego brick exhibition by Dirk Denoyelle at Espace Champerret, and a video game music exhibition at the Philharmonie de Paris.
The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.