Japanese artist Yuko Mohri has gained international acclaim for her kinetic, sound-based installations that utilize decaying organic matter and found objects to create unpredictable ecosystems. Her recent presentation at the 2024 Venice Biennale's Japanese Pavilion featured sculptures powered by the electrical currents of decomposing fruit and water systems that embraced the pavilion's porous architecture, even during torrential rain.
The fourth edition of "Spectrosynthesis," Sunpride Foundation's exhibition series dedicated to LGBTQ+ art in Asia, opens at Art Sonje Center in Seoul. Curated by Sunjung Kim and Youngwoo Lee, the show unfolds in two parts: "The Two-Sided Seashell" and "Tender: Invisibly Visible, Unlocatably Everywhere," featuring works by artists including Sin Wai Kin and Young-Jun Tak. The exhibition engages with queer theory, particularly José Esteban Muñoz's concept of queerness as a horizon of potentiality, and responds to South Korea's recent political turbulence, including the 2024 martial law declaration and presidential impeachment.
Cultured magazine profiles 10 art collectors, sharing the stories of their first acquisitions. The article features collectors such as Miami real estate developer Craig Robins, hotelier Steve Wilson, Allison Sarofim, Brandon John Harrington, James Frey, and Rodrigo Padilla, recounting how they began their collections—from a Dalí sketch and a Matisse drawing to an Andy Warhol portrait and a late-night Instagram purchase. Each narrative highlights the personal, often serendipitous moments that sparked a lifelong passion for art.
Private galleries and pop-ups are collaborating with venues and brands to bring immersive experiences during Miami Art Week 2025. Highlights include the launch of CONTRA, a private events platform, with a VIP grand opening at Wyncatcher in Wynwood featuring DJ sets and an installation by Daniel Allen Cohen. The NFL returns with an expanded Artist Replay experience, including debut artworks from active player Marco Wilson and legend Martellus Bennett. Opera Gallery Miami presents “In Dialogue with Color: Mid-20th Century to Now” with works by Roy Lichtenstein, Yayoi Kusama, and others. London-based SLAWN debuts “Heroes, Villains, and Violence” at The Art of Hip Hop, while artists Amanda Linares and Lee Pivnik install site-specific works for the City of Miami Beach’s “No Vacancy 2025” program at hotels.
The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows, awarding 223 scholars and artists across 55 disciplines for 2026. Selected from a pool of nearly 5,000 applicants, the new cohort includes prominent visual artists such as Sonya Clark, John Miller, American Artist, and Kota Ezawa. The fellowships provide significant financial grants to individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.
The New Museum in New York has announced a major $80 million capital campaign to double its physical footprint on the Bowery. The expansion will utilize an adjacent building already owned by the institution, increasing the total space from 58,000 to over 100,000 square feet. The museum has already secured $43 million of its goal, bolstered by a record-breaking undisclosed donation from longtime supporter Toby Devan Lewis.
The Museum of Fine Arts in Bilbao has completed a restoration of Pedro Berruguete's *The Annunciation* (1485–1490), a painting that once formed part of an altarpiece likely for a church in Palencia, Spain. The work, on a five-year loan from the Arburu collection, had suffered from cracks, dirt, and oxidized varnish over centuries. Two specialists—Elisa Mora Sánchez for the paint layer and Mayte Camino Martín for the gilding—cleaned, repaired, and re-gilded the panel, revealing Berruguete's blend of Italian Renaissance, Flemish, and Castilian Gothic influences.
The McNay Art Museum in San Antonio mounted the exhibition "Rasquachismo: 35 Years of a Chicano Sensibility" to mark the 35th anniversary of scholar Tomás Ybarra-Frausto's foundational 1989 essay theorizing rasquachismo. The show, curated by Mia Lopez and on view from December through March, featured works by major Chicanx artists including Yolanda M. López, Carmen Lomas Garza, Santa Barraza, Celia Álvarez Muñoz, Carlos Almaraz, Frank Romero, Patssi Valdez, Luis Jiménez, and younger artists like Ruth Buentello, Juan de Dios Mora, and Jimmy James Canales. Ybarra-Frausto credited Mi Tierra Cafe y Panaderia in San Antonio's Historic Market Square as a key influence on his critical eye, describing the restaurant as a "hotbed of rasquachismo."
"Ich glaube, ich habe viele Künstler nicht verstanden"
Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.
A major survey of the work of Vaginal Davis, spanning five decades of her contributions to drag, queercore, experimental film, and fine art, is opening at MoMA PS1 in New York on October 9. Titled "Vaginal Davis: Magnificent Product," the exhibition debuted at Moderna Museet before traveling to New York. In an interview, Davis discusses her lifelong performance practice, the blurring of her public persona and private self, and the unlikely survival of her archive, much of which was preserved by a high school student in the 1980s.
The Hispanic Society Museum and Library has acquired Wifredo Lam’s 1927 painting "Portrait of a Boy," marking the first time a work by a Cuban artist has entered the institution's permanent collection. Purchased at a Sotheby’s auction after decades in a private collection, the portrait dates from Lam’s formative years in Cuenca, Spain. The work represents a rare, representational style from the artist's early career, predating the Afro-Cuban Surrealism for which he became globally renowned.
Christie’s London evening sales achieved a combined total of £197.5 million ($263.8 million) on March 5, 2026, representing a 52 percent increase year-on-year. The night was headlined by Henry Moore’s monumental bronze sculpture 'King and Queen', which sold for a record-breaking £26.3 million after an eight-minute bidding war. The event also debuted a new auction rostrum designed by Sir Jony Ive’s creative collective, LoveFrom, marking the house's 260th anniversary.
L’art baroque hispanique en majesté
The Musée Jacquemart-André in Paris is hosting an exhibition of masterpieces from the Hispanic Society of America, marking the first time this specific selection has been shown to the French public. The show features approximately forty works, including iconic paintings by El Greco and Diego Velázquez, alongside recently acquired studies and colonial-era pieces that have rarely traveled due to previous legal restrictions and the New York institution's ongoing renovations.
The John Simon Guggenheim Memorial Foundation has announced its 2026 fellowship recipients, naming 223 individuals across 55 disciplines. The cohort includes 76 professionals from the visual arts, photography, and fine arts research sectors, featuring notable figures such as Sheida Soleimani, American Artist, Kenneth Tam, and Sonya Clark. This year's selection process was notably competitive, drawing 5,000 applicants—a significant increase from previous years.
TODO ES COMÚN
The exhibition 'Todo es común' (Everything is Common) is on view until June 21, 2026, at the Sala Europa in Badajoz, Spain. Curated by Adonay Bermúdez, it brings together works by fifteen international artists to examine the agricultural landscape as a space where practices, memories, and political tensions intersect, moving beyond its purely material condition.
Jackson Pollock's painting *Number 7A, 1948* sold for a record $181.2 million at Christie’s in New York, becoming the fourth most expensive work ever sold at auction. The sale also saw record prices for works by Constantin Brâncuși, Mark Rothko, and Joan Miró, with Brâncuși's bronze head *Danaïde* fetching $107.6 million and Rothko's *No 15 (Two Greens and Red Stripe)* selling for $98.4 million.
Washington University in St. Louis community members—including students, faculty, and alumni—share their favorite places to view visual art around the St. Louis region during the summer. Recommendations include the St. Louis Virtuoso Collective, a co-op gallery of over 50 local artists on Cherokee Street; the Contemporary Art Museum St. Louis, which is showing exhibitions like “Like Water” and “Make the River Present”; the Saint Louis Art Museum, featuring works by Van Gogh, Sorolla, and Cézanne; and neighborhood public art projects in areas such as Holly Hills, The Grove, and the Delmar Loop.
ArtDog Istanbul's editors have curated a selection of standout exhibitions opening across Istanbul in June 2025. Highlights include 'A Day’s Story, A Lifetime’s Truth' at Galeri 77, a joint show by Bayram Demir and İlker Kayalı exploring personal memory and collective mythology; solo exhibitions by Jorinde Voigt ('365 Seasons') and Mustafa Hulusi ('Breathing In the World') at Dirimart's two locations; 'Extraordinary Minas' at Pera Museum, celebrating its 20th anniversary with Kütahya tile and ceramic works by Minas Avramidis; and Ali Kazma's 'Landscapes of the Mind' at Istanbul Modern, alongside shows by Nermin Er at Galeri Nev Istanbul and Pelda Aytaş at Gülden Bostancı.
Anuar Maauad and Roger Muñoz have cocurated the exhibition "La Alegría de Vivir" at Estudio Anuar Maauad in Mexico City, featuring works by Jorge de León, Benjamin Orlow, Miguel Ángel Rojas, Berenice Olmedo, Miguel Ventura, Paul McCarthy, and Teresa Margolles. The show confronts themes of necropolitics and systemic violence through sculptures, photographs, and installations that depict war, state power, and human suffering as ongoing, normalized conditions.
The article presents a curated selection of upcoming art exhibitions across major global cities in 2026, highlighting key shows in Paris, New York, and Tokyo. In Paris, notable exhibitions include a Georges de la Tour show at the Musée Jacquemand-André, a Renoir retrospective at the Musée d'Orsay, and a Henri Rousseau exhibition at the Musée de l'Orangerie. New York features solo shows of Egon Schiele at the Neue Galerie, Thomas Gainsborough at the Frick Collection, and Paul Klee at the Jewish Museum, while Tokyo focuses on women artists from the 1950s and 60s at the National Museum of Modern Art and a centennial exhibition at the Tokyo Metropolitan Art Museum.
Curators and museum directors from leading institutions worldwide selected their favorite exhibitions of 2025, highlighting a diverse range of shows. Standouts include Wolfgang Tillmans at Centre Pompidou, Paris, praised for its generous scope and integration of the library space; 'Encounters: Giacometti x Mona Hatoum' at Barbican Art Gallery, London, noted for its dialogue across time; and Ithell Colquhoun's retrospective at Tate St Ives, which repositions the artist from a Surrealist footnote to a major figure. Other acclaimed exhibitions include Noah Davis at Barbican Art Gallery, Linder at Hayward Gallery, Hamad Butt at Whitechapel Gallery, and Caroline Walker at Hepworth Wakefield.
Veteran Sacramento artist Tony Natsoulas, whose ceramic sculptures are held in 18 museum collections including SFMOMA, has shifted away from traditional commercial galleries to sell directly through his mailing list, newsletter, and biannual open studios. The article examines Sacramento's shrinking commercial gallery scene, where only a handful of spaces like Barry Sakata's b. sakata garo remain after 27 years, while venues such as Kennedy Gallery, Jay Jay, and Brickhouse Gallery have closed. Sakata reports declining sales due to political uncertainty, though a city grant of $10,000 has helped sustain his gallery.
This article lists top art exhibitions to see in Chicago during June 2025. Highlights include "Hokusai and Ukiyo-e: The Floating World" at the Cleve Carney Museum of Art, featuring seventeenth-century Japanese art with immersive experiences; Elsa Muñoz's "Dreamwork" at Goldfinch Gallery; "A Beautiful Experience: The Midwest Grotto Tradition" at the John Michael Kohler Arts Center, showcasing Madeline Buol's monumental grotto; Yvette Mayorga's "Pu$h Thru" at moniquemeloche; and "Nuth’n to Hyde: Gertrude Abercrombie and the Hyde Park Ethos 1935-1975" at Corbett vs. Dempsey.
Cultured magazine asked 10 art collectors to recommend books that changed how they think about art. The responses range from John Berger's "Ways of Seeing" (Matthew Harris) and Sarah Thornton's "Seven Days in the Art World" (Paola Creixell) to Peter Brook's "The Empty Space" (Brandon John Harrington) and Calvin Tomkins's "Off the Wall" (Francis J. Greenburger). Other collectors cite exhibition catalogs, biographies, and personal collection books as transformative reads.
President Donald Trump issued an executive order titled “Restoring Truth and Sanity to American History,” targeting the Smithsonian Institution. The order tasks Vice President J.D. Vance with removing “improper ideology” from Smithsonian museums, supported by Secretary of the Interior Doug Burgum and advisor Lindsey Halligan. Critics, including historian Raymond Arsenault, have described the move as totalitarian. The Smithsonian, a public-private partnership founded in 1846 with 21 museums and the National Zoo, faces potential loss of federal funding if it does not comply, echoing pressure applied to other institutions like Columbia University.
Cultured magazine profiles Cherrie Yu, a 30-year-old artist based in New York who grew up in Xi'an and Wuxi, China. Yu creates videos, performances, and prints that examine the relationship between everyday movement, dance, labor, and play. Notable works include 'Trisha and Homer' (2018), which juxtaposes a 1986 solo by choreographer Trisha Brown with the movements of a mopping maintenance worker, and 'Wrestling Study' (2017), a video reenacting a wrestling match in Chicago traffic. Yu cites mentor Bryan Saner, a woodworker and performer, as a key influence on their understanding of the laboring body as the dancing body.
LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ
The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.
Art galleries and institutions across West Texas and the Panhandle have announced their summer exhibition schedules. Highlights include the El Paso Museum of Art's "From the Collection: Portraiture, 1903-2021," featuring works by César Martínez, Edward Curtis, and Andy Warhol; Ballroom Marfa's solo show "Raven Halfmoon: Flags of Our Mothers" with colossal stoneware sculptures; and The Grace Museum in Abilene's "Memory Painters: The Art of Memories," showcasing Texas intuitive painters. Other venues include the Rubin Center for the Visual Arts, the Louise Hopkins Underwood Center for the Arts in Lubbock, and the Museum of the Southwest in Midland, with exhibitions spanning portraiture, student art, memory painting, and immersive installations.
The article reports that the ultra-contemporary art market has cooled, with high-end sales plummeting while works priced at $5,000 or less have grown. Art economist Clare McAndrew, author of the Art Basel & UBS Art Market Report 2025, notes that collectors are now buying art they genuinely like rather than for investment. The piece offers a practical guide for collecting on a $10,000 budget, featuring advice from gallerists, advisors, and collectors on finding affordable works.
Brandon John Harrington, a collector and Google executive, is featured in Cultured magazine for his role in the art world and his advocacy for queer visibility. The article highlights his collection and his work at Google, where he intersects technology with art patronage.