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Frank Stella’s Personal Collection of Navajo Textiles Goes on View for the First Time

A selection of Navajo textiles from the personal collection of minimalist artist Frank Stella is being exhibited and sold for the first time. The 55 textiles, dating from the late 19th and early 20th centuries, will be on view at Arader Galleries in New York from May 15 to June 10, then travel to Peter Pap Rugs in New Hampshire in June. Priced between $6,500 and $25,000, the collection includes a large 19th-century blanket that Stella lent to a seminal 1972 exhibition at LACMA. Stella began collecting these works in the mid-1960s after being introduced to Navajo art by Donald Judd and Tony Berlant.

Ripple: Furniture Sculpture and Painting after 1982

David Kordansky Gallery is presenting "Ripple: Furniture Sculpture and Painting after 1982," an exhibition of historic works by Swiss artist John Armleder, on view from May 7 to June 13, 2026. The show focuses on Armleder's Furniture Sculpture series from the 1980s, which incorporates functional or decorative objects alongside paintings, exploring the intersection of art, design, and everyday life. Works like FS 156 (1987) and Untitled (FS) (1987) exemplify his interest in collectivity, chance, and the viewer's role in assigning meaning, influenced by experiences such as a prison stint for refusing conscription and his time on a rowing team, as well as the experimental compositions of Erik Satie and John Cage's writings on chance.

Ken Griffin Acquires Another Copy of the US Constitution, Union Files Charges Against Kennedy Center for Layoffs, and More: Morning Links for May 5, 2026

Billionaire Ken Griffin has acquired a second original copy of the US Constitution via a private sale for an undisclosed amount, making him the owner of the only two known surviving copies in private hands. The first copy, purchased for $43.2 million in 2021, is on view at the National Constitution Center in Philadelphia, while the second will be exhibited at the South Street Seaport Museum in Manhattan starting May 27 as part of a show on American history for the country's 250th anniversary. Separately, a union for the John F. Kennedy Center for the Performing Arts has filed unfair-labor-practice charges with the National Labor Relations Board, accusing the center of unlawfully firing dozens of employees under the guise of a planned two-year closure for renovations.

8 Must-See Solo Gallery Shows in May

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for May, highlighting exhibitions in New York, Chicago, San Francisco, and Los Angeles. Featured artists include Domenico Gnoli at Lévy Gorvy Dayan, John Stezaker at Gray in Chicago, Alison Elizabeth Taylor at Jessica Silverman in San Francisco, Charles Ray at Matthew Marks Gallery and Jeffery Deitch in Los Angeles, Jose Dávila at Sean Kelly, and Peter Hujar at Ortuzar, among others. The article provides details on each artist's practice and the scope of their exhibitions, such as Gnoli's largest U.S. show in five decades and Hujar's restaging of his final solo exhibition.

Aneta Grzeszykowska Shoots Poetic Portraits in a Mask of Herself at Age 14

Polish artist Aneta Grzeszykowska is presenting two photo series in New York: "Mama" (2018), featuring a life-like doll of herself played with by her young daughter, and "Daughter" (2025), for which she wears a mask of her 14-year-old self and poses with family members. "Mama" is included in the "New Humans" exhibition at the New Museum and previously appeared in the 2022 Venice Biennale's "Milk of Dreams." "Daughter" is on view at Lyles & King gallery on the Lower East Side through May 9, and also in the group show "Adolescence" at the Zachęta National Gallery of Art in Warsaw. The series extend Grzeszykowska's long-standing practice of manipulating family photographs, which began with her 2005 series "Album," where she removed herself from old family pictures.

Out and About: What's Happening in Philly

This article is a roundup of events happening in Philadelphia, including a Mother's Day Weekend visit to the Barnes Foundation, a live stage show of "Dancing with the Stars," the Night Market at East Market, and Broadway productions of "Chicago" and "The Wiz." It highlights the Barnes Foundation's collection of impressionist and modern art, along with its new exhibition "Freedom Dreams" on view through August 9.

With Her First Solo Museum Show in the US, Widline Cadet Conjures Scenes She Can’t Quite Remember

Photographer Widline Cadet has opened her first solo museum exhibition in the United States, titled "Currents 40: Widline Cadet," at the Milwaukee Art Museum. The show, on view through August 9, 2026, features 52 photos and videos that explore her family's migration story from Haiti to the United States. Cadet's installation includes a recreated Haitian living room with plastic flowers, ceramic angels, and a wall-size portrait of her father, blending reality and fantasy to evoke fragmented memories of home.

What you want from your body? Antony Gormley, iron and crawling

British sculptor Antony Gormley discusses his solo exhibition "What Holds Us" at Galleria Continua in San Gimignano, on view from 9 May to 13 September 2026. The show transforms the gallery's former cinema-theatre into an interactive environment where visitors are invited to crawl through massive cardboard bodies, exploring interior spaces and shifting from passive spectatorship to bodily engagement. Gormley explains that the title connects "hold" and "whole," suggesting that being held—by the ground, the womb, or the body—is essential for growth and wholeness.

William Turnbull Origins Exhibition Spotlights Elemental Forms in New York

William Turnbull Origins, an exhibition dedicated to the Scottish-born artist William Turnbull, is now on view in New York, highlighting his early and mid-career works that emphasize elemental, abstract forms. The show focuses on his sculptures and paintings from the 1940s through the 1960s, drawing attention to his exploration of primitive and organic shapes.

Rare Keith Haring Self-Portrait and Other Intimate Works Go on View in NYC

A collection of intimate works by Keith Haring, including a rare self-portrait, a painted crib, and personal letters, has gone on view at Sotheby's Breuer building in New York City. The works were gifted by Haring to his childhood best friend and fellow artist, Kermit Oswald, over the course of their friendship from 1977 to 1989. The free public exhibition precedes a series of three auctions beginning May 14, with highlights including the self-portrait estimated at $3–5 million and a crib-and-dresser set expected to fetch $250,000–350,000.

Marietta Museum of Art & Whimsy closing for summer, but 37 other exhibitions on view at museums in May

The article provides a roundup of museum exhibitions on view in Southwest Florida during May, highlighting five new openings, eight closings, and 25 continuing shows across museums from Sarasota to Naples. Featured exhibitions include Molly Hatch's site-specific ceramic installation "Amalgam" at Sarasota Art Museum, Jillian Mayer's interactive "Slumpies" sculptures, a group show "Something Borrowed, Something New" with works by Louise Bourgeois, Chuck Close, David Hockney, Yoko Ono, Kara Walker, and Ai Weiwei, and Maria A. Guzman Capron's solo textile exhibition "Penumbra." The Marietta Museum of Art & Whimsy is noted as closing for the summer.

Why Is Beeple So Successful?

The article examines the meteoric rise of artist Mike Winkelmann, known as Beeple, who broke auction records in 2021 by selling an NFT for $69.3 million at Christie's, becoming the third most expensive living artist. His robot dogs, featuring heads of figures like Elon Musk and Mark Zuckerberg, debuted at Art Basel Miami Beach and are now on view at Berlin's Neue Nationalgalerie during Gallery Weekend. The show, titled "Regular Animals," has sparked controversy, with critics like Markus Lüpertz denouncing the works as trivial entertainment unworthy of a museum, while curators Carolyn Christov-Bakargiev and Lisa Botti defend the exhibition.

Korean Cultural Center New York Presents the Major Exhibition "Lee Kang So: A Field of Becoming"

The Korean Cultural Center New York (KCCNY) presents the major exhibition "Lee Kang So: A Field of Becoming," on view from May 13 to June 20, 2026. The show features the work of pioneering Korean contemporary artist Lee Kang So (b. 1943), who since the 1970s has worked across photography, painting, sculpture, installation, and performance, resisting fixed forms to explore how art emerges through process, material, and context. The exhibition includes key works from his 1970s performances and installations, as well as later sculptures and paintings that foreground gravity, chance, and bodily gesture. Lee, who was active in New York in the 1980s and participated in MoMA PS1's Studio Artist Program, returns to the city with this exhibition at KCCNY's expanded venue.

Performance, gioco, rischio. Il grande Paul McCarthy è in mostra a Madrid: l’intervista

Paul McCarthy's latest exhibition, titled "A&E," is on view at Bowman Hal gallery in Madrid, part of the SOLO CONTEMPORARY initiative founded by a Spanish collector couple. The show features large-scale works on paper and videos created in collaboration with German actress Lilith Stangenberg, exploring role-play, performance, and the blurred lines between art and entertainment. The acronym "A&E" alludes to historical pairs like Adam and Eve or Adolf Hitler and Eva Braun, as well as "Arts & Entertainment." The works stem from private encounters between McCarthy and Stangenberg, with drawings serving as storyboards for videos that capture their improvisational, trance-like interactions.

Pussy Riot and FEMEN Join Forces in Punk Protest in Venice: ‘Russia Kills! Biennale Exhibits!’

On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.

Rosy Simas on Creating a Space for Peace in Minneapolis

Minnesota-based interdisciplinary artist Rosy Simas opened a contemplative installation titled "A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind)" at the Walker Art Center on the same day that Trump-appointed border czar Tom Homan announced the end of Operation Metro Surge, a federal immigration enforcement operation in the Twin Cities. The installation features salt bottles made from woven corn husks, each honoring one of Simas's relatives, and is inspired by the teachings of Handsome Lake (Ganyodaiyo’), her fifth great-grandfather’s half-brother, who promoted the Seneca concept of a "good mind." The exhibition, on view through July 5, is part of a two-part project that also includes performances in May. Simas, known primarily for choreography, has increasingly gained recognition as a visual artist, recently receiving a Creative Capital Award.

Keith Haring Before the End of the World

The article reviews Keith Haring's early work from 1980 to 1983, currently on view at the Brant Foundation in New York. The author reflects on initially dismissing Haring's graffiti-inspired style as trite and playful, but now sees darker, prophetic themes in pieces featuring apocalyptic imagery, UFOs, nuclear power, and mindless obedience to higher powers. The exhibition, curated by Dieter Buchhart and Anna Karina Hofbauer, runs through May 31.

Fiona Connor at Maureen Paley

Fiona Connor presents her exhibition "I haven't arrived yet, Closed Down Clubs" at Maureen Paley in London, running from March 28 to May 16, 2026. The show includes a press release, checklist, and 14 images documenting the works on view, all courtesy of the artist and the gallery.

Realms of the Dharma

The Los Angeles County Museum of Art (LACMA) has opened "Realms of the Dharma: Buddhist Art Across Asia," an exhibition on view through July 12, 2026, that brings together approximately 180 Buddhist artworks from its permanent collection for the first time in a single space. Curated by Stephen Little and Tushara Bindu Gude, the show features paintings, sculptures, ritual objects, and sacred texts spanning Asia, including a notable gray schist bodhisattva Avalokiteshvara from Gandhara (c. 200 CE). The exhibition highlights the transformative work of curator Pratapaditya Pal, who from 1970 built LACMA's Indian, Himalayan, and Islamic collections into one of the nation's premier repositories.

"Freedom Dreams" on view through August 9 at the Barnes Foundation

The Barnes Foundation in Philadelphia presents "Freedom Dreams," an exhibition exploring Black freedom through moving images, curated by Maori Karmael Holmes and James Claiborne. The show features five works by intergenerational artists including David Hartt, Ja'Tovia Gary, Garrett Bradley, Tourmaline, and Arthur Jafa, with pieces that draw on historical films, literature, and activism to examine Black identity, joy, and radical imagination. The exhibition runs through August 9, 2026.

Walker Art Center Exhibition Breaks Down Sound Barriers

The Walker Art Center, in collaboration with the Whitney Museum of American Art, presents "All Day All Night," a survey of the past 15 years of work by Berlin-based deaf artist Christine Sun Kim. The exhibition, on view until August 30, spans three galleries and includes drawings, videos, participatory pieces, and site-specific installations such as charcoal music notes on floors and stairwells. Kim's early works from the 2010s explore sound waves and Deaf culture, while later pieces incorporate her experiences as a mother and partner, using infographics and ASL-inspired imagery to challenge assumptions about spoken versus signed language.

The Clark presents exhibition of Giorgio Griffa

The Clark Art Institute in Williamstown, Massachusetts, presents "Giorgio Griffa: Paths in the Forest," the first solo museum exhibition in the United States dedicated to the Italian artist Giorgio Griffa (born 1936). On view from June 13 to October 12 at the Lunder Center at Stone Hill, the exhibition features works spanning nearly six decades, including highlights such as "Sessanta frammenti" (1980), "Rosa" (1968), and "Narciso" (1986). Griffa is known for his use of diluted acrylics on unstretched, unprimed canvases, and his practice emphasizes the intelligence of materials and an ecological ethic. The exhibition is curated by Robert Wiesenberger, John and Barbara Vogelstein Senior Curator of Contemporary Art at the Brooklyn Museum and former curator of contemporary projects at the Clark.

Lillian Bassman—the Avant-Garde Photographer Who Transformed Harper’s Bazaar—Finally Gets Her Due

The Metropolitan Museum of Art has opened "Lillian Bassman: Bazaar and Beyond," an exhibition on view through July 26 that examines the career of photographer Lillian Bassman. Curated by Virginia McBride, the show highlights Bassman's work at Harper's Bazaar and Junior Bazaar, as well as her independent photography known for radical darkroom manipulations. The exhibition was made possible by a gift of 70 works from Bassman's estate, produced in collaboration with her children Lizzie and Eric Himmel, and marks a homecoming for the artist who drew inspiration from the Met's galleries.

Mirna Bamieh “Sour Things: The Door” at NIKA Project Space, Paris

NIKA Project Space in Paris presents "Sour Things: The Door," a new installation by Palestinian artist Mirna Bamieh, on view from April 17 to May 23, 2026. Curated by Anne Davidian, the exhibition marks Bamieh's return to the gallery following her solo presentation that inaugurated NIKA's Paris space in 2024, and serves as the latest chapter in her ongoing "Sour" series.

Branchport Galleries presents "The New Botanical"

Branchport Galleries in Long Branch, New Jersey, presents "The New Botanical," an exhibition curated by Ellen Martin that reimagines traditional botanical art through contemporary works by Suzan Globus, Kevin Hinkle/Ellen Martin, Daniel Sroka, and Gao Yuan. The show, on view from May 14 to June 30, 2026, features techniques such as flower-pounding, extreme close-up photography, and photo-based wall sculptures, moving away from classical precision toward essence and abstraction. An opening reception and artist talk are scheduled.

Arsenale Review: Where Voices Resist Erasure

At the 2026 Venice Biennale's Arsenale, critic Andrew Durbin reviews national pavilions, finding the US presentation vacuous and lacking meaning, while praising the British and German pavilions for their incisive and moving installations that resist erasure. The review highlights a stark contrast in curatorial ambition and political engagement among the participating nations.

Biggs Museum spotlights the art and influence of Elizabeth Catlett

The Biggs Museum of American Art is presenting "The Art of Elizabeth Catlett from the Collection of Samella Lewis," on view through June 21, 2026. The exhibition features Catlett's prints and sculptures, drawn from the collection of her former student and lifelong friend Samella Lewis, and also includes works by Lewis and Catlett's husband, Francisco Mora. Catlett, who studied with Grant Wood and worked with the Taller de Gráfica Popular in Mexico City, focused her art on the lives of Black women, addressing themes of identity, equity, labor, family, and freedom.

The Bad Bunny chairs taking over the art world

Edra Soto, a Puerto Rican artist based in Chicago, has created a series of plastic lawn chairs upholstered with the face of reggaetón superstar Bad Bunny, now on view in the exhibition "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago. The chairs, part of Soto's broader practice transforming everyday Puerto Rican objects into art, also appear at the Kemper Museum of Contemporary Art in Kansas City and were shown at EXPO Chicago. The exhibition explores the visual history and political power of Caribbean music, highlighting Bad Bunny's role in the 2019 protests that led to the resignation of Governor Ricardo Rosselló.

Bath museum to host artist workshop, lecture series in conjunction with exhibition

Maine Maritime Museum in Bath is hosting an artist workshop and lecture series from May through August 2025, tied to its exhibition “Re|Sounding.” Each month, a different contributing artist will lead a session exploring a specific medium—painting, oral storytelling, assemblage, or poetry—as a tool for examining local and personal histories. The first event on May 10 features James Eric Francis Sr., the Penobscot Nation’s tribal historian and visual artist, who will give a lecture, lead a painting workshop, and have his works on view in the exhibition. Attendance is on a sliding scale.

Meet the artist turning Venezuelan protest music into art

Nadia Hernández, a Venezuelan-born artist now based in Melbourne, has created a multidisciplinary installation titled "Para verte mejor, en todo tiempo" (To see you better, at all times) currently on view at the Art Gallery of New South Wales. The work traces the history of Venezuelan protest music, incorporating a textile collage, a soundscape, and a site-specific mural. Hernández, who won the Grace Cossington Smith Art Award in 2021 and was a finalist for the Ramsay Art Prize and Sulman Prize in 2023, began this project two years ago as an evolving archive of protest songs, building on earlier iterations shown at the Oslo Freedom Forum, TarraWarra Biennial, and Art Basel Hong Kong.