How Betye Saar Set Black Dolls Free

An exhibition at the New York Historical celebrates Betye Saar’s promised gift of her collection of over 100 Black dolls to the institution, coinciding with her upcoming 100th birthday. The show, on view through October 4, features dolls alongside Saar’s paintings, prints, and sculptures, including works like “The Liberation of Aunt Jemima” (1972) and “Indigo Mercy” (1975). Saar began collecting Black dolls in 1949 and has incorporated them into her art since the 1970s, using watercolors during the COVID-19 pandemic to reimagine them in mystical scenes.

Rediscovered Rubens Notebook Page Goes on View for the First Time

A double-sided notebook page by Peter Paul Rubens, dated to September 1607, has gone on public display for the first time at the Rubens Experience in Antwerp. The sheet features a quill-testing squiggle, a sketch of three robed men thought to be apostles, and a draft letter on the reverse to the painter Cristoforo Roncalli. The letter, written on behalf of their patron Eleonora de' Medici, inquires about the progress of a painting for her private chapel. The page was acquired at TEFAF Maastricht by the King Baudouin Foundation for €110,000 ($121,100) and is on long-term loan to the Rubenshuis, where it will remain until renovations are completed around 2030.

Fairfield University Art Museum To Present James Welling: Cento

Fairfield University Art Museum will present "James Welling: Cento," a major exhibition of over 60 photographs by the renowned contemporary photographer, from September 25 to December 12, 2026. The show focuses on the classical world, featuring images of ancient Greek and Roman architecture and statuary, printed on plastic sheets and hand-altered with oil paint and pigment. It includes works from the Cento series (2019-2021) and the Personae series (2021-2022), alongside historic plaster casts from the museum's collection.

Dansaekhwa has taken over the modern art world. But the story of how that happened is up for debate.

The article examines the global rise of Dansaekhwa, a Korean monochrome painting style that has achieved record auction prices and widespread collector interest over the past decade. It traces key milestones, including two pivotal 2014 exhibitions at Kukje Gallery in Seoul and Blum & Poe in Los Angeles, and the surge in auction prices for artists like Kim Whan-ki, Park Seo-bo, and Chung Sang-hwa, culminating in a $13 million sale in 2019.

‘Something Missing?’ Absence is emotional with Sophie Calle’s new show

Sophie Calle's latest exhibition, 'Something Missing?' at the Louisiana Museum of Modern Art in Copenhagen, explores themes of absence, loss, and disappearance through works spanning 1979 to 2023. The show features series such as 'Because' (2018-2023), where embroidered felt sheets hide photographs; a response to Picasso's works swaddled during Covid lockdowns; 'The Blind' (1986), in which people born without sight describe beauty; and 'Voir la mer' (2011), capturing Istanbul residents seeing the sea for the first time. Calle's characteristic wit and emotional depth turn voids into vantage points, inviting viewers to confront what is missing.

In London, Churchill's astonishing talent as a painter celebrated by an unprecedented retrospective

À Londres, l’étonnant talent de peintre de Churchill célébré par une rétrospective inédite

The Wallace Collection in London is hosting the first major posthumous retrospective of Winston Churchill's paintings, titled "Winston Churchill: The Painter." Running until November 29, 2026, the exhibition features nearly 60 still lifes and landscapes, many from private collections rarely shown publicly. Churchill took up painting in 1915 after the Dardanelles disaster and used art as a therapeutic escape from the pressures of politics and war, producing luminous, impressionistic works inspired by Monet, Cézanne, and Renoir.

What You (Maybe) Didn't Know About Édouard Manet

Ce que vous ne saviez (peut-être) pas sur Édouard Manet

Édouard Manet (1832–1883), a pivotal figure bridging realism and impressionism, is the subject of a feature article in Beaux Arts Magazine. The piece explores lesser-known aspects of his life and career, including his near-miss as a naval officer, his rivalry with Gustave Courbet, his refusal to join the impressionist exhibitions despite close ties to the movement, and his deep fascination with Spanish culture. It highlights his scandalous works like *Le Déjeuner sur l'herbe* (1863) and *Olympia*, the latter entering the Louvre after a subscription launched by Claude Monet in 1889.

Review of the Italian Pavilion by Chiara Camoni and its relationship with the Biennale

La recensione del Padiglione Italia di Chiara Camoni e la sua relazione con la Biennale

Chiara Camoni's Italian Pavilion at the 2026 Venice Biennale, titled "Con te con tutto," is reviewed in relation to Koyo Kouoh's central exhibition "In Minor Keys." Camoni's installation features a crowd of female figures sculpted in clay and natural materials, described as "donne tronco" (trunk women), which evoke growth, transformation, and the intuitive, manual gestures that Kouoh champions. The review highlights how Camoni's work dialogues with Kouoh's curatorial emphasis on drawing, painting, and craft as intuitive practices, moving away from conceptual art. It also notes a performance by Magdalena Campos Pons at the Tese theatre, which includes a portrait of Toni Morrison and Kouoh, accompanied by music by Kamal Malak.

Rising Voices: Contemporary Art from Asia, Australia and the Pacific opens at the V&A

The Victoria & Albert Museum (V&A) in London has opened 'Rising Voices: Contemporary Art from Asia, Australia and the Pacific', a landmark exhibition drawn from the collection of the Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Featuring over 70 works by more than 40 artists from 25 countries, the show is organized in three thematic sections—Re-Visioning History, Enduring Knowledge, and Evolving Faith—and includes sculpture, photography, painting, ceramics, weaving, and body adornment. Many works are on view outside their home region for the first time. The exhibition runs until 10 January 2027.

Mayberry Fine Art sees new location as blank canvas, celebrating with auction, exhibition

Mayberry Fine Art, a family-owned gallery in Winnipeg, is relocating after 23 years at 212 McDermot Ave. to a larger warehouse-style space at 661 Wall St. next month. The move is driven by the gallery's growth and the need for improved exhibition space, as the current building was originally an office and posed logistical challenges like parking and lost loading zones. To mark the transition, the gallery is hosting its Spring Fine Art Auction, running online until May 28, featuring 89 paintings and sculptures expected to fetch between $1.1 million and $1.5 million, with works by notable Canadian artists such as Alfred Casson, Arthur Lismer, and Norval Morrisseau.

MoMA PS1 chief curator has a vision for Art Basel’s outsized sector, Unlimited

Ruba Katrib, Chief Curator and Director of Curatorial Affairs at MoMA PS1, has been appointed curator of Art Basel's Unlimited sector for 2026. Unlimited is a dedicated platform for large-scale installations, sculptures, wall paintings, and video works. Katrib, a Syrian American curator known for bold exhibitions and amplifying emerging voices, will select around 69 projects from over 100 gallery proposals to create a coherent curatorial narrative within a 16,000 m² space. She succeeds Giovanni Carmine, director of the Kunst Halle Sankt Gallen.

Liza Lou | FAQ

Liza Lou's latest body of work, presented in the exhibition "FAQ," combines glass beads and oil paint on canvas to create abstract paintings that interrogate mid-century abstraction and the heroics of the painted gesture. Lou translates fluid pigment into cell-like particles of color, juxtaposing spontaneity with painstaking precision, and explores fundamental questions about painting, such as when a painting is not a painting and what constitutes a paint body. The exhibition includes works like "Stanza" (2025) and "Alliteration" (2025), and features a video directed by Mick Haggerty.

Father's Day 2026: exhibitions to enjoy with Dad in Paris this Sunday

This article, published by La Rédac with photos by Cécile de Sortiraparis, offers a curated guide to exhibitions in Paris for Father's Day on Sunday, June 21, 2026. It highlights several family-friendly shows, including a monumental installation by JR on the Pont Neuf, the Louvre's 'Primordial Water' exhibition on Mesopotamian myths, a Matisse retrospective at the Grand Palais, a Hilma af Klint exhibition at the Grand Palais, and the 'Silla: Gold and the Sacred' exhibition at the Guimet Museum, among others. The guide is regularly updated to help readers plan their outing.

The ultimate scavenger hunt for art: Check out this KDKA video of Carnegie International highlights that your family can visit

KDKA has released a video showcasing highlights of the Carnegie International exhibition, presented as an art scavenger hunt designed for families. The video encourages viewers to explore the exhibition together, turning the museum visit into an interactive experience for all ages.

A Long-Overdue Reckoning With Nazi-Looted Art on exhibit at the Musée d’Orsay, Paris

The Musée d'Orsay in Paris has opened a new permanent gallery titled "À qui appartiennent ces œuvres ?" ("To whom do these works belong?") dedicated to MNR (Musées Nationaux Récupération) artworks—pieces recovered after World War II that have not yet been returned to their rightful owners. The single-room exhibition displays thirteen works from the 225 "artistic orphans" held by the museum, including paintings by Pierre-Auguste Renoir, Edgar Degas, and Alfred Stevens. Curators have suspended several works between glass panels to expose the backs of the canvases, revealing inventory stamps and gallery labels that trace their journey from Jewish homes into the Nazi art machine.

I Am Not an Anacronista Painter: The Misunderstood Research of Artist Carlo Maria Mariani

“Io non sono Un Pittore Anacronista”. La ricerca fraintesa dell’artista Carlo Maria Mariani

The Fondazione Carlo Maria Mariani issues a corrective statement defending the late artist Carlo Maria Mariani (1931–2021) against persistent misclassification as an "Anacronista" or "Postmodern" painter. The foundation argues that critics and institutions have superficially lumped Mariani into the anachronistic movement of 1970s–80s Italy, ignoring the conceptual and cerebral foundations of his work. Currently, a solo exhibition titled *I Segni dei Tempi* is on view at the Museo e Real Bosco di Capodimonte in Naples until July 14, curated by Andrea Viliani and Antonio Martino. This follows a 2024 show at the Galleria degli Uffizi in Florence and precedes a major retrospective at Palazzo Citterio in Milan in 2026, curated by Eike Schmidt.

The Holy Spirit in a Rapture of Pain

Der Heilige Geist im Schmerzrausch

Florentina Holzinger's "Pfingstspiel" (Pentecost Play) is a multi-hour performance staged across two locations in Austria—the Wiener Eislauf-Verein in Vienna and Schloss Prinzendorf—as a satellite event to her contribution to the Venice Biennale. The work features extreme physical stunts, including a performer rappelling down a hotel facade, a car drifting with Holzinger on its roof, and a crucifixion scene, all drenched in blood, pain, and religious imagery. The performance, presented only once before 700 guests as part of the Wiener Festwochen, is described as a brutal, uncompromising marathon that pushes the boundaries of live art.

Ukrainian Museums and Cultural Sites Damaged in Massive Russian Attack

In the early hours of Sunday, May 24, 2026, Russia launched a massive attack on Kyiv and its surrounding region, firing 90 missiles and 600 drones. The strike killed four people and injured about 100, while damaging civilian infrastructure including supermarkets, universities, and cultural sites. Among the hardest-hit institutions were the National Art Museum of Ukraine (NAMU) and the Ukrainian National Chernobyl Museum, both recently renovated. The Ukrainian National Chernobyl Museum was "effectively destroyed," with its historic building and 1,350-piece collection sustaining significant damage, though crews rescued about 40 percent of the collection. NAMU's 130-year-old building also suffered critical blows, though its collection of over 40,000 artworks remained safe. Other damaged sites include the Zhytnii Market, Hinaus Gallery, Ukrainian House exhibition hall, Taras Shevchenko Institute of Literature, and two opera houses.

Da Carrà e de Chirico a Giorgio Morandi, ecco le nuove aste di Farsetti a Prato

Farsettiarte in Prato will hold two auctions at the end of May 2026, featuring modern and contemporary art. The Contemporary Art sale takes place on May 29, followed by the Modern Art sale on May 30, with highlights including works by Giorgio Morandi, Carlo Carrà, Giorgio de Chirico, Afro, Giuseppe Capogrossi, Piero Dorazio, and Hans Hartung. A rare Morandi still life from 1921 is estimated at €1.3-1.6 million, while de Chirico's 'Piazza d'Italia' (1963) carries an estimate of €220,000-320,000.

Who the great jazz musician Miles Davis was, 100 years after his birth

Ecco chi era il grande musicista jazz Miles Davis a 100 anni dalla nascita

Miles Davis, the legendary jazz trumpeter and composer, is commemorated on the centenary of his birth. The article traces his career from his early days with Charlie Parker's bebop quintet in 1944, through his pioneering of cool jazz with "Birth of the Cool" (1949) and modal jazz with "Kind of Blue" (1959), to his later fusion experiments with electric instruments and funk-rock on albums like "Bitches Brew" (1970). It also highlights his lesser-known work as a painter, creating abstract, expressionist works influenced by Kandinsky, Basquiat, and Picasso, which were only exhibited after his death.

Clasutta Explores the Dynamics of Love in Solo Exhibition at Whitestone Gallery Singapore

Indonesian artist Clasutta presents a solo exhibition titled "Roommates?" at Whitestone Gallery Singapore, exploring the emotional dynamics of love and relationships through her playful painting style. The exhibition is part of a larger curatorial narrative called "Through Reverie: Love and Memory," which also features a concurrent presentation by Malaysian artist C.K. Koh titled "Folded Glimpses," drawing from his personal photographic archive. Clasutta's works trace the subtle shifts from lighthearted beginnings to spaces shaped by attachment, expectation, and unspoken negotiation, portraying love as fluid and ever-changing.

Zheng Zhilin at Linseed Projects

Zheng Zhilin presents a solo exhibition at Linseed Projects, featuring a series of new works that explore themes of memory, materiality, and spatial perception. The show includes paintings and mixed-media installations that engage with the physical and emotional textures of everyday environments, drawing on the artist's personal experiences and cultural references from contemporary Chinese life.

Tattoo artists bring fine art, live tattooing to Carbondale Arts Gallery

Carbondale Arts Gallery in Colorado opens “Visceral Alchemy: Fine Art + Tattoo,” an exhibition featuring over 20 tattoo artists from across the United States. Curated by Sarah Overbeck, the gallery’s marketing director, and local tattoo artist Matt Hays, the show highlights the dual creative practices of tattoo artists, showcasing their personal fine art in mediums such as wood carving, ceramics, painting, and drawing alongside their commercial tattoo work. A live-tattoo event at Carbondale’s Launchpad accompanies the exhibition, allowing visitors to observe artists working on clients in real time.

An Arie de Vois for Washington

Un Arie de Vois pour Washington

The National Gallery of Art in Washington, D.C., has acquired a self-portrait by the Dutch Golden Age painter Arie de Vois. The work, painted around 1660, depicts the artist in the guise of a hunter, a role that carried erotic connotations in 17th-century Netherlands—the Dutch words for 'hunting' and 'bird-catching' were slang for courtship and sexuality. This acquisition adds a rare and thematically layered example of De Vois's self-portraiture to the museum's collection.

Bonollo Foundation explores the body and mind with two new exhibition projects

The Sandra and Giancarlo Bonollo Foundation for Contemporary Art in Thiene, Italy, has launched two new exhibition projects: the group show "Body in Motion" and a solo exhibition titled "Sanatorium" by Polish artist Tomasz Kowalski. Both opened on May 23, 2026, with "Body in Motion" running until November 7 and "Sanatorium" until September 30. "Body in Motion," curated by Chiara Nuzzi, features works from the Bonollo Collection by artists including Monica Bonvicini, Talia Chetrit, Sam Durant, Mona Hatoum, and others, exploring the body as a site of relationship, resistance, and identity. "Sanatorium," curated by Elisa Carollo, presents Kowalski's recent paintings that use the metaphor of a sanatorium to examine perception, memory, and the boundaries between imagination and reality, designed specifically for the foundation's space in a former religious and psychiatric complex.

major exhibition of rare paintings and archives honors zaha hadid ten years after her passing

A major exhibition titled 'I Think There Should Be No End to Experimentation' has opened at LUMA Arles, marking the sixth chapter of the Hans Ulrich Obrist Archives. Curated by Hans Ulrich Obrist and Arthur Fouray, the show honors the late Iraqi-British architect Zaha Hadid on the tenth anniversary of her passing. It features rarely exhibited paintings, early calligraphic drawings, personal notebooks, and previously unseen video interviews from 2001 to 2013, alongside tribute posters by peers such as Sir Peter Cook, Stefano Boeri, Sumayya Vally, Iwan Baan, and Lina Ghotmeh. The exhibition is presented in the Tower building designed by Frank Gehry and unfolds across the Cherry Tree Gallery and Archives Gallery, with exhibition furniture conceived by Kazuyo Sejima.

Nei grandi capolavori della storia dell’arte si sorseggia una celebre birra belga. Il video

Stella Artois, the Belgian beer brand, has launched a campaign called "The Artois Probability" that uses an algorithm to analyze historical paintings and calculate the likelihood that the beer depicted in them is actually Stella Artois. Developed in 2023 by the agency GUT in collaboration with the Museo de Bellas Artes in Buenos Aires, the campaign examines variables such as the painting's year, geographic location, glass type, and liquid color, cross-referencing them with the brand's archives. The campaign includes works by artists like Manet, Brueghel, and Brouwer, and aims to make viewers think of Stella Artois whenever they see a beer in a painting.

For Ceija Stojka, Memory Is Survival

The article reviews the exhibition "Ceija Stojka: Making Visible" at the Drawing Center in New York, showcasing over 50 paintings and drawings by the late Romani-Austrian artist. Stojka, a child survivor of the Holocaust, documented both the atrocities she endured and the tender, everyday beauty of Romani life, using acrylic, sand, and paper to convey memories of her family's traveling wagon and natural landscapes. The show highlights her self-taught practice and outsider perspective, featuring works from the 1990s alongside her memoirs, which were posthumously translated in 2022.

Kingston’s Art After Dark showcases emerging artists, veterans alike

Kingston’s Art After Dark event took place on Friday, May 22, 2026, transforming downtown Kingston into an open gallery for three hours. Organized by the Downtown Kingston Business Improvement Area, the self-guided crawl featured over 30 venues including boutiques, studios, and improvised gallery spaces, showcasing painting, photography, sculpture, live demonstrations, and interactive art. Emerging artists and veterans alike participated, with painter David Gilmore demonstrating watercolour and body painter Cornelia Rose creating face art on patrons.

Catharine MacTavish “High-Speed Eternity” at Shmorévaz, Paris

Mousse Magazine reports on Catharine MacTavish's exhibition "High-Speed Eternity" at Shmorévaz, Paris. The show spans six decades of the Canadian artist's work from 1974 to 2026, featuring drawings, prints, videos, holograms, three-dimensional paintings, and dollhouses brought together for the first time.