Tefaf New York wishlist: a Tiffany window and an Egyptian goddess with a nose job

The article highlights three standout artworks being offered at Tefaf New York. A Tiffany Studios stained-glass window, "Birches and Irises" (around 1915), designed by Agnes Northrop, is priced at $1.25 million through Macklowe Gallery. An Egyptian goddess bust from 570-526 BC, rediscovered at a regional auction in England and later authenticated after scientific study, is offered for £1.5 million by David Aaron. A painting by Cecily Brown, "Functor Hideaway" (2008), is listed at $3.9 million by Berggruen Gallery, coinciding with her current exhibition at London's Serpentine Gallery.

Anna Zemánková Estate Joins Gladstone Gallery, Sándra Vasquez de la Horra Joins Tanya Bonakdar Gallery, and More: Industry Moves for April 29, 2026

The article reports a series of industry moves in the art world as of April 29, 2026. Key developments include Gladstone Gallery taking on the estate of Anna Zemánková, Sándra Vasquez de la Horra joining Tanya Bonakdar Gallery, Elijah Wheat Showroom opening a new location in Beacon, New York, and Mariane Ibrahim now representing Leasho Johnson. Additionally, Denniston Hill launches its 2026 residency season with 30 artists, the Minneapolis Institute of Art receives restoration funding from TEFAF, Charlie White is appointed dean of the Sam Fox School, and Jesús Hilario-Reyes and Tichacoco are named inaugural recipients of the Clemente Center’s Van Lier Fellowship. The article also notes a whistleblower claim of $3 million missing from the Palm Springs Art Museum’s investment account, and a New York Times essay by Robin Givhan on Derrick Adams.

New Louvre Chief Christophe Leribault Reveals His Vision for the Museum Post-Heist

Christophe Leribault, the new director of the Louvre, has outlined his vision for the museum following a $100 million heist in October 2025. The Apollo Gallery, where the theft occurred, will reopen in July with a redesigned display that removes mineral cases to highlight its Romantic wall paintings, inspired by Versailles’s Hall of Mirrors. Empress Eugénie’s diamond-and-emerald crown, crushed by the thieves, is being restored and will become a new highlight. Security upgrades include window bars, 100 new cameras by 2026, a mobile police station, and a new security coordinator. The heist led to the resignation of former director Laurence des Cars in February.

Un’isoletta tutta dedicata all’arte nel mezzo della Laguna di Venezia. Va avanti il progetto della Fondazione Sandretto Re Rebaudengo sull’Isola di San Giacomo

The Fondazione Sandretto Re Rebaudengo has opened a new art space on the island of San Giacomo in the northern Venetian lagoon, acquired in 2018 by Patrizia Sandretto Re Rebaudengo and Agostino Re Rebaudengo. The island, previously abandoned, has been transformed into a laboratory for art and sustainability, with a gradual opening plan that initially aligns with the Venice Biennale. The inaugural program launched on May 7, 2026, includes a solo exhibition by Matt Copson curated by Hans Ulrich Obrist, a group show titled 'Don’t have hope, be hope!', and a photographic documentation of the restoration process by Giovanna Silva and Antonio Fortugno.

Venice Biennale Special 2026—podcast

This episode of The Art Newspaper's podcast is a Venice Biennale special, covering the opening week of the 2026 edition. Host Ben Luke, along with Louisa Buck and Jane Morris, reviews the main exhibition "In Minor Keys," curated by the late Koyo Kouoh and realized by five collaborators. The podcast features interviews with artists Gabrielle Goliath, whose work for the South African pavilion was cancelled and is instead staged in a Venice church, and Lubaina Himid, showing in the British pavilion. It also includes conversations with writer Saidiya Hartman and Daniella Kaliada of Belarus Free Theatre about their collateral projects. The episode concludes with a focus on two restored Tintoretto paintings at the Basilica of San Giorgio Maggiore, funded by Save Venice.

A Vienna Theater Opens Its Prized Klimt Ceiling Paintings to Tours During Restoration

The Burgtheater in Vienna has opened guided tours allowing the public to view Gustav Klimt's ceiling paintings up close for the first time, during a restoration of the works. The 10 paintings, created in the late 1880s by Klimt, his brother Ernst, and Franz Matsch, hang 60 feet above the staircases and were recently cleaned with cotton swabs and purified water after water damage. The tours, which require sturdy footwear, are currently sold out due to high demand.

Hotel and art hub Casabianca opens on Italy's Lake Como

The De Santis family, accomplished hoteliers on Lake Como, has opened Casabianca, a new hotel and art hub in a 1930 villa designed by Piero Ponci. The property features three apartment-style suites launching later this year, while its lower floors are already open to the public for €15, displaying around 50 works from the family's collection of post-war Italian art, including pieces by Arte Povera artists such as Alighiero Boetti, Mario Merz, and Jannis Kounellis. The venture is the latest in a series of heritage hotel restorations by the family, who previously revived the Grand Hotel Tremezzo and Passalacqua.

Filippo Lippi painting—once the centrepiece of Florence's Palazzo Medici Chapel—to undergo two-year restoration

The Staatliche Museen zu Berlin has announced a two-year restoration of Filippo Lippi’s 1459 painting *The Adoration in the Forest*, funded by the Ernst von Siemens Kunststiftung and the Schoof’schen Stiftung. The tempera-on-panel work, a centerpiece of the Palazzo Medici chapel in Florence, is now in the Gemäldegalerie’s collection. Conservators discovered that a 19th-century varnish layer is degrading the paint, causing it to lift off the panel, particularly affecting the Virgin’s blue cloak, skin, and gold leaf areas. The treatment aims to remove the varnish while stabilizing the paint layer, and may also reveal Lippi’s use of oil paint alongside egg tempera.

America’s Finest Renaissance Tapestry Set for Major Restoration

The European Fine Art Foundation (TEFAF) has awarded its €25,000 Museum Restoration Fund to the Minneapolis Institute of Art (MIA) for the conservation of *The Meeting of Dante and Virgil*, a mid-16th century Italian Renaissance tapestry. This is the first time TEFAF has funded a tapestry restoration since the initiative began in 2012. The wool and silk tapestry, made between 1547 and 1549 by the Florentine workshop of Duke Cosimo I de’ Medici and designed by Francesco Salviati, depicts the opening scene of Dante’s *The Divine Comedy*. It is the only early Medici tapestry held by a public collection outside Italy, standing 17 feet tall and eight feet wide. Due to structural weaknesses and light sensitivity, it has been largely in storage for 70 years. Conservation work by the Midwest Art Conservation Center will include wet cleaning, stabilization, and partial reweaving, along with a new display system. The tapestry is scheduled to return to public view at MIA on July 11.

Tefaf restoration award goes to 500-year-old Medici tapestry

Tefaf has awarded its Museum Restoration Fund prize to the Minneapolis Institute of Art (MIA) for the restoration of a 500-year-old Medici tapestry, "The Meeting of Dante and Virgil" (circa 1547-49). The €25,000 grant will support cleaning, consolidation, and lining of the 5.3-meter-high work, which has not been displayed in over 60 years due to severe damage including silk weft loss and open slits. The conservation will be carried out by the Midwest Art Conservation Center, and the tapestry is expected to go on public view at MIA this summer.

Titian's ‘Bacchus and Ariadne’ to get a refresh with bank conservation grant

Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.

La grande fiera TEFAF si tiene a New York da 10 anni. Come sarà l’edizione 2026?

TEFAF New York returns to the Park Avenue Armory from May 15–19, 2026 (with a collector preview on May 14), marking the fair's tenth anniversary. The 2026 edition will host 88 top international galleries from 15 countries across four continents, offering museum-quality selections of modern and contemporary art, jewelry, antiques, and design. Highlights include Andy Warhol's Mao (1973) at ML Fine Art, Cecily Brown's Functor Hideaway (2008) at Berggruen Gallery, and a 2026 work by Minjung Kim at Voena. The fair also extends into the Armory's historic period rooms, and the TEFAF Museum Restoration Fund will support the conservation of a Medici tapestry owned by the Minneapolis Institute of Art.

10 chefs-d’œuvre de l’impressionnisme décryptés par Beaux Arts

Beaux Arts Magazine presents a detailed dossier analyzing ten iconic masterpieces of Impressionism, including works by Edgar Degas, Édouard Manet, Berthe Morisot, Auguste Renoir, Gustave Caillebotte, Claude Monet, and Mary Cassatt. The article explores the technical innovations, modern subjects, and revolutionary spirit of the movement, which began in 1874 and was initially rejected by critics. Each featured painting—such as *Le Déjeuner sur l’herbe*, *Impression, soleil levant*, and *Le Bal du moulin de la Galette*—is examined by art historians and journalists to reveal its composition, historical context, and lasting impact.

The Langmatt Museum in Baden Reopens Its Doors

Le Musée Langmatt de Baden rouvre ses portes

The Langmatt Museum in Baden, Switzerland, has reopened after a two-year, €21 million renovation of its Art Nouveau villa, which required urgent structural intervention. The project was co-financed by the city of Baden and the canton of Aargau, with the city contributing CHF 10 million. To secure the museum's endowment fund, the Langmatt Foundation controversially sold three Paul Cézanne masterpieces at Christie's New York in November 2023 for a total of CHF 40.32 million, sparking ethical debate in museum circles. The renovation covered all 75 rooms, including new fire protection, an elevator, accessibility upgrades, a glass pavilion, and restoration of the historic park, while preserving the villa's character.

Arnaldo Pomodoro | Arnaldo Pomodoro - Untitled for Art and Research (Ca… (2003) | For Sale

Arnaldo Pomodoro's 2003 etching "Untitled for Art and Research (Ca…" is being offered for sale. The work is an artist's proof on wove paper, signed and annotated p.a., one of only 15 proofs aside from the regular edition of 150. It was created to support the "Art and Research" event in Milan, sponsored by the Mario Negri Pharmacological Research Institute, and published by Art 3, Alberto Serighelli. The piece is framed under UV Plexiglass and measures 12.75 x 12.5 x 1.5 inches framed.

The Holy See Pavilion asks Venice Biennale Visitors to Slow Down and Listen, and Other News.

The Holy See's pavilion at the 61st Venice Biennale presents "The Ear is the Eye of the Soul," a multi-sensory exhibition centered on deep listening and inspired by Hildegard von Bingen, curated by Hans Ulrich Obrist and Ben Vickers with Soundwalk Collective, featuring new commissions by 24 artists including Patti Smith, Brian Eno, FKA twigs, and Dev Hynes across two Venetian sites. Separately, Chanel and the Solomon R. Guggenheim Foundation have launched the Chanel Culture Fund Fellowship, a transatlantic curatorial program for postgraduate scholars at the Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice. In other news, a father-daughter duo from New Jersey pleaded guilty to a $2 million counterfeit art scheme involving forged works attributed to Andy Warhol, Banksy, and others; Vienna's Burgtheater is offering guided scaffolding tours of Gustav Klimt's early ceiling paintings during restoration; and the sixth edition of the Head Hi Lamp Show opens in New York.

A favorable court decision for contemporary stained glass at Notre-Dame

Une décision de justice favorable aux vitraux contemporains à Notre-Dame

A French court has ruled in favor of keeping contemporary stained-glass windows installed at Notre-Dame Cathedral, rejecting a legal challenge from traditionalists who sought their removal. The decision upholds the controversial replacement of 19th-century grisaille windows designed by Eugène Viollet-le-Duc with modern works by artist Pierre Soulages and others, as part of the cathedral's post-fire restoration.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.

Judge Orders Prado to Hold Disputed Velázquez Painting in Divorce Case

A Spanish judge has ordered the Museo del Prado in Madrid to take custody of a painting attributed to Diego Velázquez, which is at the center of a divorce dispute between steel magnate José María Aristrain and his ex-wife Gema Navarro. The work, a portrait of Philip IV linked to Velázquez’s early years in Madrid, was removed from Aristrain’s residence on March 17 and transferred to the Prado’s storage after Navarro filed a complaint alleging it had been wrongly withheld from her. The Ministry of Culture, acting with court and prosecutorial support, designated the museum as custodian until ownership is resolved. The painting had previously surfaced at auction, failing to sell in 2007 amid attribution doubts, before being acquired by Navarro in 2015 for €878,000.

Banksy’s Venice mural has been restored and will now tour city

A Banksy mural titled "Migrant Child," originally sprayed onto a 17th-century palazzo in Venice in 2019, has been restored and will tour the city's canals this weekend. The work, which depicts a child holding a flare and wearing a life vest, was removed from the Palazzo San Pantalon after six years of neglect and environmental damage had caused about a third of it to deteriorate. The restoration was funded by Banca Ifis, which purchased the palazzo in 2024 and commissioned Zaha Hadid Architects for the building's renovation. The conservation was supervised by Federico Borgogni, who previously oversaw the removal of another Banksy work in Bristol.

In Warsaw, the Poster Museum reopens and it is the oldest in the world

A Varsavia riapre il Museo del Manifesto ed è il più antico del mondo

The Poster Museum in Wilanów, a suburb of Warsaw, has reopened after a major conservation restoration co-financed by the Polish Ministry of Culture and National Heritage. Founded in 1968 as an autonomous institution from the National Museum in Warsaw, it is the oldest museum of its kind in the world. Its collection now holds approximately 63,000 posters from Poland and abroad, dating from the late 19th century to the present, including works by Pablo Picasso, Andy Warhol, and Stasys Eidrigevičius. The reopening exhibition, "Polish Posters: The Collection," features 240 works spanning 130 years of Polish urban life, covering themes from politics and propaganda to cinema, theater, music, and fashion. The museum also hosts the International Poster Biennale, founded in 1966, with the next edition scheduled for 2027.

ICA Watershed reopens for the season with industrial-inspired installations

The Institute of Contemporary Art's Watershed in East Boston has reopened for its 2026 season with the exhibition "Lucy Raven: Rounds," featuring two large-scale installations by New York-based artist Lucy Raven. The show includes "Hardpan," a kinetic light sculpture co-commissioned by the ICA and Barbican Centre, and "Murderers Bar," a 44-minute film documenting the demolition of a concrete dam on the Klamath River in Northern California. Both works explore themes of industrial history, extraction, and environmental transformation, with the Watershed's former factory setting amplifying the industrial resonance.

No, the courts have not cleared the way for contemporary stained-glass windows at Notre-Dame

Non, la justice n'a pas laissé la voie libre aux vitraux contemporains de Notre-Dame

The article clarifies that legal challenges against installing contemporary stained-glass windows in Notre-Dame Cathedral are still ongoing, contrary to misleading headlines. Two judicial procedures remain active: an appeal by the heritage association Sites & Monuments after losing a first-instance ruling on procedural grounds, and a separate case contesting the legitimacy of the works themselves. Although an emergency injunction was denied because the judge found no urgency, the core legal arguments—that replacing Viollet-le-Duc's windows is not conservation or restoration—remain strong. The author warns that if the windows are installed before the appeals are resolved, they may later have to be removed at great expense.

Lotus Kang channels desire into Bvlgari's Venice Biennale pavilion

Artist Lotus Kang has created a site-specific installation for the Bvlgari pavilion at the Venice Biennale, working across three studios including a temporary Brooklyn warehouse. Her work, which includes unfixed 35mm film on the façade of Spazio Esedra and new sculptures of plaster baby birds and rubber-wrapped tatami mats, explores themes of multiplicity, permeability, and the unfixing of meaning. Kang, known for her installations at the 2023 Whitney Biennial and Chisenhale Gallery, describes herself as a maker of objects and spaces who resists single interpretations.

An Abandoned Shipyard in Venice Is Getting a New Life Thanks to This Congolese Choreographer

Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance in a 16th-century shipyard complex in Venice that has been inaccessible since World War II and never open to the public. Commissioned by the nonprofit Scuola Piccola Zattere, the work will bring up to 500 people into the 32,291-square-foot open-air ruin for two nights during the 2026 Venice Biennale preview week. The rental fee from the performance will help stabilize and restore the floors of the historic Galeazze site.

LA LECHUZA DE MINERVA

The Círculo de Bellas Artes in Madrid, founded in 1926 by a small group of artists, has launched a centenary exhibition titled "La lechuza de Minerva" (The Owl of Minerva). Curated by Isabella Lenzi, the project revisits the institution's most disruptive exhibition, "El sueño imperativo" (1991), curated by Mar Villaespesa, which invited twelve artists to intervene in both exhibition spaces and transit areas, challenging traditional display logic. The new exhibition features works by artists including Dagoberto Rodríguez, Elo Vega, Rogelio López Cuenca, Isidoro Valcárcel Medina, Itziar Okariz, Los Carpinteros, María Salgado, Pedro G. Romero, Regina Silveira, Silbatriz Pons, and Tino Sehgal, who activate hidden and unexpected corners of the building through visual and sound actions. The project also restores Nancy Spero's 1991 intervention "Minerva, Sky Goddess," which had largely disappeared, through archaeological research led by restorer Rocío Casasus.

Designs for a Better Future

Entwürfe für eine bessere Zukunft

The Rimowa Design Prize has awarded its fourth edition to Samuel Nagel and Paul Feiler from the Schwäbisch Gmünd University of Applied Sciences for their bracelet "Nura," which translates sign language into spoken language and converts speech into written text. Other finalists include Jakob Schlenker's bird-shaped device to encourage movement in the elderly, Niklas Henning's harvesting system for restoring moors, Tobias Kremer and Yannick Stilgenbauer's inflatable cooling capsule for use without electricity, and Valerio Sampognaro's lightweight furniture that can both support and lift off. The exhibition runs until May 13 at the Berlin Kulturforum.

Au Louvre, des directeurs de département entre responsabilités internes et rôle national

Maximilien Durand has been reappointed as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum, a role that carries both internal museum responsibilities and national duties on behalf of the French state. Two decrees signed by Culture Minister Catherine Pégard formalize his renewal: one as head of the museum department, and another as head of the corresponding major heritage department, a status held by only nine of the Louvre's departments.

Museum Moves 24 – 30 April 2026

This article is a weekly roundup of museum news from 24–30 April 2026, covering openings, closures, and exhibitions across the UK. Highlights include the permanent closure of Blackpool's Tramtown museum due to structural unsafety, the reopening of Sibsey Trader Windmill after a five-year restoration, and several new exhibitions: 'Vennels: Perth’s Little Streets' at Perth Museum, 'The 90s: Art and Fashion' at Tate Britain, 'Regeneration' at Hull's Streetlife Museum, 'Inspiration' at Stockport Station, 'Our Story with David Attenborough' at Outernet London, and 'Lynn Chadwick at Houghton Hall' in Norfolk.

Panel Discussion: Regeneration — Long Island’s History of Ecological Care at Parrish Art Museum

The Parrish Art Museum is hosting a panel discussion on May 24, 2026, featuring artist Sara Siestreem and members of the Shinnecock Kelp Farmers, moderated by Associate Curator Scout Hutchinson. The conversation celebrates their collaborative work in the exhibition "Regeneration: Long Island’s History of Ecological Art and Care," which runs through June 14, 2026. The Shinnecock Kelp Farmers, an intergenerational collective of Indigenous women, restore ancestral seaweed harvesting traditions to address water pollution, while Siestreem’s artistic practice incorporates abstract mark making, basket weaving, and Xerox transfers to highlight Indigenous land rights and ecological restoration.