Kim Gordon Nixes Noise Show, Lucien Smith and Jens Hoffmann Mount Comebacks, and More Juicy Art-World Gossip

Kim Gordon canceled her noise show at Lonti Ebers's Amant nonprofit in East Williamsburg at the last minute due to illness, leaving her Body/Head bandmate Bill Nace to improvise with Aaron Dilloway. The concert marked the closing of 'Folded Group,' a group exhibition curated by Gordon and Nace, and featured opening sets by MV Carbon and Jeff Hartford, with audio bleeding into Amant's upscale restaurant Zoli.

Arne Glimcher’s $50M Pollock Falls Flat in Sotheby’s Private Auction—and More Art Industry News

Sotheby's attempted a private auction of Jackson Pollock's "Number 19, 1951" at its Manhattan headquarters on June 2, with an asking price of $50 million, but the sale collapsed due to insufficient bidders. The work was owned by Pace Gallery founder Arne Glimcher, and Sotheby's star auctioneer Oliver Barker was flown in from London for the event. In other news, Pace Gallery downsized by cutting 50 artists and laying off 50 staff, Sotheby's London announced a Lewis Collection sale headlined by a Modigliani estimated at over £45 million, and Freeman's appointed Muys Snijders as CEO. The British Art Fair returns to Saatchi Gallery in September, and Art Basel released its "Basel Exclusive" artist list.

Legacy dealer Marianne Rosenberg unearths family archive for New York show

Marianne Rosenberg, an Upper East Side dealer and descendant of the storied Rosenberg gallery dynasty, has opened a new exhibition titled "Giacomo Manzù: The Artist and his Dealer" at her gallery Rosenberg & Co., running until 27 June. The show features sculptures, works on paper, and archival letters that explore the decades-long relationship between Italian sculptor Giacomo Manzù and her father, Alexandre P. Rosenberg, who represented Manzù until his death in 1987. Marianne, who left a career in international aviation finance law to open her gallery in 2015, continues her family's focus on Impressionist and Modern art while also working with contemporary artists and pursuing restitution of artworks looted by the Nazis during World War II.

London Gallery Weekend 2026: our critics pick their top shows

London Gallery Weekend returns for its sixth edition with over 120 participating galleries and more than 80 public events. Despite recent gallery closures like Stephen Friedman Gallery, the festival highlights expansions by major dealers such as Sadie Coles, Modern Art, and Maureen Paley, along with newcomers like Sundaram Tagore Gallery and Pale Horse. Critics pick top shows across the city, including Freya Tewelde's abstract paintings at Gallery 1957, Savannah Harris's café-gallery hybrid at Harlesden High Street, and Ravelle Pillay's archival works at Goodman Gallery.

‘I make casts of their feet!’ Rachel Whiteread, Michael Armitage and more on how they get their kids into art

Five artist parents—Rachel Whiteread, Michael Armitage, Chantal Joffe, and Rachel Maclean—share their personal approaches to introducing young children to art. Whiteread describes letting her boys play in her studio and casting their hands and feet for fun; Armitage lets his daughter lead, using his materials in unexpected ways; Joffe emphasizes good materials and allowing mess; Maclean prefers making art at home over museum visits. The article includes practical tips and photographs of children interacting with artworks.

Celia Paul, Edward Hopper, Saif Azzuz

Pace Gallery has cut 50 artists from its roster and laid off 50 staff members, with CEO Marc Glimcher calling it a "model correction" for the gallery business. This comes shortly after the gallery opened a $100 million flagship in Manhattan's Chelsea neighborhood. In other news, Marjane Satrapi has died at 56, over 100 participants threaten legal action against the Venice Biennale over award withdrawals, and Lucian Freud's painting "Sleeping by the Lion Carpet" could fetch up to $47 million at Sotheby's. The newsletter also highlights an opinion piece by Laura Raicovich arguing for reintegrating art with everyday life, and mentions exhibitions featuring Saif Azzuz, Ali Eyal, Edward Hopper, and Celia Paul.

Sotheby’s Quietly Tried to Sell Arne Glimcher’s Pollock for $50 M.—It Didn’t Go as Planned

Sotheby's secretly organized a private auction for Jackson Pollock's "Number 19, 1951," owned by Pace Gallery founder Arne Glimcher, with an asking price of $50 million. The sale was held at the Breuer Building in Manhattan with unusual secrecy, including flying in star auctioneer Oliver Barker from London and sending a recorded pitch to prospective buyers. However, Sotheby's could not secure enough bidders, and the auction was ultimately called off; the painting's current whereabouts remain unclear.

Comment | Farewell, Los Angeles’s ‘punk’ Box gallery

Mara McCarthy, founder of the Box gallery in Los Angeles, announced the closure of the boundary-pushing commercial space on April 24 after 19 years. The gallery, which opened in 2007 in LA's Chinatown and later moved to the Arts District in 2012, was known for spotlighting under-recognized post-war and contemporary artists, including performance pioneers Barbara T. Smith and Simone Forti, moving-image artist Stan Vanderbeek, and political artist Wally Hedrick. McCarthy described the gallery as a "punk version" of New York spaces, grounded in humanity and community. The closure was driven by declining sales of her father Paul McCarthy's work, collectors turning away from experimental art during the pandemic, and the devastating Eaton Fire in 2025 that destroyed Mara's home and her parents' home in Altadena.

We Asked Artists, Dealers, Lawyers, and Advisers What Gallery Representation Means Today—And It’s Surprisingly Complicated

ARTnews explores the evolving and often ambiguous nature of gallery representation through interviews with artists, dealers, lawyers, and advisers. The article traces British painter Nigel Cooke's journey from his first representation by Stuart Shave/Modern Art in 2002 to his current gallery Pace, and his recent exhibition "Bad Habits" at Fondazione Querini Stampalia in Venice. It highlights the gap between the romantic ideal of a dealer discovering and nurturing an artist's career and the commercial reality of contracts, commissions, and termination clauses.

À Paris, Anglet ou Dreux, 5 expositions gratuites à voir en juin

The article highlights five free art exhibitions to see in France in June 2026, spanning Paris, Anglet, Dreux, and the Maine-et-Loire region. In Paris, the Bibliothèque historique de la Ville de Paris presents "C'était Paris en 1970," showcasing 100,000 photographs from a 1970 city-wide contest to document the capital. In Anglet, the Centre d'art contemporain hosts "Tutti Frutti," a group show curated by Anne-Laure Lestage featuring 18 artists whose works evoke the atmosphere of a market, including pieces by Miriam Cahn, Takako Saito, and Manuel Wroblewski. In Maine-et-Loire, the exhibition "Dans le Maine-et-Loire, de grands artistes ouvrent les portes de leur atelier" displays photographs by Jean Marie del Moral of artists' studios, featuring figures like Joan Mitchell, Miquel Barceló, and Damien Hirst. Additional free exhibitions are mentioned in Dreux and elsewhere, though details are cut off.

Francis Picabia: Against Bad Breath and Cathedrals of Shit

ArtReview examines the enduring relevance of Francis Picabia through the exhibition "Francis Picabia: Expanding Horizons" at Hauser & Wirth in London. The show presents a five-decade, 32-work mini-retrospective of Picabia's painting and drawing, spanning from an untitled impressionist landscape (1902) to his late Dada-themed works. The article highlights Picabia's deliberately wayward, ever-changing practice, his provocative aphorisms (e.g., "Cubism is a cathedral of shit"), and his role as a precursor to appropriation art, Pop, Conceptualism, and 'bad' painting, with key series including the Espagnoles, Transparencies, and mechanomorphic images.

Jamie Nares’s Enduring Romance With the Brushstroke

Hyperallergic interviews Jamie Nares, a New York-based painter and filmmaker, about her artistic journey and enduring focus on the brushstroke. Nares, who came out as transgender in 2019 and changed her artist name in 2024, discusses her move from London to New York in the mid-1970s, her involvement in the No Wave movement, and her recent decision to relocate permanently to Upstate New York. She explains how she reduced her practice to the single brushstroke, finding endless variation in that gesture, and describes her process as a search for the essences of things, stripping away what is superfluous.

Come together: how London galleries are making it work in the capital

London’s gallery sector is undergoing a reset as a slower market, rising operating costs, and changing collector behavior challenge dealers of all sizes. Despite high-profile closures, around two dozen new galleries have opened in the past few years, and many are experimenting with new business models. London Gallery Weekend (LGW) returns this month (5–7 June), highlighting a shift away from art fairs toward a renewed focus on exhibitions. New galleries like Pale Horse Gallery in Marylebone and Edel Assanti’s second space in St James’s prioritize in-gallery programming, while others like Elizabeth Xi Bauer are expanding into studios and residency programs to offer artists more infrastructure.

‘We have a shared sky and stars’: the Indigenous American artists challenging our relationship to the natural world

Hold to This Earth, the largest exhibition of contemporary Native North American art ever shown in Britain, has opened at a time when the United States prepares for the 250th anniversary of the Declaration of Independence. Curated by Sarah Coulson, the show features works from more than 35 tribal nations, drawn from Santa Fe’s Tia Collection. Artists such as Jeffrey Gibson, Rose B Simpson, Raven Halfmoon, Dakota Mace, and Hock E Aye Vi Edgar Heap of Birds address urgent issues including environmental exploitation, land rights, and Indigenous resilience through a blend of traditional craft and contemporary media.

New Freeman’s CEO, Rana Begum Joins Lehmann Maupin, and More: Industry Moves for June 3, 2026

This week's industry moves roundup from ARTnews includes several notable appointments and gallery changes. Makeda Best has been named Chief Curator of Photography at MoMA, coming from the Oakland Museum of California. Dawn Airey was appointed Chair of Arts Council England, the UK's primary public arts funding body. Artist Rana Begum has joined Lehmann Maupin, with her debut at Art Basel in June and a solo show in New York in September. Freeman's appointed Muys Snijders as CEO, an auction and art advisory veteran with over 25 years of experience. Additionally, Experimenter announced the tenth round of grantees for its Generator Cooperative Art Production Fund, and a work by a follower of Hieronymus Bosch sold for $537,000 at Sotheby's, more than ten times its high estimate.

Remembering Alan Saret, Julio Le Parc, and Hilde Lynn Helphenstein

Hyperallergic's weekly In Memoriam column honors several figures from the art world who recently died, including postminimalist sculptor Alan Saret (1944–2026), Franco-Argentine kinetic artist Julio Le Parc (1928–2026), art-world satirist Hilde Lynn Helphenstein (1985–2026), figurative painter Jay Milder (1934–2026), arts advocate Randall Bourscheidt (1944–2026), Vietnamese photographer Dang Van Phuoc (1935–2026), British actor and art dealer Robin Alastair Hurlstone (1958–2026), and Belgian multimedia artist Marie-Jo Lafontaine (1950–2026). Each obituary highlights their contributions, from Saret's wire sculptures and Le Parc's kinetic works to Helphenstein's satirical Instagram account and Bourscheidt's advocacy for artists with AIDS.

Alan Saret, Author of Transcendent Wire Sculptures, Dead at 81

Sculptor Alan Saret, known for his ethereal wire sculptures and "Gang Drawings," died on May 26 in Brooklyn at age 81. His death was announced by the gallery Karma, which represented him. Saret created cloudlike organic forms from brass, copper, and steel wire, responding to Minimalism with a nature-attuned spirit. He studied under Robert Morris at Hunter College, assisted architect Paolo Soleri, and was included in Harald Szeemann's landmark 1969 exhibition "When Attitudes Become Form" at Kunsthalle Bern. After a rocky career that included a three-year stay in India and a decade-long hiatus from showing work, Karma secured representation of the artist in 2022, finally bringing him the notice he deserved.

Philadelphia opens its Van Gogh Sunflowers display with a very rare loan from London’s National Gallery

The Philadelphia Museum of Art is opening a special display, "Van Gogh’s Sunflowers: A Symphony in Blue and Yellow" (June 6–October 11), that brings together two of Van Gogh's iconic Sunflowers paintings: the Philadelphia museum's own version (January 1889) and a rare loan of London's National Gallery's version with a yellow background (August 1888). This marks the first time the London painting has crossed the Atlantic, and only its fifth loan abroad since 1924. The reunion was reciprocated after Philadelphia lent its Sunflowers to London's 2024 exhibition "Van Gogh: Poets & Lovers."

How Gedi Sibony Makes a Show, By Transforming Street Finds Into Magical ‘Frozen Moments’

Gedi Sibony's latest exhibition, "The Invisible Point," opened at Greene Naftali in New York, marking his eighth solo show at the gallery since 2008. The show features his signature assemblage sculptures crafted from street finds and discarded materials—including wooden bookshelves from trash dumps, broken plant stands, wire scraps, and a broomstick—alongside restrained, barely-there paintings. The press release, just four sentences long, describes his process as "powered by an intuitive momentum" and the works as "objects drafted from remnants and castoffs." Sibony's practice extends a tradition from Cubist collage through artists like Louise Nevelson, Robert Rauschenberg, and Richard Tuttle.

As the Country Turns 250, Why Won’t Its Museums Meet the Moment?

As the United States approaches its 250th anniversary in 2026, the official America 250 (A250) commission has been taken over by a MAGA-aligned events company that previously produced Trump rallies, including the January 6 insurrection. The new contractors have received over $26 million in no-bid federal contracts and have rolled out commemorative programming that critics say whitewashes history, including a video projection on the Washington Monument that celebrates Christopher Columbus and skips over slavery, Indigenous peoples, and women. Meanwhile, the National Park Service plans to exhibit a statue of Caesar Rodney, a slaveholding signer of the Declaration of Independence, on Pennsylvania Avenue.

Art Movements: Meet MoMA's New Photo Chief

Makeda Best has been appointed as the new chief curator of Photography at New York's Museum of Modern Art (MoMA), starting in September. She comes from the Oakland Museum of California, where she served as deputy director of curatorial affairs, and previously held the role of photography curator at the Harvard Art Museums. The Asian Cultural Council awarded over $1.6 million in grants to 70 grantees across four fellowship categories. Additionally, Pace Gallery cut 50 artists and laid off 50 workers in what CEO Marc Glimcher called a "model correction," and a painting attributed to a follower of Hieronymus Bosch sold for $537,600 at Sotheby's, more than ten times its high estimate.

Léon Tutundjian, l’avant-gardiste oublié enfin remis en lumière à Grenoble

The Musée de Grenoble has mounted the first-ever retrospective of Léon Tutundjian, an Armenian-born avant-garde artist who was active in Paris from the 1920s onward. Despite being a friend and peer of major figures such as Jean Hélion, Auguste Herbin, Theo van Doesburg, Jean Arp, and Alexander Calder, Tutundjian was largely forgotten by art history. The exhibition brings together his rare works—including collages, drawings, gouaches, and the sculptural "reliefs" for which he is best known—and aims to restore his place in the narrative of 20th-century modernism.

At MICAS, architecture competes with Reggie Burrows Hodges' exhibition

Au MICAS, l'architecture concurrence l'exposition de Reggie Burrows Hodge

The Malta International Contemporary Art Space (MICAS) presents "Mela," the first European solo exhibition of American painter Reggie Burrows Hodges, featuring around thirty new works inspired by the artist's extended stay on the island in 2024-2025. The exhibition, curated by Edith Devaney, includes four thematic series—Labor, Seascapes, Buoy, and a sound installation—alongside the monumental canvas *Mamajamma* (2025), which reinterprets Caravaggio's *The Beheading of Saint John the Baptist* as a Maltese water-polo match.

London’s Gallery Scene Is Full of Contradictions. Its Art Is, Too.

London's gallery scene during the June 2026 London Gallery Weekend presented a stark contrast: while Cork Street saw abandoned storefronts from departed galleries like Tiwani and Stephen Friedman, and Pace Gallery downsized, new arrivals Sundaram Tagore and Lehmann Maupin celebrated openings alongside expanding midsize galleries Edel Assanti and Emalin. A total of 126 galleries participated from June 5–7. Notable exhibitions included Thomas Houseago's spiritual installation at Lévy Gorvy Dayan featuring antiquities and modern works, Oliver Beer's sound-vibration paintings at Thaddaeus Ropac, Anne Imhof's Berlin-coded sculptures at Sprüth Magers, and a performance art 'spiritual marriage' at Gallery Rosenfeld. The article highlights a renewed interest in spirituality and nostalgia across shows, with South Asian art becoming increasingly central to London's cultural identity.

John Claridge obituary

John Claridge, a celebrated advertising photographer known for his iconic campaigns for Rolls-Royce, Porsche, and Jack Daniels, has died at age 81. His career spanned decades and earned multiple awards, but he is most revered for his black-and-white photographs of London's East End in the 1960s and 1970s, collected in the 2016 monograph "East End." Claridge's work is held in major institutions including the V&A, the National Portrait Gallery, and the Museum of Modern Art in New York.

‘The people made me a star’: 100 years of Marilyn Monroe – in pictures

A new exhibition at the National Portrait Gallery in London, titled 'Marilyn Monroe: A Portrait', explores the life, career, and legacy of Marilyn Monroe through portraits created by many of the greatest photographers and artists of the 20th and 21st centuries. The show runs until 6 September and features iconic images from her early modeling days as Norma Jeane to her final interviews and photographs in 1962, including works by Milton H. Greene, Eve Arnold, Cecil Beaton, Pauline Boty, and Andy Warhol.

Crystal Bridges Museum Tacks on a Big Expansion, Just 15 Years After Opening, and Packs it With American Art

Crystal Bridges Museum of American Art in Bentonville, Arkansas, has opened a major expansion just 15 years after its original 200,000-square-foot facility debuted. Designed by architect Moshe Safdie, the addition adds 114,000 square feet of new galleries, education spaces, and artist studios, including a 14,000-square-foot exhibition space. The new wing features skylights with a mechanism to create balanced natural light and hosts the inaugural exhibition “Keith Haring in 3D,” co-curated by Glenn Adamson, which explores the artist’s sculpture practice. The expansion was driven by founder Alice Walton’s desire to execute the original fifty-year plan while Safdie could still lead the project.

Daft Punk’s Thomas Bangalter Talks About Making Music for Art Projects and Robot Life as Performance

Thomas Bangalter, one half of the iconic French electronic duo Daft Punk, has been expanding his creative practice into visual art and performance since the group's dissolution in 2021. He has composed music for ballets, collaborated with artist JR and choreographer Damien Jalet on the project Chiroptera, and released a new album, Mirage, made for a ballet with visual artist Kohei Nawa. Bangalter also contributed a sound work to JR's public art installation La Caverne du Pont Neuf in Paris, and will present an installation at Art Basel in Switzerland. He recently played a surprise DJ set at the closing of Centre Pompidou for renovations.

MoMA exhibition will examine Mondrian’s time in New York and love of boogie woogie music

The Museum of Modern Art (MoMA) in New York will present "Mondrian Boogie Woogie" (March 21–July 31, 2027), an exhibition focusing on Piet Mondrian's final four years in New York and the influence of boogie woogie music on his late work. The show reunites Mondrian's last two paintings—Broadway Boogie Woogie (1942-43) from MoMA's collection and Victory Boogie Woogie (1942-44) from the Kunstmuseum Den Haag—for the first time in over thirty years, alongside 30 total works including pieces from a crate he brought to New York. A section will explore Café Society, New York's first interracial nightclub where Mondrian was a regular, and jazz pianist Jason Moran will contribute an original composition.

Marilyn Monroe: A Portrait review – the radiant, uncontainable star she always wanted to be

The National Portrait Gallery in London has opened a new blockbuster exhibition, "Marilyn Monroe: A Portrait," marking what would have been the star's 100th birthday. The show presents Monroe through photographs, paintings, and film excerpts, tracing her transformation from Norma Jeane Baker into a global icon. It features works by renowned photographers such as Richard Avedon, Milton Greene, Cecil Beaton, Eve Arnold, Philippe Halsman, Weegee, and André de Dienes, as well as paintings by Pauline Boty and Andy Warhol. The exhibition emphasizes Monroe's agency and control over her own image, challenging the notion of uncovering a "real Marilyn" behind the glamour.