The fifth annual High Desert Art Fair (HDAF) took place at the Pioneertown Motel in California's High Desert, featuring 20 galleries, nonprofits, studios, and publishers. Founded by Nicholas Fahey of Fahey/Klein Gallery and artist manager Candice Lawler, the fair leverages the area's existing artistic community and natural beauty to attract visitors from Los Angeles and beyond.
The New York art scene is witnessing a shift in the Tribeca gallery landscape as 1969 Gallery, a fixture known for championing emerging painters, has shuttered its physical space at 39 White Street. Founder Quang Bao confirmed the closure following the building owner's decision to sell the property, noting that he is currently operating from Barcelona with plans to pivot toward collaborations and residencies rather than the traditional gallery model. Meanwhile, the itinerant Ward Gallery continues to gain traction by hosting pop-up symposia at institutions like the International Center for Photography, signaling a broader trend toward real-estate-free dealership.
Ki Smith Gallery in New York is hosting "50 years of PUNK," an exhibition honoring the seminal punk magazine that launched in 1975. Running through January 11, the show features ephemera, new artworks, and issues 24 and 25 of the magazine, which famously covered bands like the Ramones and Lou Reed. The exhibition opened on November 28, marking 50 years since PUNK interviewed Reed and the Ramones at CBGB's. Co-curated by gallery founder Ki Smith and PUNK co-founder John Holmstrom, the show celebrates the magazine's DIY spirit and its role in shaping punk culture.
Fairfield University Art Museum has received a $15,000 grant from CT Humanities to support a 2026 exhibition titled *For Which It Stands…*, commemorating the 250th anniversary of the United States. The show will run from January 23 to July 25, 2026, featuring 75 works by diverse artists from the early 20th century to the present, all centered on depictions of the American flag. Highlights include Childe Hassam’s *Italian Day, May 1918* (lent by the Art Bridges Foundation), a new textile sculpture by Maria de Los Angeles, and works by Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, and Julie Mehretu. Loans come from private collections, artists, galleries, and institutions such as the Yale University Art Gallery, the Gordon Parks Foundation, and the Orlando Museum of Art.
San Francisco's art scene is showing signs of recovery after a difficult period marked by the pandemic, federal arts grant cuts, and museum closures. June brought positive developments: the Headlands Center for the Arts raised record funds at its annual auction, the shuttered San Francisco Art Institute plans to reopen as an artist studio, and local criticism magazine SquareCylinder is returning. The article highlights nine summer exhibitions across the Bay Area, including shows by Ruby Neri, William T. Wiley, Hank Willis Thomas, Charlie Tweddle, and Shepard Fairey, ranging from public art installations to gallery retrospectives.
Artists in the United States are facing heightened repression, including censorship, funding cuts, and deportation threats, during the first 100 days of Donald Trump's second presidential term. The administration's executive orders have targeted cultural institutions, with a campaign to purge the Smithsonian of 'improper ideology' and the gutting of the Institute of Museum and Library Services. Funding for arts grants, particularly those focused on underserved communities, has been canceled or left in limbo, creating a climate of fear and uncertainty.
Spike Lee's new film *Highest 2 Lowest*, an English-language reinterpretation of Akira Kurosawa's *High and Low*, prominently features artworks from Lee's personal collection—or replicas of them—as set decoration. Production designer Mark Friedberg used Lee's collection, previously surveyed at the Brooklyn Museum in 2023, as a reference to establish the character of music tycoon David King, played by Denzel Washington. Works by Jean-Michel Basquiat, Kehinde Wiley, Deborah Roberts, Gordon Parks, Henry Taylor, and others appear in the film, including Basquiat's *Horn Players* (1983) and *Now's the Time* (1985), Tim Okamura's portrait of Toni Morrison, and pieces from Andy Warhol's 'Muhammed Ali' series.
Aspen's summer 2025 art scene is packed with exhibitions and fairs. Highlights include a mini-survey of photographer Anastasia Samoylova at Casa Tua Aspen, a major Sherrie Levine retrospective at the Aspen Art Museum (June 6–Sept. 29), Enrique Martínez Celaya's 'The Pale Threshold' at Baldwin Gallery (June 20–July 20), the Intersect Aspen Art + Design Fair (July 29–Aug. 3) featuring Shepard Fairey and Michael Stipe, Anderson Ranch's Summer Series with talks by Issy Wood and Titus Kaphar, and the Aspen Art Fair (July 29–Aug. 2) at Hotel Jerome.
Intersect Aspen Art and Design Fair returns for its 2025 edition from July 29 to August 3, featuring the largest roster of galleries and programming in its 15-year history. Highlights include works by Shepard Fairey, Pierce Brosnan, and Fernando Botero, with artists such as Cristina Mittermeier, David Drebin, and Kay Seohyung Lee in attendance. The fair will also host talks and signings with photographer Maryam Eisler and a panel on art and the Aspen community.
Street art pioneer Shepard Fairey has released a collaborative screen print titled "Modular Frequency" in partnership with Portuguese artist Add Fuel (Diogo Machado). The limited-edition work, produced by Obey Giant Studios, features a fusion of Fairey’s signature propaganda-style aesthetics with Add Fuel’s contemporary take on traditional tile patterns. The hand-signed and numbered edition is currently being offered through New Union Gallery on the Artsy platform.
Contemporary street artist Shepard Fairey’s 2021 screenprint titled "RAGE" has been listed for sale via New Union Gallery on the Artsy platform. The work, a limited edition screenprint on fine art paper measuring 12 by 12 inches, is part of an edition of 250 and is hand-signed and numbered by the artist.
Street artist Shepard Fairey has released a new limited-edition screenprint titled "Projection Mirror: ICE Paid Agitator" as part of his "FUCK ICE" series. The artwork features inflammatory rhetoric previously used by the Trump administration, redirected toward U.S. Immigration and Customs Enforcement (ICE) to highlight what the artist describes as the agency's pervasive brutality and dehumanizing attacks on immigrants. A portion of the proceeds from the sale of these prints will benefit the Coalition for Humane Immigrant Rights (CHIRLA).
An exhibition titled "Don’t Look Now: A Defense of Free Expression" has opened at Nathalie Karg Gallery in New York City, organized by the nonprofit Art at a Time Like This and co-founded by curator Barbara Pollack. The show features artworks by artists who have experienced censorship, including Danielle SeeWalker’s painting "G is for Genocide" (2024), which led to the revocation of her artist residency in Vail, Colorado, and Andil Gosine’s altered photograph "Magna Carta" (2025), which was removed from a planned exhibition at the Art Museum of the Americas. The works address suppression linked to President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of censorship, with some institutions self-censoring due to funding cuts from entities like the National Endowment for the Arts.
Fairfield University Art Museum is offering an exclusive private tour to readers, as reported by the Westport Journal. The event provides a behind-the-scenes look at the museum's collections and exhibitions, allowing attendees to engage directly with curators and artworks in an intimate setting.
Fairfield University Art Museum will open a major loan exhibition titled "For Which It Stands…" on January 23, 2026, running through July 25, 2026, as part of the university's commemoration of the 250th anniversary of the United States. The exhibition features over 70 works by diverse artists from the early 20th century to the present day, all centered on depictions of the American flag, including pieces by Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, Julie Mehretu, Childe Hassam, and a new textile sculpture by Maria de Los Angeles commissioned for the show. Works are lent by private collectors, artists, galleries, and institutions such as the Delaware Art Museum, Yale University Art Gallery, and the Gordon Parks Foundation.
The Petit Palais in Paris is hosting the second edition of its free urban art exhibition, "We are (still) here," from June 20 to September 20, 2026. Organized in collaboration with the Itinerrance Gallery, the show features nearly 200 works by leading French and international street artists, including Seth and Inti, displayed in the Concorde Hall and throughout the museum's permanent collections, creating a dialogue between contemporary street art and classical masterpieces.
The HOPE Outdoor Gallery, a beloved open-air graffiti art space in Austin, is preparing to reopen after six years of closure. Founder Andi Scull announced that the new site, located on an 8-acre plot near Austin-Bergstrom International Airport, is purpose-built with four distinct sectors including a courtyard, a roofless circular structure, a garden, and a village of shipping containers. The layout is designed to spell out "HOPE" when viewed from planes landing or departing. The original location on Baylor Street closed in 2018, and the team has been working since then to secure a new home, with the goal of opening before the end of the year, pending permits.
The Greenville County Museum of Art (GCMA) will open “At This Moment: Portraits of South Carolina Artists” on November 12, featuring 78 photographs taken over ten months by photographer Jerry Seigel. Seigel was commissioned by GCMA’s Mark Sloan and Tom Styron to travel across the state and capture portraits of notable artists including Sigmund Abeles, Shepard Fairey, Pearl Fryar, Jonathan Green, Mary Jackson, Jasper Johns, Grainger McKoy, George Read, Brian Rutenberg, Leo Twiggs, and Mary Whyte. The exhibition runs through January 11, 2026, and will be accompanied by a book of the same title containing Seigel’s photos and biographical information on each artist.
Philadelphia's underground street art scene is stepping into the spotlight with a two-day pop-up exhibition titled 'Step Outside' at Huddle gallery in Fishtown. Organized by street artists Doomed Future and Red Hound Heavy Hammer, the show features over 75 outdoor and graffiti artists, including works by the anonymous artist Blur. The event includes live wheat-pasting, installations, and a large submission wall, aiming to replicate the subversive energy of creating art outdoors within a gallery setting.
Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.
Scope Art Show Miami has announced its 2025 edition, themed "Be Here Now," which will take place December 2–7. The fair will feature 95 galleries from 18 countries and territories, including over 30 first-time exhibitors, along with large-scale installations, performances, and collaborative activations. Highlights include a reprisal of The Better Together Bar by Chris Allen Darsow and Al Hamm, a monumental installation by Victor Quiñonez (Marka27) titled "Elevar La Cultura" (2025), Shepard Fairey's "Phone Booth" presented by Mortal Machine Gallery, and Dan Witz's hyperrealist painting "Crown Heights" (2025).
French artist Invader, whose real name is Franck Slama, sued the parent company of Julien Auctions for copyright infringement, theft, and violations of the Visual Artists Rights Act. The lawsuit claims 15 of his original mosaic artworks were stolen from their installation sites worldwide—including Tokyo, Paris, and other French locations—damaged or distorted, and then offered in the auction house's "Street Art: Paint & Pavement" sale on September 25. Invader demanded the works be removed, and a U.S. District Court in California granted a restraining order halting the auction of those pieces. The auction house's co-founder Martin Nolan defended the sale, arguing that street art created in public spaces transfers ownership to those who lawfully acquire it.
Ben Davis, an art critic, analyzes the failure of Kamala Harris's 2024 presidential campaign through the lens of its visual culture, particularly a MoveOn.org poster in Brooklyn that renders Harris's face entirely from emojis—smiley eyes, fist-bump skin, octopus lips, and coconut necklace. He argues this poster epitomizes the campaign's reliance on incoherent internet vibes and substance-free memes, contrasting it with Shepard Fairey's uninspired "FORWARD" poster and the self-parody of "Brat Summer" aesthetics. Davis blames Democratic Party consultants for wasting over $1 billion on a campaign that failed to connect with voters on economic anger, instead offering wonkish proposals and appeals to nonexistent Liz Cheney Republicans.
One Art Space in Tribeca presented “The Space Between Us,” a group exhibition curated by Mitchell Rodbell featuring 13 artists including Rodbell, Miyuki Fuji, Madhu Powar Garg, Marietta Gavaris, and others. The weeklong show ran from January 12 to January 18, 2026, with many works sold during the VIP opening night. Notable attendees included co-owner MaryAnn Giella McCulloh, Dr. Robi Ludwig, Melanie Goodreaux, and Bruce Morrow.
ONE Art Space in Tribeca is hosting "Tribeca’s Midnight Parade — When Art Runs Wild," a solo exhibition of paintings by Chuck Connelly. Co-curated by Adrienne Connelly and MaryAnn Giella McCulloh, the show features the 1994 painting "Animals in the Street," which depicts Tribeca figures as animal archetypes, including a lion judge and the artist as a horse. The private opening drew a celebrity guest list including Princess Tina Radziwill, orchestrated by PR powerhouse Norah Lawlor.
Intersect Aspen Art + Design Fair returns to the Aspen Ice Garden for its 15th edition from July 29 to August 3, featuring its largest number of exhibitors to date. The fair includes solo presentations by Shepard Fairey at 212GALLERY and Michael Stipe at Jackson Fine Art, an immersive installation by Donna Isham at Varvara Roza Galleries, and a panel moderated by Carrie Scott with Heidi Zuckerman and Maryam Eisler.
Costa Mesa’s Arts Commission delivered a report to the City Council on Tuesday, calling for a significant increase in arts funding as the city updates its arts and culture master plan. Currently, arts programs are primarily funded by a portion of cannabis tax revenue—about $230,000 annually—but actual expenditures are nearly double that, forcing the city to use general fund revenue to cover the gap. Commissioners recommended establishing a public art fund, increasing the cannabis tax allocation, imposing a 1% public art fee on capital projects over $500,000, and potentially using hotel-stay tax revenue to support the arts. They also proposed expanding the arts grants program, funding a consultant to update the master plan, and creating a dedicated arts specialist position.
The Virginia Museum of Contemporary Art (Virginia MOCA) has inaugurated its new, expanded facility on the campus of Virginia Wesleyan University. The opening is anchored by a major solo exhibition titled "The Pursuit of Happiness" by acclaimed contemporary artist Nina Chanel Abney, alongside a group show, "Seamless: Art and Design." Abney’s exhibition features her signature large-scale, vibrant, and emoji-inspired works that explore the complexities of the American Dream, identity, and power structures through a lens of both visual seduction and narrative ambiguity.
One Art Space in Tribeca presented "Thread of Memory – The Language of Healing," a solo exhibition by Korean artist Sung Min Jang, held from November 18–25, 2025. The show featured Jang's acrylic paintings that combine painterly surfaces with textile motifs and symbolic threads, exploring themes of memory, trauma, and renewal. A private VIP reception took place on November 20.
Art at a Time Like This, a non-profit organization, has opened the exhibition 'Don’t Look Now' in New York City's Nolita neighborhood (October 10–25), featuring 24 contemporary artists whose work has been censored or blacklisted. Participants include Marilyn Minter, Shepard Fairey, Dread Scott, Danielle SeeWalker, and Yvonne Iten-Scott, whose pieces were removed from shows, rescinded from residencies, or targeted by officials due to political content. The exhibition responds to the Trump administration's crackdown on free speech in the culture sector, including mass layoffs at the NEA and NEH, proposed funding cuts, and canceled shows at institutions like the Smithsonian.