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middle east art fair race doha dubai and abu dhabi art basel 1234744406

Art Basel has announced a surprise deal to launch a new art fair in Qatar next year, partnering with Qatar Sports Investments (QSI) and QC+, a subsidiary of Qatar's sovereign wealth fund and commercial arm of Qatar Museums. The fair will debut with around 50 galleries in Doha, intentionally smaller than Basel's other fairs, with a distinct character aimed at building a long-term, sustainable event. The deal comes after rumors that Basel might take over Abu Dhabi Art, and as the region's art scene intensifies, with Art Dubai recently poaching Basel's global head of gallery relations Dunja Gottwies as its new director.

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Abu Dhabi Art (ADA) held its final edition at Manarat Al Saadiyat before transitioning into a Frieze franchise in November 2025. The fair featured 53 new galleries, a Focus sector highlighting art scenes from Nigeria, Turkey, and South Asia, and a new Emerge section offering discounted booth prices for works under $3,000 to attract emerging collectors. The shift comes as Abu Dhabi’s cultural landscape moves beyond its iconic Saadiyat Island museums—Louvre Abu Dhabi, Zayed National Museum, and Guggenheim Abu Dhabi—toward more grassroots ventures like the MiZa warehouse district, which hosts experimental spaces such as MamarLab and Iris Projects. Mega-gallery Pace returned after a 14-year absence, citing renewed energy in the Gulf market.

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On September 9, 2015, Queen Elizabeth II became the longest-reigning monarch in British history, surpassing Queen Victoria. To mark the occasion, the Royal Collection opened a photography exhibition titled “Long to Reign over Us,” featuring posed portraits and casual family shots of the Queen. Artnet News compiled 30 favorite photos and paintings of the monarch, including works by Cecil Beaton, Andy Warhol, and royal photographer Mark Stewart, highlighting her decades-long reign and her ease in front of the camera.

Alma Allen Flops in Venice

Hyperallergic reports on the 2026 Venice Biennale, with Editor-in-Chief Hakim Bishara criticizing the U.S. pavilion's exhibition of Alma Allen's work as a disappointing departure from the previous editions' profound explorations of Indigenous life and Black sovereignty. Editor-at-Large Hrag Vartanian offers a positive review of the main exhibition "In Minor Keys," while Greta Rainbow covers a poetry procession honoring the late artistic director Koyo Kouoh. Additional stories include a review of the film "The Christophers" about an artist and forger, and news of workers at the American Folk Art Museum picketing for higher wages.

Gulf art market feels the force of Middle East conflict

The ongoing conflict in the Middle East, involving the US, Israel, and Iran, has disrupted the Gulf region's art market. Key events like Art Dubai have been postponed, and the inaugural Frieze Abu Dhabi faces uncertainty, as the area's stability—crucial for attracting international dealers and auction houses—is now in question.

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Artnet News published its quarterly analysis of the most exhibited living artists at over 250 U.S. museums in March 2025, identifying more than 3,700 artists. The top artist is photographer Cara Romero, who appears in multiple museum shows including a major retrospective at the Hood Museum at Dartmouth College. Three of the six most featured artists have Native American backgrounds, reflecting a surge in exhibitions celebrating Indigenous art. The list excludes the late Jaune Quick-to-See Smith, a Native painter and curator who died in January 2025 at age 85 and would have ranked highly.

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

palais de tokyo removes martinique flag cameron rowland 1234758546

The Palais de Tokyo in Paris removed Cameron Rowland's artwork "Replacement" (2025) just one day after it went on view in the exhibition "ECHO DELAY REVERB." The piece replaced the French flag above the museum with the flag of Martinique, adopted in 2023, and included a wall text criticizing French colonial rule and quoting the Martinican independence movement. The museum appended a new label stating the work "could be considered illegal" and was no longer included. Neither the Palais de Tokyo nor Rowland's representative commented.

Manetti Shrem Museum Fall 2025 Exhibitions Explore the Borderlands; Environmental Justice

The Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis presents two fall 2025 exhibitions: “OJO” Julio César Morales, a midcareer survey exploring the U.S.-Mexico border as a lived human experience through over 50 works in various media, and “Breath(e): Toward Climate and Social Justice,” a group exhibition from the Hammer Museum at UCLA that connects environmental and social injustice. The exhibitions run through Nov. 29, with a free public opening celebration on Sept. 28 featuring artists, curators, art making, and music. Morales’ show marks his California homecoming after a decade in Arizona as a senior curator and museum director, and includes an outdoor neon commission, “tomorrow is for those who can hear it coming” (2025).

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Sotheby's held its inaugural Abu Dhabi Collectors' Week at the St. Regis Island Resort on Saadiyat Island, transforming the venue into a luxury showcase with handbags, diamonds, watches, a non-selling art display worth $500 million, and rare cars. The week culminated in open-air auctions under a full moon, netting $133 million—far exceeding the $17 million from Sotheby's first Middle East luxury sale in Saudi Arabia earlier this year. Highlights included a 1994 McLaren Formula 1 car sold for $25.3 million, a Jane Birkin Hermès handbag that fetched $2.9 million, and a 31.68-karat pink diamond called The Desert Rose that went for $8.8 million. A jewelry and timepieces sale achieved white-glove status, taking $25.4 million.

padimai art tech studio singapore olafur eliasson 1234762360

A new experimental space called Padimai Art & Tech Studio will open in November 2025 at Tanjong Pagar Distripark in Singapore. The launch features a VR work by artist Olafur Eliasson titled "Your view matter" (2022/25), commissioned by the studio's founder, technologist and collector Vignesh Sundaresan (also known as Metakovan). Sundaresan made headlines in 2021 with his record-breaking $69.3 million purchase of Beeple's "Everydays: The First 5000 Days." The work guides participants through six geometric virtual environments, with each visitor's trajectory and point of view recorded as a unique data file stored in a blockchain-based archive.

abu dhabi to host most expensive art exhibition staged by sothebys in the middle east valued at 150 m 1234753618

Abu Dhabi will host the most expensive art exhibition ever staged by Sotheby's in the Middle East on October 1 and 2, valued at approximately $150 million. The exhibition features six masterpieces by Vincent van Gogh, Paul Gauguin, Frida Kahlo, René Magritte, Camille Pissarro, and Edvard Munch, sourced from major private collections including those of Leonard A. Lauder, Cindy and Jay Pritzker, and Matthew and Kay Bucksbaum. It takes place at the Bassam Freiha Art Foundation on Saadiyat Island Cultural District and marks Sotheby's first public fine art show in the UAE, ahead of its Abu Dhabi Collectors' Week in November.

The UAE’s art market is on the up

The UAE's art market is experiencing a resurgence nearly two decades after the 2008 financial crash, driven by a booming economy and strategic investments. Key developments include an Abu Dhabi sovereign wealth fund, ADQ, acquiring a $1 billion stake in Sotheby's, and Art Basel announcing a new fair in Doha, Qatar, set to launch in February 2026. Meanwhile, Christie's is expanding its Dubai office, and Saudi Arabia hosted its inaugural Art Week Riyadh in April, featuring 32 commercial galleries. Despite these regional moves, Dubai remains the Gulf's commercial art hub, with Sotheby's chairman Edward Gibbs noting a 70% increase in regional bidders over five years and Christie's president Anthea Peers reporting that sales of modern Middle Eastern art trebled between 2020 and 2024.

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Sandra Poulson, a 30-year-old Angolan artist, has opened her first museum exhibition at MoMA PS1 in New York, titled "Este quarto parece uma República!" ("This bedroom looks like a Republic!"). The show features sculptures that explore how everyday objects carry social and political meaning, including a work critiquing the influence of mega-churches in Angola. Poulson, who splits her time between Luanda, London, and Amsterdam, drew inspiration from her childhood, local furniture practices in Luanda, and colonial-era wood exploitation. The works were initially produced for Condo London and commissioned by Jahmek Contemporary Art.

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French investigators have revealed that security cameras at the Louvre did capture the $102 million jewelry heist on October 19, 2025, contradicting earlier claims by museum director Laurence des Cars that no video existed. The footage was discovered during a Senate hearing on December 10, showing that the control room lacked enough screens to monitor all cameras simultaneously, so guards did not see the break-in in real time. By the time they switched to the relevant feed, nearly eight minutes later, the thieves had already escaped. The investigation also found that security guards and police arrived just 30 seconds too late because staff miscommunicated the exact location of the break-in within the Apollo Gallery. All four members of the heist commando group have been arrested.

How Entertainment Exec Hassan Smith Built an Art Collection Championing Black Artists

Entertainment executive Hassan Smith has curated a deeply personal art collection in his North Atlanta home that bridges historical mastery with contemporary Black identity. His holdings range from a 17th-century Rembrandt drawing in the kitchen to iconic photography by Gordon Parks and contemporary works by artists like Ferrari Sheppard and Derek Fordjour. The collection is characterized by its integration into daily family life, featuring a Basquiat-inspired aesthetic that begins at the front door.

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Cannupa Hanska Luger collaborated with the filmmakers of the horror film *Him*, directed by Justin Tipping and produced by Jordan Peele, to create a sports mascot named “Tinsel Larry.” The mascot appears in the film as the symbol for the fictional San Antonio Saviors team. Luger worked with lead costume designer Dominique Dawson on the design, which evolved from a “Conquistador Larry” concept into a “razzle-dazzle rose gold glitter monster.” Luger explained on Instagram that the mascot incorporates Indigenous references as a deliberate commentary on the racist history of sports mascots, calling it “an act of reclamation.”

Sue Webster: Fandoms and Icons

Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.

Working as an Artist in Hong Kong (Michelle Fung)

Michelle Fung reflects on the realities of working as an artist in Hong Kong, dispelling the romantic myth of the bohemian artist. She describes the city's high cost of living, lack of affordable studio space, and the need for artists to take on multiple jobs—from teaching to selling secondhand handbags—to survive. Fung notes that while Hong Kong offers a vibrant art scene with over 70 galleries and a dozen museums, most artists cannot rely on gallery sales alone. She also critiques the Hong Kong Arts Development Council's grant system, which covers project expenses but provides minimal artist fees, contrasting it with more generous systems in Canada and the Netherlands.

Artists Decry Centre Pompidou’s Cancellation of Caribbean Art Exhibition

Nearly 150 artists, curators, and cultural figures signed an open letter denouncing the Centre Pompidou-Metz's abrupt cancellation of an exhibition centering on contemporary Franco-Creole, Caribbean French, and Guyanese art. The survey, titled "Van Lévé: Sovereign Visions from the Maroon and Creole Americas and Amazonia," was slated to run from October 2026 to April 2027 and would have featured artists including Julien Creuzet, Gaëlle Choisne, and the late Hervé Télémaque. Guest curator Claire Tancons had raised concerns about a scheduling overlap with Maurizio Cattelan's ongoing exhibition, leading to tense exchanges with museum director Chiara Parisi before the museum formally canceled the show on June 10, citing a "particularly difficult budgetary context."

The mysterious case of one of the most important British artists of the 1990s who is back with a bang after more than 25 years

Cathy de Monchaux, a prominent British artist from the 1990s known for her erotic and dystopic sculptures, has opened a major survey exhibition at the Palais de Tokyo in Paris titled 'Studio, Wounds and Battles, Desire is the Reiteration of Hope'. The show comes 26 years after her last major solo exhibition at the Hirshhorn Museum in Washington DC, and includes a facsimile of her Hoxton studio, featuring intimate sketchbooks, maquettes, and early works. De Monchaux, who graduated from Goldsmiths in 1987 and was nominated for the Turner Prize, largely stepped away from the public exhibition circuit to raise her son, focusing instead on private commissions.

Vancouver Art Gallery gifted 131-work private collection from Hong Kong

The Vancouver Art Gallery (VAG) has received a landmark donation of 131 works by 78 artists from an anonymous Hong Kong-based collector, named the Art Continuum Hong Kong (ACHK) collection. The gift, the largest contribution of Hong Kong art in the gallery's history, spans painting, sculpture, printmaking, film, installation, and lens-based media from the 1950s to the present, chronicling social, political, and cultural change in Hong Kong. It includes works by internationally recognized artists such as Luis Chan, Irene Chou, Tsang Kin Wah, Wesley Tongson, Sin Wai Kin, and Wucius Wong, as well as Hong Kong-born, Vancouver-based artists like Howie Tsui and Lam Tung Pang. The VAG will present an exhibition of the donation alongside its permanent collection in 2027, coinciding with the 30th anniversary of Hong Kong's handover from the UK to China.

Congress Moves to Expand Holocaust Art Restitution Claims

The U.S. Congress has passed an extension of the Holocaust Expropriated Art Recovery (HEAR) Act, a 2016 law designed to help heirs of Holocaust victims recover looted art. The new legislation aims to limit the ability of museums and other current holders to use time-based legal defenses, such as statutes of limitations, to block restitution claims, thereby pushing more cases to be decided on their factual merits.

10 exhibitions to look out for in May

Warren Feeney's article highlights 10 exhibitions opening in May 2026, primarily in Christchurch, New Zealand. Featured shows include Stone Maka's 'MONO' at Jonathan Smart Gallery, exploring Tongan tapa cloth traditions; Jess Nicholson's 'Ka maumahara te uku (the clay remembers)' at CoCA Toi Moroki, focusing on Ngāi Tahu culture and land connections; and a group exhibition 'Indigo' at Art on the Quay, featuring seven Central Otago artists. Other notable shows include Jane Barry, Sandra Hussey, and Laurie Roodt's 'Three Exhibitions' at Chambers Art Gallery, and Stephanie Postles' 'What These Walls Remember' at City Art Depot's new Up Stairs space.

Three Filipino artists make the Sovereign Asian Art Prize 2026 shortlist

The Sovereign Asian Art Prize, now in its 22nd year, has announced its 2026 shortlist of 30 artists from 12 Asia-Pacific countries and territories. Among the finalists are three Filipino artists: Joey Cobcobo, Josephine Turalba, and Alvin Zafra. Cobcobo's nominated work, "Ika-8 Utos: Wag Kang Kukurap (Thou Shall Not Steal)," addresses corruption in the Philippines using a recycled canvas walked on by the public. Turalba, a transdisciplinary artist, has exhibited at Art Basel Hong Kong 2025 and serves as director of the Artistic Research Center at Philippine Women's University. The prize is run by the Sovereign Art Foundation, with proceeds from shortlisted works supporting its Make It Better charity program for children in Hong Kong.

'We can imagine alternatives to the present': Cannupa Hanska Luger on his exhibition at the Joslyn Art Museum

Cannupa Hanska Luger's exhibition 'Dripping Earth' at the Joslyn Art Museum in Omaha, Nebraska, runs until March 8, 2026. The show explores Indigenous futurity through material and conceptual responses to 19th-century watercolors by Swiss artist Karl Bodmer, who documented Luger's ancestral Mandan, Hidatsa, Arikara, and Lakota communities during an 1832-1834 expedition. Luger's works include speculative lithographs, a giant buffalo-shaped abacus, and hand-woven bison regalia, addressing colonization's violent legacy and the unreliability of colonial archives.

Derrick Adams: Glimpses of Black Leisure

The Institute of Contemporary Art, Boston, is hosting 'Derrick Adams: View Master,' the first mid-career survey dedicated to the multidisciplinary artist. Featuring over 100 works spanning two decades, the exhibition includes painting, collage, sculpture, video, and performance that highlight Adams's unique visual language of pattern and color.

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Alexander Butyagin, a senior archaeologist at the State Hermitage Museum in St. Petersburg, was arrested in Poland following an extradition request from Ukraine. Ukrainian authorities accuse Butyagin of conducting illegal excavations at the ancient Greek colony of Myrmekion in Crimea without the required permits following Russia's 2014 annexation. He is specifically accused of removing 30 gold coins, including rare artifacts bearing the name of Alexander the Great, while operating under Russian authority in occupied territory.

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The Abbe Museum in Bar Harbor, Maine, is repatriating 17 items—including a human tooth and funerary objects such as tools, animal hides, and fabric—to the Wabanaki Nations, a confederation of four local tribes (Penobscot Nation, Passamaquoddy Tribe, Mi’kmaq Nation, and Houlton band of Maliseet Indians). The objects, many excavated by Warren K. Moorehead in the late 19th century, passed through the R.S. Peabody Museum, the Bangor Historical Society, and the Abbe Museum, with some lost due to undocumented loans. A Field Register notice from the National Park Service, published September 11, 2025, details their complex provenance. The repatriation is set to occur on or after October 14, 2025.

Who owns the seas? Shahzia Sikander's new animation on world trade beamed onto M+ museum facade

Artist Shahzia Sikander's new animated film, '3 to 12 Nautical Miles,' is being projected onto the digital façade of the M+ museum in Hong Kong. The work uses the historical expansion of territorial waters from 3 to 12 nautical miles as a framework to explore themes of maritime sovereignty, surveillance, and the legacy of colonial trade.