The article appears to be a headline or listing mentioning artists Damien Hirst, Jeff Koons, Matthew Barney, and Gerhard Merz, sourced from Artsy. No further details about events, sales, or exhibitions are provided in the text.
JR : « Réfléchir à la caverne, c’est se pencher sur notre humanité profonde, sur nos origines, sur l’art en général »
French artist JR is transforming the Pont-Neuf in Paris into a giant inflatable cave structure, titled "La Caverne du Pont-Neuf," set to debut on May 23, 2026. The project, conceived with producer Vladimir Yavachev, pays homage to Christo and Jeanne-Claude's 1985 wrapped Pont-Neuf, using inflatable techniques inspired by Christo's unrealized designs. JR's team built a prototype in a hangar at Orly, and the work involves complex permissions from the French president, the Paris mayor, and local authorities.
Une décision de justice favorable aux vitraux contemporains à Notre-Dame
A French court has ruled in favor of keeping contemporary stained-glass windows installed at Notre-Dame Cathedral, rejecting a legal challenge from traditionalists who sought their removal. The decision upholds the controversial replacement of 19th-century grisaille windows designed by Eugène Viollet-le-Duc with modern works by artist Pierre Soulages and others, as part of the cathedral's post-fire restoration.
Kopfüber in die Ewigkeit
Conceptual artist Timm Ulrichs, who died on April 29 at age 86, has been buried in a self-designed grave in the Künstlernekropole (artists' necropolis) near Kassel, Germany. His tomb features a life-size bronze cast of his body buried head-first in the earth, with only the soles of his feet visible above ground. Ulrichs, a pioneer of West German postwar conceptual art known for provocative works like tattooing himself and locking himself inside a hollowed boulder, was laid to rest in the forest cemetery founded by artist Harry Kramer in 1992.
British architecture firm Foster + Partners has completed the Jia Art gallery in Shanghai's Putuo district, a building wrapped in ribbed tubular glass that takes its curvilinear form from the blossoming flowers in nearby Changfeng Park. The gallery features a double-height atrium dividing exhibition spaces on the north side from community-oriented event and education areas on the south, with cantilevered upper levels and curved stainless steel tubes framing the facade.
A 10th anniversary retrospective exhibition titled 'It's Called Ffashiwn!' has opened at National Museum Cardiff, celebrating a decade-long fashion photography project in the South Wales Valleys. The project was founded by French documentary photographer Clémentine Schneidermann and Welsh fashion editor Charlotte James, who began working with local youth groups in Blaina and Merthyr Tydfil in 2015. What started as a three-month residency evolved into an ongoing initiative that has involved young people in designing clothes, sewing, and participating in fashion photoshoots, including a notable collaboration with Alexander McQueen. The exhibition highlights the achievements of the participants, such as Nia Day, who discovered the fashion industry's realities during a cold mountain shoot with the legendary brand.
The British Museum has announced ticket pricing for its upcoming exhibition of the Bayeux Tapestry, a 230-foot embroidered cloth depicting the Norman invasion of 1066. Standard adult tickets will cost £33 (about $45) for peak times, with off-peak and super off-peak options at £27 and £25 respectively. The exhibition runs from September 10, 2025, to July 11, 2027, and marks the first time the tapestry has left France for the UK in over 900 years. Each ticket grants a 40-minute viewing slot, and members receive two free visits. The museum is also planning a complementary outdoor installation by garden designer Andy Sturgeon.
Munson Community Arts is hosting an exhibition that highlights the work of adult students enrolled in its programs. The show features a range of visual art created by these students, celebrating their creative achievements and the skills they have developed through the organization's classes.
Notre-Dame : le mensonge sur le respect de la lumière de Viollet-le-Duc
The article criticizes the planned replacement of the stained-glass windows in Notre-Dame Cathedral, designed by Claire Tabouret, arguing that the public establishment behind the project has made false claims about respecting the original light and colors of Eugène Viollet-le-Duc's 19th-century windows. The author compares the existing and proposed windows baie by baie, asserting that the new designs do not match the chromatic balance or light quality, and calls the official justification a lie. It also highlights two additional alleged falsehoods: that the law for Notre-Dame's restoration deliberately omitted the Venice Charter (when the culture minister said it was unnecessary because the charter was already binding), and that the National Commission for Heritage and Architecture had approved the window replacement (which the author claims is contradicted by the commission's own minutes and multiple members).
The article announces the upcoming 58th edition of Artribune's newsletter 'Render', focused on urban and cultural regeneration, set to be released on Monday, May 25, 2026. It highlights the winning project 'Roma Continua' from the 'A Vision for Rome' call for ideas promoted by Fondazione Roma REgeneration, led by architects Alessandro Cambi and Bruna Dominici of studio IT'S, in collaboration with OMA, LGSMA, OKRA, NET Engineering, and others. The second-place project 'New Times New Roma' is also mentioned, involving groups like From, Fosbury Architecture, and BASE Milano. The newsletter also covers new regeneration projects across Italy and Europe, and notes the upcoming 20th International Architecture Exhibition of Venice.
A Milano la sorprendente natura selvaggia del disegno cieco di Luciana Meazza
The article reviews Luciana Meazza's exhibition 'Wild Thoughts' at Tipografia Fratelli Bonvini in Milan, showcasing her vibrant, spontaneous paintings and works on paper. The show features two series: studio paintings on canvas and outdoor works on paper, including blind drawing and leporellos, all inspired by nature and executed with a free, childlike hand.
A new exhibition in Milan at the gallery N.51 presents the work of Japanese artist Shigeru Arai, known as NAGNAGNAG, who is celebrated for transforming industrial soft vinyl dolls (Sofubi) into unique art objects. The show, titled "Shigeru Arai Tribute Exhibition," marks the first time his work is displayed in Italy, tracing the history of Sofubi from its post-WWII origins in Japan—where it replaced dangerously flammable cellulose toys—to its elevation as a collectible art form through Arai's distinctive techniques, including biting the soft vinyl and applying multiple layers of paint.
Art & Light Gallery in Greenville will host 'Natural Form,' an exhibition opening June 2 and running through June 27, featuring abstract works by Allison James, Bethany Mabee, and Morgan Walker. The show explores organic shapes and patterns found in nature, with each artist drawing from personal experiences—James from motherhood, Mabee from interior design, and Walker from her father's Parkinson's disease and her own mental health struggles. An opening reception will be held June 5.
Carnegie Hall in Lewisburg, West Virginia, has opened a new exhibition in its Museum Gallery featuring textile artist Holly Lei Cole. The show is part of the ongoing Carnegie Hall ArtWalk, a self-guided gallery experience across four spaces in the historic 1902 landmark. Cole, a Virginia-based fiber and art-quilt artist, presents works that blend drawing, painting, sewing, and mixed media, exploring themes of endangered species, animal-human relationships, and nature. Before turning to art quilting in 2016, she worked as a costume and set designer for Broadway, The Muppets, Ringling Bros. Circus, and regional theaters. The exhibition is free and runs through the end of June.