I think I didn't understand many artists

"Ich glaube, ich habe viele Künstler nicht verstanden"

Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.

A Thomas J Price Bronze Opens Door to London’s V&A East

British artist Thomas J Price has unveiled a monumental bronze sculpture at the entrance of the Victoria and Albert Museum’s new outpost, V&A East, in Stratford, East London. The large-scale work depicts an anonymous Black figure, continuing Price's practice of utilizing the traditional language of monumental sculpture to celebrate everyday individuals who are often marginalized in public spaces.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

Event: Hammad Nasar and Billy Tang, Off the Record

ArtReview and Ursula magazine have announced a collaborative talk featuring curators Hammad Nasar and Billy Tang as part of their "Off the Record" series in London. The event, held at the Farm Shop in Mayfair, is designed as an intimate, live conversation focused on the working methods and inspirations of creative visionaries. Nasar, a veteran curator and MBE recipient, will join Tang, the Artistic Director of the new Yan Du Project, to discuss their respective practices and the evolution of creative thinking.

How the British Museum is preparing for the arrival of the Bayeux Tapestry

Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux

The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.

Emerson Bowyer Appointed Chief Curator of Kimbell Art Museum

The Kimbell Art Museum in Fort Worth has appointed Emerson Bowyer as its new chief curator, effective March 5. Bowyer joins from the Art Institute of Chicago, where he served as the Searle Curator and oversaw significant acquisitions, including works by William Holman Hunt and Camille Claudel.

Tracey Emin’s Retrospective Bears Witness to an Era

Tracey Emin's major retrospective, 'Tracey Emin / Edvard Munch: The Loneliness of the Soul,' has opened at the Royal Academy of Arts in London. The exhibition pairs Emin's deeply personal works, including her iconic 'My Bed,' with paintings by Norwegian expressionist Edvard Munch, exploring shared themes of love, loss, and existential anguish.

Gabrielle Goliath’s "Elegy" Comes to Venice

South African artist Gabrielle Goliath’s installation "Elegy" was initially censored by South Africa’s Culture Minister Gayton McKenzie, who blocked it from the country’s pavilion at the Venice Biennale over its focus on Palestinian grief. After public outcry and support from several organizations, the work was instead installed in a Venice church, where critic Aruna D’Souza describes it as "hauntingly beautiful and achingly tender." The article also covers related news: a smear campaign against British-Nigerian photographer Misan Harriman for his Palestinian solidarity, and a list of summer art books.

Still in Sound

The Clyfford Still Museum in Denver, Colorado, has opened a new exhibition titled "Still in Sound," which pairs abstract paintings by Clyfford Still with original sonic interpretations by contemporary sound artists. Co-curated by Bailey Placzek, the museum's curator of collections, and British multidisciplinary artist Ben Coleman, the exhibition features works by artists Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher. Each artist selected a Still painting and composed a sound piece in response, with the compositions playing in shuffled order to create a non-linear, immersive experience. A digital guide offers full recordings, and Denver artist Phillip David Stearns designed an interactive component based on Still's pastel drawings. The exhibition runs through February 2027.

Remembering Calvin Tomkins, Rhoda Roberts, and Agosto Machado

This week's obituary column honors several significant figures from the art world who recently passed away. The list includes celebrated New Yorker art writer Calvin Tomkins, Houston art patrons Brad and Leslie Bucher, British airbrush artist Philip Castle, master jeweler Thomas Gentille, art historian Charlotte Gere, Alabama sculptor Robert L. "Larry" Godwin, comic artist Sam Kieth, photographer Carol Kitman, and Russian-Italian artist Swietlan Nicholas Kraczyna.

At the Royal Museum of Fine Arts in Antwerp a major exhibition on Antony Gormley, with more than one hundred works

The Royal Museum of Fine Arts Antwerp (KMSKA) is hosting a major exhibition titled "Geestgrond" dedicated to British sculptor Antony Gormley, running from May 23 to September 20, 2026. Curated by Carolyn Christov-Bakargiev, the show features over 100 works made from diverse materials including clay, stone, wood, glass, bread, iron, lead, and steel. The exhibition places Gormley's sculptures in dialogue with the museum's historical collection, spanning from a 14th-century Flemish Crucifixion to works by James Ensor, Auguste Rodin, and Julio González. It also extends beyond the museum walls into the streets of Antwerp and along the Scheldt River, with works from the Domain and Weave Works series appearing in urban spaces.

art alex foxton salon 94 dior interview

Alex Foxton presents his latest exhibition, “Knight of the Sorrowful Countenance,” at New York’s Salon 94 in partnership with Galerie Derouillon, opening September 10. The show features a new series of monumental canvases exploring modern masculinity, inspired by moments such as Volodymyr Zelensky’s suitless visit to the White House, British royalty, fascist armies, and prep school students. Foxton, trained in fashion design at Central Saint Martins and formerly at Louis Vuitton, Bottega Veneta, Maison Margiela, and Dior, employs a limited color palette drawn from military and 19th-century male dress norms, balancing desire and discipline. The exhibition includes works referencing figures like Yukio Mishima and bullfighter Manolete.

Authorship Dispute Erupts Over ‘Hair Dress’ at the Met’s Costume Institute

British artist Anouska Samms has publicly claimed that the Metropolitan Museum of Art's Costume Institute exhibition "Costume Art" includes a dress, Corpus Nervina 0.0 (2023-24), that was based on her collaborative work with Israeli fashion designer Yoav Hadari. Samms alleges that she co-created the original "Hair Dress" with Hadari in 2023 while both were residents at the Sarabande Foundation, and that the Met initially sought to acquire that piece. After negotiations fell through, Hadari instead provided a similar garment attributed solely to him, prompting Samms to demand proper credit via Instagram posts and through her lawyer.

Soft armour, pert nipples: how London design team made Kim Kardashian’s Met Gala breastplate

Kim Kardashian wore an orange fibreglass breastplate to the 2024 Met Gala, created by the east London design duo Whitaker Malem (Patrick Whitaker and Keir Malem) in collaboration with British pop artist Allen Jones. The breastplate was cast from a mould derived from Jones's 1969 sculpture "Hatstand," finished by car bodyshop MPS Body and Paint in Kent, and paired with a hand-painted leather skirt. Kardashian directly contacted the duo in early April, flew to the UK for fittings, and chose the piece to interpret the gala's "fashion is art" dress code, which explored the dressed and undressed human body.

Leonora Carrington’s Enigmatic Sculptures Get a Rare Outing in New York

L’Space Gallery in New York is presenting “Shape of Dreams: Sculptures by Leonora Carrington,” a rare exhibition focused on the British Mexican Surrealist’s bronze sculptures and jewelry, on view through June 27, 2026. Produced with Consigna Gallery of Mexico City and the Leonora Carrington Council, the show includes works such as *The Palmist* and *La Inventora del Atole*, alongside a selection by her son Pablo Weisz Carrington. An interactive Tarot Reading Booth, featuring a deck designed by Carrington and an A.I. reconstruction of her voice, anchors the exhibition.

lincoln townley eclipse art group

British artist Lincoln Townley has launched a new series titled "Success," which explores the psychology of ambition and achievement through gestural, abstract portraits. The collection, available through his partnership with the Prague-based Eclipse Art Group, expands his market into Eastern Europe, following successful sell-out exhibitions at the London Art Fair 2025 and a planned presentation at the Palazzo Bembo during the 2026 Venice Biennale.

laura footes shrine nyc

Laura Footes, a British artist living with chronic illness, opened her solo exhibition “Anamnesis” at Shrine NYC in early December 2024. Her paintings feature translucent, ethereal bodies in hallucinogenic landscapes, exploring themes of entrapment, escape, and the porous, temporal nature of the body. Footes, who has Crohn’s disease, draws on her hospital experiences and was discovered by Tracey Emin in 2022 after Emin saw her work on social media. Emin later mentored Footes at TKE Studios in Margate and curated her solo show “A Healing Dream” at Carl Freedman Gallery in late 2024.

winston branch goodman gallery london

Caribbean British artist Winston Branch is the subject of his inaugural solo exhibition with Goodman Gallery in London, titled “Out of the Calabash.” The show features new and recent works alongside a historical piece, *Blue for Miles* (1982), and follows the announcement of his global representation by Goodman Gallery in partnership with Varvara Roza Galleries. Branch, who first exhibited at the alternative art space Arts Lab led by Jim Hanes nearly six decades ago, creates abstract paintings that explore light and color, often working on canvas placed on the floor.

david shrigley selling old rope

British artist David Shrigley has created "Exhibition of Old Rope," a work consisting of 10 tons of salvaged rope arranged on the floor of Stephen Friedman Gallery in London, priced at £1 million ($1.3 million). Shrigley and assistants spent months collecting discarded rope from beaches, cruise ships, climbing schools, tree surgeons, and wind farms, then cleaned and assembled it into a large pile. The work plays on the English idiom "money for old rope," which originally referred to the resale value of used ship rope in early 19th-century Britain.

alfonso artiaco liam gillick alan charlton

Naples-based gallery Alfonso Artiaco has opened a dual exhibition pairing British artists Liam Gillick and Alan Charlton for the first time. Gillick, a former Young British Artist associated with relational aesthetics, presents three new aluminum and Plexiglas "elevation" sculptures plus a wall piece titled *Euphoric Production Cycle* (2025). Charlton, known for his lifelong dedication to grey monochrome painting, contributes three works—a circle, square, and triangle—that anchor the show. The exhibition runs through January 10, 2025.

david shrigleys latest installation is a 1 3 m pile of old rope at stephen friedman gallery in london

British artist David Shrigley has opened a solo exhibition at Stephen Friedman Gallery in London titled “David Shrigley: Exhibition of Old Rope,” featuring a 1.3-meter-high pile of ten tons of discarded rope as a conceptual installation. The work, priced at £1 million ($1.3 million), was assembled from rope salvaged from maritime, climbing, and industrial sources that would otherwise have gone to landfill. Shrigley describes the piece as a literal exploration of the idiom “money for old rope,” questioning the value people place on art.

les lalanne mania drives big results at sothebys karpidas sale

Sotheby's London sale of British socialite and arts patron Pauline Karpidas's collection shattered its $53 million high estimate, totaling $100 million on Wednesday evening. Nine works by artist-designer couple François-Xavier and Claude Lalanne (known as Les Lalanne) achieved $18.5 million, more than five times their combined high estimate of $3.5 million, contributing nearly 20% of the total. The top result was Claude Lalanne's Structure végétale mirror and wall light, which sold for $4.8 million against a $615,000 high estimate. Additional Lalanne works in a day sale and online auction also performed strongly, with jewelry and furniture pieces far exceeding expectations.

barbara hepworth stringed sculptures piano nobile

London's Piano Nobile gallery has opened "Barbara Hepworth: Strings," the first exhibition dedicated to the British sculptor's use of string in her work. The show explores how Hepworth (1903–1975) incorporated string into sculptures, paintings, and drawings from 1939 onward, including pieces never before exhibited in the U.K. Highlights include the rediscovered "Theme on Electronics (Orpheus)," 1956, commissioned by Mullard and long thought lost, and "Pierced Hemisphere (Telstar)," 1963, making its U.K. debut. Curated by Michael Regan, the exhibition draws on Hepworth's letters and archival material to illuminate her innovative approach to tension, space, and light.

derrick greaves patrick caulfield james hyman gallery

James Hyman Gallery is presenting a dual-artist online exhibition titled “Signature Pots: Patrick Caulfield | Derrick Greaves,” which runs through December 25, 2025. The show brings together works by two major British artists—Derrick Greaves (1927–2022) and Patrick Caulfield (1936–2005)—exploring their shared focus on still life, color, and form. Greaves, who represented Britain at the Venice Biennale in the 1950s and was associated with the Kitchen Sink painters, later developed a graphic style linked to Pop art. Caulfield emerged in the 1960s as part of the New Generation alongside David Hockney and Bridget Riley. The exhibition highlights how both artists transformed everyday objects into iconic images, with works such as Greaves's "Still Life with White Lillies" (2021) and Caulfield's "Untitled (signature pots)" (ca.1975) demonstrating their mastery of line, shape, and color.

Alexander James Dissects Painting’s Most Enduring Shape in Hong Kong Exhibition

British artist Alexander James presents *Dissecting the Square*, a new exhibition at Phillips Gallery in Hong Kong, running until 31 May 2026. The show features a series of paintings, sculptures, and installations that explore the square as a geometric form, inspired by a moment when sunlight dissected an empty canvas in his studio. James divides canvases into quadrants, creating works that balance order and disruption. The exhibition also includes Josef Albers’ *Homage to the Square: In Time* (1967) and a sculpture by Sean Scully, placing James’s practice in dialogue with art historical precedents.

6 Rising Artists to Watch at This Year’s Venice Biennale

The article profiles six rising artists at the 2026 Venice Biennale, focusing on Sung Tieu and Gala Porras-Kim. Tieu transforms the German Pavilion with a tile shell recreating a former housing complex for Vietnamese contract workers, while inside she scatters chocolate ladybugs as a symbol of occupation. Porras-Kim presents work in the Arsenale examining 'institutionally defined damage' and how decay can realign objects with their natural state.

The Artist Who Turned Kim Kardashian Into a Living Sculpture Has an Exhibition in Paris

The Sceners Gallery in Paris is hosting “Forms and Temptations,” an exhibition of works by British Pop Art pioneer Allen Jones, coinciding with Kim Kardashian wearing a Jones-inspired fiberglass breastplate at the 2026 Met Gala. The show features Jones’s eroticized female mannequins and sculptures, including “Red Refrigerator” and “Cover Story 4/4,” displayed alongside high-end decorative furniture from designers like Carlo Bugatti and Émile-Jacques Ruhlmann. Jones, now 88, collaborated with Kardashian on her Met Gala look, which re-edited a cast from 1967/68.

Tracey Emin | Even Saying Nothing Is a Lie (2021) | For Sale

Tracey Emin's 2021 lithograph "Even Saying Nothing Is a Lie" is being offered for sale by Hang-Up Gallery in London for £8,500. The limited-edition print, hand-signed and numbered by the artist, measures 37 × 29 1/10 inches and comes framed. Emin, a leading Young British Artist known for her confessional works such as "My Bed" (1998), has exhibited globally at institutions including the Mori Art Museum, Whitney Museum, and Stedelijk Museum, and her work is held by major collections like Tate and MoMA.

Art Basel’s ‘Basel Exclusive’ Initiative Asks Galleries to Withhold at Least One Work from PDF Previews, and Other News.

Art Basel is launching a new initiative called "Basel Exclusive" for its June 2026 Switzerland fair, asking exhibitors to withhold at least one key work from pre-fair digital PDF previews to encourage in-person viewing. Around 170 of 232 exhibitors, including major galleries like Gagosian, Hauser & Wirth, Pace, and David Zwirner, have already adopted the program. Separately, Tate Britain announced the 2026 Turner Prize shortlist featuring artists Simeon Barclay, Tanoa Sasraku, Kira Freije, and Marguerite Humeau, with the exhibition opening at Middlesbrough Institute of Modern Art (MIMA) in September. The Museum of Sonoma County will also commemorate the 50th anniversary of Christo and Jeanne-Claude's land art installation "Running Fence" with a major exhibition opening June 27.

Inside the Vancouver Art Gallery’s Juicy New Show

The Vancouver Art Gallery has unveiled 'Highlights from the Collection,' a major long-term exhibition featuring 200 works selected from its permanent holdings of over 13,000 items. Curated by a team led by Eva Respini, the show marks a strategic shift for the institution by committing to a semi-permanent display that will remain on view until 2030. The exhibition includes iconic pieces ranging from Gathie Falk’s ceramics to Andy Warhol’s Marilyn Monroe prints and Claes Oldenburg’s sculptures.