BRITA 131 Art Space, a new non-profit art organization designed by Jiangjie Office, has opened in the BAC art community in Hangzhou, China. Initiated by founder Xiao Jun, the 2,000-square-meter space integrates local artists' works into daily life and serves as both an exhibition venue and a communication platform. The project was completed in 2025 and features photography by Wen Studio.
Sophia Grace Gallery, a new art space founded by curator and artist Sophia Kidd, held its soft opening on May 17 in Ferndale. Artist He Gong attended and spoke with visitors at the event, which marks the realization of Kidd's decades-long dream to open a gallery bridging her experiences in China and her base in Bellingham.
The Murray Hill Art Museum in New York has opened an exhibition featuring 100 rare prints of works by Italian Renaissance master Raphael. The show includes engravings and lithographs from the museum's own collection as well as loans from private collectors across the United States, and was attended by local artists and collectors at its opening ceremony on April 25, 2026.
China's National Cultural Heritage Administration has mandated a comprehensive, item-by-item inventory of all state-run museum collections following a major scandal at the Nanjing Museum. The audit aims to verify that objects listed in official records physically exist in storage, a direct response to the discovery that donated national treasures, including a valuable Ming dynasty painting, were improperly transferred or sold into the private market over decades.
A 30-year-old Chinese tourist damaged two ancient terracotta warriors at the Mausoleum of Qin Shi Huang in Xi’an, China, on Friday. According to local officials, the man climbed over guardrails and a protective net, jumped more than 15 feet into Pit No. 3, and pushed and pulled the clay figures, causing varying degrees of damage before being restrained by security. Authorities suspect the man suffers from mental illness, and the case remains under investigation. The site reopened the following day.
The Trump administration threatened to block Harvard University from enrolling international students and revoked its SEVIS certification, a move frozen within 24 hours by a judge. The administration also announced plans to aggressively revoke visas of Chinese students, raising concerns for US art schools, which are heavily dependent on international enrollees—many with higher percentages of international students than Harvard, such as the School of Visual Arts (50%), Parsons School of Design (35%), and CalArts (30%).
Global auction sales saw a 13 percent increase in 2025, signaling the first market recovery in several years. However, this growth was largely concentrated in New York through the sale of high-value masterpieces, while other regions like China continued to experience a decline in activity.
Tech giants JD.com and Tencent are launching new museums in Shenzhen, appointing prominent art figures Robin Peckham and Pi Li to lead them. This move is part of a broader initiative to transform the city, a major tech hub, into a significant player in the global art scene.
This article from The Straits Times, dated October 3, highlights a series of cultural events in Singapore during the first week of October. It details a literary conference hosted by Nanyang Technological University's English department from October 3 to 5, featuring public talks by notable writers including Singaporean author Amanda Lee Koe, Malaysian novelist Tan Twan Eng, graphic novelist Sonny Liew, and American poet Alice Lyons. The article also covers a new dining theatre experience called 'Rasa' at Dempsey, which combines 12th-century Sanskrit poetry, bharatanatyam dance, live Carnatic music, and a curated vegetarian menu. Additionally, it announces an exhibition at the Museum of Contemporary Art at Tanjong Pagar Distripark, organized by Lianhe Zaobao and Qiu Zhai Art Studio, celebrating the 35th anniversary of diplomatic relations between Singapore and China, featuring 368 works by Singaporean and Chinese artists.
Visiting artist Hao Wang presented paintings and sculptures at Vineridge Academy in Virgil, Ontario, on September 20, showcasing work created during a residency inspired by the landscapes of Niagara-on-the-Lake. The exhibition included large canvases of local scenery and abstract scenes, as well as charred wood sculptures made with a chainsaw. Wang, who is from China and does not speak English, communicated through student translator Cyrus Au-Yeung, expressing how the town's atmosphere and colors influenced his art. The residency program, launched last year by principal Michael Miao, houses international artists on campus and retains some works for the school's collection.
The Manchester International Festival (MIF) returns with a new edition featuring three standout art exhibitions. At Aviva Studios, "Football City, Art United" pairs top footballers like Vivianne Miedema and Ella Toone with artists such as Suzanne Lacy and the collective Keiken to create 11 co-produced works exploring gender, ritual, and identity. At the Whitworth gallery, the first international solo show of Indigenous Uitoto artist Santiago Yahuarcani presents over 30 works on bark canvas, addressing ancestral cosmology and the legacy of colonial violence during the rubber boom.
A collection of rare 17th-century books, written in Chinese by Jesuit missionaries and stolen from the Jesuit Historical Institute in Rome, has been returned to Italy. The books, which cover astronomy and other scientific topics, were recovered by the Carabinieri art squad after being illegally exported to the United States.
L’intelligenza artificiale come macchina perturbante è in mostra in un rifugio antiaereo di Firenze
Artist and philosopher Francesco D’Isa presents "Latent Rooms" at Rifugio Digitale, a gallery located within a former air-raid shelter in Florence. The exhibition features video works created using generative AI models like Midjourney and Seedance 2.0, which D’Isa manipulates to create dreamlike, glitch-heavy sequences. Rather than aiming for cinematic realism, the artist embraces the technical errors and "hallucinations" of the AI, resulting in an aesthetic that blends Renaissance beauty with haunting, domestic melancholy.
Gli spazi accoglienti dell’artista italiana Donatella Spaziani alla sua prima grande mostra in Cina
Italian artist Donatella Spaziani has opened her first major solo exhibition in China, titled "Incolume tra le cose" (Unharmed Among Things), at the Sichuan Fine Arts Institute Art Museum in Chongqing. The retrospective features over 100 works, including drawings, collages, site-specific installations, and sound art, spanning her career and highlighting her recent residency in the city. The exhibition eschews chronological order, instead creating an immersive environment where the artist’s signature silhouettes and explorations of the human body interact with the architectural space of the museum.
Di testamenti e di trasfigurazioni. Intervista alla poeta Silvia Righi
Italian poet Silvia Righi discusses her latest collection, *Ex voto suscepto*, published by Pungitopo as part of the Remedia series. The book originated from a narrative concept involving the arrival of God's daughter on Earth and features a unique interdisciplinary collaboration with artist Mattia Barbieri, who provided China ink illustrations. The interview explores the collection's focus on the decaying body, the fluidity of the lyrical 'I', and the intersection of poetic language with visual art.
In Cina la sfilata di Margiela è allestita dentro una serie di container
Maison Margiela has launched a major traveling exhibition in China titled "Artisanal: Our Creative Laboratory," debuting in Shanghai before moving to Chengdu. Designed by OMA/AMO, the open-air showcase features over forty couture creations from the Artisanal line dating back to 1989, uniquely displayed within weathered shipping containers. The project aims to demystify the fashion house's secretive creative process, highlighting the techniques of deconstruction and manipulation that define the brand's aesthetic.
The Metropolitan Museum of Art's Costume Institute has sent approximately 200 pieces from its jewellery collection to Hong Kong for a major exhibition titled 'Jewels, Gems, and Treasures: Adornment in World Cultures'. The show, hosted at the Hong Kong Palace Museum, spans 5,000 years and includes items from ancient Egypt, Imperial China, Renaissance Europe, and modern designers, highlighting the universal human impulse for adornment.
ArchDaily published a project profile of the OCAT-B10 art museum in Shenzhen, China, designed by Meng Yan of URBANUS. Completed in 2022, the 6,109-square-meter museum is conceived as an "opened white box," featuring a flexible, minimalist gallery space. The project team includes principle architect Meng Yan, project architect Rao Enchen, and numerous collaborators across architecture and landscape design. The client is Shenzhen OCT Properties Co., Ltd.
The Louvre museum in Paris will increase ticket prices by 45% for visitors from outside the European Union, effective January 14, 2026. The cost for non-EU visitors from countries such as the UK, US, and China will rise from €22 to €32, generating an estimated €17.5 million in additional annual revenue. The decision comes as the museum faces significant budget cuts, including a 7% reduction in public subsidies, and seeks funding for a €1.1 billion renovation project. Staff unions have criticized the move as undermining the museum's universal mission since its founding in 1793.
The fourth edition of the Young Teachers Support Program, founded by 92-year-old oil painter Jin Shangyi in 2017, culminates in the exhibition "Asking Tao and Forging Realms" at the Art Museum of the Chinese Academy of Oil Painting in Beijing. The program provides financial support for selected young art teachers from Chinese colleges to travel to Europe for classical study in museums, followed by field trips to China's border regions, resulting in new works displayed in a group show featuring nine artists.
Bonnie Keren He, a 17-year-old artist born in New York and raised between Suzhou, China, and New York, opened her solo exhibition "INNA BEAUTI" at Flushing Town Hall Gallery in New York City on April 19, 2026. The exhibition, curated by Dr. Hao Qingsong, Cindy Jiang, and Grace Jiang, features works across media including colored pencil, acrylic, oil painting, embroidery, and performance art, exploring themes of cultural identity, memory, and inner reflection. Notable attendees included political figures Jimmy Meng and Ron Kim, and the opening was hosted by Ge Chen of Global Cloud Media.
International environmental artist Sandra Hansen's exhibition 'Our Exquisite Pollution Series: Under the Sea' is on view at the Evanston Art Center from March 28 to April 26. The show features large-scale marine scenes made from handmade paper and repurposed plastics, including a 12-foot paper whale and kelp columns braided from hundreds of plastic bags, all highlighting the impact of plastic pollution on oceans. Hansen began the series in 2014 after learning about agricultural runoff in Lake Erie and has since collected beach trash to incorporate into her conceptual art.
Paintings by the late US president Jimmy Carter, along with personal effects from his family, will be auctioned at Christie's in New York this month as part of a sale titled "We the People: America at 250," marking the country's semiquincentennial. The works were selected by his daughter Amy Carter and include scenes of a Georgia church, a still-life with a pomegranate, a waterfall, and a historical painting titled "The Hornet's Nest" (2003), with estimates ranging from $2,000 to $12,000. Also offered are a portrait of Carter by Don Powers, scarves with a peanut print, ties, a Stetson hat, a coffee table made by Carter, and a copy of Chairman Mao's quotations.
A Statista chart published in April 2025 shows the geographical distribution of post-war and contemporary art auction revenue worldwide in 2024. The United States dominated with 48% of the combined post-war and contemporary market, followed by China (17%), the United Kingdom (15%), France (6%), Germany (2%), and other countries (11%). When broken down, the U.S. held 50% of post-war and 45% of contemporary revenue, while China captured 13% of post-war and 25% of contemporary revenue, reflecting its stronger position in the contemporary segment.
The article reports on the 'Ghosts of the Hunt' exhibition, a photography show hosted by Greyhound Welfare SA (GWA) in Cresta, Johannesburg. The exhibition features two photographic series: one by Dean Bush, founder of GWA, documenting greyhounds rescued from the Yat Yuen racetrack in Macau, China—a facility that killed 20,000 dogs over 54 years before closing in 2018—and another by professional photographer Warren Johnson, focusing on locally rescued greyhounds. The article also highlights ongoing controversies, including a recent auction in Bela Bela, Limpopo, where SA breeders paid R2.4 million for 65 greyhounds destined for international racing, and lobbying by the Amaphisi Hunters' Association to decriminalize dog hunting in South Africa.
A group of artists, curators, and gallerists from Xinjiang, operating anonymously as the collective Yixak, have publicly criticized the Beijing exhibition "Greetings" held at the Maca Art Center from March to June 2025. The show, featuring works by Han Chinese artist Dan Er, focused on her travels through Xinjiang and its heritage arts. Yixak accuses the exhibition of cultural appropriation, misrepresentation, and reinforcing ethnic stereotypes, including conflating distinct ethnic cultures, stripping traditional Adras textile patterns of context, and mislabeling Xinjiang traditions. The collective also claims the show failed to credit local collaborators and excluded Xinjiang communities. Both Dan Er and Maca declined to comment, citing "irresistible factors."
A curator has fled Bangkok after China deemed his art exhibition too provocative, leading to threats and pressure that forced him to leave the country. The show, which featured works critical of Chinese authorities, sparked diplomatic tensions and raised concerns about censorship across borders.
Studio Montclair in New Jersey has opened a new art exhibition titled 'Asian Experience,' featuring photographs and other works by multiple artists that explore the lives and cultures of Asians and Pacific Islanders. The show includes images such as a woman enveloped in confetti during a Chinese New Year celebration in New York's Chinatown and a depiction of the Hindu goddess Durga with many hands.
A joint China-Bulgaria art exhibition opened in Sofia, Bulgaria on August 18, 2025, featuring over 60 works by Chinese and Bulgarian artists. The six-day event showcases Chinese ink paintings, woodcarvings, embroidery, lacquer painting, tie-dye, batik, and digital art alongside Bulgarian works inspired by traditional textiles, felt, and contemporary interpretations of local heritage. Participants include 15-year-old Gabriela Georgieva, who presented two watercolor paintings.
Burmese artist Sai and his wife have fled to the UK to seek asylum after their exhibition at the Bangkok Arts and Cultural Centre was censored following complaints from Chinese embassy officials. The show, titled 'Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,' opened on 26 July 2025 and featured exiled artists from China, Russia, and Iran. Chinese representatives, accompanied by Bangkok city officials, demanded the removal of works by Tibetan, Uyghur, and Hong Kong artists, leading to the blacking out of artist names, removal of flags, and switching off of films. The couple alleges Thai police are looking for them, though police deny this.