Ceramist Maddy Inez, daughter of artist Alison Saar and granddaughter of assemblage pioneer Betye Saar, creates hand-built biomorphic ceramic sculptures inspired by mysticism and ancestral knowledge. Her works have recently grown in scale, reflecting a deepening exploration of hidden stories tied to ancestral plants.
The Birmingham Museum of Art (BMA) announced it will unveil a landmark exhibition titled "Roll Call: Two Hundred Years of Black American Art" in September 2026. The show features 99 works drawn entirely from the museum's permanent collection, tracing two centuries of Black artistic production. Organized in four thematic sections—The Ground We Stand On, Ujima: Collective Work and Responsibility, What Freedom Feels Like, and In the Heart of It All—the exhibition highlights the museum's history of collecting Black art, which began in 1971 and now includes over 1,000 works by 250 Black artists. The exhibition coincides with the museum's 75th anniversary and runs from September 26, 2026 to January 17, 2027.
During the fourth annual Guadalajara Art Week, held in late September 2025, Mexico's art world converged on the city for five days of fairs, exhibitions, public programs, and studio tours. Key events included Estación Material, a boutique fair launched by Material Fair director Brett Schultz, where galleries presented single-artist installations; a performance art showcase by Salón Acme's Estudio Acme program; and a new edgy fair called Temporal, held in a dilapidated downtown building. Standout artists included Sebastián Hidalgo (showing with Saenger Galería) and Othiana Roffiel (with Galería Karen Huber). The week also featured exhibitions in distinctive venues such as a 1940s garment factory, a 19th-century cemetery, and Casa Cristo, an early work by architect Luis Barragán.
This article highlights seven independent art galleries in Phoenix, Arizona, that offer a cool respite from the desert summer heat. It profiles spaces like Alwun House, a historic 1912 home turned multimedia arts venue; Modified Arts and Eye Lounge, a 25-year-old artist collective; Bentley Gallery, a contemporary art space closing permanently in September; and The Sagrado Galleria, which focuses on South Phoenix community arts. Each gallery is described as a vital part of the local creative scene, showcasing everything from Indigenous-centered exhibitions to contemporary painting and sculpture.
NEXTpittsburgh's August gallery guide highlights a wave of Pittsburgh-made art appearing in streets, coffeehouses, open studios, and even a warehouse in Brooklyn. Featured exhibitions include the Pittsburgh Photography Club's 140-year retrospective at Manos Gallery, Monica Matthews' graphite pencil drawings at Ruckus Coffee Gallery & Café, the juried group show "Living Canvas III" at Studio 4, Kristin Divers' pastel solo show at Mark Rengers Gallery, the multimedia group exhibition "Horizons" at Castle Consortia, and Annie Heisey's paintings at Sweetwater Center for the Arts. The month also includes a one-night solo show by New Orleans muralist Dago at Studio 4.
NEXTpittsburgh's June gallery guide highlights a packed month of art events across Pittsburgh, including the Dollar Bank Three Rivers Arts Festival (June 5-8) with 191 artists, a Juried Visual Arts Exhibition at SPACE Gallery, and a rare photography exhibit by May Pang documenting John Lennon's "lost weekend" at Atithi Studios. Other openings include ceramicist Philip Soucy's solo show, painter Caroline Heckman's portraits at Revel, Stephanie Gonzalez's cosmic "Nebulas" at BoxHeart Gallery, the Fiberart International 2025 triennial at Contemporary Craft and Brew House Arts, and Natalie Westbrook's "Corners of My Mind" at ZYNKA Gallery.
The Art Newspaper has launched a digital newsletter offering a daily digest of essential news, views, and analysis from the international art world, delivered directly to subscribers' inboxes. The announcement, published under the title "United States," invites readers to subscribe for curated coverage of the global art scene.
The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.
Marking the fifteenth anniversary of Mathaf: Arab Museum of Modern Art, the traveling exhibition ‘we refuse_d’ has opened at M HKA in Antwerp. Curated by Nadia Radwan and Vasif Kortun, the project draws on the intellectual lineage of Hannah Arendt’s reflections on displacement and the historical precedent of the Salon des Refusés. The exhibition features a constellation of works by artists including Khalil Rabah, Barış Doğrusöz, and Nour Shantout, exploring refusal not as a simple negation, but as a complex strategy for survival, dignity, and the preservation of memory.
French MPs Alexis Corbière and Alexandre Portier have released a parliamentary report accusing the Louvre of prioritizing "prestige and influence" over security, leading to a brazen jewel heist on October 19, 2025. Thieves entered the museum in broad daylight and stole nine pieces of jewelry worth an estimated $102 million in under eight minutes. The report, based on over 20 hearings with 100 insiders, reveals that security had been "relegated to the background" despite audits in 2017 and 2019, and that a Security Equipment Master Plan from 2019 was not implemented in time by former director Jean-Luc Martinez. The report also casts doubt on President Emmanuel Macron's nearly $1 billion renovation plan for the Louvre, announced nine months before the heist.
MoMA PS1 has launched the sixth edition of "Greater New York," a quinquennial survey featuring over 50 artists living and working in the city. Coinciding with the museum’s 50th anniversary, the 2026 iteration focuses on artists in the formative stages of their careers, emphasizing a gritty, raw aesthetic over the polished, market-driven surfaces often found in major biennials. The exhibition highlights photography and installation work that reflects the city's complex immigrant narratives and evolving urban identity.
Isaiah Zagar, the visionary mosaic artist behind the landmark Philadelphia’s Magic Gardens, died on February 19 at age 86 due to complications from heart failure and Parkinson’s Disease. A Pratt Institute graduate and former Peace Corps volunteer, Zagar transformed Philadelphia’s South Street neighborhood over five decades, creating more than 200 public murals and a sprawling, immersive environment of tunnels and grottos made from glass, tile, and found objects.
The British Museum has successfully raised £3.5 million ($4.8 million) to acquire a rare 16th-century gold 'Tudor Heart' pendant, discovered by a metal detectorist in 2019. The pendant, linked to King Henry VIII and Catherine of Aragon, will enter the museum's permanent collection and is expected to tour the UK.
French broadcaster France Télévisions aired previously unseen footage of the October 2025 robbery at the Louvre Museum, in which thieves stole crown jewels worth approximately €88 million ($102 million). The four-minute video, shown on the investigative program Complément d'enquête, captures the thieves smashing display cases with their fists and an angle grinder while security guards remain largely motionless nearby. One guard briefly confronts the thieves with a rope stanchion before backing down, and another makes a phone call. The footage corroborates findings from a security audit that deemed the museum's system "outdated and inadequate," with a severe lack of functioning cameras. Louvre director Laurence des Cars had previously stated that the sole camera covering the gallery was facing the wrong direction, and it took guards eight minutes to access the correct feed during the break-in.
Chinese authorities have launched multiple investigations into allegations that staff at the state-run Nanjing Museum secretly removed cultural treasures from the collection and sold them on the open market. The scandal erupted after a 16th-century Ming dynasty painting, *Spring in Jiangnan* by Qiu Ying, appeared in a Beijing auction catalog with an estimate of 88 million yuan ($12.5 million), despite being part of a 1959 donation by collector Pang Laichen. The museum claimed the work and four others were deemed forgeries in the 1960s, deaccessioned in 1997, and sold to a provincial relics store in 2001 for 6,800 yuan. An 80-year-old retired employee, Guo Lidian, accused former museum director Xu Huping of orchestrating a large-scale theft and smuggling operation, including falsely certifying authentic works as replicas. Xu has denied involvement.
Archaeological excavations at the Palace of Westminster in London have uncovered Neolithic flint tools and flakes dating back over 6,000 years, predating the earliest mounds at Stonehenge. The digs, led by the Museum of London Archaeology and overseen by the Houses of Parliament Restoration and Renewal Delivery Authority (R&R), also revealed the remains of Lesser Hall, a 12th-century royal dining space, along with Roman altar fragments, medieval tiles, and 19th-century artifacts. The excavations, running through 2026, are part of a £13 billion restoration project addressing the Palace's deteriorating condition.
The Museum of Fine Arts, Boston has restituted two large-scale ceramic vessels by David Drake, an enslaved potter, to his known descendants. The works—a "Poem Jar" and a "Signed Jar," both from 1857—were acquired by the museum in 1997 and 2011 respectively. On October 16, the MFA deaccessioned the jars and transferred ownership to Drake's descendants via the Dave the Potter Legacy Trust. The museum then repurchased the "Poem Jar," which re-entered the collection on October 23, while the "Signed Jar" remains with the family on long-term loan to the museum. The decision followed discussions prompted by the exhibition "Hear Me Now: The Black Potters of Old Edgefield, South Carolina," co-organized with the Metropolitan Museum of Art.
Jonny Tanna, founder of the London gallery Harlesden High Street, has launched a pop-up project in Mayfair during Frieze Week, in collaboration with Düsseldorf- and Berlin-based gallery Setareh. The inaugural exhibition, “Forces of Nature,” features London-based artists Abbas Zahedi and Jamiu Agboke, presenting conceptual installation and atmospheric painting. Tanna emphasizes that this is not a permanent relocation but an itinerant extension of his gallery, which exclusively shows artists of color and is known for its community-focused, unvarnished approach.
Sylvain Amic, an art historian who became director of the Musée d’Orsay in Paris just 16 months ago, died suddenly at age 58 on Sunday in southern France due to heart failure. His death has shocked the French and international art world. Amic previously led the Musée Fabre in Montpellier, oversaw a consortium of 11 museums in Rouen, and served as an adviser to former French culture minister Rima Abdul Malak. He was in the midst of planning a permanent collection rehang and a new research center at the Orsay, and had recently organized a traveling exhibition of masterworks that visited Shanghai's Pudong Art Museum.
A shooting outside the Capital Jewish Museum in Washington, D.C., on Wednesday night killed two Israeli embassy staff members, Yaron Lischinsky and Sarah Milgrim, in what authorities have called an antisemitic attack. The gunman, Elias Rodriguez of Chicago, opened fire as the victims exited a diplomatic event hosted by the American Jewish Committee, then entered the museum where he was detained by security. Police reported that Rodriguez shouted “free, free Palestine” after being taken into custody. The museum expressed heartbreak and condemned the violence, while the Israeli embassy mourned the loss of the couple, who were engaged to be married.
Diana Campbell, Chomwan Weeraworawit, and Paris-based art advisors Samy Ghiyati and Nicolas Nahab of NG Partners organized a pizza party called Pizzalo Mundo during the Venice Biennale. Each artist contributed an ingredient from home: Rirkrit Tiravanija brought a Penang coconut base, Precious Okoyomon added flowers, Daria Kim wild honey, Tarek Atoui za'atar on hummus, Miet Warlop artichoke hearts, Tori Wrånes self-grown potatoes, and Alexa Kumiko Hatanaka fig leaf oil with yuzu salt. The event drew a crowd of curators, directors, and collectors from institutions including Tate, Musée d'Orsay, Guggenheim Abu Dhabi, MoMA, and Centre Pompidou.
YoungArts hosted its 2026 gala at the Metropolitan Museum of Art's Temple of Dendur, honoring actor Marisa Tomei with the Arison Award and featuring ballerina Misty Copeland and artist Glenn Ligon as honorary co-chairs. The event drew a crowd of notable arts figures including Mikhail Baryshnikov, Anne Pasternak, Max Hollein, Cecilia Alemani, and artists KAWS, Taryn Simon, and Camille Henrot, with performances by YoungArts alumni directed by Caleb Teicher.
Fashion designer Gabriela Hearst and visual artist Adam Pendleton have collaborated on a limited edition of 25 Nina bags, reimagining Hearst's classic style with Pendleton's unique silkscreens. The bags are being sold this month at Sotheby's, with net sales proceeds going to preserve singer Nina Simone's childhood home, which Pendleton and other artists purchased in 2017. The collaboration coincides with Pendleton's exhibition "Love, Queen" at the Hirshhorn Museum in Washington, DC, running through January 2027.
CULTURED magazine asked art collectors to share their strangest negotiation experiences with artists or dealers. Responses range from a late-night studio sale in a dark East Atlanta alleyway to accidentally bidding on a second impression of a Picasso etching at auction. Other tales include haggling over a borrowed frame after a Christie's purchase, a dealer insisting the artwork be displayed in a specific room, and acquiring a Rick Lowe painting sight unseen from Gagosian after seeing it at the Venice Biennale. The survey reveals the quirky, human side of art transactions often hidden behind market mythology.
Art critic and writer Jarrett Earnest travels to Warsaw for the opening of "The Woman Question 1550–2025," a major survey of women artists curated by Alison M. Gingeras at the Museum of Modern Art (MSN Warsaw). The exhibition features nearly 200 works spanning from Renaissance to contemporary art, including pieces by Artemisia Gentileschi, Frida Kahlo, Lisa Yuskavage, and many Eastern European artists. Earnest reflects on the enduring theme of the female nude and the political context of Poland, where far-right policies have restricted women's rights.
Cultured magazine has published a winter exhibition guide for New York museums, highlighting six major shows running through early 2026. Featured exhibitions include Ayoung Kim's "Delivery Dancer Codex" at MoMA PS1, a survey of UFO-themed works at The Drawing Center, a Ruth Asawa retrospective at MoMA, Renoir drawings at the Morgan Library & Museum, Robert Rauschenberg's photography at the Museum of the City of New York, and Alexander Calder's circus at the Whitney Museum of American Art. Each entry provides dates, curatorial context, and visitor tips.
Friedrich Kunath, a contemporary artist known for blending German romanticism with pop culture, has a new solo exhibition titled "Aimless Love" at Pace Gallery in Chelsea, New York, on view through December 20. The show marks his first with the mega-gallery since Pace announced representation in May, and his first New York show since 2019. Kunath, who also co-wrote Liam Gallagher's song "Everything's Electric" in 2022, gave an interview from his Los Angeles studio, discussing his creative process, studio habits, and inspirations. The article includes a studio visit format with questions about his routines, influences, and the eclectic environment he works in, featuring vintage cars, a private bar, and multiple rooms each with its own music, film, and scent.
The article surveys current Chelsea gallery exhibitions, highlighting two major shows: "Louise Bourgeois. Gathering Wool" at Hauser & Wirth (through April 2026) and "Milton Avery: The Figure" at Karma (through December 2025). The Bourgeois exhibition features rarely seen works from the artist's last three decades, including the motorized sculpture "Twosome" (1991) and the fountain "Mamelles" (1991/2005), curated by Philip Larratt-Smith. The Avery show presents a survey of his figure paintings from the 1920s to 1964, emphasizing his flat, interlocking forms and unexpected color palettes.
Cultured magazine reviews Cady Noland's 2025 exhibition at Gagosian Gallery's 24th Street location in New York, running through October 18. The show features the artist's signature objects—Budweiser cans, shotgun shells, barricades, and images of Patty Hearst and Lee Harvey Oswald—arranged in a fragmented, almost sale-like display. The review notes the inclusion of Steven Parrino's works alongside Noland's, referencing their collaboration at White Columns in 1988, and highlights new elements like "SALE" signs with manicule illustrations. The critic describes the exhibition as a "fascinating mess" rather than a straightforward success.
Pioneer Works founder Dustin Yellin celebrated his 50th birthday with a fundraiser called Village Fête, raising $1.4 million for the nonprofit arts and sciences center he founded 13 years ago. The event featured a cocktail hour, seated dinner, performances by Annie & the Caldwells and David Byrne, and an afterparty co-hosted by CULTURED, with attendees including Claire Danes, Moses Sumney, Maggie Rogers, and Darren Aronofsky. Speakers included lead sponsor Gabriela Hearst, artist Nate Lewis, artist Azikiwe Mohammed, and founding team members Gabriel Florenz and Janna Levin, who highlighted the institution's impact on over 450 artists.