Adam Pendleton, a contemporary artist known for his abstract and text-based works, has a major exhibition in Washington, D.C., that challenges viewers to engage in deep contemplation. The show, likely at a prominent institution, features his signature blend of painting, collage, and language, exploring themes of history, identity, and social justice.
An exhibition titled 'Xa jun ruk’oxomal qanima—A Shared Heartbeat' at La Nueva Fábrica in Guatemala brings together the work of two Kaqchikel Maya artists, Rosa Elena Curruchich and Angélica Serech, for the first time in their homeland. It features over 100 paintings by the late Curruchich, a pioneering self-taught painter, alongside recent and newly commissioned textile sculptures by Serech, creating a dialogue between painting and weaving.
Paradise, an exhibition at Stove Works in Chattanooga, Tennessee, curated by Graham Feyl and J. Sova, presents works by thirteen artists centered on queer futurity and abundance. The show features installations, sculptures, paintings, and textiles, including Lisa Waud's artificial flower installation 'tread/tender' (2026), Nicholas Elbakidze's erotic Meissenettes (2026), Brian Smith's beaded nets, Aaron McIntosh's quilted 'Invasive Queer Kudzu' (2015-ongoing), and works by Yu Yan, E. Saffronia Szanton Downing, Angie Jennings, Michael Childress, and Hannah Banciella. The exhibition transforms the former foundry into a space of playful, erotic, and joyful refusal, drawing on Audre Lorde's definition of the erotic as a source of power.
A seagull nesting near the Polish pavilion at the Venice Biennale has become an unexpected attraction, drawing bemused visitors and media attention. The bird laid eggs in the Giardini grounds, and a fence with a warning sign in English and Italian was erected around the nest. Organizers say this is the first known instance of a seagull nesting in such a prominent area of the exhibition. The Polish pavilion was closed on May 8 as part of a historic strike protesting the inclusion of aggressor states in the Biennale, with a sign supporting the Ukrainian Pavilion.
Il soft power dell’Italia in Cina grazie a due grandi mostre su Pompei e Palladio
The National Museum of China in Beijing is currently hosting two major exhibitions celebrating Italian cultural heritage: "Pompeii: An Eternal Discovery" and "Geometry, Harmony and Life: The Architecture of Andrea Palladio from Antiquity to Classicism." These exhibitions, marking the 55th anniversary of diplomatic relations between Italy and China, were inaugurated by Italian Culture Minister Alessandro Giuli. The Pompeii showcase traces 250 years of archaeological history using artifacts and multimedia, while the Palladio exhibition explores the Renaissance master’s influence on Western architecture and creates a cross-cultural dialogue with traditional Chinese building techniques.
A Ravenna aprono gli Archivi Sonori: a disposizione il meglio delle arti performative nazionali e internazionali
The city of Ravenna has officially inaugurated the Archivi Sonori (Sound Archives) at Palazzo Malagola, a new international center dedicated to vocal and sonic research. Founded by actress Ermanna Montanari and scholar Enrico Pitozzi, the archives offer public access to a vast collection of audio and video materials documenting the experimental work of 33 influential Italian and international performers, including Demetrio Stratos, Joan La Barbara, and Alvin Curran. The facility features specialized listening and viewing rooms, including an immersive sonic chamber and a cinema hall, all navigated via touchscreens featuring anatomical heart motifs designed by artist Stefano Ricci.
A Firenze l’arte crea comunità e confronto nello spazio Bagasseria. Intervista al suo fondatore
Painter Samuele Alfani has launched Bagasseria, a new independent art space and studio in the Sant’Ambrogio district of Florence. Named after the Catalan word for a house of prostitution as a gesture of reclamation and freedom, the venue functions as a porous community hub that blends artistic production with public engagement. Its inaugural exhibition, "Bau Bau Baby," is a group show curated by Luigi Presicce and Anna Capolupo featuring artists such as Francesco Lauretta, Davide Serpetti, and Thomas Berra.
Serakai Studio presents 'dreamedcore', its second exhibition at GOLD in Hong Kong's Wong Chuk Hang district, running from June 6 to August 1. Curated by Shirley Lau and Tobias Berge, the show blends an art exhibition, concept store, and runway format to explore digital-age nostalgia through the lens of 'dreamcore' aesthetics—drawing on 1990s and early 2000s visual textures. Featuring 22 emerging multi-disciplinary artists and creative practitioners from across Asia, including Li Shuang, Wong Ping, and Peng Ke, the exhibition is divided into two chapters: 'The Lure' and 'The Twist', with a central runway stage, ambient lighting, and a mini cinema screening a video by Wong Ping.
Glasstire's Five-Minute Tours series features a video walk-through of Dario Robleto's exhibition "If You Remember, I’ll Remember" at Art League Houston, on view from September 26 to December 21, 2025. The show presents works by Robleto, named 2025 Texas Artist of the Year, blending sculpture and print with themes of science, history, and poetics, including pieces inspired by the Voyager Golden Record and 19th-century heartbeat visualization experiments.
Eduardo Robledo, a Mexico City-based artist from Xochimilco, creates detailed linocuts that celebrate Mexican heritage, community, and spiritual motifs. His work features traditional symbols like skulls, skeletons, and Sacred Hearts alongside regional animals and cultural references such as Xochimilco's canal boats. Robledo also engages in social activism through printmaking, viewing it as a democratic medium for spreading messages about causes he supports. His prints are available at Hecho a Mano in Santa Fe, and he co-founded Lugar de Huida, a gallery in Mexico City that highlights Mexican printmakers.
An exhibition titled "Virgil Abloh: The Codes" opened at the Grand Palais in Paris during Paris Fashion Week, showcasing the late designer's跨界 work. The centerpiece is a one-of-a-kind McIntosh amplifier, the MA8950 x Virgil Abloh Integrated Amplifier, based on a design Abloh conceived in 2020 and completed posthumously by his team. The show also features a recreation of his sound setup, a wall of collaborative shoes, his original work table, archival pieces from Pyrex Vision and Chrome Hearts, and a Nike customization station.
The ReefLine nonprofit launched its new Blue Arts Award on the Greek island of Hydra, calling on artists to create site-specific underwater sculptures that function as artificial reefs. The award is part of the larger ReefLine project, a seven-mile underwater sculpture park and hybrid reef off Miami Beach, designed by Shohei Shigematsu of OMA, with construction set to begin in September 2025. The first winning artwork will be installed in 2027. ReefLine Founder and Artistic Director Ximena Caminos envisions the project as a blend of public art, marine science, and climate action, aiming to restore the Florida Reef Tract, combat shoreline erosion, and boost biodiversity.
The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.
Slanted Art Co-Op in Montrose hosted its fourth annual student art show, featuring high school artists from four of the six school districts in the county. Students displayed works in acrylic, oil, pastels, ceramics, and mixed media, with some pieces available for sale. Notable participants included Forest City senior Amanda Borsheski, whose acrylic painting "Mandarin" and other works won multiple awards, and Blue Ridge senior Madison Gaylord, who exhibited a paint-dotted vinyl record and a relief sculpture. The event was curated by the students themselves and included awards such as Judges Delight and People's Choice.
University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.
In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.
“Come si cura una mostra sul genocidio?”: Faisal Saleh e la domanda palestinese che attraversa la Biennale di Venezia
At the 2026 Venice Biennale, a collateral exhibition titled “Gaza – No Words – See the Exhibit” presents 100 embroidered works using the traditional Palestinian technique of Tatreez. Curated by artist Faisal Saleh, founder of the Palestine Museum US, the show transforms embroidery from decoration into political testimony, reconstructing scenes from Gaza over the past two and a half years: shrouded bodies, killed children, mothers bidding farewell, bombed hospitals. The exhibition is housed at Palazzo Mora and has been called by many visitors “the real Palestinian Pavilion” of the Biennale, though it is not an official national pavilion.
During the VIP preview of the Venice Biennale, a seagull laid three eggs near the entrance of the Polish Pavilion in the Giardini. Pavilion staff built a protective barrier around the nest and warned visitors to avoid the protective bird, which one Italian collector called "the main attraction."
The Legion of Honor in San Francisco will present "The Etruscans: From the Heart of Ancient Italy" from 2 May to 20 September, featuring nearly 200 objects including jewellery, sculptures, and vessels from the ancient Etruscan civilisation. The exhibition highlights recent archaeological discoveries, such as the Liber Linteus Zagrabiensis—the longest surviving Etruscan text—and grave objects from the Regolini-Galassi Tomb, many making their US debut. Curator Renée Dreyfus aims to correct negative portrayals of the Etruscans by Greeks and Romans and showcase their cultural achievements.
Glow Nanshan, a light-art festival in Shenzhen's Nanshan district, has transformed the city's coastline into an outdoor museum of light art through installations, projections, and interactive works. The event, which serves as the heart of the larger Glow Shenzhen festival, coincides with the 45th anniversary of the Shenzhen Special Economic Zone and the 15th Five-Year Plan. Highlights include 'Island of Light' by Even Space, 'Anooki: Les Complices' by French studio Inook, and 'COSMOS' by Heyl & Van Dam Studio, alongside works by SKGPLUS in collaboration with Epson. The festival runs through March 3, 2026.
Bowen Island artist Corey Bulpitt presents his new series "Above the Flood, Watching for the Light" at the Hearth Gallery Community Centre, on view until July 28. The six-painting series follows his earlier "Daalkaatlii Diaries" works, which depicted the great flood of Haida territories and are now held in collections including Paris’ Musée du Quai Branly–Jacques Chirac and Gallery Jones in Vancouver. This new body of work shifts from historical catastrophe to speculative imagination, drawing on Haida cosmology while embracing invention and exploring unseen energies, microscopic spaces, and ephemeral light.
The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.
Third Space Art Foundation will present “1922 Revisited,” a live arts program curated by Dr. Janine A. Sytsma, from May 5–9, 2026 in Venice, Italy, during the preview week of the 61st Venice Biennale. The program brings together ten international artists to engage with the 1922 Venice Biennale exhibition of African sculpture through performances, a film screening, and a panel discussion, staged at venues including Hotel Monaco and the European Cultural Centre’s Marinaressa Gardens.
Georgia foster teens have created a traveling art exhibit called the See Me project, sponsored by the nonprofit Georgia Appleseed, which has collected roughly 50 paintings, poems, and sculptures since 2023. The young artists, many first-time participants, explore themes of healing, hope, family, and belonging, often signing their works anonymously. The exhibit has been displayed at the Georgia Capitol, universities, community centers, and law firms, with artists paid $250 for their contributions.
Heartware Store & Gallery in Singapore's Joo Chiat district has launched "555 MART," a solo exhibition by Bangkok-based illustrator and graphic designer Nene (Nanthawan Jamsai). The gallery has been transformed into a neon-lit, immersive convenience store where everyday grocery items like cup noodles and canned sardines are reimagined through ballpoint pen sketches and vibrant Risograph printing. The show features a mock checkout belt and art displayed alongside groceries, blending a retail environment with a traditional gallery space.
Heartware Store & Gallery in Singapore's Joo Chiat neighborhood is hosting a pop-up exhibition titled 'Ikuiku Love Hotel,' a collaboration with Taiwanese artist Ikuiku. The show transforms the space into a love hotel-themed environment, complete with a reception counter, mock hotel room, and bathroom set, all featuring the artist's vibrant, character-driven artworks that explore themes of sexuality and intimacy with playful, cheeky humor.
The Art Guild of the Delta Annual Showcase 2025 opened on November 13 at Los Medanos College's Library gallery, featuring works by local Delta-area artists. Curator Sarah Lee introduced the event, where artists including Marsha Mees, Rosalinda Grejsen, Rick Haley, Julee Richardson, Susan State, Carol Ligon, and Kathy Emerick presented and discussed their pieces, ranging from clay sculptures and mixed-media works to photography and jewelry. Highlights included Mees's Kintsugi-inspired mixed-media pieces, Richardson's Steampunk dolls and a ceramic commentary on gun violence, and Haley's serendipitous beach photograph.
Miami Beach's city government runs 'No Vacancy,' an annual art exhibition that transforms around a dozen hotels and resorts across the city. Now in its fourth year, the program selects local and Miami-rooted artists—including Amanda Linares, Lee Pivnik, Pepe Mar, and Edison Peñafel—through a competitive open call to create site-specific works in public areas of participating properties such as Casa Faena, Miami Beach EDITION, and The Betsy Hotel. The exhibition has been extended from two weeks to four weeks this year, and visitors can explore the works via a self-guided tour, with over 200 artists submitting for the current edition.
The City of West Hollywood’s Arts Division will host an artist reception on October 24 for 'Heart of WeHo,' a new group exhibition celebrating the city’s 40th anniversary. Featuring 27 local artists, the show presents paintings, photography, sculpture, and mixed media that depict West Hollywood’s landmarks, history, and everyday spaces—from iconic nightlife and architecture to quieter corners and imagined futures. The exhibition is on view at the West Hollywood Library through May 2026.
Three temporary art galleries are opening on the ground floor of the postmodern No.1 Poultry building in the City of London, near Bank tube station. Operated by arts charity Hypha Studios and supported by the Cheapside Business Alliance, the spaces will host 24 exhibitions over the course of a year, starting in September 2025. The first three exhibitions are free and open to the public from Thursday 25th September 2025. Gallery 2, in partnership with art and architecture platform recessed.space, will focus on exhibitions relating to the living environment, while Galleries 1 and 3 will feature a range of contemporary artists and curators. The initiative is part of a meanwhile use programme during a refurbishment of the building’s interior to reduce energy consumption.