The Palaces of Memory
The article reports that Israeli and US airstrikes on Isfahan, Iran, damaged several centuries-old palaces and cultural buildings. It draws a parallel to the destruction of cultural heritage in Gaza, suggesting this may be a targeted strategy to erase cultural identity and history, which are seen as threats to occupying forces.
Art Paris 2026 : 10 stands pour faire de belles découvertes
The 28th edition of Art Paris has opened at the Grand Palais, marked by a vibrant and optimistic atmosphere. The fair features a diverse array of works ranging from Fabrice Hyber’s monumental inflatable bears at the entrance to a curated selection of contemporary ceramics, textiles, and innovative paintings. A central highlight is the "Reparation" thematic itinerary curated by Alexia Fabre, which connects various artists through the concept of healing and transformation.
Au Grand Palais, la foire Art Paris 2026 riche de belles promesses
The Art Paris 2026 fair is set to return to the Grand Palais, solidifying its reputation as a vibrant, French-focused alternative to the more elite Art Basel Paris. Under the long-term leadership of artistic director Guillaume Piens, the edition will feature 165 exhibitors, with a deliberate 60% representation of French galleries. The fair's structure includes the "Promesses" sector for emerging galleries curated by Marc Donnadieu, alongside two major thematic paths: "Babel – Art and Language in France" curated by Loïc Le Gall, and "Reparation" curated by Alexia Fabre.
Alyce Mahon's new book, *Dorothea Tanning: A Surrealist World*, explores how the 1936 MoMA exhibition *Fantastic Art, Dada, Surrealism* profoundly transformed the young artist Dorothea Tanning, who described being "rocked on my run-over heels" by the experience. The article also recounts similar life-changing exhibition encounters for contemporary artists Lorna Simpson and Hurvin Anderson, as discussed on *The Week in Art* and *A brush with…* podcasts, highlighting how specific shows shaped their artistic trajectories.
Mohammad Omer Khalil, a 90-year-old Sudanese artist and master printmaker, is the subject of a five-institution exhibition titled "Common Ground" spanning New York, Philadelphia, and Michigan. The show brings together six decades of his prints and paintings, along with ephemera from his travels, oral histories, and cultural influences. Khalil, who has lived in the US since 1967, learned printmaking at the EFA Robert Blackburn Printmaking Workshop and has taught at Pratt Institute, the New School, Columbia University, and New York University. He also produces editions with notable artists and has maintained a long connection to the Asilah Cultural Moussem in Morocco.
The Brooklyn Museum has opened "Iris van Herpen: Sculpting the Senses," a major exhibition surveying two decades of the Dutch designer's avant-garde fashion. Curated by Matthew Yokobosky and Imani Williford, the show features over 140 of van Herpen's biomorphic couture pieces, including designs worn by Lady Gaga and Björk, alongside works by contemporary artists like Agostino Arrivabene and Tara Donovan. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, highlights van Herpen's use of cutting-edge technology such as 3D printing and magnetic sculpting, as well as her deep inspiration from natural phenomena like fossils, coral, and water.
Tate Britain will mount the first major exhibition exploring the transformative impact of fashion, art, and photography on 1990s Britain. Curated by former British Vogue editor-in-chief Edward Enninful, the show titled “The 90s: Art and Fashion” will bring together over 100 works—including photographs, paintings, films, sculptures, objects, and garments—from nearly 70 artists. It runs from August 8, 2026 through February 14, 2027.
Contemporary photographers are increasingly rejecting traditional cameras in favor of alternative, camera-less techniques such as photograms, cyanotypes, and chemigrams. These artists draw inspiration from early scientific experiments with light-sensitive materials, like those of Johann Heinrich Schulze and Thomas Wedgwood, who created temporary images using silver nitrate and sunlight before photography was formally invented.
Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.
The Denver Art Museum is hosting "Women of Abstract Expressionism," the first major museum exhibition dedicated exclusively to female painters of the movement. Curated by Gwen Chanzit, the show features over 50 works by artists including Helen Frankenthaler, Jay DeFeo, Elaine de Kooning, and Mary Abbott. The exhibition highlights how these women were integral to the first internationally influential American art movement but were historically sidelined in favor of male peers like Jackson Pollock and Willem de Kooning.
Artist Tarek Atoui has been selected for the next Hyundai Commission in Tate Modern's Turbine Hall, opening October 13 and running into April 2027. The Beirut-born, Paris-based artist is known for complex installations with specially designed instruments incorporating glass, water, or ceramics, activated by touch, breath, or motors. Curators Nabila Abdel Nabi and Dina Akhmadeeva will oversee the exhibition. Atoui has previously shown at S.M.A.K., Luma Westbau, and the Museum of Contemporary Art Australia, and won the Suzanne Deal Booth/FLAG Art Foundation Prize in 2022.
Argentinian artist Pilar Zeta has unveiled 'The Observer Effect', a monumental public sculpture installed on Miami Beach during Art Basel Miami Beach. The work, presented by the Shelborne by Proper, features a colonnade of columns and arches with a matte automotive paint finish that shifts appearance with light and weather. Zeta activated the piece with sunrise and sunset performances by musician Laraaji. The self-taught artist, who moved to Miami at 19 and previously created album art for Coldplay, has also announced a follow-up installation opening next month at Place du Louvre in Paris.
The Whitney Museum of American Art is launching a new program called "Open Plan" in its fifth-floor galleries from February 26 to May 14, 2016. The program will feature a series of solo projects by artists including Andrea Fraser, Lucy Dodd, Michael Heizer, Cecil Taylor, and Steve McQueen, each presenting work for a short duration in the museum's largest column-free gallery space. The initiative aims to showcase the newly opened Renzo Piano-designed building's full potential and encourage repeat visits.
Brandon Stanton, the photographer behind Humans of New York, has transformed Grand Central Terminal and its subway station into a massive public art installation titled "Dear New York." Running through October 19, the installation replaces over 150 digital screens typically used for advertising with thousands of portraits and stories from Stanton's archive, making it the largest public art installation in New York City in decades. The project, created in collaboration with creative director David Korins, also features live music performances by Juilliard School students and a piano donated by Steinway & Sons.
More than 100 artists and scholars, including Emily Jacir, Hans Haacke, and Michael Rakowitz, have signed an open letter defending Dr. Sara Nadal-Melsió, the former associate director of the Whitney Museum of American Art's Independent Study Program (ISP), whose position was eliminated in June 2025. The termination followed the cancellation of a pro-Palestine performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, scheduled for May 12, 2025. The museum canceled the event after viewing a recording where a performer asked attendees who "believe in Israel in any incarnation" to leave. Nadal-Melsió had published a protest letter against the cancellation, leading to her dismissal. The open letter also demands the reopening of the ISP, which was suspended for the 2025-2026 program.
Performance artist Marina Abramović is being sued by her former creative and romantic partner Frank Uwe Laysiepen, known as Ulay. Ulay alleges that Abramović violated a 1999 contract by failing to share royalties and credit for collaborative works they created together. He claims Abramović has omitted his name from attributions and provided inaccurate sales statements, paying him only four times in 16 years. Abramović's lawyer has dismissed the allegations, and the case may be heard in Amsterdam district court.
A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival this month. The film follows Mierle Laderman Ukeles, the longtime unpaid artist-in-residence with New York City's Department of Sanitation, as she reflects on her career. It traces her journey from graduate student at Pratt Institute to pioneering maintenance art, including her Queens Museum retrospective and international projects elevating everyday workers. The documentary features interviews with art historians, curators, and city officials, and highlights Ukeles's iconic performances, such as shaking hands with every sanitation worker over 11 months.
SuperRare, the digital art trading platform, is opening a permanent New York gallery called Offline in the East Village at 243 Bowery, the former home of Salon 94. The inaugural exhibition, “Mythologies for a Spiritually Void Time,” curated by X.S. Hou and Jack Wedge, opens July 8 and features 15 artists working across animation, painting, sculpture, and networked media. The launch includes a week-long festival with dance performances, panels on art and A.I., and a choreographed NFT auction ritual.
Richard Hambleton, the Canadian street artist known for his iconic "shadowman" silhouettes that appeared on New York City walls in the 1980s, died on Sunday at age 65, as confirmed by Woodward Gallery. Hambleton emerged alongside Jean-Michel Basquiat, Keith Haring, and Kenny Scharf in the downtown graffiti scene, but a long battle with heroin and crack addiction plagued his life. His career saw a resurgence following a documentary by Oscar-nominated director Oren Jacoby, which premiered at the Tribeca Film Festival in April, leading to renewed exhibitions including his participation in "Club 57: Film, Performance and Art in the East Village, 1978-1983" at the Museum of Modern Art.
The article profiles ten young female artists who are using their work to explore and assert feminist perspectives in the face of contemporary misogyny, particularly referencing the US president-elect's rhetoric. Featured artists include Emma Sulkowicz, known for her durational performance 'Carry That Weight' protesting campus rape culture, and Sarah Maple, a British artist whose multimedia works tackle identity and gender with provocative humor. The piece highlights how these artists address themes such as sexual violence, gender fluidity, and the reclaiming of femininity through mediums ranging from performance and video to painting and photography.
Loïc Gouzer, founder of the auction app Fair Warning, partnered with Christie's to sell Pablo Picasso's drawing *Tête d'homme à la pipe* (1971) in a hybrid in-person and digital auction on May 15. The work, estimated at $6–8 million, hammered for $6.6 million ($7.79 million with fees) to a phone bidder at Coco's at Colette in New York's GM Building, with Jussi Pylkkänen officiating. Notable attendees included collectors Alberto Mugrabi and David Mugrabi, and dealer Joseph Nahmad. The drawing, executed two years before Picasso's death, depicts a musketeer inspired by *The Three Musketeers* and had never been auctioned before.
A group of artists participating in the Whitney Museum's Independent Study Program (ISP) have withdrawn their work from a capstone exhibition at Westbeth Gallery to protest the museum's cancellation of a pro-Palestine performance. The performance, titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance," by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was scheduled for May 12 as part of the ISP curatorial exhibition "a grammar of attention." The Whitney canceled it after viewing a recording of an earlier presentation, citing the performers' demand that attendees who believe in Israel leave the audience and the valorization of specific acts of violence. ISP Associate Director Sara Nadal-Melsió stated that the cancellation was imposed by Whitney leadership, including director Scott Rothkopf, and that the independence of the ISP has been seriously compromised.
The Musée d'Orsay in Paris is undertaking a full public restoration of Gustave Courbet's monumental painting "A Burial at Ornans" (1849–50), 175 years after its scandalous debut at the Paris Salon. The 20-foot canvas will be cleaned, its poorly applied varnish layers thinned, and structural issues addressed—including cracks, tears, and deformations caused by the coarse fabric and heavy impasto. The restoration will also reveal previously hidden border portions of the canvas folded in the late 1800s, potentially adding new details to the composition.
The Museum of Modern Art (MoMA) has launched a new exclusive ice cream flavor called "Van Dough" in its second-floor cafe and sculpture garden food stand. Created in collaboration between Union Square Hospitality Group (USHG) and Caffè Panna, the flavor features vanilla ice cream mixed with MoMA chocolate chip cookie dough chunks and chocolate chips. The article traces MoMA's long history with ice cream, including its ownership of Claes Oldenburg's *Pastry Case, I* (1961–62) and *Floor Cone* (1962), a 1935 Zeroll ice cream scoop by Sherman L. Kelly in its design collection, and a 2013 ice cream social with Milk Not Jails as part of artist Caroline Woolard's project.
Pope Francis died on April 20 at age 88, ending a transformative papacy that began in 2013. He was the first Jesuit pope, first from the southern hemisphere, and took his name from St. Francis of Assisi. Known for austerity and advocacy for the oppressed, he criticized wars in Gaza and Ukraine, apologized to Indigenous communities in Canada, and made history in 2024 by attending the Venice Biennale—the first pope to do so—visiting the Holy See Pavilion at the Women's Prison on Giudecca.
Pope Francis died on Easter Monday at his home in Casa Santa Marta at age 88, the Vatican announced. During his 12-year papacy, the first Jesuit and Latin American pontiff showed strong support for artists, becoming the first pope to visit the Venice Biennale last year, where he spoke at the Vatican's pavilion held in a women's prison. He emphasized the importance of contemporary art and women creators, citing Frida Kahlo and Louise Bourgeois, and urged artists to keep questioning and taking risks.
Ruth Angus, associate curator of the Department of Astrophysics at the American Museum of Natural History, leads a tour of the exhibition "Cosmic Splendor: Jewelry from the Collections of Van Cleef & Arpels," running through January 4, 2026, in the Melissa and Keith Meister Gallery. The show features over 60 pieces from the Parisian maison's archives and private collections, each inspired by cosmic phenomena such as galaxies, stars, and planetary nebulae. Angus served as curatorial advisor alongside Denton Ebel, Kate Kiseeva, and Alexandrine Maviel-Sonet, with thematic sections covering the Moon, Sun, distant galaxies, meteorites, and the Zodiac. Highlights include the Trappist transformable necklace (2021) inspired by the TRAPPIST-1 star system and the Explosion Stellaire necklace (2021) depicting a supernova.
"Es hat niemals eine unpolitische Venedig-Biennale gegeben"
The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.
Harriet Cooper's guide highlights 16 free art exhibitions in London for spring 2026, including David Hockney's inaugural show at Serpentine North Gallery, a solo display by designer Simone Brewster at the Design Museum, and Somerset House's 'Holy Pop!' exploring modern idolatry. Other featured shows range from Paula Rego drawings to Gilbert & George works, all accessible without admission charges.
The Dia Art Foundation and the Sam Gilliam Foundation have announced Edgar Calel as the winner of the 2026 Sam Gilliam Award. The Guatemala-based artist and poet, born in 1987 in Chi Xot (San Juan Comalapa), will receive $75,000 and participate in a public program at a Dia location this fall. Calel, of Maya Kaqchikel heritage, works across painting, drawing, sculpture, and performance, and is known for monumental installations reflecting Mayan cosmovision and themes of ownership and stewardship. He was selected by a panel including Dia curators Jordan Carter and Matilde Guidelli-Guidi, Elvira Dyangani Ose, Annie Gawlak, Shanay Jhaveri, and Clara Kim.