Early David Hockney piece expected to fetch thousands at upcoming auction

A rare early artwork by David Hockney, created when he was just 19, is heading to auction at Tennants Auctioneers' Modern and Contemporary Art Sale on June 13. The mixed media piece, titled *Bolton Junction Eccleshill, Bradford*, depicts scenes from Hockney's hometown and is expected to fetch between £7,000 and £10,000. Originally purchased by Hockney's tutor Malcolm Riley at the artist's end-of-year show, the work reflects the perspective lessons Hockney learned at Bradford Regional College of Art. The sale also features works by other notable northern artists, including two drawings by L.S. Lowry, pieces by mining artists Norman Cornish and Tom McGuinness, and ceramics by Pablo Picasso, alongside lots by Damien Hirst and David Bailey.

Helen Frankenthaler at Kunstmuseum Basel

Kunstmuseum Basel has opened a major exhibition of Helen Frankenthaler's work, running from April 18 to August 23, 2026, featuring over 50 large-format pieces spanning six decades. The Helen Frankenthaler Foundation loaned 37 works for the show. The article also notes recent auction results, including Christie's offering of 'The Last Minute in April' (1974) for an estimated $2–3 million, and Sotheby's sales of 'St. John' (1971) for $2.1085 million and 'Perseus' (1983) for $2.804 million. Previous European exhibitions of Frankenthaler's work are listed, including shows at Museo di Palazzo Grimani, Museum Folkwang, Palazzo Strozzi, and Museum Reinhard Ernst.

Peggy Guggenheim in London: The Making of a Collector

The Peggy Guggenheim Collection in Venice has opened "Peggy Guggenheim in London: The Making of a Collector," the first major museum exhibition focused on Guggenheim's brief but influential 18-month tenure as a gallerist in pre-war London. From January 1938 to June 1939, her gallery Guggenheim Jeune at 30 Cork Street mounted twenty exhibitions, including Vasily Kandinsky's first UK solo show, the first British group collage exhibition, and a controversial sculpture show debated in Parliament. Organized by Gražina Subelytė and guest curator Simon Grant, the show brings together approximately one hundred works—paintings, sculptures, prints, photographs, puppets, and archival material—many reunited for the first time since their original presentation.

How to watch the 'Costume Art' Met Gala red carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured a dress code titled 'Costume Art' that explicitly frames fashion as an embodied art form. Celebrities including Beyoncé, Nicole Kidman, and Venus Williams ascended the museum's steps wearing archival fashion pieces and custom creations, with references to artistic collaborations such as Elsa Schiaparelli and Salvador Dalí's lobster dress, Yves Saint Laurent's Mondrian-inspired designs, and Marc Jacobs' work with Takashi Murakami. The event raises funds for the museum's Costume Institute, whose spring exhibition 'Costume Art' examines the centrality of the dressed body.

4 exhibitions to visit this summer in London, Kyoto and Venice

The article highlights four art exhibitions to visit this summer across London, Kyoto, and Venice. In London, the Design Museum presents "Nigo: From Japan with Love," showcasing over 700 objects from the Japanese designer's three-decade career, including collaborations with Nike and Louis Vuitton. In Kyoto, the Kyoto City Kyocera Museum of Art hosts "YBA & Beyond: British art in the 1990s from the Tate Collection," featuring works by Damien Hirst, Tracey Emin, and other Young British Artists. At the Venice Biennale, Hong Kong artist Wallace Chan presents "Vessels of the Other World," a show of titanium sculptures inspired by sacred Catholic oils, curated by James Putman.

“Drifting Until Caught” at Brooklyn Navy Yard: Three Artists and the Objectivity of Method

Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.

Korean Cultural Center New York Presents the Major Exhibition "Lee Kang So: A Field of Becoming"

The Korean Cultural Center New York (KCCNY) presents the major exhibition "Lee Kang So: A Field of Becoming," on view from May 13 to June 20, 2026. The show features the work of pioneering Korean contemporary artist Lee Kang So (b. 1943), who since the 1970s has worked across photography, painting, sculpture, installation, and performance, resisting fixed forms to explore how art emerges through process, material, and context. The exhibition includes key works from his 1970s performances and installations, as well as later sculptures and paintings that foreground gravity, chance, and bodily gesture. Lee, who was active in New York in the 1980s and participated in MoMA PS1's Studio Artist Program, returns to the city with this exhibition at KCCNY's expanded venue.

I'm a Chicana Curator. This Is Why I Removed Cesar Chavez From My Show

Curator Karen Mary Davalos removed a 1969 portrait of Cesar Chavez by George Rodriguez from the exhibition "Chicano Camera Culture: A Photographic History, 1966 to 2026" at the Cheech Marin Center for Chicano Art and Culture in Riverside, California. The decision came after news reports on March 17 revealed that Chavez had assaulted multiple women and girls associated with the United Farm Workers, including allegations of rape against co-founder Dolores Huerta. Davalos, who curated the show, acted swiftly after a call from interim director Valerie Found, removing the photograph to avoid honoring a figure now seen as an abuser.

Director of the Buffalo AKG Art Museum to depart in October

Janne Sirén, director of the Buffalo AKG Art Museum, will step down in October after 13 years leading the institution. The museum announced his departure on April 29, noting that the board will begin a search for a new director this summer. Sirén oversaw a transformative period including a $230 million campus expansion completed in 2023, designed by OMA and Shohei Shigematsu, which added a new building and reconnected the grounds. During his tenure, the museum's collection grew, staff expanded from 62 to nearly 200, the endowment rose from $31.3 million to $79.3 million, and annual visitors reached 340,000. He also launched a public art department, the Innovation Lab, and the AKG Nordic Art and Culture Initiative.

The Artist Who Painted Pixels Before We Saw in Pixels

Der Künstler, der Pixel malte, bevor wir in Pixel sahen

Reinhard Voigt, a German artist little known to the public, painted grid-based pictures as early as 1968—years before pixels became ubiquitous in daily life. Despite early discouragement from Gerhard Richter and fellow artist Alan Jones, Voigt persisted, creating meticulous works on paper and canvas using transparent paper, rulers, pencil, and oil paint. His first major exhibition, "Pure Pleasure," took place in 2023/2024 in Nuremberg, and his current duo show "High on Low" with Anna-Sophie Berger is on view at Berlin's Kunstraum Grotto, featuring his Word Paintings series. Voigt lives and works in Berlin-Prenzlauer Berg with his wife, artist Susan Elias.

Recensione, interviste e migliori stand della fiera d’arte contemporanea di Varsavia. Che cresce

Art Warsaw returns for its third edition, this time held in the historic Villa Róż, a former British embassy in Warsaw. The fair features 56 galleries, over 30 of which are international, and is co-founded by Joanna Witek-Lipka and Michał Kaczyński. The unconventional venue, with its blend of aristocratic luxury and Cold War-era bureaucratic spaces, is central to the fair's identity, offering an experience far removed from the typical white cube format. Galleries collaborated closely with organizers to adapt their presentations to the building's unique rooms, creating an atmosphere that balances a commercial fair with an exhibition project.

Chi sono i vincitori del XXIX Compasso d’Oro premiati all’ADI Design Museum di Milano

The XXIX edition of the Compasso d'Oro award, founded in 1954 by Gio Ponti and Rinascente, concluded at the ADI Design Museum in Milan. The jury awarded 3 Compassi d'Oro Young, 10 student project recognitions, 38 honorable mentions, and 20 Compasso d'Oro ADI prizes. Winning projects include Array sofa by Snøhetta for MDF Italia, Bilboquet lamp by Philippe Malouin for Flos, D'Antan armchair by Raffaella Mangiarotti for De Padova, and the Salone del Mobile.Milano Annual Report 2024. Career awards were given to nine figures including Giovanni Arvedi, Paola Lenti, and Alberto Meda, while three iconic products—Sedia '64 by AG Fronzoni, Tavolo Eros by Angelo Mangiarotti, and Tavolo con ruote by Gae Aulenti—received career Compassi d'Oro. The exhibition of all nominated projects runs until June 4, 2026.

Pappi Corsicato's film on photographer Claudio Abate, which recounts the artistic ferment of Rome between the 1960s and 1990s, is now on RaiPlay

È su RaiPlay il film di Pappi Corsicato sul fotografo Claudio Abate che racconta il fermento artistico di Roma tra gli Anni ’60 e ‘90

RaiPlay has released a new documentary film by Pappi Corsicato titled "Claudio Abate. L’obiettivo nell’arte" (2026), which pays tribute to the late photographer Claudio Abate (1943–2017). The film weaves together interviews, archival materials, and footage from Istituto Luce to chronicle Abate's life and work, focusing on his role documenting the vibrant Roman art scene from the 1960s through the 1990s. It highlights his collaborations with key figures such as Jannis Kounellis, Michelangelo Pistoletto, Fabio Sargentini, and the artists of the Pastificio Cerere school, capturing seminal performances, happenings, and installations that defined Arte Povera and other avant-garde movements.

Interview with Wallace Chan, the artist who created a bridge between Venice and Shanghai through water

Intervista a Wallace Chan, l’artista che attraverso l’acqua ha creato un ponte tra Venezia e Shanghai

Wallace Chan, the Hong Kong-born artist turning 70, has launched a dual-exhibition project titled "Vessels of Other Worlds" between Venice and Shanghai, curated by James Putnam. In Venice, the show runs concurrently with the Biennale at the Cappella di Santa Maria della Pietà (Vivaldi's church), featuring three titanium sculptures inspired by Catholic holy oils, surrounded by smaller works evoking water droplets. In Shanghai, the same sculptures appear at the Long Museum (West Bund) starting July 18, 2026, on a monumental scale—seven, eight, and ten meters tall—with a kaleidoscopic interior accessible through a door in the central piece. The exhibitions also include sound compositions by Brian Eno and reference Chan's earlier Venice shows (Titans, Totem, Transcendence).

Mario Schifano al Palazzo Esposizioni di Roma. Una grande mostra che ci insegna a guardare

Palazzo Esposizioni in Rome has opened a major exhibition dedicated to Mario Schifano (1934–1998), running alongside a solo show by Marco Tirelli titled "Anni Luce." The exhibition, curated by Daniela Lancioni, explores Schifano's work through the lens of Kazimir Malevich's Suprematism, particularly his 1915 "Black Square." It features Schifano's early monochromes from 1960, his painting "Chiamato K. Malewič" (1965), and a rarely seen pre-1960 phase including landscapes and informal works from 1956–1959, which have often been marginalized in his official catalog.

Quando la mitica Peggy Guggenheim era una gallerista a Londra. Mostra da non perdere a Venezia

The article details the early career of Peggy Guggenheim before she established her famous Venetian museum, focusing on her London gallery Guggenheim Jeune (1938–1939). It describes how the gallery mounted pioneering exhibitions of avant-garde art, including the first UK solo show of Wassily Kandinsky, a group exhibition of contemporary sculpture featuring Jean Arp and Henry Moore, and shows of artists like Marie Vassilief and Gisèle Freund. The Peggy Guggenheim Collection in Venice now presents a retrospective of this formative period, titled "Peggy Guggenheim a Londra. Nascita di una collezionista."

Russian art today is blood. A tough interview with Pussy Riot

“L’arte russa oggi è il sangue”. Una dura intervista alle Pussy Riot

During the preview of the 2026 Venice Biennale, the Russian Pavilion became the site of a protest by Pussy Riot and FEMEN, who staged an action called "STORM OF VENICE." Wearing pink balaclavas and carrying radical slogans, they denounced Russia's presence at the Biennale, accusing the Kremlin and the European cultural system of complicity. The protest centered on the phrase "Blood is Russia's art." In an interview, Pussy Riot member Nadya Tolokonnikova argues that artists who represent the official Russian Pavilion become instruments of the aggressive imperial state, and that the Biennale confuses cultural dialogue with political normalization.

VALIE EXPORT, icon of feminist art who placed the body at the center of her research, has died

È morta VALIE EXPORT, icona dell’arte femminista che ha messo il corpo al centro della sua ricerca

VALIE EXPORT, the Austrian artist and feminist icon known for using her body as a political and artistic tool, has died in Vienna at age 85. Born in Linz in 1940, she changed her name in 1967 and became a pioneer of performance, film, and media art, creating provocative works such as "Tapp-und Tastkino" (1968), where she turned her body into a touchable cinema screen, and "Aktionshose: Genitalpanik" (1969). Her career spanned over six decades, and she taught at institutions including the University of Wisconsin and the Berlin University of the Arts. In 2023, the Albertina Museum in Vienna held a major retrospective of her work.

In Toscana il borgo di Monte San Savino si apre all’arte contemporanea con una mostra itinerante e di genere

The Tuscan hill town of Monte San Savino launched a contemporary art exhibition titled "Art Gender Gap" on International Women's Day, featuring 40 female artists and 53 works across multiple historic venues including the GAS, Chiesa di Santa Chiara, Palazzo Ciocchi di Monte, and the Renaissance Cisternone. Curated by Giuseppe Simone Modeo, Nicoletta Castellaneta, and Domenico de Chirico, the show includes loans from the National Museum of Women in the Arts in Washington (via its Italian committee president Claudia Pensotti Mosca), the Christian Levett collection, and the FAMM Museum in Mougin, France—a museum dedicated exclusively to women artists. Participating artists range from historical figures like Louise Bourgeois, Carol Rama, and Sonia Delaunay to contemporary names such as Kiki Smith, Pipilotti Rist, Marlene Dumas, Tracey Emin, and Mona Hatoum.

Semiha Berksoy: The Turkish Artist Who Made Her Life a Total Work of Art

Semiha Berksoy: l’artista turca che ha reso la sua vita un’opera totale

A major retrospective titled "Aria of All Colors" at the Istanbul Modern, running until September 6, celebrates the multifaceted Turkish artist Semiha Berksoy (1911–2004). Featuring over 200 works, the exhibition showcases her pioneering career as a painter, sculptor, opera singer, actress, costume designer, and performance artist. Berksoy became the first Turkish soprano to perform on European stages after studying in Berlin, and she helped found the Ankara State Opera. Her deeply personal paintings, often depicting her mother and cultural figures, are marked by a graphic, childlike style and a recurring "line of destiny." The show includes costumes, sketches, archival footage, and even a refrigerator door painted with her daughter's portrait.

The End-of-Term Grand Interview with Stefano Boeri After 8 Years as President of Triennale di Milano

La grande intervista di fine mandato a Stefano Boeri dopo 8 anni da presidente della Triennale di Milano

Stefano Boeri reflects on his eight-year tenure as president of Triennale Milano in a wide-ranging exit interview. He discusses the institution's transformation into a more international and accessible cultural hub, highlighting key achievements such as the three major International Exhibitions—"Broken Nature" (2019), "Unknown Unknowns" (2022), and "Inequalities" (2025)—and the physical reclamation of spaces like the "Cuore" hall and the garden-level floor, which were opened free to the public. Boeri also touches on financial management, governance challenges, and his hopes for the future leadership.

The Château de Boutemont: An Architectural Gem to Discover in Normandy

Il Castello di Boutemont: un gioiello architettonico da scoprire in Normandia

The Château de Boutemont in Ouilly-le-Vicomte, Normandy, has reopened for its new season running through November. Now in its sixth year under owners Johanna Wistrøm-Monnier and Bruno Monnier, the property has seen steady growth in visitors thanks to investments in its gardens and the opening of three castle rooms. Bruno Monnier founded Culturespace in the 1990s, a private company that manages museums such as the Palais des Papes in Avignon and the Ateliers des Lumières immersive art centers. Johanna Wistrøm-Monnier, formerly director of the Dan Graham Foundation, now dedicates herself full-time to the estate, which features gardens designed by famed landscape architect Achille Duchêne.

Is there really an energy transformation in Marina Abramović's exhibition in Venice?

Nella mostra di Marina Abramović a Venezia c’è davvero una trasformazione di energia?

At the Gallerie dell'Accademia in Venice, Marina Abramović's exhibition "Transforming Energy" opens to the public from May 9 to September 30, 2026, as part of the 2026 Venice Biennale. The show is designed as an experiential device that moves beyond traditional exhibition formats, inviting viewers to determine their own presence through a sequence of rooms built around relationships between body, materials, and time. Crystals and locks of hair function not as decoration but as presences to be inhabited, demanding radical attention rather than spectacular participation. During the press conference, Abramović and curator Shai Baitel insisted that the materials, especially the crystals, possess real energy capable of directly affecting the viewer's body and perception, not merely as metaphor but as an active condition.

Working in the Arts: Opportunities from Cascina Lagoscuro, Ministry of Tourism, PhEST, Fundació Joan Miró, C2C Festival

Lavorare nell’arte: opportunità da Cascina Lagoscuro, Ministero del Turismo, PhEST, Fundació Joan Miró, C2C Festival

This article from Artribune compiles five current job and opportunity listings in Italy and Europe for creative professionals. The openings include a creative residency at Cascina Lagoscuro (a regenerative farm in northern Italy) for dancers, artists, writers, chefs, designers, educators, artisans, and activists; a national exam for tourist guide certification by Italy's Ministry of Tourism; a pop-up open call for artists and photographers from the PhEST international photography and art festival; a director search at the Fundació Joan Miró in Barcelona; and a curator training program for music curators by C2C Festival.

The best and worst we saw at the Venice Art Biennale 2026. Artribune's hits and flops

Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune

The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.

Interview with the artist of the enchanting New Zealand Pavilion at the 2026 Venice Biennale

Intervista all’artista dell’ammaliante Padiglione Nuova Zelanda alla Biennale Arte 2026

Fiona Pardington, a Māori artist from Devonport (1961), will represent New Zealand at the 2026 Venice Biennale with a deeply spiritual and ecologically conscious installation in the national pavilion. Her project centers on the takahe, a bird long thought extinct, using photography, sound, and immersive space to evoke loss, memory, and transformation. Pardington’s work draws on Ngāi Tahu culture, colonial history, and natural history, featuring a taxidermied takahe specimen from the British Museum that she re-photographed and chromatically restored.

È morto Paolo Masi. La lunga ricerca dell’artista fiorentino sulla trasformazione dei materiali poveri

Paolo Masi, the Florentine artist known for his lifelong exploration of poor materials and their transformation, died in Florence on Wednesday, May 6, just days before his 93rd birthday. His career spanned from informal experiments in the 1950s through a rigorous investigation of materials in the 1960s, including his first solo show at the Strozzina in 1960. He joined the aesthetic research group Centro F/Uno alongside Baldi, Lecci, and Nannucci, and later co-founded the collective spaces Zona (1974) and Base (1998) with Mario Mariotti and Maurizio Nannucci. Masi participated in the Venice Biennale (1978) and the Rome Quadriennale (1986), and his works are held by major museums and foundations internationally. His later years saw significant retrospectives at the Museo MAGA in Gallarate (2018) and at Le Murate in Florence (2018), as well as a 2023 solo show at Florence's Galleria Frittelli, which remembered him as an extraordinary artist and dear friend.

Performance, gioco, rischio. Il grande Paul McCarthy è in mostra a Madrid: l’intervista

Paul McCarthy's latest exhibition, titled "A&E," is on view at Bowman Hal gallery in Madrid, part of the SOLO CONTEMPORARY initiative founded by a Spanish collector couple. The show features large-scale works on paper and videos created in collaboration with German actress Lilith Stangenberg, exploring role-play, performance, and the blurred lines between art and entertainment. The acronym "A&E" alludes to historical pairs like Adam and Eve or Adolf Hitler and Eva Braun, as well as "Arts & Entertainment." The works stem from private encounters between McCarthy and Stangenberg, with drawings serving as storyboards for videos that capture their improvisational, trance-like interactions.

In Piedmont, Langhe, Roero and Monferrato increasingly focus on contemporary art and cultural tourism

In Piemonte le Langhe, il Roero e il Monferrato puntano sempre di più sull’arte contemporanea e il turismo culturale

The Langhe, Roero, and Monferrato regions of Piedmont, Italy, have consolidated their cultural alliance under the name Orma, a unified system launched in 2025 that brings together four existing festivals—Creativamente Roero, Resté, Germinale Monferrato Art Fest, and La collina sale sempre—to offer a widespread contemporary art program across the UNESCO World Heritage territory. In 2026, Orma expands its activities from May to November, involving over 60 municipalities, with new entries like Canelli hosting a site-specific work by Brazilian artist Maria Theresa Alves in partnership with Castello di Rivoli, and projects such as Prospettive / Perspectives with Fondazione Sandretto Re Rebaudengo and Villa Arson. The program includes artist residencies, permanent interventions, and exhibitions, with Resté already underway in the Langhe towns of Diano d'Alba, Montelupo Albese, Rodello, and Cerretto Langhe.

The best and worst of Milan Design Week 2026: the hits and flops of this edition

Il meglio e il peggio della Milano Design Week 2026: i top e i flop di questa edizione

Artribune's design team presents its annual roundup of the best and worst of Milan Design Week 2026, highlighting standout experiences and recurring flaws. The top picks include open apartments like Interno Italiano by Interni Venosta in a home designed by Osvaldo Borsani, L’Appartamento by Artemest at Palazzo Donizetti, and Casaornella by Maria Vittoria Paggini. Also praised are Casa NM3 by Delfino Sisto Legnani, Nicolò Ornaghi, and Francesco Zorzi, two projects by Studiopepe, and the five-floor Convey. Museum programming at Triennale Milano and ADI Design Museum is celebrated, with exhibitions such as The Eames Houses, Continuous Present on Andrea Branzi, Alphabet on Barber Osgerby, and Haruka Misawa's bit by bit.