Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean will present "A Journey," a performance program running throughout 2026. The series features artist Ivan Cheng with his work "Casemates," which explores cultural memory, technological progress, and embodied interpretation through the concept of a journey as both method and metaphor.
Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
Giant Runt Gallery, an artist-run space in Fort Worth's Near Southside, was founded in September 2024 by Cosmo Jones and Max Marshall. The gallery showcases experimental, eclectic art that challenges the local norm of Western-themed work. Its latest exhibition, “Everyone is Someone’s Baby,” opens May 1 featuring artists Megan Solis and Glory West. The gallery recently held its first Juried Show, drawing over 400 applicants and awarding first prize to Jori Jori for her sculpture “The East Wind.” The space occupies a former gallery suite in the Dickson-Jenkins Lofts & Plaza, previously home to Bale Creek Allen’s gallery and Cufflink Art.
Nike Okundaye, founder of Nike Art Gallery, is leading 13 US-based Nigerian artists in a cultural diplomacy initiative titled "Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta." Organized by Fulton County Arts and Culture under Commissioner Robb Pitts and Director David Manuel, alongside Georgia State Representative Kim Schofield, the show opened last Friday at Fulton County Arts and Culture Downtown exhibition space in Atlanta. The event features artists including Shayee Awoyomi, Lasaki Olubunmi, Adeleke Akeem, Ola Balogun, Ajibade Awoyemi, and Bimbo Samson Adenugba, among others, and includes masquerade performances, African-American dances, and cuisines. The exhibition runs through the end of June.
Syrian visual artist Ismail Nasra has opened a new exhibition at Zawaya Art Gallery in Damascus, featuring 28 medium- and large-scale works that mark a departure from his earlier dense, colorful style. The paintings, created over three years on aged and weathered fabrics, employ muted palettes, abstraction, and negative space to explore themes of silence, absence, and emotional solitude. Solitary female figures and recurring bird motifs—symbols of freedom and escape—dominate the compositions, with the natural textures and cracks of the fabric becoming integral to the artwork.
971 Art Gallery, a new luxury contemporary art space, has opened in Dubai, positioning the city as a growing hub for high-end art and investment. The gallery aims to attract international collectors and investors by showcasing blue-chip contemporary artists and offering a curated experience that blends art with luxury lifestyle.
The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.
Gitte Zschoch has been appointed as the new Secretary General of the Goethe-Institut, taking over the role and chairmanship of the board on July 18. She succeeds Johannes Ebert, who has held the position since 2012 and will now lead the institute's regional office in Athens. Zschoch, currently Secretary General of the Institute for Foreign Cultural Relations (ifa), previously worked for the Goethe-Institut in various roles, including founding director of its branch in the Democratic Republic of Congo. The appointment was confirmed by German Foreign Minister Johann Wadephul and approved by the institute's presidium.
A new artist-led art fair called Fair Play Art Fair will launch in London from October 15–18, 2026, at One Marylebone. Founded by Ryan Stanier, creator of The Other Art Fair, the event offers selected artists free exhibition stands instead of requiring upfront fees, operating on a commission-based model that takes 50% of sales. The fair will run alongside Frieze London and include immersive installations, sound art, dining, and live performances, with a curated selection process overseen by an independent committee.
Melanie Mullan interviews three women redefining the art world: contemporary artist Petria Lenehan, who transitioned from fashion design to painting and now works from her studio in Wicklow, Ireland, promoting her work via Instagram; and Trish Lambe, CEO and Artistic Director of Photo Museum Ireland, who began her career at the museum in the 1990s and now leads its curatorial team. The article highlights Lenehan's intuitive painting process and Lambe's hands-on approach to exhibition production.
The Mattatuck Museum in Waterbury, Connecticut, will host a live performance by the Grateful Dead tribute band Mystic Dead on June 11, 2026, as a fundraiser for the museum's education and public programs. The event is tied to the upcoming exhibition "Psychedelic Splendor: The Concert Art of AJ Masthay & Helen Kennedy," which runs from June 13 to September 26 and features over 20 gig posters created for bands including Black Sabbath, Dave Matthews Band, and The Grateful Dead. The exhibit marks the first museum show for both Connecticut-based artists, who are known for their screen-printed concert posters.
The Moose Jaw Museum and Art Gallery in Saskatchewan is hosting 'Unsilenced,' an interactive art exhibition that explores mental health through the work of five artists. The show features Peter Tucker, Ruth Cuthand, Derek Poe, Amy Snyder, and Richard Boulet, using mediums such as sculpture, ceramics, beadwork, and fibre art to address topics like anxiety, OCD, climate anxiety, and intergenerational trauma. Visitors can engage with installations, including a clay pot piece about eco-stress and a reflection room for deeper contemplation.
Serpentine has launched "I DIDNT REALISE YOU THOUGHT LIKE THAT," a new online game and critical thinking tool by artist and game designer Danielle Brathwaite-Shirley. Available from May 21, 2026, on web and mobile platforms, the project extends the world of Brathwaite-Shirley's acclaimed "THE DELUSION" and explores polarization, identity, and social connection beyond the gallery. Developed with nonprofit Beyond Code Collective and supported by Glass Castle Foundation, the game places players in a post-apocalyptic universe where they encounter fictional characters and make decisions that shape narratives and determine multiple endings, drawing on real-world materials from news cycles, social media, and community testimonies.
Ocula published an image of Suzanne Song's 2024 painting "Open Bloom Fold II," an acrylic pigment on linen work measuring 152.4 x 124.5 cm. The artwork is presented as a standalone visual feature.
Hamptons-based abstract painter Mark Seidenfeld presents *Uncharted Waters*, a solo exhibition of paintings inaugurating the newly renovated Corwith Homestead Tractor Barn at the Bridgehampton Museum. The show runs from June 4 through June 21, 2026, and features works that transition from representational to fully abstract, exploring themes of depth, gesture, and the unknown through layered, revised compositions.
The Sehwa Museum of Art in Seoul, operated by the Taekwang Group Sehwa Arts and Culture Foundation, has launched a series of artist-led participatory programs tied to its current exhibitions. On May 17, artist Yesol Kim will lead "Perhaps Scribbling on the World Crookedly," where participants draw and view their work through a kaleidoscope. On May 23, artist Jeong Manyoung will host "Sound Exploration: Finding My Own Sound Space," involving outdoor sound recording. Every Tuesday and Sunday at 3 p.m., visitors can enjoy a performance while holding cotton candy, linked to Lee Wonwoo's work "Gentle Prince." Additional ongoing activities include a handmade zine-making station and a social media review giveaway offering an "Artist Puzzle" from the museum shop.
Sanya Kantarovsky presents 'Basic Failure,' an exhibition of paintings, ceramics, and a glass sculpture at Palazzo Loredan in Venice, running concurrently with the Venice Art Biennale 2026. The show features haunting, figurative works that resist linear narrative, drawing on themes of religion, history, philosophy, and human emotion, with the artist describing his intuitive, fragmentary approach to composition.
The Lucas Museum of Narrative Art in Los Angeles has announced its 18 inaugural exhibitions ahead of its September 22, 2026 opening. The $1 billion, 100,000-square-foot museum in Exposition Park will feature 32 galleries curated personally by George Lucas, including a dedicated Cinema space showcasing the Lucas Archives with original concept art, costumes, and props from Star Wars and Indiana Jones. Unlike traditional museums, the exhibitions are organized by emotion and storytelling themes such as Adventure, Childhood, Fantasy, and Romance, rather than by time period or artist.
Mark Seidenfeld, a Hamptons-based abstract painter, will present a solo exhibition titled "Uncharted Waters" at the newly renovated Corwith Homestead Tractor Barn, part of The Bridgehampton Museum in New York. The show runs from June 4 to June 21, 2026, and features paintings that transition from representational work into fully realized abstraction, exploring themes of depth, gesture, and discovery through layered and revised compositions.
Chosun University Museum of Art in Gwangju, South Korea, is hosting a special exhibition titled 'Strolling Through the Garden' from May 7 to May 27 to celebrate the university's 80th anniversary. The show features 34 works by 13 contemporary artists working in Western painting, Korean painting, installation, and media art, organized around three themes: 'Garden of Imagination,' 'Garden of Senses,' and 'Garden of Metaphor.' Admission is free, and the exhibition coincides with the university's Rose Week (May 14–17), encouraging visitors to experience nature and art together on campus.
Brussels Airlines has announced a major traveling exhibition called AfriConnections, dedicated to contemporary African art, set to launch in 2026. The exhibition will tour museums and cultural venues in Kinshasa, Abidjan, Yaoundé, and Dakar before arriving in Brussels, featuring fifteen artists from across Africa whose works are drawn from the Ifitry artist residency collection. Admission will be free to maximize public access.
The article reviews 'Threading Inwards,' an exhibition at the Centre for Heritage, Arts and Textile (CHAT) in Hong Kong, curated by Wang Weiwei, Eugene Hannah Park, Kurosawa Seiha, and Wang Huan. It features 14 artists from across Asia who use textile as a medium to explore themes of spirituality, memory, and cultural heritage. Works include Han Sang A's 'Threshold' series, Hu Yinping's 'Soul Bottle' series, and pieces by Aziza Kadyri, Mooni Perry, Citra Sasmita, IV Chan, and Chen Zhe, among others.
Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled *Old Days, New Days | Arlta-imankinya, Arlta-errama*, featuring artists from Tangentyere and Yarrenyty Arltere alongside Arrernte and Kalkadoon artist Thea Anamara Perkins. The show includes painting, sculpture, textiles, video, and works on paper, with a focus on women's roles in sustaining family and community life through care, gathering, and storytelling. Key works include Perkins' portrait series from The Slattery Collection and an immersive installation by Marjorie 'Nunga' Williams. The exhibition runs until 14 June 2026.
Chile will participate in the 61st Venice Art Biennale with the exhibition "Inter-Reality" by artist Norton Maza, curated by Marisa Cachiolo and Dermis León, and managed by Claudia Pertuzé. The monumental installation, on view from May 9 to November 22, 2026 at the Sala dell'Isolotto in the Arsenale complex, contrasts an exterior referencing geopolitics, landscape, and ecology with an interior of precarious dioramas blending classical European painting and contemporary issues like fake news, migration, and environmental devastation. The work includes a soundscape of helicopters, airplanes, ancestral chants, and nature sounds recorded in Chile.
El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.
From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.
La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film
Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.
In una mostra a Napoli è possibile perdersi senza urgenza in un equilibrio instabile. La recensione
The exhibition "A Gentle Collapse," curated by Marta Ferrara at Andrea Nuovo Home Gallery in Naples, explores the contemporary psychic state through a spatial and perceptual construction. Featuring works in photography, painting, engraving, and installation, the show creates a sense of instability, with meaning emerging gradually through shifts between familiar and altered forms. Artists include Dorottya Vékony, Matteo Silverii, Flora Villaumié, and Zoë Pelikan, whose works engage with themes of genetic engineering, serial accumulation, and subtle disorientation across two gallery levels.
La Roma del Cinquecento vista con gli occhi di uno straniero. La mostra
Fabio De Chirico has been appointed as the new director of the Istituto Centrale per la Grafica in Rome, with a mission to boost research, strengthen international dialogue, and enhance the institution's collections. His tenure opens with the exhibition "Maarten van Heemskerck e il fascino di Roma: percorsi visivi della Città Eterna," curated by Tatjana Bartsch, Rita Bernini, and Giorgio Marini, running until June 7, 2026. The show features drawings by the 16th-century Dutch artist Maarten van Heemskerck, on loan from the Kupferstichkabinett of the Staatliche Museen zu Berlin, alongside over sixty works from the institute's own holdings—including prints, engravings, and archival photographs—plus loans from the Bibliotheca Hertziana, the Musei Capitolini, and the Istituto Archeologico Germanico di Roma.
A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.