Who is Alma Allen, US Pavilion Artist for the 2026 Venice Biennale?

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The US Department of State has confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale. Allen, a Utah-born, Mexico-based artist known for abstract biomorphic sculptures, was selected after a fraught selection cycle that included updated guidelines requiring proposals to promote American values. He was approached directly by curator Jeffrey Uslip, who will organize the US pavilion, and accepted the offer despite reportedly being advised against it by his former galleries Mendes Wood DM and Olney Gleason, which subsequently cut ties with him.

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Artnet News reports on the November 2025 day sales in New York, following the evening sales that signaled a market comeback. Hot lots included Gertrude Abercrombie's "Message for Mercy" (1950), which sold for $1.2 million at Sotheby's, setting a new auction record for the artist. Other strong performers were Julia Jo's "Rhyme or Reason" (2022) at Christie's for $203,200 and Mary Abbott's "Forest of Dak" (1965) at Phillips for $167,700. Top flops included Jacques Lipschitz's "Tete" (conceived 1915), which sold for $152,400 against a $300,000–$400,000 estimate at Sotheby's, and Sterling Ruby's "SP44" (2008), which underperformed at Christie's.

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Alma Allen, a self-taught Utah-born sculptor based in Mexico, has been confirmed as the U.S. representative for the 61st Venice Biennale, opening in May. His pavilion exhibition, titled “Alma Allen: Call Me the Breeze,” will be curated by Jeffrey Uslip and commissioned by Jenni Parido of the American Arts Conservancy. Allen’s selection is notably unconventional: he has no major museum solo exhibitions and was dropped by his galleries, Mendes Wood and Olney Gleason, after accepting the commission. The U.S. State Department’s brief release frames the presentation as highlighting “alchemical transformation of matter” and “elevation,” aligning with the Trump Administration’s focus on “American excellence.”

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Emerging artist Aiza Ahmed, a 28-year-old Pakistani-born painter and sculptor who recently completed her MFA at the Rhode Island School of Design, is having a breakout moment in New York. Her first solo show, "The Music Room," is on view at Sargent's Daughters, while she participates in two prestigious residencies: Silver Art Projects at 4 World Trade Center and the Fire Station residency in Doha, directed by Wael Shawky. Ahmed's work explores themes of migration, belonging, and identity, drawing on her family's experience of Partition and her own upbringing across Dubai, London, and the U.S. She will also be the youngest artist at the inaugural Art Basel Qatar in February 2025.

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Machteld Rullens, a Dutch artist based in The Hague, is presenting her second solo exhibition with Page (NYC) titled “Beacon Road,” jointly staged at Andrew Kreps Gallery in New York. The show features works created during a residency at the Josef and Anni Albers Foundation in Connecticut, using discarded cardboard boxes that Rullens collects from recycling bins and other sources. Her sculptures, which initially appear ceramic or metallic, are actually intricate assemblages of cardboard, exploring form, commodity, and waste. The exhibition marks a departure from her earlier work, with crushed and folded forms and exposed bolts conveying a sense of restrained energy.

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The article profiles 20th-century textile artist Ethel Stein, who remained largely unrecognized during her lifetime despite creating technically rigorous weavings. A new exhibition titled "Master of the Loom" at New York's Sapar Contemporary (on view through November 17) showcases her geometric, rhythmic works. Stein, who studied under Josef Albers at the Bauhaus and designed a unique loom now held by the Art Institute of Chicago, also had a playful side: she began her career as a puppeteer and created the puppet that became Lamb Chop, the beloved character performed by Shari Lewis on PBS. The exhibition highlights works such as "Rust Abstract," "Indigo 25," and "Black and White," which demonstrate her mastery of complex weaving structures and geometric abstraction.

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Bridget Finn, who became director of Art Basel Miami Beach in July 2023, has organized the 22nd edition of the fair from start to finish for the first time. In an interview days before the VIP opening at the Miami Beach Convention Center, she discussed welcoming 286 galleries, the importance of hospitality, and the fair's role in Miami's art scene. She highlighted 34 new galleries joining this year, notable works by Augusto Machado and Roberto Huarcaya, and the fair's efforts to engage diverse audiences including VIPs, institutions, and the general public.

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The article describes a weekend stay at the Hotel Cipriani, a Belmond hotel in Venice, highlighting its role as a luxurious oasis amid the city's cultural offerings. It details visits to the Peggy Guggenheim Collection, including the exhibition "Manu-Facture: The Ceramics of Lucio Fontana," and the Gallerie dell'Accademia, while focusing on the hotel's upcoming redesign by architect Peter Marino, set to debut in 2025 with new suites and a lobby. The hotel's art program, including past collaborations like Daniel Buren's pavilion and future activations tied to the 2026 Venice Biennale, is also emphasized.

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Mel Leipzig, a painter known for his intensely detailed, realistic portraits of everyday people and places, died on November 1 at age 90. Over a career spanning more than five decades, the Brooklyn-born artist taught at Mercer County Community College from 1968 to 2013, founded the Trenton Artist Workshop Association (TAWA) in 1979, and never painted from photographs, instead practicing what he called 'designing with reality.' His work is held by major institutions including the Whitney Museum, the National Academy Museum, and the New Jersey State Museum.

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On November 11, the Paul Taylor Dance Foundation will honor painter Alex Katz at Lincoln Center’s David H. Koch Theater, celebrating a decades-long creative partnership between Katz and the late choreographer Paul Taylor. The collaboration began in 1960 when poet Edwin Denby introduced them for a commission at the Spoleto Festival, leading to 16 works together including "Meridian," "Scudorama," "Private Domain," "Diggity," and "Sunset." At the gala, the company will perform "Sunset," which Katz conceived after observing soldiers in Madrid’s Retiro Park. Katz is also showing new paintings at Gladstone Gallery in New York, while the Museum of Contemporary Art San Diego hosts "Alex Katz: Theater and Dance," the first major survey of his stage work.

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A rare exhibition of works by the late artist Matthew Wong, including never-before-exhibited pieces, will open in Venice during the 2026 Biennale. Titled “Matthew Wong: Interiors,” the show is curated by John Cheim and organized by the artist’s foundation, run by his mother Monita Wong. The 35-work exhibition focuses on interior spaces, both physical and psychological, and highlights Wong’s vibrant color palette and expressive brushwork, which he developed before his death by suicide at age 35 in 2019.

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The second edition of Taipei Art Week has drawn a large crowd, anchored by Art Taipei—Asia's longest-running art fair—and the 14th Taipei Biennale. Galleries have raised their ambitions, with pop-up shows, talks, and collectors' parties filling the city. However, Taiwan's art market faces significant headwinds: art imports fell 15.2% in 2024, Ravenel's spring auction sales plummeted from $14.6 million in 2020 to $3.6 million in 2025, and Taipei Dangdai announced it would cease operations after its sixth edition. Geopolitical tensions with China have reduced Chinese collector participation and visitor numbers at the National Palace Museum.

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Tom Sachs has opened a new exhibition titled “A Good Shelf” at Thaddaeus Ropac’s London gallery during Frieze Week, featuring NASA-emblazoned ceramics inspired by Japanese tea bowls and space travel. The show runs through December 20 and includes hand-formed ceramics displayed on shelves made from rough materials like cinderblock and plywood. This marks Sachs’s return to the spotlight after a 2023 scandal in which former studio staff accused him of creating a toxic workplace, leading Nike to pause its sneaker partnership with the artist; the partnership resumed in September 2024.

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Gladstone Gallery now represents British painter Celia Paul, known for her moody figurative works drawn from her life. Paintings by Paul are on view at Art Basel Paris this week, and the gallery plans a solo New York exhibition in 2026. Paul has long been represented by Victoria Miro in London but lacked a New York gallery presence since a 2015 show at Gallery Met. Her market has grown following a 2018 exhibition at the Yale Center for British Art and a recent profile in The New Yorker by Karl Ove Knausgaard. Her auction record was set in 2023 when Self-Portrait (2017) sold for $122,700 at Christie’s London.

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Olney Gleason, a new gallery founded by former Kasmin senior staff Nick Olney and Eric Gleason, has been appointed as the exclusive representative for the estates of Jackson Pollock and Lee Krasner through the Pollock-Krasner Foundation. The gallery, which opened earlier this year, succeeds Kasmin in handling the artists' work; Kasmin had represented Pollock since 2024 and Krasner since 2017. Olney and Gleason previously organized multiple Krasner exhibitions at Kasmin and supported major museum shows, including a 2019 Krasner retrospective at the Barbican Centre and a 2024 Pollock exhibition at the Picasso Museum in Paris.

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The Isamu Noguchi Foundation and Garden Museum has announced the 2025 award honorees: architect-designer Mira Nakashima and sculptor Kan Yasuda, who will receive the 12th annual award at the museum's 40th anniversary benefit on November 17. In other industry moves, the Whitney Museum acquired digital artworks by Gretchen Andrew and Michael Mandiberg; Hesse Flatow added San Francisco-based artist Emily Harter to its roster; Alexander Gray Associates now represents Kamrooz Aram; Fong Chung-Ray joined Alisan Fine Arts; and Hakim Bishara was named editor-in-chief of Hyperallergic. Additionally, Ari Emanuel raised $2 billion in equity to fund Mari, a holding company that owns Frieze, tennis tournaments, and a majority stake in Barrett-Jackson auction house.

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Artist Odili Donald Odita, known for his recent atrium commission at the Museum of Modern Art, has filed a lawsuit against Jack Shainman Gallery, the New York gallery that represents him. Filed in New York's Supreme Court, the suit alleges that the gallery withheld $1.12 million worth of his artworks and stopped paying a monthly stipend of $14,000 in October 2024, while continuing to sell his work. Odita claims the gallery's accounting became "extremely suspect" and that it refused his proposal to return the art so he could sell it himself to cover an alleged deficit. The gallery disputes all claims and says it will respond in court filings.

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The inaugural edition of Untitled Art, Houston, opened with 88 galleries—half the size of its Miami Beach counterpart—and generated strong sales and high attendance. Los Angeles-based Megan Mulrooney sold out its booth entirely, while Sicardi | Ayers | Bacino led sales with a Carlos Cruz-Diez work for $415,000. Other notable transactions included a bronze piece by Clare Rojas for $150,000 at Jessica Silverman and two John Alexander paintings at McClain Gallery fetching $70,000–$125,000. Most galleries reported consistent mid-market sales in the $25,000–$50,000 range, with collectors from Houston, Dallas, Austin, the Bay Area, New Orleans, Los Angeles, and San Francisco actively acquiring.

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Dyani White Hawk, a prominent Native American artist known for her beaded abstract works, has joined Alexander Gray Associates in New York while maintaining her long-standing representation with Bockley Gallery in Minneapolis. White Hawk, who gained widespread recognition at the 2022 Whitney Biennial, creates paintings that incorporate beadwork and emphasize the contributions of Native women to abstraction. Her recent achievements include a MacArthur "genius" fellowship in 2023, a Guggenheim Fellowship in 2024, and a site-specific ceramic mosaic installation titled "Nourish" currently on view at the Whitney Museum.

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Donald Moffett's latest exhibition, "Snowflake," opened at Alexander Gray Associates in New York, marking his first solo show in the city since 2019. The exhibition features extruded oil paintings created with cake-decorating tools, including works like "Lot 052525 (nature cult, melt 1)" and "Lot 061625 (nature cult, melt A)," which depict melting snow as a metaphor for the climate crisis. Moffett draws a parallel between this show and his 1989 exhibition "I Love It When You Call Me Names" at Wessel O’Connor Gallery, both titles reclaiming derogatory terms—"homo art" then, "snowflake" now—as acts of defiance. The palette is predominantly black and white, reflecting what Moffett describes as "dark times" and the stark choices of the current political climate.

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Alexander Calder's market remains strong despite a broader art market downturn. Thirteen Calder works have sold for over $1 million at auction this year, all within or above estimates, led by Christie's sale of *Gypsophila* (1949) for $8.5 million. Next month, Gladstone Gallery will bring Calder's standing mobile *Caged Stone on Yellow Stalk* (ca. 1955) to Art Basel Paris, priced at $5.5 million, after it sold for $3.2 million at the Gerald Fineberg collection sale in 2023. This market resilience coincides with major institutional shows: the opening of Calder Gardens in Philadelphia and a Whitney Museum exhibition celebrating the centennial of Calder's *Circus* (1926–31).

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In 1985, David Wojnarowicz and other New York artists traveled to Louisville, Kentucky, to create site-specific murals for a weeklong fundraiser benefiting the Kentucky Child Victims' Trust Fund. The murals were expected to be destroyed after the event, but in 2023, the Wojnarowicz Foundation discovered that Wojnarowicz's mural, titled 'The Missing Children Show' Mural, had survived behind a false wall. However, the work has since been covered again, leaving its fate uncertain.

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Cristin Tierney, a seasoned art dealer, has opened a new gallery space in New York's Tribeca district, marking her fourth relocation in fifteen years. The inaugural exhibition, titled “Fifteen,” is a group show featuring over 30 artists who have shaped the gallery's identity, including Dread Scott, Mary Lucier, Judy Pfaff, and Shaun Leonardo. Tierney's move comes amid widespread reports of gallery closures, positioning her expansion as a strategic bet on the viability of midsize, independent dealers. The gallery's model combines a conceptual front-room program with secondary-market sales, a practice Tierney likens to the legacy of Leo Castelli.

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Rosalyn Drexler, a Pop artist known for her 1960s paintings exploring Hollywood, violence, and gender, died in New York at age 98. Her death was confirmed by Garth Greenan Gallery, which represents her. Drexler also wrote novels and briefly worked as a professional wrestler before turning to art.

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Gladstone Gallery has secured U.S. representation of Peter Saul, the 91-year-old painter known for his garish satirical canvases, and appointed Anna Christina Furney, formerly a partner at Venus Over Manhattan, as director. Saul will continue to be represented in the U.S. and UK by Michael Werner Gallery. Furney had represented Saul for 14 years at Venus Over Manhattan, which recently closed after founder Adam Lindemann announced he would shutter the gallery and return to being a collector.

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Yinka Shonibare, the London-based British-Nigerian artist, established the nonprofit Guest Artists Space (G.A.S.) Foundation in Nigeria in 2019 to address the lack of artistic infrastructure in Lagos. The foundation, which grew out of his earlier Guest Projects initiative in London, operates two facilities: the G.A.S. Lagos Residency and the G.A.S. Farm House in Ijebu, Ogun State. It hosts residencies and programs supporting artists and curators from Africa and beyond, and launched the G.A.S. Fellowship Award in 2022. The article highlights the experience of 2024 fellow Amanda Iheme, an architecture photographer who expanded her practice during her residency. Shonibare funds the foundation partly from his own art sales, and the piece notes his recent major exhibitions, including at the Venice Biennale and Serpentine Galleries, as well as his current show at Fondation H in Madagascar.

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The article reports on a severe downturn in the art market during summer 2025, with gallery closures, declining auction sales, and widespread pessimism. Notable dealers Tim Blum and Adam Lindemann have shut their galleries, and a survey by France's Professional Committee of Art Galleries (CPGA) found 85% of respondents pessimistic about the sector's economic health, with turnover down 6% in 2024. The Art Dealers Association of America (ADAA) canceled its October Art Show in New York, and some dealers are considering small business loans to cover costs. Meanwhile, galleries like Goodman Gallery are embracing e-commerce to adapt.

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Brazilian sculptor Solange Pessoa is the subject of a solo exhibition at the Aspen Art Museum, featuring her evolving installation *Bags – Aspen version* (1994–2025). The work, originally created in 1994, consists of burlap sacks filled with organic materials such as coffee beans, seeds, feathers, dried peppers, and records by Brazilian musicians, arranged in towers on a dirt-covered floor. Pessoa, who has long been based in Belo Horizonte, has recreated the piece in various locations over three decades, and this iteration marks one of her few solo museum shows outside Brazil.

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Artnet News' Wet Paint column reports on two summer art parties. The White Columns benefit auction in New York raised $350,000, with works donated by 60 commercial galleries. Highlights included a KAWS 'Companion' piece selling for $16,500 and a Florian Krewer painting for $14,000, auctioned by director Matthew Higgs. Separately, London gallerist Sadie Coles has vacated her 1 Davies Street space after a decade and will open a new 6,000-square-foot location at 17 Savile Row, a historic townhouse that once housed the Burlington Fine Arts Club.

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On September 9, 2015, Queen Elizabeth II became the longest-reigning monarch in British history, surpassing Queen Victoria. To mark the occasion, the Royal Collection opened a photography exhibition titled “Long to Reign over Us,” featuring posed portraits and casual family shots of the Queen. Artnet News compiled 30 favorite photos and paintings of the monarch, including works by Cecil Beaton, Andy Warhol, and royal photographer Mark Stewart, highlighting her decades-long reign and her ease in front of the camera.