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First Presbyterian Church in Topeka, Kansas, is selling one of its ten Tiffany stained-glass windows at Sotheby's Design sale on December 10. The Jonathan Thomas Memorial Window, a rare medallion window designed by Louis Comfort Tiffany himself in 1910, carries an estimate of $1.5 million to $2 million. The church cites the high cost of maintaining its historic building and the Tiffany windows—sending just one window for repair cost over $50,000—as the reason for the sale. The auction also features a magnolia floor lamp designed by Agnes Northrup, estimated at $2 million to $3 million.

Lebanon appeals to Unesco to intervene amid fears protected citadel has been destroyed

Lebanon’s Ministry of Culture has filed an urgent complaint with Unesco following reports that Israeli military forces destroyed the 12th-century Chama’ Citadel in southern Lebanon. The site, a Crusader-era fortress, had recently been granted "enhanced protection" status under the 1954 Hague Convention, a designation intended to shield it from military targeting. Lebanese authorities are currently unable to access the site due to ongoing military occupation and have requested that Unesco utilize satellite imagery to verify the extent of the demolition.

It is Naive to Believe that Bombs Bring Freedom

"Es ist naiv zu glauben, dass Bomben Freiheit bringen"

Iranian-born artist Peyman Rahimi discusses the profound impact of his childhood experiences during the Iran-Iraq War and his subsequent mandatory military service on his creative practice. Breaking a long-held silence, Rahimi argues against the naivety of believing that military interventions or foreign bombings can bring true freedom to Iran, emphasizing that war only generates new trauma and suffering. He highlights the central role of Iranian women in the struggle for change, noting that their resilience remains the most potent threat to the current regime.

Ethical Managers Make Their Own Rules at Bodenrader

Bodenrader in Chicago is currently hosting a group exhibition titled "Ethical Managers Make Their Own Rules," featuring works by Jessica Diamond, Hélène Fauquet, and Jason Hirata. The exhibition, which runs from March 21 through May 2, 2026, presents a curated selection of contemporary works documented through an extensive digital archive of installation views.

At Centquatre, Circulation(s) Highlights the Diverse Perspectives of Young European Photographers

Au Centquatre, Circulation(s)s met en lumière la diversité de regards des jeunes photographes européens

The 16th edition of the Circulation(s) festival has opened at Centquatre-Paris, showcasing the work of 26 emerging photographers from 15 European countries. Organized by the Fetart collective, this year’s festival features Ireland as the guest country and emphasizes the hybridization of photography with other mediums, such as embroidery, tapestry, and digital installations.

In La Défense, a Plunge Between Art and Science into Abyssal Wonder

À La Défense, une plongée entre art et science d’un émerveillement abyssal

The exhibition "Sous l’horizon" (Under the Horizon) has opened in the Salle des colonnes, a massive underground space beneath the La Défense business district in Paris. Guided by a poetic narrative from writer Mariette Navarro and the voice of singer Emily Loizeau, visitors navigate a darkened 1,000-square-meter environment equipped with headlamps and audio headsets. The immersive journey features works by artists including Antoine Bertin, Ugo Schiavi, Jérémie Brugidou, and Shivay La Multiple, exploring the mysteries of the deep sea through bioluminescence, oceanic soundscapes, and futuristic sculptures.

Compressed Histories: Irfan Hendrian’s “CLOSED” at ara contemporary

Indonesian artist Irfan Hendrian presented his solo exhibition "CLOSED" at ara contemporary in Jakarta. The show featured new works from his Chinatown Window Sample series, which use layered paper sculptures to replicate the ornate metal trellises found on Tionghoa (Chinese Indonesian) shophouse windows, alongside interactive installations like Paranoia Holder that invited visitors to deboss their keys.

Construction of White House ballroom must stop, federal judge orders

A federal judge has ordered an immediate halt to the construction of a new ballroom at the White House's East Wing, a project initiated by former President Donald Trump. Judge Richard J. Leon's injunction stops all work except for safety and security measures, ruling that the president lacks the authority to undertake such a construction on federal property without explicit approval from Congress.

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A federal judge has ordered an immediate halt to Donald Trump’s $400 million White House ballroom project, ruling that the administration cannot proceed without explicit congressional authorization. Despite the President's claims that the project is privately funded by "patriot donors," U.S. District Judge Richard Leon emphasized that the President is the "steward" rather than the owner of the White House, reinforcing long-standing statutes regarding construction on federal land.

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The Smithsonian’s National Museum of African American History and Culture (NMAAHC) will remove a significant timber fragment from the São José-Paquete de Africa slave ship on March 22. The artifact, which has been a centerpiece of the "Slavery and Freedom" exhibition since the museum's 2016 opening, is being returned to the Iziko Museums of South Africa following the expiration of a long-term loan agreement. It will be replaced by a cargo manifest documenting the enslaved individuals forced onto the vessel.

Phoebe Boswell’s ‘Art on the Underground’ dives into why the majority of Black British adults don’t swim

Artist Phoebe Boswell has unveiled a major public art commission for Art on the Underground, installed across the escalators of Bethnal Green and Notting Hill Gate stations in London. The immersive photographic series features Black subjects moving underwater, captured in a stop-motion style that responds to the physical movement of commuters. The project was inspired by the statistic that 95 per cent of Black British adults do not swim, a reality Boswell links to generational trauma and structural inequality.

Mystery grows over missing artwork in controversial exhibition

The National Gallery of Australia is set to open the long-delayed exhibition "Ngura Pulka: Epic Country," but the show has been met with fresh controversy as a painting by a former executive of the APY Arts Centre Collective was mysteriously removed. The exhibition was originally postponed in 2023 following allegations of white staff members interfering with the work of Indigenous artists, and this latest withdrawal has prompted conflicting explanations from the involved parties.

Insight: Conserving Across Exhibitions

The Denver Art Museum is hosting a public insight session focused on the specialized work of its conservation department. Conservators will present behind-the-scenes details regarding the treatment of artworks and objects prepared for several major exhibitions, including the mid-century modern showcase "Space Is the Place" at The Kirkland and the textile-focused "Conversation Pieces."

One of most famous illustrations of Burns' Tam o' Shanter set for auction

Alexander Goudie's painting *The First Drink*, a key illustration from his celebrated series based on Robert Burns' poem *Tam o' Shanter*, will be auctioned at McTear’s Scottish Contemporary Art Auction in Glasgow on February 26. The oil painting, estimated at £10,000–£20,000, depicts the poem's protagonist resting beside his horse Meg and is being sold by an anonymous vendor who has owned it since it was commissioned in the late 1990s.

December 2025 Opportunities: Open Calls, Residencies, and Grants for Artists

This article compiles a list of open calls, residencies, and grants for artists and photographers with deadlines in late 2025 and early 2026. Opportunities include the Rotterdam Photo 2026 open call themed 'Echoes of Silence—War in the Artist’s Soul,' offering exhibition space in multiple European cities; the Innovate Grant awarding $1,800 each to one visual artist and one photographer; the Ah Haa School for the Arts' HAHA 2026 immersive installation opportunity; Decagon Gallery's Sanctuary open call with cash prizes; the Biafarin Awards providing $4,000 CAD in grants plus global exposure; PeepSpace's exhibition proposal call; and All About Photo's Nature Photography Contest.

Community news: Scholars at OPRF, art exhibition in Western Springs, more

A community news roundup from the Chicago area reports on multiple local events, including a National Merit Scholarship announcement at Oak Park and River Forest High School, a two-day art exhibition and silent auction hosted by the First Congregational Church of Western Springs, a drive-in movie screening at Triton College, a Halloween brunch at Brookfield Zoo Chicago, a fall carnival in Darien, and a Zumba dance fundraiser for breast cancer research in Franklin Park. The art exhibition features works by about 20 church members and friends, with a watercolor workshop for children led by artist Jess Root and proceeds benefiting charities.

Sotheby’s Owes Real Estate Firm $10.2 Million Commission: Lawsuit

Real estate giant Cushman & Wakefield has filed a lawsuit against Sotheby’s, alleging the auction house failed to pay a $10.2 million commission following the $510 million sale of its New York headquarters. The dispute centers on the building at 1334 York Avenue, which was sold to Weill Cornell Medicine in late 2025 after the medical institution initially leased several floors through a deal brokered by the real estate firm.

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.

Inside Richie Shazam’s Debut Solo Show in Texas

Multidisciplinary artist Richie Shazam has launched her debut solo exhibition, "I Was Never Meant to Survive This," at the McLennon Pen Co. gallery in Austin, Texas. The show features 39 new works that blend photography, sculpture, and set design, utilizing found objects, hair, and flowers alongside Shazam’s own body as a primary subject. The collection represents a deeply personal exploration of her Guyanese heritage, trans identity, and the community that has supported her journey from New York City to the international stage.

Vanderbilt Artists Showcased at Prestigious Venice Biennale

Vanderbilt University has announced its inaugural participation in the Venice Biennale, marking a major milestone for the institution's arts program. Faculty artists Maria Magdalena Campos-Pons and Kamaal Malak have been selected to present works in the 61st International Art Exhibition, curated by the late Koyo Kouoh. To complement the exhibition, the university will launch "Resonance: Vanderbilt University in Venice," a two-month public program series featuring sonic inquiries, performances, and scholarly convenings.

From fields to fire: Lee Bae brings 30 years of charcoal art to Museum SAN

South Korean artist Lee Bae has opened a major solo exhibition titled "En attendant" at Museum SAN in Wonju, marking the first time the institution has dedicated its entire grounds to a single Korean artist. The retrospective spans thirty years of Lee’s career, showcasing his deep engagement with charcoal as a medium that bridges his heritage as a farmer’s son with the traditions of East Asian ink painting. The exhibition features monumental sculptures, installations, and video works that transform the museum’s indoor and outdoor spaces into a meditative journey.

From oil to canvas: Saudi Arabia’s emerging art economy

Saudi Arabia's art market reached a significant milestone with Sotheby’s second "Origins" auction in Riyadh, headlined by the $2.1 million sale of Safeya Binzagr’s painting "Coffee Shop in Madina Road." This record-breaking event, which nearly doubled its high estimate, underscores the rapid growth of the Kingdom’s art economy under the Vision 2030 plan. The auction saw a mix of local and international buyers, signaling that Saudi artists are increasingly being integrated into the global contemporary art dialogue.

Catalyst: Art as Activism

Summerhall Arts in Edinburgh has launched "Catalyst: Art as Activism," a major exhibition featuring four solo shows by artists Eilidh Appletree, Taraneh Dana, Kasia Oleskiewicz, and Molly Wickett. The project utilizes sculpture and installation to confront urgent global issues including the climate crisis, capitalist extraction, disability rights, and the realities of migration. A central component, Eilidh Appletree’s "Net Worthy," uses materials like mycelium, soya wax, and sand to create a submerged seascape that warns of biodiversity loss and the ecological consequences of industrial food production.

Ken Gun Min’s explosively colourful, densely layered work is showing in LA

Korean-born, Los Angeles-based artist Ken Gun Min is set to debut his third solo exhibition, 'Strange Days of a Quiet Sun,' at Nazarian/Curcio in Los Angeles. The showcase features a new body of work including a monumental double-sided folding screen and paintings that utilize Min's signature technique of combining embroidery, beading, and hand-applied materials with traditional pigments. The exhibition explores themes of sadness and estrangement through the astronomical metaphor of a 'quiet sun,' blending Western art history with East Asian traditions.

BGSU’s cultural connections to Italy inspire student-curated exhibition: ‘Italy in the Artist’s Imagination’

Bowling Green State University (BGSU) art history students have curated the exhibition 'Italy in the Artist's Imagination,' now on view at the Dorothy Uber Bryan Gallery until December 10. The show draws from the university's permanent collection and submissions from faculty, students, and alumni, all inspired by Italy. It highlights BGSU's long-standing study-abroad programs in Florence, including the now-closed Studio Art Centers International (SACI) and the International Studies Institute of Florence. During the curation process, students encountered authenticity questions regarding a set of Salvador Dalí prints, which led them to reframe the display as an interactive lesson on forgery detection.

Live conservation reveals hidden surprises of unfinished Spencer painting

A new exhibition at the Stanley Spencer Gallery in Cookham, titled *Revealing Genius, Conserving Art: Stanley Spencer’s Final Masterpiece*, offers visitors a rare chance to watch conservator Olivia Leake work on Spencer’s unfinished painting *Christ Preaching at Cookham Regatta*. The large canvas, which Spencer labored over for over a decade but left incomplete at his death in 1959, has been lowered from its usual high hanging for live conservation. Using UV light and paint analysis, Leake has discovered surprising details: extremely thin paint layers, a green water area later overpainted in blue, and multiple changes to underdrawings—contradicting anecdotes that Spencer never altered his initial drawings.

Live conservation reveals hidden surprises of unfinished Spencer painting

A new exhibition at the Stanley Spencer Gallery in Cookham, titled *Revealing Genius, Conserving Art: Stanley Spencer’s Final Masterpiece*, features the unfinished painting *Christ Preaching at Cookham Regatta* (c. 1950s). The large canvas, which Spencer worked on for over a decade and left incomplete at his death in 1959, has been lowered from its high hanging position so that conservation student Olivia Leake of the Courtauld Institute can study it up close. Using UV light and paint analysis, Leake has discovered that Spencer used extremely thin paint layers, made multiple changes to underdrawings (contradicting his own statements), and overpainted a green water area with blue. She is also investigating a possible mold stain in the top left corner.

Wilson College unveils anti-war art show by Callot on Nov. 19

Wilson College in Chambersburg, Pennsylvania, will open a new art exhibition titled “Jacques Callot and Those Who Came After” on November 19, 2025, in the first-floor gallery of the John Stewart Memorial Library. The show features 18 etchings from Callot’s 1633 series “Les Grandes Misères de la Guerre,” widely regarded as the first anti-war statement in Western art, alongside works by artists he inspired, including Francisco Goya, Otto Dix, and Ernst Barlach. Curated by assistant professor Adam DelMarcelle, the exhibition was a collaborative effort involving students from multiple courses—Western Art History 1000–1800, Graphic Design II, Typography and the Letterform, and digital photography—who conducted research, designed the visual language, built the catalog, and contributed photographic elements.

Indonesia Returns to Venice Biennale for 2026 Edition

Indonesia will return to the Venice Biennale in 2026 after a six-year absence. The national pavilion, titled "Printing the Unprinted," will be curated by Aminudin TH Siregar and will feature archival materials alongside works by 14 emerging artists, aiming to explore the country's cultural identity and art history.

Russia and Israel cannot win any prizes at the next Venice Art Biennale 2026. The jury takes a stand

Russia e Israele non potranno vincere nessun premio alla prossima Biennale Arte di Venezia 2026. La giuria prende posizione

The international jury for the 61st Venice Biennale, led by Solange Farkas, has unanimously declared it will not consider countries whose leaders are currently accused of crimes against humanity by the International Criminal Court. This means Russia and Israel are excluded from competing for the Golden Lion awards, including Best National Participation and Best Artist. The jury's statement, published on e-Flux Notes, emphasizes the Biennale's historical role as a platform connecting art with contemporary urgencies and acknowledges the complex relationship between artistic practice and state representation.