Poly Auction Hong Kong Spring Auctions 2026 concluded on a high note

Poly Auction Hong Kong's Spring 2026 season concluded with a total of HKD 255 million in sales, representing a 23% increase over the previous autumn cycle. The auction was headlined by Liu Wei’s 1995 painting "You Like Pork?", which fetched HKD 27.6 million, followed by a Ming Dynasty 'Grapes' foliate-rim dish that sold for HKD 24.6 million. The event saw participation from collectors across 17 countries, with significant growth in the Modern and Contemporary Art and Jewels and Watches sectors.

Maximilien Durand

Maximilien Durand has been appointed to a new role in the art world, as reported by Le Journal des Arts. The article announces his position, though specific details of the appointment are not provided in the given text.

The Artsy AI Survey 2026: What Galleries Really Think About AI in the Art World

Artsy has released its 2026 AI Survey, capturing the perspectives of over 1,000 galleries worldwide on the integration of artificial intelligence into the art ecosystem. The report details how galleries are currently using AI tools for operations, marketing, and sales, while also revealing their cautious optimism and significant concerns about its impact on artistic authorship and market dynamics.

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Major auction houses including Christie's, Sotheby's, and Phillips are experiencing a significant shift as luxury goods—such as cars, watches, handbags, and jewelry—see explosive growth while fine art sales decline. In 2025, fine art sales at the 'Big Three' fell by 35% to $7.04 billion, whereas luxury auction sales rose 18% to $1.84 billion. This trend is most visible at Sotheby’s, where luxury now accounts for a third of total revenue, driven by massive private sales and strategic expansions into sectors like collector cars.

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The Istanbul Biennial, titled "The Three-Legged Cat," will not proceed with its planned second and third phases after curator Christine Tohmé resigned due to personal circumstances, as announced by the Istanbul Foundation for Culture and Arts (IKSV). The first phase ran from September 20 to November 23, spanning eight venues and attracting over 600,000 visitors. The biennial's early end follows a turbulent period, including the overturning of the advisory board's 2023 curator selection, which sparked protests. IKSV stated that preparations for the 19th Istanbul Biennial, scheduled for 2027, will begin shortly, with a new curator to be announced in 2026.

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South Africa will not participate in the 61st Venice Biennale following a High Court ruling that dismissed an urgent application by artist Gabrielle Goliath. The dispute began in January when Culture Minister Gayton McKenzie canceled the planned exhibition, "Elegy," citing concerns over its references to Gaza and the killing of Palestinian poet Hiba Abu Nada. The court's decision, delivered just hours before the biennial's submission deadline, effectively leaves the South African pavilion empty for the 2024 edition.

Louvre and Grand Palais among French museums closed due to nationwide strikes

On Thursday, September 18, several major French museums and cultural venues closed due to a one-day strike against budget austerity. Affected institutions include the Musée du Louvre, Château de Versailles, Grand Palais, Musée d’Orsay (where visitors were allowed in freely), Arc de Triomphe, Eiffel Tower, Panthéon, and Musée Picasso. The strike, supported by the CGT union, also led to closures at dozens of other monuments and institutions across the country, with demonstrators protesting outside the office of Culture Minister Rachida Dati. Separately, the Musée de la Tapisserie de Bayeux is closed for two years for renovations, and the planned loan of the Bayeux Tapestry to the British Museum has been postponed due to the strikes, raising concerns about the embroidery's fragility.

More than 150 US arts organisations pledge to resist political pressure

More than 150 US arts organizations and over 320 artists and cultural workers have signed a public statement affirming their commitment to resisting political pressure. Organized by the National Coalition Against Censorship (NCAC) and the Vera List Center for Art and Politics (VLC) at the New School, the statement does not explicitly name President Donald Trump or his administration's actions, but was precipitated by Trump's pressure campaigns against the Smithsonian Institution and the Kennedy Center, as well as deep cuts to the NEA, NEH, and IMLS. Signatories include institutions from both Democratic- and Republican-controlled states, such as the Museum of Contemporary African Diasporan Arts in New York and Diverseworks in Houston, Texas.

Comment | Trump's 100 days should remind us to be brave—because in an autocracy there is no safety

The article examines the impact of the first 100 days of Donald Trump's second term on the U.S. cultural sector, detailing executive actions that force museums, libraries, and arts institutions into ideological conformity. Orders targeting diversity, equity, inclusion, and gender threaten funding from the National Endowment for the Arts and the National Endowment for the Humanities, while the Smithsonian Institution and Kennedy Center face direct political oversight. The administration also redirects funds toward patriotic projects like a sculpture garden of 'American Heroes,' and private institutions such as the Rhode Island School of Design and Creative Capital face pressure over pro-Palestinian expression and diversity-focused programs.

Auctions of the week: Art, design, jewelry and comics

Auctions of the week: Art, design, jewelry and comics

The global auction calendar for the week of March 19–25, 2026, features a dense schedule of sales across major hubs including Milan, Rome, Paris, Hong Kong, and New York. Italian houses like Il Ponte, Wannenes, and Finarte are leading with diverse offerings in Modern and Contemporary art, design, and niche collectibles like European comics and militaria. Simultaneously, international giants Christie’s and Sotheby’s are hosting major sessions ranging from Modern British art in London to luxury spirits and private sales in Asia and the United States.

Rwanda boosts culture infrastructure with new non-profit contemporary art centre

The Gihanga Institute of Contemporary Art (GICA) opened this week in Kigali, Rwanda, as the country's first non-profit centre dedicated to promoting Rwandan art, culture, and history while fostering local and Pan-African artistic exchange. Founded by curator Kami Gahiga and artist-educator Kaneza Schaal, the institute was designed by Rwandan architect Amin Gafaranga and features an exhibition space, reference library, screening room, and residency studios. Its inaugural exhibition, "Inuma: A Bird Shall Carry the Voice," includes works by Rwandan artists and explores themes of faith and subtle expression. The Mellon Foundation provided crucial development support.

Full Circle

The article reports on the impact of President Javier Milei's anarcho-capitalist economic policies on Argentina's cultural sector since his December 2023 election. Public museums like the Museo Nacional de Bellas Artes face frozen budgets and loss of autonomy, the cultural ministry has been shuttered, and a climate of fear and retribution has led many in the art world to speak anonymously. The piece focuses on artist Liv Schulman's film and exhibition "Un círculo que se fue rodando" (2024) as a psychological portrait of the nation under Milei, and includes observations from a Buenos Aires gallerist and journalist about the dismantling of civic institutions.

Phillips claims stake in South Asian market with London exhibition

Phillips auction house has launched a selling exhibition titled "Crossing Borders" at its Berkeley Square location in London, featuring 64 South Asian Modernist artists including Bhupen Khakhar, Huma Bhabha, Rasheed Araeen, and Nilima Sheikh. The show, organized in collaboration with Grosvenor Gallery, includes major market figures like S.H. Raza and F.N. Souza alongside lesser-known names such as Ahmed Parvez and Viswanathan. Prices range from £5,000 to £1.5 million, with works jointly consigned and profits shared between Phillips and Grosvenor. The exhibition marks Phillips' most significant entry into the South Asian art market, a sector long dominated by Sotheby's, Christie's, and Bonhams.

Innovative London drawing fair with no stands stages its second edition

Tracing Time, a London drawing fair organized by Trois Crayons, returns for its second edition from 26 June to 5 July at No. 9 Cork Street. The selling exhibition features drawings spanning 500 years, with 35 participating galleries—double the number from its debut—including works by Giovanni Domenico Tiepolo, Gustav Klimt, and Françoise Gilot. Unlike traditional fairs, it operates without stands: dealers pay a flat fee for logistics, retain 100% of sales, and the space functions as a social hub without booths or dealers present.

Folk is having a revival—in the art world too

The article reports on the growing revival of folk culture in the visual arts, centered on the Neo Ancients festival in Stroud, Gloucestershire, UK. The second edition of the festival, held over May Day weekend, featured an eclectic mix of music, Morris dancing, talks, film screenings, and exhibitions celebrating British folklore. Art dealer James Elwes organized a show at the local gallery Rattle and Brash, featuring artists like Sue Webster, Jeremy Deller, and Stanley Donwood, who presented works outside their usual practices. Exhibitions included Donwood's 'Floralia' and Webster's new self-portraits exploring pregnancy and reinvention.

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The William Penn Foundation has awarded $7.6 million in grants to six Philadelphia-based cultural institutions to enhance accessibility for low-income families and individuals with disabilities. The funding is allocated based on the volume of visitors using the ACCESS card program, which provides deeply discounted admission to residents receiving public assistance or those with disabilities. Key recipients include the Philadelphia Museum of Art, the Academy of Natural Sciences, and the Franklin Institute, along with Art-Reach, the organization managing the program.

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Nearly 1,000 salaried and hourly workers at the Metropolitan Museum of Art voted on Friday to join Local 2110 of the United Auto Workers (UAW), creating one of the largest museum unions in the United States. The vote passed 542-172, covering staff across 50 departments including curators, conservators, librarians, and archivists. Roughly 100 ballots remain sealed due to a management challenge, to be resolved through arbitration after certification by the National Labor Relations Board. The union drive had been brewing for over four years, driven by concerns over job security, pay equity, and transparency.

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Workers at the Uffizi Galleries in Florence staged a protest in the Piazzale degli Uffizi, waving flags and holding flares behind a banner reading “Basta Vite Precarie” (No More Precarious Lives). The demonstration, organized by the trade union Sudd Cobas, followed the loss of jobs by temporary workers in security, reception, ticketing, the bookshop, and the coatroom after the museum switched service providers from Opera Laboratori Fiorentini to CoopCulture. Permanent employees retained their positions, but temporary workers were not rehired, sparking outrage over working conditions and contract practices.

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Marie Chapman, CEO of the Canadian Museum of Immigration at Pier 21, stepped down on Thursday after a special commissioner's investigation found she had mistreated staff throughout her decade-long tenure. The report, released by the Office of the Public Sector Integrity Commissioner, accused Chapman of serious code of conduct breaches, including using slurs and misogynistic language—such as referring to the senior leadership team as "sluts"—ranking female employees by age, and fostering a culture of fear that left some staff contemplating self-harm. Chapman was appointed under former Prime Minister Stephen Harper and reappointed by the Trudeau government in 2016 and 2021; her contract expired in October but she had been granted a 90-day transitional term.

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Artlogic, a major art inventory management firm, and ArtCloud, a gallery software company specializing in collector engagement and AI tools, have announced a merger. The combined entity will support over 6,000 galleries, artists, and collectors, managing more than 15 million artworks. Artlogic CEO Mike Profit described the move as a long-term infrastructure play, while ArtCloud CEO Alex West will become Chief Innovation Officer of the merged company.

Sustainability charity Gallery Climate Coalition launches new consultancy to support climate action

The Gallery Climate Coalition (GCC), a sustainability charity founded in London in 2020, has launched a new consultancy called Climate Action Services International (Casi) to help galleries, museums, and cultural organizations turn climate commitments into measurable action. Casi offers services such as carbon auditing, decarbonisation strategies, governance advice, and staff training, and follows a pilot phase working with institutions including English Heritage, Hauser & Wirth, and Art Fund. The consultancy is structured as a mission-driven social enterprise that will reinvest 51% of its profits into GCC.

'The human-machine creative entanglement': artist Sougwen Chung on her technology-based practice

Artist Sougwen Chung is presenting new work, including the 10-metre scroll 'Recursion 0,' at Art Basel Hong Kong's new Zero 10 sector. The piece, created with brainwave data, will be completed live at the fair, showcasing her ongoing exploration of human-machine collaboration.

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The Museum of Fine Arts, Boston, has laid off 33 employees and eliminated 23 vacant positions, a 10% overall staff reduction, to address a projected $13 million budget deficit. The cuts affect a range of roles, including three endowed curatorial positions, and have sparked renewed tensions with the museum's unionized workforce, which is seeking to bargain over the decision.

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A partial U.S. government shutdown occurred after the Senate passed a funding package but temporarily blocked additional funding for Immigration and Customs Enforcement (ICE). Unlike the previous shutdown, this one does not affect major cultural institutions; the Smithsonian Institution, the National Gallery of Art, the National Endowment for the Arts (NEA), and the National Endowment for the Humanities (NEH) remain open because their funding was approved on time.

World-class contemporary art exhibition coming to four North Yorkshire venues

A major exhibition celebrating the 20th anniversary of the Aesthetica Art Prize will be presented across four venues in North Yorkshire, England. The show, featuring works by 50 leading contemporary artists, will be divided into four thematic parts and staged at Skipton Town Hall, the Mercer Art Gallery in Harrogate, Scarborough Art Gallery, and Scarborough’s Woodend Gallery from late April through September.

Major world -class exhibition launches in Skipton this weekend

The Aesthetica Art Prize is launching a major touring exhibition across four venues in North Yorkshire, starting in Skipton Town Hall this weekend. The exhibition, celebrating the prize's 20th anniversary, features works by 50 contemporary artists, including environmental artist Steve Messam, and is split into four thematic parts across different galleries until September.

Major exhibition creates world class art trail across the county

The Aesthetica Art Prize is launching a major 20th-anniversary exhibition across four venues in North Yorkshire, creating a county-wide contemporary art trail. The exhibition, featuring works by 50 leading artists including environmental artist Steve Messam, will be staged at Skipton Town Hall, the Mercer Art Gallery in Harrogate, Scarborough Art Gallery, and Scarborough's Woodend Gallery from April to September.

SA ‘white hands on black art’ controversy in court – and on national gallery walls

The National Gallery of Australia has officially opened the 'Ngura Pulka – Epic Country' exhibition, a major showcase of works by 52 artists from the APY Art Centre Collective. The show was originally postponed in 2023 following allegations published in The Australian that white staff members had improperly interfered with the creation of the paintings. After multiple investigations by government bodies and a review by the NGA cleared the artworks of creative interference, the collective is moving forward with the exhibition while pursuing a $4.4 million defamation lawsuit against the newspaper.

Edinburgh’s Yaniv Edery Gallery unveiled

International artist Yaniv Edery has launched his first UK gallery in a Georgian townhouse on Picardy Place in Edinburgh. The venue showcases Edery’s signature style, which utilizes a unique technique of layering resin over injected acrylic and ink on brushed aluminum to create vibrant, pop-art-inspired works. The space is designed to function as both a contemporary art gallery and a luxury events venue, featuring a dedicated function room, bars, and boutique suites.

Storied media arts centre launches emergency fundraising appeal to avoid closure

Vivo Media Arts Centre, a storied media arts centre in Vancouver, has launched an emergency fundraising appeal to avoid closure after five decades of operation. The centre faces a 30% rent increase imposed by the city of Vancouver, which consumes all of its operating revenue from the city, leaving nothing for staff or programming. It has raised nearly C$9,500 of the C$50,000 needed by the end of the year to sustain operations through early 2026.