Meet the Hawaiʻi creatives behind a workout video featured in a New York art exhibition

A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.

art diane severin nguyen protest music

Artist-filmmaker Diane Severin Nguyen is preparing for her live-performance directorial debut, "WAR SONGS," premiering at the Performa Biennial in November 2025 at BRIC in Brooklyn. The piece features a cast of musicians performing a wide-ranging program of protest music, from Woody Guthrie to Black Sabbath, led by musical director Laszlo Horvath. Nguyen, known for her films exploring performance and identity, is working with a group that practices being a band rather than an actual band, creating a raw, protean work that blends music, theater, and filmic sensibilities.

Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers

The Whitney Museum of American Art in New York is presenting "Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers," an exhibition of nine recent paintings and a large-scale sculpture by the Akimel O’odham/Diné artist (b. 1986, Santa Fe). The show runs from October 18, 2025, to February 8, 2026, and is organized by senior curator Adrienne Edwards and curatorial assistant Rose Pallone. Perkins’s densely layered works incorporate acrylic, spray paint, found materials, and textual fragments, drawing on petroglyphs, ancestral storytelling, and personal experience to explore themes of grief, love, and hope while resisting reductive representations of Indigenous identity.

Artist reaches settlement with US city that cancelled her residency over a pro-Palestine message

Danielle SeeWalker, a Húŋkpapȟa Lakȟótaits artist, reached a settlement with the town of Vail, Colorado, after her art residency and mural commission were cancelled in 2024 over an Instagram post supporting Palestine. The American Civil Liberties Union (ACLU) of Colorado and law firm Newman McNulty filed a federal civil rights lawsuit in October 2024, citing free speech violations. The settlement includes annual cultural sensitivity training for Vail’s Arts in Public Places employees, an annual powwow organized by SeeWalker, a community forum on Israel and Palestine, a new art program for underrepresented groups, and a confidential payment. SeeWalker’s painting *G for Genocide* (2024) will be exhibited at Art at a Time Like This’s pop-up space in New York City this autumn.

Artists accuse Whitney Museum of censorship for cancelling pro-Palestine performance

The Whitney Museum of American Art has been accused of censorship by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi after canceling their performance titled *No Aesthetics Outside my Freedom: Mourning, Militancy and Performance*, scheduled for May 14 as part of the exhibition *A Grammar of Attention*. The museum cited the work's "exclusionary and inflammatory" content, referencing a prior iteration where Tbakhi called for those who believe in Israel or America to leave the audience and valorized specific acts of violence. The artists argue the cancellation is an act of anti-Palestinian censorship, while the museum claims the decision was necessary to uphold its policies. In response, Sara Nadal-Melsió, associate director of the Whitney Independent Study Program (ISP), canceled a related critical studies symposium, and the ISP cohort alleged the museum surveilled and intervened in their work.

Whitney Biennial Between Cuteness and Panic

Whitney-Biennale zwischen Niedlichkeit und Panik

The Whitney Museum of American Art has unveiled its latest Biennial, a sprawling survey of contemporary art that navigates the tension between playful aesthetics and existential dread. Curators have embraced an expanded definition of American art, incorporating global perspectives and diverse media to reflect a nation grappling with political instability and social change. The exhibition oscillates between moments of "cuteness" and "panic," utilizing strong visual narratives to address the complexities of the current era.

Un agent du Louvre devant le juge

A Louvre agent appeared before a judge. The article, published in Le Journal des Arts on May 2, 2026, covers multiple art world stories including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, a resized project for Bourges 2028 by Yann Galut, a new contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and auctioneer Hubert L'Huillier's emergency sales.

Sécurité dans les musées

This issue of Le Journal des Arts (No. 676, May 2, 2026) covers a range of visual art news: the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling back the Bourges 2028 project, the opening of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

L’architecte du Musée Gandur

The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

CULTIVATING A VIRTUAL GARDEN LEO CASTANEDA'S NEW INTERACTIVE DIGITAL WORK

CULTIVATING A VIRTUAL GARDEN LEO CASTANEDA S NEW INTERACTIVE DIGITAL WORK

The Whitney Museum of American Art has launched a new interactive digital artwork titled 'Camoflux Recall Grotto' by artist Leo Castañeda. Commissioned for the Whitney Biennial 2026, the web-based game invites players to cultivate a garden within a surreal, primordial landscape inspired by the Amazon and the Everglades, blending organic and technical infrastructures.

art yasmin anlan huang young artist

Cultured magazine profiles 29-year-old artist Yasmine Anlan Huang, who is featured in the 2024 Whitney Biennial with her video poem "Her Love is a Bleeding Tank." The Guangzhou-born, New York- and London-based artist explores themes of girlhood, melodrama, fetish, and techno-capitalism through cross-media work. Her second book, "Becoming Everyone, Everywhere," is set for publication in early 2026. In the profile, Huang discusses her desire to create a medium-length film about a rosette cataract, a project requiring CGI and significant funding.

Review: The 82nd Whitney Biennial is weird, provocative, and leaves viewers wanting more

The 82nd Whitney Biennial has opened, drawing attention for its weird, provocative nature that leaves viewers wanting more. The exhibition, held at the Whitney Museum of American Art, features a range of contemporary works that challenge conventional boundaries and spark dialogue.