Artist Ieva Lygnugarytė presents "Carmen: Utopias of Belonging," a video installation at Oratorio dei Crociferi in Venice. The work reactivates a little-known story from 1523, when poet Nicolaus Hussovianus wrote "Carmen de Statura, Feritate ac Venatione Bisontis" as a diplomatic gesture for the Grand Duchy of Lithuania, intended to accompany a straw-stuffed European bison.
Finland-based artist researcher Sheung Yiu presents his long-term project "(Inter)faces of Predictions" at C/O Berlin, exploring how faces have been used across cultures and the implications of facial reading technologies. The exhibition examines the shift from spiritual to economic imperatives in facial interpretation, highlighting the progressive deterioration of human agency.
Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.
Encore d'autres dessins pour Versailles
The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.
Gérard Audinet, director of the Maison de Victor Hugo in Paris, is retiring. In a new podcast episode of "L'invité de La Tribune de l'Art," he discusses the history of the museum, its collections, the Maison de Victor Hugo in Guernsey, and the acquisitions and exhibitions he oversaw during his tenure.
The article previews an upcoming exhibition titled "Sorcières !" at the Château des ducs de Bretagne – Musée d'histoire de Nantes, running from February 7 to June 28, 2026. It traces the historical debate around witchcraft in 16th-century Europe, focusing on key figures such as Heinrich Kramer, author of the *Malleus maleficarum* (1486), who argued that witchcraft was a female-specific evil requiring extermination, and Jean Bodin, who supported this view. In contrast, Johann Weyer and Michel de Montaigne challenged the persecution, suggesting accused women were mentally ill or elderly and deserved humane treatment rather than execution.
The Académie des beaux-arts has launched a subscription campaign to acquire a monumental tapestry by Jean Lurçat, recently rediscovered by Christie's. The tapestry, titled *Bestiaire* (1930), measures 3 by 6.45 meters and was originally created for the artist's home-studio in Paris's 14th arrondissement. It will be publicly unveiled at Christie's Paris on May 6–7, 2025, before a private sale between the Académie and the auction house for €110,000. Donations are being collected online or by check to fund the purchase.
Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.
Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.
On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.
DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA
The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.
Photographer Ken Karagozian, who began documenting L.A. Metro construction workers in 1995, has collaborated with historian India Mandelkern on a photo book titled "Wilshire Subway: The Making of the D Line Subway Extension." The book chronicles the history, conflicts, and the workers behind the D Line extension along Wilshire Boulevard, ahead of its May 8 opening. A related exhibition, "Wilshire Subway: Photographed by Ken Karagozian," is on view at the 1301PE art gallery through May 14.
Giant Runt Gallery, an artist-run space in Fort Worth's Near Southside, was founded in September 2024 by Cosmo Jones and Max Marshall. The gallery showcases experimental, eclectic art that challenges the local norm of Western-themed work. Its latest exhibition, “Everyone is Someone’s Baby,” opens May 1 featuring artists Megan Solis and Glory West. The gallery recently held its first Juried Show, drawing over 400 applicants and awarding first prize to Jori Jori for her sculpture “The East Wind.” The space occupies a former gallery suite in the Dickson-Jenkins Lofts & Plaza, previously home to Bale Creek Allen’s gallery and Cufflink Art.
This article lists numerous gallery openings and ongoing exhibits in Central Oregon for the current week. Venues include Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, ArtHouse LTA, Belknap Exhibit Center, Canyon Creek Pottery, Deschutes Historical Museum, Dry Canyon Community Arts Center, High Desert Museum, Hood Avenue Art, Jeffrey Murray Fine Art Photography, John Paul Designs, Kreitzer Art Gallery and Studio, Lubbesmeyer Fiber Studio, Makin’ It Local, Nancy McGrath Green Gallery, and Nashwood Gallery, featuring works by artists such as Anna Amejko Peterson, Jana Charl, Kenneth Merrill, Jesica Carleton, Jeffrey Murray, Lori and Lisa Lubbesmeyer, Kara Frampton, and Will Nash.
MINISO, the global lifestyle retailer, has launched its first-ever MINISO Gallery at Shanghai’s Bund City Hall Plaza, a historic landmark. The gallery opens with a solo exhibition titled *Life from the Corner of My Room* featuring RYOL, a contemporary Indonesian artist who is MINISO’s first global exclusive artist. The exhibition runs from 17 May to 31 August and includes recent paintings, sculptures, and installations that trace RYOL’s artistic evolution from intimate, room-based works to explorations of childhood innocence and real-world experience.
On April 25, 2026, the Hiram Blauvelt Art Museum in Oradell, New Jersey, hosted a private tour and luncheon led by wildlife artist Dwayne Harty, whose exhibition "Bison Legacy" had recently concluded at the museum. The event welcomed over thirty guests, including friends of the artist and Foundation Board President James Bellis Jr. Harty, trained at the Art Students League of New York under Bob Kuhn, Robert Lougheed, and Clarence Tillenius, is known for his accurate and expressive wildlife depictions. The museum will present its Permanent Collection starting at the end of May 2026.
A new auction platform called Bam Auctions will launch in Dubai this May, with its inaugural sale held on Saturday at Bayt AlMamzar, an independent cultural space in a restored villa. The sale features 21 lots of contemporary art from the UAE and the wider region, including works by Jaber Al Azmeh, Manal Al Dowayan, and Hale Tenger, with estimates ranging from a few hundred to several thousand dollars. Bidding will be in person with remote options via phone, WhatsApp, and absentee bids.
The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.
Joy Machine's exhibition 'Feel Free' explores themes of order, change, and the limits of control through a series of artworks. The show presents a visual dialogue between structured systems and the unpredictable forces that disrupt them, inviting viewers to reflect on the tension between stability and transformation.
Former IndyStar reporter Will Higgins has opened a new exhibition titled "The Speedway's Attic" at the Contemporary Art Museum of Indianapolis (CAMi), running until August 16. The show presents nine quirky, true stories from the margins of the Indianapolis 500, featuring artifacts recreated by Higgins based on his own research. One highlighted tale involves a fake 1938 Mercedes Benz convertible linked to Adolf Hitler, which appeared at the 1949 Indy 500 with mannequins and alleged "Hitler's wife's underwear." Higgins, known for his gonzo journalism style, previously created exhibits like "The American Society of Presidential Urine Collectors" and "The Museum of Fabulosity."
River Arts in Damariscotta, Maine, will host artist Mark Christopher's solo exhibition 'The Colors of Nature' from May 14 through June 3. The show features bird carvings, stone sculptures, and oil paintings inspired by the natural world, with an opening reception on May 23. Christopher, a Cushing resident, began carving birds in high school wood shop and later worked as a wildlife biologist before returning to art.
Artists in Action (AiA), a nonprofit organization supporting Salem-area artists, is celebrating its 25th anniversary with a public reception on May 3, 2026, at Elsinore Framing & Fine Art Gallery in Salem, Oregon. Founded by Diane Trevett and about five other artists, the group began as a small support network for struggling artists and has grown into an established arts organization with around 65 active members. AiA hosts monthly openings, critique sessions, open-call shows, and special events like Paint and Write the Town, providing opportunities for artists to exhibit and sell their work across various mediums.
Western Washington University’s art department has opened its 2026 faculty and staff biennial, featuring 20 artists with works spanning painting, photography, sculpture, video, and installation. The exhibition is held in the Fine Arts Building, room 124, and runs Monday through Saturday until May 2, with free admission. New gallery director Kelly Lindner curated the show, which includes interactive pieces and collaborative works. Featured artist Jennifer Anable contributed three works inspired by Skagit Valley and dark humor, emphasizing the importance of students seeing their teachers’ professional practice.
Zody Burke and Klara Zetterholm have opened a joint exhibition titled "Ersatz Strata" at Temnikova & Kasela Gallery in Tallinn, Estonia. The show examines how history is staged and reimagined, using reliefs, sculptures, printed works, kinetic elements, and industrial residue to create a fictional archaeological site. A live performance by Los Angeles-based artist 011668 accompanied the opening. The exhibition runs through August 15.
The article announces the exhibition “Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art. The show presents the work of contemporary artist Jamea Richmond-Edwards, whose practice explores themes of Black womanhood, mythology, and Afrofuturism through mixed-media works on paper and large-scale installations.
ShanghART Singapore presents 'Simplified', a solo exhibition by Chinese artist Tang Maohong opening on 16 May 2026. The show features paintings developed over the past two years since his relocation to Kuala Lumpur, Malaysia, and marks his return to Singapore after a 2019 solo exhibition and twenty years since his participation in the first Singapore Biennale. Tang's new works explore a technique of mixing colors directly on the painting surface rather than using a palette, collapsing the image and the palette into a single pictorial space.
On the eve of Mother's Day 2026, an art exhibit titled "The Four Lost Sons" opened at [ART] CONSCIOUS gallery in Arabi, Louisiana. The show features large portraits of four Black men from Louisiana who died in police custody or altercations, created by the pseudonymous artist Walta Focq. The exhibit coincides with the anniversary of Ronald Greene's death, who was beaten and tased by Louisiana State Police in 2019. The mothers of the four men are involved in the project and plan to speak at the opening reception.
The article reports on the 2026 Met Gala, where celebrities embraced art-inspired fashion on the red carpet. The event, known for its extravagant themed dress code, featured stars wearing outfits that referenced famous artworks, artistic movements, or museum collections.
Courtney Saunders, a graphic designer and digital artist, has returned to Tallahassee after accepting a position with Grova Creative in early 2025. Her digital painting "Watch Us" earned Third Place in COCA's 2026 Creative Tallahassee exhibition, currently on view at City Hall Gallery through June 8. Saunders, who attended the School of Arts and Sciences in Tallahassee during middle school, credits the city's creative community and her supportive teachers for nurturing her artistic voice. She holds a BFA in graphic design from Andrews University and works across multiple mediums including acrylic, watercolor, collage, and digital illustration.