‘Shaun the Sheep’ exhibit to open at Reading Public Museum [Spotlight]

An interactive exhibit titled “Shaun the Sheep: Flock This Way!” will open at the Reading Public Museum in Pennsylvania on May 16 and run through September 6. Created by the Minnesota Children’s Museum in partnership with Aardman, the hands-on experience is designed for children ages 3 to 9 and features activities inspired by the popular film and television character, including balance boards, costume play, stop-motion animation, and problem-solving challenges. The exhibit is sponsored locally by the Berks County Community Foundation.

Pictures: Emma Lamb opens Dartmoor-inspired 3D art exhibition near Ivybridge

Emma Lamb, a South Devon-based 3D mixed-media artist, has opened a new exhibition titled *Long Live the Wilderness Yet* at Lukesland Gardens near Ivybridge. The show features two of her major series, *Reviving Mires* and *Fragmented Forest*, both inspired by Dartmoor’s fragile ecosystems. Lamb uses handmade paper, natural fibers, pigments, and experimental techniques such as inks made from air pollution to create works that explore peatlands and temperate rainforests. The exhibition runs until early June, and Lamb will also host a workshop in June teaching participants to create collages using natural materials.

Local artist’s new exhibit captures Florida’s quiet contradictions

Painter Bill Gallagher opens his solo exhibition “The State of Florida” on May 2 at Jane’s Art Center in New Smyrna Beach, featuring a new body of realistic oil paintings that capture everyday Florida scenes—cafés, coastlines, parking lots, sidewalks, and public spaces. The works explore subtle tensions between presence and distraction, connection and isolation, using a classical realist approach to transform the state into a psychological stage. Gallagher, who began exhibiting in his 20s in New York, Orlando, Los Angeles, and Milan, left the gallery world for a successful advertising career before returning to painting two years ago, earning multiple awards including first place at the Artists’ Workshop NSB Members Show for his painting “Release.”

In Minor Keys and legacies held in common

The article reflects on the 61st Venice Biennale, curated by Koyo Kouoh, who passed away on 10 May 2025 at age 57 after a cancer diagnosis. Her curatorial concept, "In Minor Keys," will be realized posthumously by her team. The Biennale preview opens on 6 May 2026, with the public opening on 9 May. Additionally, artist Henrike Naumann, selected for the German Pavilion, died on 14 February 2025 at age 41, also from cancer; her work will be shown in her name.

Mary Lovelace O’Neal, Whose Paintings Were Saturated in Black, Dies at 84

Mary Lovelace O’Neal, an artist and activist known for her monumental canvases saturated in the darkest pigments she could find, has died at age 84. Her work, deeply informed by her identity as a Black woman and her involvement in the civil rights movement, gained prominence for its bold abstraction and political resonance.

Is Museum Wall Text the Next Political Battleground?

The Smithsonian Institution has altered or removed interpretive wall text that accompanies artworks on display, according to a New York Times report. Critics argue these changes amount to self-censorship, suggesting the institution is bowing to political pressure by softening or eliminating contextual language that could be seen as controversial.

At TEFAF New York, Lesser-Known Artists Delight

At TEFAF New York, held at the Park Avenue Armory, the art fair known for its European roots showcased a range of works. Our critic highlights five lesser-known artists who stood out, offering fresh perspectives that cut through the traditional art-world star system.

Can Three Auction Houses Sell $2.6 Billion Worth of Art in One Week?

The New York Times reports that three major auction houses are poised to sell $2.6 billion worth of art in a single week during the spring season, driven by five luxury artworks. The sales are among the most anticipated in years, with major buyers shifting focus away from female and younger artists toward more traditional, established names.

Spotlighting the Woman Who Brought European Modernism to California

The article spotlights Galka Scheyer, a largely overlooked figure who introduced European modernism to California in the early 20th century. A new exhibition in Pasadena brings her story to the foreground, highlighting her role in championing artists who later became famous.

How to See Rare Books in London

The New York Times Art section has published a guide to viewing rare books in London, covering illuminated manuscripts, antique tomes, and first editions available at various venues across the British capital. The article provides practical advice for accessing these collections, including details on public viewing hours, special exhibitions, and notable institutions that house rare book holdings.

A Panorama of Design during the NYCxDesign Festival

The article provides a broad overview of the NYCxDesign Festival, highlighting notable news, product launches, and events taking place across New York City during the design festival. It covers a range of design-related activities, from exhibitions and product debuts to talks and installations, capturing the vibrant atmosphere of the citywide celebration of design.

Before SoHo, This Building Was at the Heart of New York’s Arts District

A West Side co-op building originally built for artists and later converted into offices is being transformed into a luxury condominium called Parc Beaufort. The building, located in a historic New York arts district, once housed a vibrant community of creatives before commercial use took over.

If You See Only 6 Venice Shows, Make It These

The New York Times Art section has published a curated guide recommending six must-see exhibitions at the Venice Biennale. The article highlights thought-provoking and senses-stirring works that address themes such as war, art patronage, and the Black experience in America, as selected by the newspaper's critics.

Dealers Face a Choice: Show Solo Artists? Or Groups?

Art dealers are weighing the strategic decision of whether to present solo artist booths or group shows at art fairs. Solo booths allow visitors to focus deeply on a single artist's work, avoiding the sensory overload of multiple artists, while group booths offer variety and broader market appeal. The choice often varies depending on the fair and the dealer's goals.

From France to the U.S., an Exhibition on the Luxury Ties That Bind

Dozens of French luxury houses and institutions will converge on Manhattan for the cross-cultural exhibition “Hidden Treasures: 250 Years of Franco-American Luxury Stories.” The show explores the historical and ongoing ties between French luxury craftsmanship and American culture, spanning 250 years of exchange.

Uncertainty, But Also Optimism, Mark New York Art Week

New York Art Week in May will feature high-value auction items and several major private collections going to market, serving as a key indicator of the art market's health amid current economic and political uncertainty. The event brings together galleries, auction houses, and collectors for a concentrated period of sales and exhibitions.

France Passes Law Easing Process of Returning Looted Art

France has passed a new law that simplifies the process of returning looted art and cultural artifacts to their countries of origin. The legislation, championed by President Emmanuel Macron, is seen as a major step in addressing colonial-era acquisitions, particularly for African artworks held in French museums. Experts describe the law as a seismic shift in restitution policy, enabling faster and more systematic returns without requiring individual parliamentary approvals for each item.

Is It an Art Gallery? A Museum? A Theater? A Dream?

A new immersive experience called The Ministry of Awe has opened in a former bank building in Philadelphia. The project aims to help visitors find wonder in everyday life through a blend of art, theater, and interactive installations.

Venice Biennale: In Photos and Video

The Venice Biennale, one of the most anticipated events in the art world, is showcased through a collection of photos and video. The article presents visual scenes from the prestigious international art exhibition, capturing the atmosphere and installations on display.

With Free Vodka, and a Few Protests, Russia Returns to the Venice Biennale

Russia has reopened its national pavilion at the Venice Biennale for the first time since its full-scale invasion of Ukraine in 2022. The pavilion’s opening featured free vodka and drew a few protests, while Ukraine’s own exhibition is located nearby, highlighting the stark geopolitical tensions playing out at the prestigious art event.

The Venice Biennale and Its Many Flashpoints: An Explainer

The Venice Biennale, often described as the Olympics of the art world, is set to begin previews on Tuesday amid several controversies. Key flashpoints include the sudden death of a curator, Russia's surprise participation despite ongoing geopolitical tensions, and an unconventional entry from the United States. These developments have intensified scrutiny and debate around the prestigious international exhibition.

A Forum for African Voices Draws Inspiration From a Former Champion

The African Art in Venice Forum is continuing its mission of addressing the continent’s artistic needs, even as it mourns the loss of Koyo Kouoh, a key supporter. The forum, which draws inspiration from a former champion, aims to amplify African voices in the global art scene, particularly during the Venice Biennale.

Venice Biennale Jury Resigns Amid Tension Over Awards Ban

The jury of the Venice Biennale, the world's most prominent art exhibition, has resigned collectively amid a dispute over a proposed ban on awarding artists from countries whose leaders are accused of crimes against humanity. The jury had declared it would not consider such artists for prizes, leading to internal tensions and ultimately their resignation.

The World According to Aldwyth

The New York Times Art section published an article titled "The World According to Aldwyth," profiling the artist Aldwyth, who works in paint, bricolage, and collage. The piece explores how her art delves into the history of art, ideas, and the human species, presenting her unique creative vision and thematic concerns.

Filipa Ramos takes on 2027 Lofoten Festival

Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

Bulldozer Plows Across Thousand-Year-Old Indigenous Land Art During Border Wall Construction

Construction workers building the Trump administration's border wall between the US and Mexico accidentally damaged a two-hundred-foot-long Indigenous land art figure known as the Las Playas Intaglio, a colossal fish etched into the earth near Ajo, Arizona, that is thought to be over a thousand years old. Satellite imagery showed bulldozer tracks cutting a sixty-to-seventy-foot-wide path across the intaglio, and a Customs and Border Protection spokesperson confirmed the disturbance, stating the remaining portion had been secured and would be protected in place.

Endangered Species? Venice Biennale Ditches Golden, Silver Lions for 2026 Edition

The Venice Biennale has announced it will eliminate the Golden and Silver Lions for the 2026 edition, replacing them with Visitor Lions chosen by popular vote. The prizes, traditionally awarded on opening day (May 9), will now be presented at the closing ceremony (November 22). Russia and Israel, previously barred from consideration by the prize jury due to ICC charges against their leaders, will be eligible for the new Visitor Lions. The decision follows the mass resignation of the original prize jury after they excluded those nations and faced pressure to also ban the US.

Sherman Fund Acquires Work by Emerging Artists for US Museums

The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.

Spain: Oriol Vilanova and the Abolition of the Museum and the Archive

ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.