Camden Art Centre in London has secured a 99-year lease on its current home after raising £1.9 million. The lease was previously set to expire in 2027. The effort was led by director Martin Clark and board chair Guy Halamish, with contributions from artists including Kara Walker and Alvaro Barrington.
British artist Stuart Semple has been ordered by a French court to pay €16,000 ($18,200) in damages for selling a blue paint called Easy Klein, which he developed as a tribute to Yves Klein. The ruling, issued on what would have been Klein’s 97th birthday, sided with Klein’s estate and trademark holders—Blue Bay Limited, RUK (the company managing Klein’s copyrights), and Klein’s son Yves Amu Klein—who argued that Semple’s product unfairly capitalized on Klein’s legacy. Semple denies the claims and plans to appeal, stating that the packaging was a satirical riff on Calvin Klein perfume, not an attempt to confuse consumers.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, has acquired a monumental Tiffany stained-glass window titled "Mountain Landscape (Root Memorial Window)," created by Tiffany Studios in 1917 and designed by Agnes Northrup. The 9-foot-tall, 8-foot-wide window, which depicts a cascading waterfall and mountains, was previously installed for 94 years at the Sunset Ridge Church and Collective in San Antonio, Texas. It is only the second Tiffany work in the museum's collection, joining a wisteria lamp donated in 2022.
A Sotheby's single-owner sale of 55 Old Masters works from the collection of Jordan and Thomas A. Saunders III on May 21 achieved $64.7 million, falling well short of the $80–120 million estimate. The evening sale had a 58.5% sell-through rate, with 17 lots unsold and two withdrawn; a subsequent day sale on May 22 saw a similar 58.3% rate. Top lots included Francesco Guardi's Venetian views at $10.5 million, a record $8.8 million for Jan Davidsz. de Heem, and a record $7.37 million for Frans Post. Despite these highlights, the overall performance was dampened by high estimates, shifting collector tastes, and the prevalence of guarantees.
Sebastião Salgado, the acclaimed Brazilian photographer known for his powerful black-and-white images documenting worker exploitation, environmental destruction, and human rights abuses, has died at age 81. His death was announced by Instituto Terra, the organization he co-founded with his wife Lélia Wanick Salgado. Salgado had been in declining health since contracting malaria in the 1990s. His work spanned decades and continents, from the Sahel desert to the Amazon rainforest, and he was widely regarded as one of the most beloved photographers of his generation.
The collection of Old Masters assembled by Thomas A. Saunders III and his wife Jordan sold for $64.7 million at Sotheby’s on May 21, falling below its low presale estimate but still becoming the most valuable trove of Old Masters ever sold in a single auction. Seven artist records were set, including Luis Meléndez’s *Still Life of a Cauliflower…* ($6.3 million) and Jan Davidsz. de Heem’s floral still life ($8.8 million). The top lot was Francesco Guardi’s twin landscapes of Venice ($10.5 million). A further 14 paintings sold the next day, bringing the collection’s total to $65.4 million.
MoMA has opened "Woven Histories: Textiles and Modern Abstraction," a touring survey that examines the role of textiles in modern and contemporary art. The exhibition features works by artists such as Sonia Delaunay, Paul Klee, Agnes Martin, Jeffrey Gibson, and Anni Albers, and incorporates other mediums like video and photography. Curator Lynne Cooke notes that the show has evolved at each venue, and at MoMA it holds special significance because the museum was foundational in writing the history of Modernism and collected textiles from its early days.
A new museum dedicated to Frida Kahlo will open in Mexico City's Coyoacán district this September, housed in the Casa Roja, a private residence purchased by Kahlo's parents and passed down through the family. The property was gifted by the artist's grandniece Mara Romeo Kahlo, and the museum was designed by the New York–based Rockwell Group. Adán García Fajardo has been appointed director, and the project is funded by the newly established nonprofit Fundación Kahlo, chaired by public relations veteran Rick Miramontez. The museum will explore Kahlo's early life, inspirations, and cultural influences, and will feature rotating contemporary art exhibitions focused on Mexican, Latin American, and women artists.
Pope Leo XIV, in his first general address, referenced Vincent van Gogh's 1888 painting *The Sower at Sunset* as a metaphor for faith and divine guidance. He noted that behind the sower, van Gogh painted the grain already ripe, interpreting the sun as the central figure of the biblical parable. The address highlighted the Pope's engagement with art as a means of spiritual reflection.
Calder Gardens, a new museum in Philadelphia dedicated to Alexander Calder, has announced it will open on September 21, 2025. The institution, located on Benjamin Franklin Parkway, features a building designed by Herzog & de Meuron and a sculpture garden by Piet Oudolf, with rotating works curated by the Calder Foundation. It will be administered in partnership with the Barnes Foundation, and memberships offering unlimited admission to both institutions start at $98 annually.
Art in America's 2025 "New Talent" issue features 20 emerging artists chosen by the magazine's editors, including Nico Williams, Bint Mbareh, Justin Allen, Agnes Questionmark, and Brooklin A. Soumahoro. The issue also includes a postmortem on figurative painting by Barry Schwabsky, an essay on spiritual art by Eleanor Heartney, a symposium on art's purpose with seven artists, and a tribute to the late Jaune Quick-to-See Smith by Emmi Whitehorse. Other sections cover Suzanne Valadon, Hito Steyerl's book, and a debate between art fairs and biennials.
The Kimbell Art Museum in Fort Worth, Texas, has acquired Jean Siméon Chardin's 1760 painting *The Cut Melon* directly from the descendants of Baroness Charlotte de Rothschild. The work had previously sold for $30.3 million at Christie's France in June 2024 to Italian investor Nanni Bassani Antivari, who failed to pay, leading Christie's to sue him. The museum, which was the underbidder at auction, announced the acquisition on Wednesday, and the painting goes on view Thursday in the Louis I. Kahn building.
Suzanne Valadon, a self-taught French post-impressionist painter known for her brash, unflinching style and commitment to representation, is the subject of a major retrospective at the Centre Pompidou in Paris through May 26. The exhibition, simply titled "Suzanne Valadon," features 200 works and is part of a recent swell of attention that includes six major exhibitions in six years, highlighting her self-portraits, nudes, and depictions of the human body with unidealized realism.
The Metropolitan Museum of Art's new Anna Wintour Costume Center opens with the exhibition "Charles James: Beyond Fashion," showcasing the work of the mid-century couturier often called "America's First Couturier." The show presents James's sculptural gowns—made of silk, tulle, and taffeta—on pedestals, accompanied by quotations that frame his designs as art. Highlights include the famous 10-pound "Clover Leaf Gown" and the "Taxi dress," a precursor to the wrap dress. The exhibition features animated video imaging by Diller Scofidio + Renfro that uses robotic cameras to reveal the architectural layers within the garments. The show runs from May 8 to August 10, 2014.
François-Xavier Lalanne's functional sculpture "Ostrich Bar" (1965) sold for €11.1 million ($12.5 million) at Sotheby's Paris on May 20, far exceeding its €3–4 million estimate after an 11-minute bidding war. The piece, one of only six ever produced, features two porcelain ostriches gripping a metal shelf with a central egg for ice cubes; it was the artist's personal favorite, kept in his bedroom for over four decades. The sale took place within Sotheby's Important Design sale curated by model Betty Catroux.
Bill Horrigan, a pioneering curator who transformed Ohio's Wexner Center for the Arts into a leading destination for film and video art, died on May 15 after a long battle with amyloidosis. Over 34 years at the Columbus museum, he built a celebrated film and video program that attracted world-renowned artists like Chris Marker and Julia Scher, and organized landmark exhibitions for Mark Dion, Gretchen Bender, and Shirin Neshat. He also served as a curatorial adviser for the 2008 Whitney Biennial, helped program the Video Data Bank, and led the 1989 edition of Video Against AIDS.
French authorities recovered the marble bust that once adorned Jim Morrison's grave at Père Lachaise cemetery, 37 years after it vanished in 1988. The bust, created by Croatian sculptor Mladen Mikulin and installed in 1981, was discovered during a fraud investigation by the Paris Public Prosecutor's Office. The sculpture, missing its nose and covered in graffiti, had become a iconic fixture at the singer's burial site before its mysterious theft.
Artnet News highlights the enduring public fascination with Vincent van Gogh, 135 years after his death, by compiling 10 recent stories that demonstrate "Van Gogh Mania." Examples include the National Gallery in London's major exhibition "Van Gogh: Poets and Lovers," the Museum of Fine Arts in Boston's "Van Gogh: The Roulin Family Portraits," and a legal dispute over the garden that inspired his final painting, Tree Roots (1890). Other stories cover a van Gogh portrait kept in a chicken coop for over a decade and Lego's release of a Sunflowers-themed building set in collaboration with the Van Gogh Museum.
The article reports on the exhibition “Rise Up: Resistance, Revolution, Abolition” at the Fitzwilliam Museum in Cambridge, England, which highlights overlooked figures of the transatlantic abolitionist movement. It features contemporary portraits by British-Nigerian artist Joy Labinjo, including her 2022 works depicting Olaudah Equiano and Phillis Wheatley, alongside historical paintings like Thomas Gainsborough’s portrait of Charles Ignatius Sancho. Labinjo’s paintings fill gaps where no visual records of these revolutionaries exist, drawing on historical sources to create accurate, vivid representations.
The Whitney Museum of American Art canceled a performance piece titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" scheduled for May 14 as part of the Independent Study Program's exhibition "A Grammar of Attention." The performance, by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was grounded in the struggle for Palestinian freedom. The museum cited a zero-tolerance policy for harassment after reviewing a video of a previous iteration where an artist called for anyone who believes in Israel or America to leave the audience and valorized specific acts of violence. Participants and the program's associate director accuse the museum of censorship and seeking greater control over the historically autonomous program.
The Sunday Times's 2025 'Rich List' shows that Top 200 collector and art patron Leonard Blavatnik's net worth fell by more than £3.5 billion to £25.725 billion, dropping him to #3 on the UK wealth ranking. The list includes over a dozen collectors from ARTnews's 2024 Top 200 Collectors list, such as James Dyson, Idan Ofer, Viatcheslav Moshe Kantor, Alan Howard, and Mohammed Mahdi al-Tajir, with Ofer noted as one of the top five individuals whose wealth rose most. Other figures mentioned include Simon Reuben, John Fredriksen, Sri Prakash Lohia, Lakshmi Mittal, Elton John, and former Christie's stakeholder Joe Lewis.
Marcel Duchamp paid his dentist, Daniel Tzanck, with a hand-painted forged check in 1919, titled *Tzanck Check*. The work mimics a real bank check made out for $115, drawn on the fictitious “The Teeth’s Loan & Trust Company Consolidated.” Duchamp meticulously painted each letter to look printed, and the dentist—who was also a major art collector—never cashed it, recognizing its artistic value. The check is now a promised gift to the Israel Museum in Jerusalem, with a 1938 reproduction held by M+ museum in Hong Kong.
New York's marquee spring auctions in May 2025 tested the theory that strong supply drives demand, but results were mixed. Alberto Giacometti's *Grande tête mince* (1955), estimated at $70 million, failed to sell at Sotheby's, while Christie's withdrew a $30 million Andy Warhol electric-chair painting. The top lot of the week was Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922), which fetched $47.6 million from the collection of late Barnes & Noble founder Len Riggio. However, Christie's pre-sold 93% of that collection's value to third-party backers, and the house fell $26 million short of its guaranteed amount. Sotheby's avoided financial risk on the Giacometti by not guaranteeing it, still earning $34.4 million in buyer's premiums. A new record for a living woman artist was set when Marlene Dumas's *Miss January* (1997) sold for $13.6 million at Christie's, though adjusted for inflation it fell short of Jenny Saville's 2018 record.
Artists Brian Eno and Beatie Wolfe have announced a collaborative music project titled *Lateral* and *Luminal*, two albums set for release on June 6, 2025. The albums, recorded intermittently over 2024, reflect distinct moods: *Lateral* is described as “Space music” led by Eno, while *Luminal* is “Dream music” headed by Wolfe. Early singles include “Suddenly” from *Luminal* and “Big Empty Country” from *Lateral*. The duo first met at the South by Southwest Festival in 2022, where they discussed art and climate, and later reconnected while holding exhibitions at separate London galleries. Their collaboration extends beyond music to a conceptual framework that names specific emotions—such as “fèath,” “pronoia,” “dor,” and “mono no aware”—to make feelings more tangible.
The Fine Arts Museums of San Francisco will present "Manet and Morisot," the first major museum exhibition dedicated to the artistic exchange between French Impressionists Édouard Manet and Berthe Morisot. Opening October 11 at the Legion of Honor, the show traces their relationship from 1868 to 1883, pairing works to reveal mutual influence. Lenders include the National Gallery of Art, Musée d'Orsay, J. Paul Getty Museum, and Cleveland Museum of Art, where the exhibition will travel next year.
A new cultural institution called Fenix has opened in Rotterdam, Netherlands, dedicated entirely to the topic of migration. Housed in a 1923 waterfront warehouse that once served the Holland America Line—a major transporter of cargo and passengers—the museum occupies nearly 175,000 square feet in the Katendrecht neighborhood, a historic gateway for millions of immigrants in the 19th and 20th centuries. Designed by Ma Yansong of MAD Architects, the building features a central double-helix staircase nicknamed the Tornado, leading to a rooftop observation deck. Three inaugural exhibitions, including “All Directions,” showcase over 150 artworks and objects by artists such as Max Beckmann, Willem de Kooning, Sophie Calle, and Yinka Shonibare, alongside personal mementoes from local families.
The McNay Art Museum in San Antonio mounted the exhibition "Rasquachismo: 35 Years of a Chicano Sensibility" to mark the 35th anniversary of scholar Tomás Ybarra-Frausto's foundational 1989 essay theorizing rasquachismo. The show, curated by Mia Lopez and on view from December through March, featured works by major Chicanx artists including Yolanda M. López, Carmen Lomas Garza, Santa Barraza, Celia Álvarez Muñoz, Carlos Almaraz, Frank Romero, Patssi Valdez, Luis Jiménez, and younger artists like Ruth Buentello, Juan de Dios Mora, and Jimmy James Canales. Ybarra-Frausto credited Mi Tierra Cafe y Panaderia in San Antonio's Historic Market Square as a key influence on his critical eye, describing the restaurant as a "hotbed of rasquachismo."
The Smithsonian’s National Museum of Asian Art (NMAA) has signed a formal partnership agreement with Saudi Arabia’s Royal Commission for AlUla (RCU), formalizing two years of behind-the-scenes collaboration. Signed by NMAA director Chase Robinson and RCU chief executive Abeer Al Akel, the deal covers joint archaeological research, exhibition loans, curatorial exchange, and professional development, with a focus on the ancient site of Dadan, a key stop on the Incense Road. The partnership is part of Saudi Arabia’s Vision 2030 plan to rebrand the kingdom as a global cultural destination.
Michelle Grabner, a Milwaukee-based artist known for examining overlooked visual languages, has created a new series of porcelain sculptures at the Kohler Company's MakerSpace in Wisconsin. These works, which mimic janitorial supplies like sponges, sinks, and mop carts, are being shown at the Independent art fair this week with Cleveland's Abattoir Gallery. Grabner, who co-curated the 2014 Whitney Biennial and served as the inaugural artistic director of FRONT International, continues to expand her practice beyond painting into industrial materials, while also holding two concurrent museum retrospectives: "Underdone Potato" at the Schneider Museum of Art and "Under the Sink" at the Haggerty Museum.
A child under the age of five recently scratched a Mark Rothko painting at a museum in the Netherlands, forcing its removal for restoration. The article compiles several notorious incidents of children accidentally damaging artworks, including a 12-year-old boy punching a hole through a $1.5 million Baroque painting by Paolo Porpora in Taipei, a 4-year-old shattering a 3,500-year-old vase at the Hecht Museum in Israel, a girl climbing a Donald Judd sculpture at Tate Modern, and kids breaking a glass artwork by Shelley Xue at the Shanghai Museum of Glass. In most cases, the damage was accidental, driven by curiosity or misinterpretation, and often involved lapses in adult supervision.