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"East-Northeast: Charting Moments in Maine" Presents Four Different Exhibitions of Maine-Focused Artists in Summer 2025

The Bowdoin College Museum of Art (BCMA) presents "East-Northeast: Charting Moments in Maine," a series of four exhibitions running in summer 2025 that highlight artists inspired by Maine. The shows include Gordon Parks’s previously unseen 1944 photographs of rural life, John McKee’s coastal series "As Maine Goes" (first public viewing since 1966), Ann Craven’s lunar paintings from 2020 and 2024, and films by Swiss-American artist Rudy Burckhardt. The exhibitions span from June 28 to November 9, 2025, with a keynote lecture by Philip Brookman on June 28.

Washington, DC street renamed ‘Alma Thomas Way’ in honour of renowned abstract painter

A block of 15th Street NW in Washington, DC, where renowned abstract painter Alma Thomas (1891-1978) lived for most of her life, has been renamed “Alma Thomas Way.” The street signs now stand at the corners of 15th and Church streets and 15th and Q streets, bookending the house at 1530 15th Street NW that her parents purchased in 1907. The renaming follows a bill introduced by District Councilmembers Christina Henderson and Brooke Pinto, who led a ceremony to honor the artist. Henderson stated the goal is to “elevate and introduce local heroes to folks for the next generation.”

Westminster muralist Grow Love readies to show off work at new exhibition in Colorado Springs

Westminster-based muralist Grow Love (Robyn Frances) will participate in a group exhibition titled "Justice of the Piece: Resistance in Unity in Street Art" at the Galleries of Contemporary Art at the University of Colorado, Colorado Springs, opening next month. The show features three female muralists: Grow Love, Lady Pink, and Sydney G. James, whose work explores resistance, reclamation, and collective healing through public murals and studio practice. An accompanying arts market will allow local creatives to sell their work for free.

Jean Tinguely’s 100th anniversary, migration museum opens in Rotterdam, Ben Shahn's social security mural—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories. First, a host of exhibitions and events celebrating the 100th anniversary of Swiss kinetic artist Jean Tinguely, including shows at the Tinguely Museum in Basel, Lehmbruck Museum in Duisburg, Hauser & Wirth Somerset, and the Grand Palais in Paris. Second, the newly opened Fenix museum in Rotterdam, a museum dedicated to migration, featuring a dramatic stainless steel tornado staircase. Third, the episode's Work of the Week focuses on Ben Shahn's 1941 study 'Harvesting Wheat' for his mural 'The Meaning of Social Security,' discussed in conjunction with a major exhibition of Shahn's work at the Jewish Museum in New York.

Lionel Messi names his favourite ever goal

Lionel Messi has revealed his favorite goal from his 860 career scores—a 2009 UEFA Champions League final goal for Barcelona against Manchester United—as part of a collaboration with media artist Refik Anadol. Anadol will transform the goal into an AI-powered data sculpture, which will be auctioned online at Christie's New York from June 11 to July 25, with proceeds supporting educational charities in Latin America and the Caribbean through the Inter Miami CF Foundation and Unicef.

A rebuke to Modernism: the Venice Architecture Biennale imagines new ways of building to cope with climate change

The 2025 Venice Architecture Biennale, curated by Carlo Ratti, opens with immersive installations that confront climate change, including a film on civilizations rising and collapsing, a reflective pool installation by Michelangelo Pistoletto symbolizing humanity-nature reconciliation, and a non-functional air conditioner display by Transsolar Klima Engineering. Ratti issued the Biennale's first open call, selecting over 300 multidisciplinary teams—engineers, scientists, artists, and architects—to explore new building methods that reject Modernist materials like steel and concrete in favor of natural and Indigenous approaches.

“Selma Burke African American Art Show” at Phillips’ Mill

Phillips’ Mill Community Association in New Hope, Pennsylvania, has announced a new exhibition titled “The Selma Burke Invitational African American Art Show,” running from May 31 through June 29. The show pays homage to Selma Burke, a prominent 20th-century sculptor and art educator who lived in New Hope for the last 40 years of her life. It features over 60 works by African American artists Burke mentored, taught, or inspired, including James E. Duprée and Kimberly Camp, alongside historical pieces by artists such as Faith Ringgold, Romare Bearden, and Thornton Dial. The exhibition also includes works loaned from collectors like Lawrence Hilton.

Philadelphia’s “Cardboard Genius” Takes Center Stage in a New Exhibition

A new exhibition titled "Cardboard Genius: The Architectural Marvels of Kambel Smith" has opened at Historic Germantown in Philadelphia, running through June 29. The show features large-scale, intricate replicas of architecturally significant buildings—such as Philadelphia's Police Administration Building and the Georgia State House—all constructed from salvaged cardboard by self-taught artist Kambel Smith, who is autistic. Smith's father, Lonnie, coined the term "Autisarians" to describe his sons' super-human abilities and has been a key supporter of Kambel's creative journey, which has included solo shows in New York, London, and Atlanta since 2019.

11 New Artist Auction Records Set in May 2025

During New York's spring auction week starting May 12, 2025, major houses Sotheby's, Christie's, Phillips, and Bonhams collectively brought in $1.27 billion, slightly above the estimated $1.25 billion but down 17% from the previous year. The top lot was Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) at $47.56 million, but the mood was tense as trophy works like Andy Warhol's *Big Electric Chair* (1967–68) were withdrawn and several top lots, including Alberto Giacometti's *Grande tête mince* (1955), failed to sell. Amid this volatility, 11 new artist auction records were set, five of which were for women artists, notably Marlene Dumas's *Miss January* (1999) selling for $13.65 million—the most expensive work by a living woman artist at auction.

Smithsonian's National Museum of Asian Art and Saudi Arabia strike deal to collaborate on exhibitions, conservation and more

The Smithsonian's National Museum of Asian Art (NMAA) has signed a partnership agreement with Saudi Arabia's Royal Commission for AlUla (RCU) to collaborate on exhibitions, conservation, research, and staff exchanges. The deal, signed on May 14 by NMAA director Chase Robinson and RCU CEO Abeer AlAkel, focuses on the ancient site of Dadan, a capital of the Lihyanite and Dadanite civilizations. The partnership covers joint conservation and research projects, exhibition loans, and professional development over four years.

Rejected by Museums Around the World, This New Art Exhibition Explores the Historical Roots of the Term 'Homosexual'

An ambitious new exhibition titled “The First Homosexuals: The Birth of a New Identity, 1869-1939” has opened at Chicago’s Wrightwood 659 gallery, featuring over 300 works by more than 125 artists from 40 countries. Curated by Jonathan D. Katz, the show traces the historical roots of the term 'homosexual,' coined in 1868 by Hungarian writer Karl Maria Kertbeny, and explores the artistic and social transformations surrounding the emergence of homosexual identity up to 1939. The exhibition includes loans from major institutions like the Metropolitan Museum of Art and the Musée d’Orsay, with works by artists such as George Catlin, Jean Cocteau, John Singer Sargent, and Thomas Eakins, organized into eight thematic sections.

The Broad invites art lovers to Jeffrey Gibson exhibition

The Broad museum in Los Angeles has announced free Thursday evening tickets for "Jeffrey Gibson: the space in which to place me," an exhibition on view through September 28. The show features over 30 works including paintings, sculptures, flags, murals, and a video installation, adapted from Gibson's 2024 U.S. Pavilion presentation at the 60th Venice Biennale, where he became the first Indigenous artist to represent the United States with a solo exhibition. This is Gibson's first single-artist museum exhibition in Southern California.

An UES carriage home from a celebrity architect opens up for a public art show

Art dealer and collector Adam Lindemann is presenting a free public exhibition titled "Urhobo + Abstraction" in his East 77th Street carriage house on Manhattan's Upper East Side. The show features five life-size 19th- and early-20th-century sculptures carved by the Urhobo people of southern Nigeria, paired with works by contemporary artists of African descent including El Anatsui, Alma Thomas, and Jack Whitten. The carriage house is the first Manhattan building designed by Ghanaian-British architect David Adjaye, whose renovation was completed in the late 2000s. The exhibition runs through June 13, open Mondays through Thursdays, and the sculptures are not for sale.

Chile to get a new contemporary art museum

A new contemporary art museum, the New Museum of Santiago (NuMu), is set to break ground in Chile's capital in August 2025. Led by businessman and philanthropist Claudio Engel and his four children through the Engel Foundation, the museum will be built around the family's collection of over 1,000 works by more than 200 artists, including Alfredo Jaar, Paz Errázuriz, and Pilar Quinteros. Designed by architect Cristián Fernández, the 2,000 sq. m facility will feature exhibition spaces, a sound-art room, an auditorium, a library, a restaurant, and a museum shop. It will be the first large-scale contemporary art museum in Chile housed in a new structure, located in Vitacura's Bicentennial Park.

Behind the scenes of the Met’s revamped Rockefeller Wing with its acclaimed architect

Kulapat Yantrasast, the Bangkok-born architect behind Why Architecture, has completed a $70 million overhaul of the Metropolitan Museum of Art's Michael C. Rockefeller Wing, which houses the arts of Africa, Oceania, and the ancient Americas. Working with executive architect Beyer Blinder Belle, Yantrasast redesigned the 40,000-square-foot exhibition hall to address longstanding conservation issues caused by a 200-foot glass wall on Central Park that exposed fragile objects to heat and light. The wing reopens to the public on May 31 after four years of construction.

Iconic photos are part of Gordon Parks exhibition at Wichita Art Museum

The Wichita Art Museum opens "Homeward to the Prairie I Come," an exhibition of 71 photographs by Gordon Parks, running from May 11 to July 27, 2025. The works come from a collection Parks curated and donated to Kansas State University in 1973, now held by the Beach Museum of Art, which co-curated the touring show with Aileen Wang and Sarah Price. The exhibition is organized thematically around five large iconic images, including portraits of Muhammad Ali, Alexander Calder, Malcolm X, and Flavio da Silva, the subject of Parks' first film.

The Big Review | The reopening and rehang of the Sainsbury Wing, National Gallery, London ★★★★★

The National Gallery in London has reopened its Sainsbury Wing after a renovation led by architect Annabelle Selldorf, designed to create a more welcoming entrance. The wing, originally designed by Robert Venturi and Denise Scott Brown in 1991, now features a transformed ground floor with double-height spaces, improved lighting, and a new piazza linking to Trafalgar Square. The reopening coincides with the gallery's bicentenary and a major collection rehang titled "C C Land: the Wonder of Art," sponsored by a Hong Kong property developer. Old favorites like the chapel-like space for Piero della Francesca's works are restored, and new commissions, including Richard Long's "Mud Sun," greet visitors.

Comment | Muted grey, bloody red, or dark blue—here’s why the colour of museum walls matters more than you might think

The article explores the often-overlooked significance of color in museum spaces, prompted by a conversation with architect Annabelle Selldorf about her $220 million renovation of New York's Frick Collection. Selldorf describes the new auditorium's muted grey as creating a calm, meditative environment, contrasting sharply with Tate Modern's Starr Cinema, which architect Jacques Herzog painted shocking red to symbolize the space as the museum's "brain." The piece traces historical approaches to gallery wall colors, from Charles Eastlake's advocacy at the National Gallery in London—informed by Goethe's color theory—to the enduring orthodoxy of reds and greens, and a notable departure with deep Prussian blue for a Gainsborough exhibition at Tate Britain. It also recounts Henri Matisse's 1946 project in Paris, where he covered his room's grimy beige walls with cut-paper forms, creating the screens "Océanie, Le Ciel" and "Océanie, La Mer."

First look: inside the £85 million National Gallery revamp opening this weekend

The National Gallery in London has completed a £85 million refurbishment of its Sainsbury Wing, which opens to the public this weekend after two years of closure. Designed by architect Annabel Selldorf, the renovation transformed the previously dark, low-ceilinged foyer into a bright, open space with clear glass, removed columns, digital HD screens, and new amenities including Bar Giorgio and the Locatelli Italian restaurant. The reopening coincides with 'Wonder of Art', a major rehang of around 1,000 works from the gallery's European painting collection.

Tate Modern, the ‘cathedral to contemporary art’, celebrates 25 years

Tate Modern in London celebrates its 25th anniversary this month, marking the transformation of a derelict Bankside power station into a landmark contemporary art museum. Designed by Herzog & de Meuron, the museum opened on 11 May 2000 and quickly reshaped London's art landscape, catalyzing the launch of the Frieze London art fair in 2003 and attracting international commercial galleries. Artist Michael Craig-Martin, a former trustee, recalls how the project was driven by then-director Nicholas Serota's ambitious vision to elevate modern art from its status as 'art's poor cousin.' The museum pioneered free-admission thematic collection displays and a global curatorial approach, though its inaugural exhibition 'Century City' was widely criticized as overambitious.

Whitney Museum of American Art invites visitors to take in the river view

The Whitney Museum of American Art is celebrating the tenth anniversary of its Meatpacking District building by inviting visitors to experience Mary Heilmann's installation "Long Line" on the fifth floor. The work features a large-scale mural of sea green and foamy white waves, accompanied by whimsically colored boxy chairs that visitors can rearrange. The installation, which runs until January 19, 2026, encourages rest and contemplation, with floor-to-ceiling windows offering views of the Hudson River. Curator Laura Phipps notes that Heilmann, who created the inaugural commission "Sunset" for the building in 2015, has long prioritized visitor comfort and seating in her work.

‘Degenerate’ or ‘woke,’ Paris museum exhibit shows what happens to art in the crosshairs of politics

The Picasso Museum in Paris has opened an exhibition titled "Degenerate Art: Modern Art on Trial Under the Nazis," the first such show in France, running until May 25. It features works by Van Gogh, Klee, Picasso, Kandinsky, Chagall, and others that were condemned by Hitler and the Third Reich as "degenerate" — targeted for destruction, sale, or concealment. The exhibition is organized thematically around Nazi persecution, including sections on race, museum purges, and the art trade, and highlights the fates of artists like Ernst Ludwig Kirchner, who died by suicide, and Otto Freundlich, who was murdered in a concentration camp.

10 Must-See Gallery Shows to Catch in New York This May

This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.

Humanitas Bong Joon Ho in conversation, new student art, and beach photos

Oscar-winning filmmaker Bong Joon Ho will visit Yale University on May 5-6 for a public conversation with photographer Gregory Crewdson about filmmaking, followed by a Schwarzman Session for students and the community. The visit coincides with a film retrospective of Bong's work organized by Marc Francis, including screenings of "Parasite," "The Host," and "Mickey 17." Separately, the Schwarzman Center has launched a virtual Storyboard exhibition titled "over time," featuring artworks by 10 Yale students responding to a prompt about the future, curated by Airi Gavan. The article also notes an upcoming summer exhibition of photographs by Yale School of Art professor emeritus Tod Papageorge.

This Month the Museum Will Open "Ann Craven | Painted Time: Moons (Laboratory)"

The Bowdoin College Museum of Art (BCMA) will open "Ann Craven | Painted Time: Moons (Laboratory)" on May 22, 2025, featuring Ann Craven's moon paintings created between 2020 and 2024. The exhibition highlights Craven's direct observation of the moon, with each work documenting the date, time, and place of creation. The show includes a "laboratory" of lunar studies stored in labeled cardboard containers, offering insight into her process. It will be presented in three rotations curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg, with about 20 paintings per rotation selected from over 150 compositions. The exhibition runs until August 17, 2025, and is accompanied by a digital catalogue. It coincides with two concurrent solo shows of Craven's work in Maine: at the Farnsworth Art Museum and the Portland Museum of Art.

Artist’s Choice: Arthur Jafa—Less Is Morbid

Arthur Jafa has curated a new exhibition at the Museum of Modern Art (MoMA) as part of the museum's ongoing Artist's Choice series. Titled "Less Is Morbid," the show runs through July 5 and features over 80 objects selected from MoMA's collection. Jafa, an artist and filmmaker known for his emotionally charged collages and installations, brings together works by figures such as Jean-Michel Basquiat, Cy Twombly, Lygia Clark, Roy DeCarava, Piet Mondrian, and Lutisha Pettway. The exhibition challenges binary oppositions like minimalist/maximalist and sparse/dense, and critiques the historical hierarchies that have governed art institutions.

The nonconformist: Ben Shahn is honoured in a ‘homecoming’ show at New York's Jewish Museum

A major retrospective titled "Ben Shahn, On Nonconformity" opens this month at New York's Jewish Museum, honoring the American artist's lifelong activism. The exhibition includes 175 artworks and objects from the 1930s to the 1960s, organized into sections covering Shahn's Social Realism, New Deal-era work, responses to McCarthyism and the Atomic Age, and support for the civil rights movement. Co-curated by Laura Katzman and Stephen Brown, the show is adapted from a 2023 retrospective at the Museo Nacional Centro de Arte Reina Sofía in Madrid, which was a surprise hit.

Left at the altar: Luc Tuymans's paintings to replace Tintoretto works at Venetian church

Belgian artist Luc Tuymans has created two new paintings, "Heat" and "Musicians" (2025), for the altar of the Abbey of San Giorgio Maggiore, a 16th-century church on a Venetian island. The works temporarily replace two canvases by Jacopo Tintoretto—"The Last Supper" and "The People of Israel in the Desert"—which are undergoing restoration funded by the Save Venice conservation charity. The commission was organized by Benedicti Claustra Onlus and the Draiflessen Collection, and the paintings will be on view from May 9 to November 23.

Surprised by Jack: A Review of “Jack Whitten: The Messenger” at MoMA in New York

The Museum of Modern Art in New York is hosting "Jack Whitten: The Messenger," the largest survey ever mounted of the late abstract artist Jack Whitten, who died in 2018. The exhibition features 175 works spanning his sixty-year career, from early quasi-representational pieces to his innovative "slab" paintings made with a custom squeegee device and his later "tesserae" works that mimic glass tiles using acrylic paint. The show includes archival audio of Whitten discussing his creative process, which blended philosophy, craft, and science, and is curated by MoMA's Michelle Kuo, who knew Whitten personally.

Gotta Have Art: Scottsdale galleries have evolved over decades

The article explores the evolution of art galleries in Scottsdale, Arizona, over the past several decades. It traces how the local gallery scene has transformed from a small, desert-focused art community into a diverse and sophisticated hub for contemporary, Native American, and Western art, attracting both local collectors and international visitors.