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New York non-profit Art in General, shuttered since 2020, stages a comeback

Art in General, the New York non-profit art space that closed its physical location in 2020 during the Covid-19 pandemic, is returning after a five-year hiatus. It will stage a pop-up exhibition at Yve Yang Gallery in Soho starting August 22, led by new director Xiaoyu Weng, who also serves as artistic director of the Tanoto Art Foundation in Singapore. New board members include artist Paul Pfeiffer, digital strategist Jiajia Fei, and gallerist Yve Yang. The organization plans to host pop-up exhibitions, talks, and events while searching for a permanent space.

Seoul According to Artist Etsu Egami

Japanese-born artist Etsu Egami, known for large-scale abstract paintings exploring language and communication barriers, has been chosen to inaugurate Korea's new OAR Contemporary Museum in Gyeongju with a solo exhibition titled "Egami Etsu: Echoes of the Earth." The show, running until September 21, features site-specific works inspired by the city's ancient tombs and the museum's architecture. Egami, who was raised across Washington, DC, Paris, and Japan and studied in Germany, Beijing, and New York, has previously exhibited at the Guggenheim in New York, Grand Palais in Paris, and Mori Art Museum. She first showed in South Korea in 2022 at Tang Contemporary in Seoul, and her work has gained recognition among Korean curators and collectors.

Hyundai Motor and LACMA Announce the Exhibition Tavares Strachan: The Day Tomorrow Began

Hyundai Motor Company and the Los Angeles County Museum of Art (LACMA) have announced the exhibition "Tavares Strachan: The Day Tomorrow Began," opening at LACMA on October 12, 2025 and running through March 29, 2026. This is the artist's first major museum exhibition in Los Angeles, featuring over 20 new works including his most expansive neon piece and one of his largest sculptures to date. The multi-sensory exhibition, presented through the ongoing Hyundai Project at LACMA partnership since 2015, immerses viewers in environments such as a barbershop, a laundromat, and a field of Indian-Rice Grass across seven galleries, weaving together sculpture, painting, text, and music to excavate overlooked histories, particularly those related to the Black diaspora.

Art Museum Launches Fall 2025 Season With Dynamic, Interdisciplinary Exhibitions

The Syracuse University Art Museum will launch its Fall 2025 season on August 26 with four new exhibitions. Highlights include 'What If I Try This?', a survey of Helen Frankenthaler's printmaking career curated by Melissa Yuen, featuring loans from multiple institutions and a gift from the Helen Frankenthaler Foundation. Other exhibitions include Kevin Adonis Browne's multimedia installation 'A Sense of Arrival' on Caribbean blackness, and 'Human/Environment: 4,000 Years of Art', a permanent collection show exploring human-environment relationships. An opening reception on September 11 will feature a talk by Stanford professor Alexander Nemerov.

Powerful Photography Explores and Reimagines Black Identity Through Classical Art History

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Tawny Chatmon: Sanctuaries of Truth, Dissolution of Lies," a solo exhibition of over 25 large-scale photographs by artist Tawny Chatmon, running from October 15, 2025, to March 8, 2026. The works, drawn from series dating from 2019 to the present, blend photography with hand-applied paint, gold leaf, and precious materials, depicting Black children and families in gilded frames inspired by Gustav Klimt and medieval icons. This is Chatmon's first museum exhibition in the nation's capital.

On View: 'In the Medium of Life: The Drawings of Beauford Delaney' at The Drawing Center in New York Explores Centrality of Drawing in Artist's Practice

The Drawing Center in New York is presenting 'In the Medium of Life: The Drawings of Beauford Delaney,' a major survey of the artist's works on paper spanning four decades, from 1929 to 1971. Featuring approximately 90 drawings in charcoal, ink, pastel, watercolor, and gouache, alongside a few paintings and archival materials, the exhibition highlights Delaney's evolution from Harlem Renaissance portraiture to Parisian abstraction. It includes early works like 'Harlem Athlete' (1929) and portraits of figures such as James Baldwin, as well as self-portraits and untitled abstractions.

CXW 2025: Chicago's Bold Art Celebration Returns This Fall

CXW 2025, Chicago's bold art celebration, is set to return this fall. The event showcases contemporary visual art across the city, featuring exhibitions, installations, and programming that highlight both local and international artists. The article announces the upcoming edition and its significance for Chicago's cultural calendar.

Boulder County week in art: CU Art Museum’s new exhibit explores time as a notion

This article is a roundup of current and upcoming art exhibitions and events in the Boulder County area, featuring a wide range of venues from commercial galleries to nonprofit spaces and museums. Highlights include the Boulder Museum of Contemporary Art's immersive exhibition 'Divine Rest Nests,' the Dairy Arts Center's 'Matter Over Mind' exploring art-science intersections, and the CU Art Museum's new exhibit on time as a notion. The piece lists dozens of shows, including works by local artists like Lonny Granston, Liz Quan, and Melissa Stuart, as well as community-focused displays at libraries and cultural centers.

'Abstract art is universal': Nanette Carter on her new career survey at the Wexner Center for the Arts

Nanette Carter, an abstract artist working since the 1970s, will present her solo exhibition *Nanette Carter: Afro Sentinels* at the Wexner Center for the Arts in Columbus, Ohio, opening August 22. The show includes a new three-dimensional metal commission, marking her first move off the wall, alongside collages, paintings, and sculptures that explore themes of balance, Black subjectivity, and political turmoil. Carter, born in Columbus in 1956, studied at Oberlin College and the Pratt Institute, where she taught for 20 years, and her work draws on jazz, Russian Constructivism, and her father's civil rights legacy.

Rediscovering Bilgé, the Quiet Master of American Minimalism

Turkish-American artist Bilgé (Bilgé Civelekoğlu Friedlaender), a largely overlooked figure in American Minimalism, is the subject of a new institutional exhibition in New York titled “Torn Time: Bilgé” at the Institute for Arab and Islamic Art (IAIA). The show, curated by IAIA Founding Director Mohammed Rashid Al-Thanion and on view through October, highlights works from the two decades following her 1972 deep-sea dive in the Bahamas, which sparked a period of prodigious creation using delicate paper interventions. Bilgé studied at the Istanbul Academy of Fine Arts and NYU, exhibited at Betty Parsons Gallery and Kornblee Gallery in 1974, and was included in the Smithsonian’s “Paper as Medium” (1978), the International Istanbul Biennial (1989), and the International Biennial of Paper Art (1992). The exhibition draws from her estate, represented by Sapar Contemporary.

The Myth of the “Emerging” Black Artist: Ageism and Access in the Art World

The article, written by Chenoa Baker, critiques the art world's labeling system that categorizes artists as emerging, mid-career, or established. It argues that these labels are particularly harmful to Black artists, who are often kept in the "emerging" category for years despite significant achievements, collections, and decades of practice. The piece highlights the cases of Cheryl Miller, a self-taught analog photographer whose work is held by major institutions yet who had to "re-emerge" after relocating, and Ifé Franklin, a queer Black artist whose career was sidelined by systemic erasure and who is now being honored as an "elder" artist. The article connects these labels to ageism, lack of access to elite schools and galleries, and the undervaluing of self-taught artists and those working outside traditional art centers.

With two fairs and a new festival, Aspen art scene is reaching new peaks

Aspen, Colorado's art scene is expanding with two concurrent art fairs and a new festival during Aspen Art Week. The 15th edition of Intersect Aspen, the city's longest-running fair (formerly Art Aspen), will feature 28 galleries including Jackson Fine Art and debutant 212 Gallery. CEO Tim von Gal reports record attendance and sales from 2023. Meanwhile, the Aspen Art Fair returns for its second edition at the historic Hotel Jerome, doubling its exhibitor list to 43 galleries, including Perrotin and Miles McEnery Gallery. Co-founded by Rebecca Hoffman and dealer Bob Chase, the fair emphasizes a convivial, community-focused atmosphere.

‘Making Their Mark: Works from the Shah Garg Collection’

The article announces the exhibition 'Making Their Mark: Works from the Shah Garg Collection' at Washington University in St. Louis (WashU). The show features works from the collection of Shah Garg, highlighting a selection of contemporary artworks.

Terrence Sanders-Smith opens art gallery and plans a Miami Basel-style art fest in New Orleans

Terrence Sanders-Smith, a former gallery owner who recently returned to New Orleans, has opened Smith Contemporary at 440 Julia Street in the city's historic Gallery Row. The gallery is one of the few Black-owned galleries in the area's history. Sanders-Smith plans to sell work by racially diverse artists and is organizing a new national art fair, modeled after Miami Basel, to launch as soon as spring 2026. The article also features commentary from former gallery owner Myesha Francis on the importance of Black-owned spaces for artists and audiences of color.

Shows to See in Japan, July 2025

This article highlights five art exhibitions opening across Japan in July 2025. Featured shows include Izumi Kato's largest solo exhibition in Japan, "Road to Somebody," at Iwami Art Museum; Christine Sun Kim's eponymous project at Mori Art Museum in Tokyo; Maya Erin Masuda's solo show "Ecologies of Closeness" at Yamaguchi Center for Arts and Media; and "Van Gogh's Home" at Osaka City Museum of Fine Arts, which centers on the Van Gogh family collection. Each exhibition spans diverse media and themes, from Kato's animistic sculptures to Kim's exploration of sound and deaf experience, Masuda's ecological trauma investigations, and Van Gogh's legacy through his family's archive.

35 Art Centers Every Hudson Valleyite Should Visit

A regional guide profiles 35 art centers across New York's Hudson Valley, highlighting destinations such as the Albany Institute of History & Art, Dia Beacon, Olana State Historic Site, and Art Omi Sculpture & Architecture Park. The article provides practical visitor information for each venue, covering museums, galleries, and historic artist estates in Albany, Columbia, and Dutchess counties.

How AI Will Change Art, According to Arthur Jafa, Marilyn Minter, and Other Artists

Emily McDermott's article, published July 15, 2025, gathers perspectives from artists including Refik Anadol, Arthur Jafa, Marilyn Minter, and others on how AI will change art. It references the controversial Christie's 'Augmented Intelligence' auction in February-March 2025, which generated nearly $730,000 despite an open letter signed by nearly 4,000 individuals urging cancellation over claims that AI models exploit copyrighted material. The artists quoted offer varied views, from Anadol seeing AI as a collaborator that augments creativity to Jafa dismissing most AI-generated work as generic.

Culture Type | The Month in Black Art, Here’s What Happened in June 2025

The June 2025 edition of Culture Type's 'The Month in Black Art' roundup reports multiple developments: the Detroit Institute of Arts acquired Tiff Massey's installation 'Baby Bling' (2023) for its reimagined Modern and Contemporary galleries opening in 2026; Aperture magazine released a summer issue guest-edited by Tanisha C. Ford focusing on Black style and fashion; Different Leaf, a cannabis culture journal, relaunched with guest editors Nick Cave and Bob Faust; and Sean Kelly Gallery announced representation of artist Lindsay Adams in collaboration with PATRON Gallery. The article also notes updates on the Studio Museum in Harlem, a shakeup at the Afro Brazil Museum, new Art Basel Awards, and Suzanne Jackson's exhibition at SFMOMA.

Commercial goes pastoral: the draw of showing art in the open air

The article explores the trend of commercial art galleries expanding into rural locations, using Hauser & Wirth Somerset in Bruton, the New Art Centre at Roche Court, Messums West in Tisbury, and Thirsk Hall in North Yorkshire as key examples. These galleries have transformed former farms, historic barns, and country estates into exhibition spaces that combine contemporary art with pastoral settings, attracting significant visitor numbers and fostering local engagement.

July Book Bag: from a monograph of Vincent Namatjira’s headline-grabbing portraits to a book of Chinese art heists

This article presents a roundup of five new art books released in July, covering a diverse range of topics. The featured titles include a monograph on Vincent Namatjira, whose unflattering portrait of mining billionaire Gina Rinehart sparked controversy at the National Gallery of Australia; a study of Palestinian embroidery in contemporary art by Joanna Barakat; a guide to New York City monuments of Black Americans by David Felsen; and a true-crime investigation into Chinese art heists by Ralph Pezzullo.

On View: 'Paris Noir' Exhibition at Centre Pompidou 'Retraces the Presence and Influence of Black Artists in France from 1950s to 2000'

The Centre Pompidou in Paris presents "Paris Noir: Artistic circulations and anti-colonial resistance, 1950-2000," an exhibition running from March 13 to June 30, 2025. Curated by Alicia Knock, the show features over 350 works by 150 Black artists from Africa, the Americas, and the Caribbean, tracing their presence and influence in France from the post-war era through the 1990s. The exhibition is organized into 15 thematic chapters, including Pan African Paris, Afro Atlantic Surrealism, and Paris Dakar Lagos, and includes public programming such as talks, film screenings, and performances.

Rose Art Museum Presents Tell Me More, the Painter Danielle Mckinney’s Solo U.S. Museum Debut

The Rose Art Museum in Waltham, Massachusetts, will present "Danielle Mckinney: Tell Me More," the painter's first solo museum exhibition in the United States, running from August 20, 2025, to January 4, 2026. Curated by Dr. Gannit Ankori, the show features thirteen intimate paintings, including two new works, that explore the interior lives of Black women, reimagining art-historical motifs like the odalisque through a contemporary, empowered lens. The exhibition coincides with Mckinney's 2025 Ruth Ann and Nathan Perlmutter Artist-in-Residence Award at the Rose.

Edward Burtynsky’s photographs convey the force of mankind’s reordering of the environment

The International Center of Photography (ICP) in New York is presenting "Edward Burtynsky: The Great Acceleration," a retrospective of over 70 photographs by Canadian photographer Edward Burtynsky, on view until September 28. Curated by ICP creative director David Campany, the exhibition spans Burtynsky's 40-year career documenting humanity's industrial transformation of natural landscapes, from Ontario mines and Texas oilfields to shipbreaking yards in Bangladesh and e-waste sites in China. The show is organized thematically rather than chronologically, featuring early small-scale works alongside massive recent prints, including a 10-foot-wide image of a copper mine in the Democratic Republic of Congo and a 30-foot mural of a Texas farm printed on adhesive vinyl.

National Gallery of Canada receives gift of 61 works valued at $16.8m

Canadian collector and businessman Bob Rennie has donated 61 works valued at C$22.8 million ($16.8 million) to the National Gallery of Canada (NGC) in Ottawa. The gift, which took 18 months to plan, includes pieces by Yinka Shonibare, Mona Hatoum, Rodney Graham, Ai Weiwei, and others. It surpasses Rennie’s previous record donation of C$13 million in 2017 and brings his total contributions to the NGC to over C$35 million, comprising more than 260 works since 2012. Rennie, a longtime patron of the National Gallery of Canada Foundation, emphasized his approach of collecting artists in depth rather than for momentary sensation.

Susan Philipsz: East by West | June 13, 2025

Susan Philipsz is presenting a new exhibition titled "East by West" at Tanya Bonakdar Gallery, opening June 13, 2025. The show features the artist's signature sound-based installations, exploring themes of geography, memory, and displacement through audio works that blend field recordings and musical compositions.

Dale Berning Sawa

Dale Berning Sawa has been featured in an article from The Art Newspaper, though the provided text is incomplete and primarily consists of a subscription prompt and footer information. The article appears to be a profile or news piece about Dale Berning Sawa, likely a journalist or writer in the art world, but no specific events or details are available from the given content.

New York Museums are Showcasing African American Art, Exhibitions Feature Lorna Simpson, Rashid Johnson, Beauford Delaney, Amy Sherald, Black Dandyism & More

New York museums are presenting a wave of major exhibitions focused on African American art this spring and summer, many running through fall 2025. Solo shows include the largest-ever surveys of Rashid Johnson at the Guggenheim Museum, Amy Sherald at the Whitney Museum of American Art, and Jack Whitten at the Museum of Modern Art. The Drawing Center hosts the first museum exhibition dedicated to Beauford Delaney's drawings, while the Brooklyn Museum presents the first museum show for sculptor Nancy Elizabeth Prophet. At the Metropolitan Museum of Art, highlights include the newly renovated Michael C. Rockefeller Wing, a Lorna Simpson painting exhibition, a roof garden installation by Jennie C. Jones, and the Costume Institute's "Superfine: Tailoring Black Style" exploring Black dandyism.

Women on the Verge: Five Museums in Maine Showcase Nicole Wittenberg and Ann Craven

Five museums across Maine are simultaneously presenting exhibitions featuring the work of painters Nicole Wittenberg and Ann Craven, in a coordinated initiative titled "Women on the Verge." The participating institutions include the Portland Museum of Art, the Center for Maine Contemporary Art in Rockland, the Colby College Museum of Art in Waterville, the Bowdoin College Museum of Art in Brunswick, and the Farnsworth Art Museum in Rockland. Each venue is showing a distinct body of work by either Wittenberg or Craven, highlighting their vibrant, often nature-inspired paintings that explore themes of femininity, perception, and the natural world.

‘I paint extreme emotions’: Rachel Jones on her riotously colourful paintings – and her obsession with mouths

Rachel Jones, a 34-year-old British artist, is preparing for a major retrospective at Dulwich Picture Gallery, her first institutional solo show in the UK and the museum's first solo exhibition of a contemporary artist in its main space. After graduating from the Royal Academy Schools in 2019, Jones was quickly represented by Galerie Thaddaeus Ropac, had work acquired by the Tate, and exhibited at Chisenhale Gallery, the Hayward Gallery, and the Hepworth Wakefield. She has since left gallery representation, expanded into sound and performance, and created a short opera titled 'Hey Maudie' (2023), now being developed into a full-length opera. Her upcoming show at Dulwich, 'Gated Canyons', will pair her large-scale abstract paintings with works from the museum's collection, and she also has a site-specific commission at the Courtauld Gallery opening in September.

What to see in Berlin after Gallery Weekend: five exhibitions still open

Berlin's Gallery Weekend 2025 has brought a surge of art events across the city, and this article highlights five exhibitions still open to visitors. At Schinkel Pavillon, French artist Pol Taburet presents his first German solo show, “The Burden of Papa Tonnerre,” featuring paintings, sculptures, and lithographs that explore occult themes and personal history. Galerie Buchholz showcases Anne Imhof's new solo exhibition, including large canvases derived from stills of her performance “Doom: House of Hope,” alongside a sound installation. Contemporary Fine Arts hosts a solo show by Swiss painter Tobias Spichtig, focusing on his latest oil-on-canvas works.