Never ‘too much.’ Local artist celebrates reclaiming own space and voice in Bonita exhibition

Local artist Bryttney-Mischele Salvant presents "Too Much Art for One's Soul," a solo exhibition at the Bonita Museum from May 3 to 5, with an opening night on May 3. The show features a retrospective of her work, a short film, live poetry, and interactive art, exploring her journey of reclaiming her identity after being told she was "too much" as a child. Salvant, a self-taught surreal expressionist, also teaches art classes at the museum in partnership with The Arc of San Diego and runs her Poetic Artistry business.

Exhibition showcases sculptural installations promoting local landmarks

One Central Macau is hosting an exhibition titled “One Central Loves Macao,” featuring seven sculptural art installations by local artist Tramy Lui. The centerpiece, “Love Macao,” is an interactive piece inspired by stained-glass windows from Macau’s landmarks like the Ruins of St. Paul’s and the Church of Our Lady of Sorrows, using rainbow colors and transparent materials to play with light and shadow. Other works include “Beacon of Sound,” an interactive piano installation based on the Guia Hill Pedestrian Tunnel, and “Time Capsule Mailbox,” a colorful postbox evoking nostalgia. The free exhibition runs until May 11.

INSPIRED MINDS: Young Artist Exhibition Opens May 15 at SOPAC

The South Orange Performing Arts Center (SOPAC) announced the return of the INSPIRED MINDS: Young Artist Exhibition, a showcase of visual art by high school students from Essex County, running from May 15 to August 17, 2025, in the Herb + Milly Iris Gallery. Over 1,000 submissions were received, with a jury selecting about 80 pieces for display. The opening reception on May 15 will also feature the third annual Paul Bartick Emerging Artist Award, presented to Millburn High School senior Obenewaa Frimpomaa, a Scholastic National Gold Art Medalist whose work explores identity, history, and empowerment of underrepresented voices.

South Asian artists draw inspiration from heritage and identity at exhibition

The South Asian Artists Association of America held its "Vasant: A Spring Mosaic by Indian Artists" exhibition at Bridgewater Commons mall in Bridgewater Township, New Jersey, from April 25 to 27, 2025. The three-day event featured 21 artists showcasing diverse works including large paintings, hand-carved candles, small sculptures, and traditional Madhubani-style art, with live painting demonstrations, workshops, Indian dance performances, and face painting for kids. The exhibition was part of the second annual Garden State Art Weekend and attracted over 60 attendees on opening day, with artworks priced under $150.

A New Art Exhibition Ponders the Perpetual Cycle of Urban Transition

The article reviews "Contemporary Ruin future visions," an exhibition at Drexel University's Leonard Pearlstein Gallery curated by artist Nancy Agati. The show explores the perpetual cycle of urban construction, demolition, and renewal, focusing on Philadelphia's evolving neighborhoods. Featured artists include Sophie White, who documents rapid gentrification in Fishtown/Kensington through plein-air gouache paintings, and Jennifer Johnson, whose sculptural maps trace the transformation of the Black Bottom area from 1725 to 2025. Joseph E. B. Elliott contributes photographs of decaying buildings, such as Saint Bonaventure Church and Richmond Generating Station, capturing ruins both past and present.

IU Bloomington art galleries feature works from and about South Africa

Indiana University Bloomington's art galleries are presenting two exhibitions focused on South African and Indigenous visual culture. "Illusions of Identity: The Colonial Gaze," curated by student Joshua Sinnett at the Community Gallery in the Museum of Archaeology and Anthropology, contrasts early 20th-century photographs of Native Americans by Joseph K. Dixon with images of Indigenous South Africans by Alfred Duggan-Cronin, examining colonial perspectives. Concurrently, "Coloured Pots (Izinkamba kwamaKhaladi)" at University Collections at McCalla features contemporary ceramics by artist Fileve Tlaloc, who uses amaZulu pottery forms to explore her mixed-race ancestry and challenge colonial racial categories, displayed alongside historical amaZulu vessels.

Exit Homo?

Hua Wang and Emanuel Heim are presenting their dual exhibition "Natural Inversions" in Berlin, curated by John Silvis. The show features abstract queer painting, sculptural installations, and explores themes of perception, materiality, and transformation. An artist talk moderated by Monopol editor Sebastian Frenzel accompanies the exhibition, where the artists discuss transhumanism, artificial intelligence, spirituality, and how technology is reshaping our understanding of being human.

Monopol is giving away 1 × 2 tickets for the German Jazz Prize 2026

Monopol verlost 1 × 2 Tickets für den Deutschen Jazzpreis 2026

Monopol magazine is hosting a giveaway for two tickets to the German Jazz Prize ceremony, scheduled for April 25, 2026, in Bremen. The event, held in conjunction with the jazzahead! trade fair, celebrates the diversity of the jazz scene by honoring musicians, albums, compositions, and journalistic contributions. The ceremony will be hosted by Thelma Buabeng and Götz Bühler, featuring a live performance by the Moses Yoofee Trio.

US Government Submits Plans for Triumphal Arch to Commission

US-Regierung reicht Plan für Triumphbogen bei Kommission ein

President Donald Trump has submitted formal plans to the Commission of Fine Arts for a monumental triumphal arch to be located near Washington, D.C. Proposed to stand at 76 meters tall, the structure would significantly surpass the height of Paris's Arc de Triomphe. The project, which Trump describes as the "largest and most beautiful" in the world, is slated for a site near the Arlington Memorial Bridge leading to the Lincoln Memorial.

New experimental art gallery launches in Brighton

A new experimental art gallery, the Founders Room, is launching in Brighton in May 2026 as part of the Brighton Festival. The inaugural exhibition, titled Act 0, is organized by The Adelaide Salon in collaboration with Brighton Dome & Brighton Festival. It features works by two artist couples—Isobel Smith and The Baron Gilvan, and Lucy Newman and Bob Dixon—exploring process-led, relational, and interdisciplinary practices. The exhibition questions the boundary between artist and artwork, presenting painting, drawing, and performance-led works that blur authorship and lived experience.

À Florence, une transformation silencieuse pour préserver son patrimoine

Florence is undertaking a major restoration of Giotto's Campanile, the first comprehensive conservation of the 14th-century bell tower since its construction. The project, budgeted at over €7 million, addresses decades of damage from pollution, acid rain, and natural aging, including detached stone slabs, darkened facades, and microfractures. The four-year scaffolding will be designed to minimize visual impact and gradually reveal restored sections. Separately, the Opera di Santa Maria del Fiore is executing a €60 million program to restore the Collegio Eugeniano (which will become its new headquarters) and expand the Museo dell'Opera del Duomo to 11,000 square meters by 2030. The Ponte Vecchio will also undergo summer cleaning and consolidation of its piles, funded equally by the municipality and the Antinori family.

L’offre de formation se développe

French art training institutions are expanding their curricula to include provenance research, responding to a 2022 government report that identified gaps in conservator education. The Institut national du patrimoine (INP) now offers seminars on Nazi-era spoliation (1933-1945) and has added a five-day provenance research module for external competition students since 2024-2025. Paris-Nanterre University launched a master's-level diploma in 2022 covering legal, historical, and methodological aspects of provenance research. The École du Louvre now offers a specialized master's in "sensitive goods and provenance research" addressing spoliated works, human remains, colonial acquisitions, and illicit trafficking, while also integrating provenance methodology into its general curriculum from master's level one.

Private Art Schools Enter a Period of Turbulence

Les écoles d’art privées traversent une zone de turbulence

A wave of bankruptcies and judicial reorganizations is hitting the private art education sector in France. Following the closure of the École d’art de Montreuil, the Académie des arts appliqués (AAA) in Dijon and the École supérieure de design in Troyes have both entered receivership. These institutions are struggling with severe financial deficits, unpaid staff, and a sharp decline in student enrollment, with some schools seeing their student bodies shrink by two-thirds in just four years.

At the INHA, the summer closure of the library revives the debate

À l’INHA, la fermeture estivale de la bibliothèque ravive le sujet

The National Institute for Art History (INHA) in Paris is facing backlash over its decision to implement a permanent two-week summer closure of its library every August. Originally introduced as a temporary measure during the 2024 Olympics and subsequent renovations, the closure is now being formalized by the administration despite a change in leadership. Staff and researchers have launched a petition, arguing that August is a critical period for international scholars and students who rely on the library’s extensive collections.

Strange Stranger at Timeshare

Contemporary Art Daily presents documentation of the exhibition "Strange Stranger at Timeshare," featuring 35 images and no videos. The page provides a visual record of the show without text descriptions or additional context about the artists, works, or venue involved.

Luca Vanello at Z33

The contemporary art center Z33 in Hasselt is hosting a solo exhibition by artist Luca Vanello titled "Withering into breath, wetness undoes itself." Running from February 12 through April 12, 2026, the presentation features a series of sculptural installations documented through extensive photography by Silvia Cappellari. The exhibition explores themes of materiality and transformation, characteristic of Vanello's practice of manipulating organic and inorganic substances.

Colossal Members Have Funded 100 Projects in K-12 Classrooms through DonorsChoose

Colossal has reached a significant milestone by funding 100 K-12 classroom projects across the United States through its partnership with the nonprofit DonorsChoose. Supported by a portion of Colossal Membership fees, the initiative has contributed over $13,000 to provide essential art supplies, sketchbooks, and equipment to students. The program places a special emphasis on supporting schools in Chicago, ensuring that young learners have the tools necessary for creative expression and artistic education.

Barry Webb Documents a Marvelous, Macro Array of Colorful Slime Molds

British photographer Barry Webb creates large-format macro photographs of slime molds, revealing their intricate, sculptural forms and vibrant colors. His work transforms organisms typically only a few centimeters tall into atmospheric, large-scale images that showcase a hidden world.

Art Retreats in the South of France Offer Mirth, Myth, and Mystery

The La Napoule Art Foundation has launched Threshold Art Retreats, a new program offering five-day immersive creative experiences at the Château de La Napoule on the French Riviera. The retreats combine hands-on artistic instruction with wellness activities like yoga and paddleboarding, led by mentors who are often former artists-in-residence at the château.

Folklore and Nature Converge in Cat Johnston’s Expressive, Eccentric Puppets

London-based artist Cat Johnston creates expressive puppets and sculptures that blend folklore, nature, and childhood memories into eccentric characters like a fashionable bat, a melancholy sun, and gods representing sunburn, hay fever, and insomnia. Her work, which draws on historical costumes and emotive, cartoonish faces, inhabits dreamlike realms where the familiar meets the strange.

Julien Bismouth “Exonumia” at Layr, Vienna

Artist Julien Bismouth presents his solo exhibition "Exonumia" at Layr gallery in Vienna. The show features new works that explore the transformation of meaning and the imposition of successive interpretations on the fabric of life, as suggested by the accompanying quote from philosopher Simone Weil.

“PAPER TIGER TELEVISION: It’s 8:30. Do you know where your brains are?” at Goldsmiths CCA, London

Goldsmiths CCA in London is hosting a retrospective exhibition dedicated to the influential US media collective Paper Tiger Television. The show features a large-scale installation of a shattered television frame as its entry point, evoking themes of media critique and technological disruption central to the collective's work.

Vietnam to Debut at 2026 Venice Biennale

Vietnam will make its historic debut at the 61st Venice Biennale in 2026 with its first-ever national pavilion titled “Viet Nam: Art in the Global Flow.” Located at the Ca’ Giustinian Faccanon palace and curated by Đỗ Tường Linh, the exhibition will feature works by ten contemporary artists, including a major immersive installation by Lê Hữu Hiếu. Hiếu’s contribution, titled "Tằm" (Silkworm), utilizes traditional materials like lacquer and jackfruit wood alongside live silkworms to explore themes of metamorphosis and memory.

Korea and Japan to Collaborate on Pavilions at Venice Biennale

Arts Council Korea has revealed the program for its national pavilion at the 2026 Venice Biennale. Curated by Binna Choi and titled "Liberation Space: Fortress/Nest," the exhibition will feature artists Goen Choi and Hyeree Ro, exploring the historical period between the end of Japanese colonial rule and the establishment of separate Korean governments. A key feature is artist Goen Choi's work *Meridian*, which will physically extend copper pipes from the Korean Pavilion into the adjacent Japanese Pavilion, marking the first formal collaboration between the two nations' presentations at the Biennale.

Beginnings: Mapping the Origins of Saudi Modern Art in Riyadh

Mapping Saudi Modern Art’s Origins: “Bedayat” in Riyadh

The exhibition 'Bedayat: Beginnings of the Saudi Art Movement' at Riyadh's National Museum showcased over 250 artworks from the 1960s to 1980s, a period of rapid modernization. It featured archival materials like exhibition catalogs and scholarship letters, alongside paintings grouped into themes such as 'Faces and Features' and 'Social Life,' though the curation largely avoided direct commentary on the era's intense socio-political debates.

chi too, 1981–2026

chi too, 1981–2026

Malaysian artist chi too, known for his multidisciplinary and community-focused work, passed away on March 7, 2026, at age 44. A self-taught artist, he was a key figure in Malaysia's alternative art scene, creating works across painting, performance, and installation that addressed identity and societal issues through a blend of humor and seriousness.

SPAIN ORIOL VILANOVA AND THE ABOLITION OF THE MUSEUM AND THE ARCHIVE

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring Vilanova's collection of postcards sourced from flea markets over more than twenty years. The work critiques traditional archival systems through accumulation, repetition, and fragmentation, and includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale.

Spain: Oriol Vilanova and the Abolition of the Museum and the Archive

ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.

‘MANA’ Exhibit to showcase the richness of Masungi through art - Pressenza

The National Commission for Culture and the Arts (NCCA) invites the public to 'MANA', a contemporary art exhibition organized by the Silaw Artist Collective at the NCCA Gallery in Manila from May 7 to 30, 2026. Curated by Eghai Roxas, the show features works by 15 artists including Melvin Culaba, Henri Cainglet, and Derick Macutay, exploring the tension between commodification and environmental conservation, with a focus on the Masungi Georeserve landscape.

NYA Collective: Bonnie Keren He Opens Solo Exhibition INNA BEAUTI at Flushing Town Hall Gallery

Bonnie Keren He, a 17-year-old artist born in New York and raised between Suzhou, China, and New York, opened her solo exhibition "INNA BEAUTI" at Flushing Town Hall Gallery in New York City on April 19, 2026. The exhibition, curated by Dr. Hao Qingsong, Cindy Jiang, and Grace Jiang, features works across media including colored pencil, acrylic, oil painting, embroidery, and performance art, exploring themes of cultural identity, memory, and inner reflection. Notable attendees included political figures Jimmy Meng and Ron Kim, and the opening was hosted by Ge Chen of Global Cloud Media.