Meet Kimie Joe | Artist and Gallery Owner

Kimie Joe, an artist and former engineer who worked on the International Space Station program and with Northrop Grumman, is the owner of the Gallery of Hermosa in downtown Hermosa Beach, California. In this interview, she discusses how her gallery serves as a cultural hub for emerging and established artists, offering rotating exhibits, workshops, and artist talks. Joe also shares her artistic practice, which blends materials like handmade ceramic tiles, epoxy resin, oil paints, and woven papers, drawing on her engineering background to create layered, tactile works that explore memory, place, and the natural world.

The Rothschilds and Sèvres Porcelain: A Collector's Passion at the Heart of an Exhibition in Paris

Les Rothschild et la porcelaine de Sèvres : une passion de collectionneurs au cœur d’une exposition à Paris

An exhibition at the Galerie des Gobelins du Mobilier national in Paris explores the Rothschild family's centuries-long passion for Sèvres porcelain. Titled "Sèvres, une passion Rothschild. De la Villa Ephrussi à Paris," it traces how the banking dynasty collected, traded, and bequeathed these delicate objects from the Ancien Régime, with a centerpiece table setting featuring pieces lent by family members from Vienna, England, and beyond. The show also highlights Béatrice Ephrussi de Rothschild, who amassed thousands of pieces and left them to the Villa Ephrussi de Rothschild, and includes a section on the Nazi looting of Rothschild collections in 1940, during which 22 Sèvres pieces were acquired by the Musée de Sèvres.

Provincetown art exhibit celebrates 50 years of coastal studies

A new art exhibition titled "Persistent Curiosity: Charting the Rippled Fabric of the Sea" has opened at the Provincetown Art Association and Museum (PAAM) to celebrate the 50th anniversary of the Center for Coastal Studies. The show runs from May 15 through July 19, with an opening reception on May 22.

Pahari art show opens in Washington​

A major exhibition of Indian art titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery of the National Museum of Asian Art in Washington, D.C. Running from April 18 to July 26, 2026, the show features 48 rare paintings created for Hindu kings in the Pahari region of north India between the 1620s and 1830s. Curators highlight the diversity of styles—from lyrical and naturalistic to boldly colored and abstracted—and emphasize the collaborative nature of the artist communities that produced these works. The exhibition includes pieces acquired from art historian Catherine Glynn Benkaim and Ralph Benkaim, some never publicly exhibited before, alongside loans from the Cleveland Museum of Art.

Tongue River Theory. davi de jesus do nascimento by Mateus Nunes

Brazilian artist davi de jesus do nascimento explores the intersection of poetry, memory, and the geography of the São Francisco River. Born in Pirapora, Minas Gerais, the artist’s work is deeply informed by his family's history of displacement due to the Sobradinho dam and the tragic loss of his mother to the river. His practice spans painting, installation, and performance, all rooted in a linguistic and philosophical framework he calls "Tongue River Theory."

Spectral Nomenclature. Anastasia Pavlou  by Arnisa Zeqo

Artist Anastasia Pavlou’s practice is explored through her engagement with literature, memory, and the materialization of language. Her large-scale paintings, which draw formal comparisons to Art Informel and Abstract Expressionism, function as conceptual lexicons where titles—often direct citations from writers like Dionne Brand and Virginia Woolf—carry as much weight as the paint itself. Works such as "The Reader Interrogates Narrative, but Poetry Interrogates the Reader" demonstrate her interest in the "spectral" side of nomenclature, where naming serves to summon ghosts of the past while acknowledging the failures of language to capture emotion.

“Everything looks dark now” at Bel Ami, Los Angeles

Bel Ami gallery in Los Angeles has opened a new exhibition titled "Everything looks dark now," which takes its name and conceptual framework from Anton Chekhov's play *The Seagull*. The show features a diverse group of artists whose works collectively explore themes of melancholy, reflection, and existential uncertainty, mirroring the atmospheric and introspective mood of Chekhov's text.

Kanitha Tith’s “Cycle of Life” at SNA Arts Management

Cambodian artist Kanitha Tith presents "Cycle of Life" at SNA Arts Management in Phnom Penh, a solo exhibition reflecting on nearly two decades of abstract practice. The show features her signature woven steel-wire sculptures, ink paintings created using metal strings as tools, and an oneiric video work titled "Boding" that explores the memory of the now-demolished White Building.

Hugo the Decorator

Hugo décorateur

An exhibition and accompanying book explore Victor Hugo's lesser-known role as an interior decorator, focusing on the elaborate interiors he created for his homes in Paris and during his exile on the island of Guernsey. Curator Gérard Audinet conducted extensive research to reconstruct these lost environments, which were filled with eclectic objects, artworks by friends, and prestigious gifts.

‘What My Mother Gave Me’: Monuments of Flesh

Nona Faustine’s first retrospective, ‘What My Mother Gave Me,’ is on view at the Center for Photography at Woodstock until 10 May 2026. The exhibition gathers nearly three decades of the artist’s work, spanning series such as *Young Mothers*, *Mitochondria*, and *White Shoes*, to explore themes of matrilineal memory, the Black female body, and the afterlives of slavery in urban spaces. Faustine’s photographs range from intimate depictions of young motherhood to defiant nude self-portraits that transform sites of erasure into counter-monuments of presence.

ART AFRICA to host 2nd NEW FUTURES ARTS COLLABORATIVE 2026, in Cape Town, South Africa.

ART AFRICA has announced an open call for the second edition of its NEW FUTURES ARTS COLLABORATIVE, scheduled for 2026 in Cape Town, South Africa. The residency, titled "De-composition, Extraction and Regeneration," invites artists to collectively explore themes of extractivism, ecological crisis, and social justice, using artistic practice as a tool for transformation and regeneration.

Sunkissed and the Poetics of Repetition.

Jeddah-based artist Ahaad Alamoudi presents 'Sunkissed' at the Sharjah Art Foundation, a solo exhibition curated by Amal Al Ali that explores the rapidly shifting cultural landscape of the Gulf. Through a series of newly commissioned and recent works, including looping videos and mechanical installations, Alamoudi utilizes repetition and pop-culture symbols like falcons and fly traps to examine how collective identity is negotiated amidst accelerated urban development and technological change.

In Dim Light, New Histories Emerge

Museo Afro Casa Silvana in Humacao, Puerto Rico, is hosting 'Dim Light: Afro-Puerto Rican Photography,' the first collective exhibition dedicated exclusively to Afro-Puerto Rican photographers. Featuring ten artists from the island and its diaspora, the show explores themes of spirituality, family, and resistance through a lens of self-representation. The works were previously debuted at the 3rd Black Brazil Art Biennial before returning to Puerto Rico for this landmark presentation.

MAFOLOFOLO: Sonic Cartographies of Return

The South African artist collective MADEYOULOOK has unveiled 'Mafolofolo' at Hangar – Centro de Investigação Artística in Lisbon. Curated by Margarida Mendes, the installation utilizes sound, oral histories, and liberation songs to map the complex relationships between land, memory, and dispossession in northern South Africa. The work, which originally debuted at documenta fifteen, has been reconfigured for this specific research-driven setting to explore themes of extraction and survival.

fashion courreges nicolas di felice anniversary

Nicolas Di Felice, creative director of Courrèges, discusses his fifth anniversary at the fashion house in a conversation with actress Juliette Binoche. Di Felice, who does not consider himself an artist, shares his process of creating cohesive runway shows that begin with a single flash of inspiration, while Binoche reflects on her own artistic journey, including her directorial debut documentary "In-I In Motion." The dialogue explores themes of trust, collaboration, and the balance between creative vision and business reality.

art panteha abareshi young artist

Panteha Abareshi, a 26-year-old Canadian-born artist based in Tucson, creates performances, videos, sculptures, and installations that explore their experience as a disabled and chronically ill person. Their work often tackles taboo subjects, such as a recent solo exhibition at Human Resources in Los Angeles that screened pornography and sparked discussion about the representation of disabled bodies in fetish materials. A key piece, "CAREGIVING," features a silicone hand with a finger pulled back by a string nailed into its own wrist, symbolizing the violent balance in medical care and caregiving.

art sam penn max battle photography book

Sam Penn and Max Battle have released a new photography and writing volume titled "Max," published alongside an exhibition at New York Life Gallery. The book features intimate and explicit photographs by Penn of her collaborator and partner Max Battle, interwoven with his written reflections, documenting their attempt to balance a private sex life with artistic practice. The exhibition includes 19 of Penn's works from the book printed at large scale, with the first image confronting viewers directly.

NEYRA PÉREZ: RETURN TO ROEBIRI

NEYRA PÉREZ: RETORNO A ROEBIRI

Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMING BLOOD, INHABITING ITS FLOW, DIMENSIONING THE WOUND

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMAR LA SANGRE, HABITAR SU FLUJO, DIMENSIONAR LA HERIDA

Mapuche visual artist and performer Kütral Vargas Huaiquimilla presents "Performance de la sangre" (Performance of Blood) at Galería Gabriela Mistral in Santiago, Chile. Based on the artist's 2024 novel of the same name, the exhibition utilizes video-performance, sculpture, and clinical materials like medication vials to explore the intimate and collective experience of living with HIV. The project marks a significant interdisciplinary intersection of Mapuche identity, pharmacology, and contemporary medicalization.

Rocío Sáenz: Wild Order

ROCÍO SÁENZ: ORDEN SALVAJE

Mexican artist Rocío Sáenz presents "Orden salvaje" (Wild Order) at the Museo de las Artes de la Universidad de Guadalajara (MUSA), an exhibition featuring over 60 works created over three years. Spanning painting, ceramics, photography, and drawing, the collection explores the tension between beauty and horror, specifically addressing the harrowing reality of forced disappearances in Mexico. The exhibition is designed as an open studio, showcasing the artist's creative process alongside finished pieces that utilize black humor and satire to navigate themes of death and reconstruction.

In the Studio with Jevon Brown

Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.

Art exhibition at Two Selves Gallery explores a journey through depression

Two Selves Gallery in Troy, New York, opened a new exhibition titled "Coming Out of Darkness: Landscapes of Presence" by artist Patricia Wood during the April Troy Night Out event. The show, on display through May, is divided into three sections: a series of acrylic paintings on black velvet depicting forest scenes from the Adirondacks, a middle section featuring reference photos, miniatures, encaustic works, and mental health resources, and a front section with oil paintings of Winnie the Pooh characters and Wood's jewelry. Wood describes the exhibition as a personal journey through depression, using light and dark to convey her struggle and recovery.

American Popular Art Museum Educates Young Art Mediators for the 2026 Popular Arts Encounter in Cerrillos

The American Popular Art Museum Tomás Lago (MAPA) in Chile has trained a group of children as art mediators for the 2026 Popular Arts Encounter in Cerrillos. The program, called "Art Mediators in Your School," began after the school Pedro Aguirre Cerda hosted its first community art encounter in 2022, initiated by educator Sandra Ramírez and local organizers. Ten children received training in cultural mediation and art appreciation at MAPA, then guided their peers through the exhibition. The collaboration has deepened, with MAPA now also contributing to curating and exhibit design for the 2026 edition.

Anders Dickson: rot in the small season @ KAYOKOYUKI

アンダース・ディクソン：rot in the small season @ KAYOKOYUKI

American artist Anders Dickson is presenting a solo exhibition titled "rot in the small season" at KAYOKOYUKI gallery in Tokyo. Running from March 19 to May 2, 2026, the exhibition showcases Dickson's unique aesthetic through a series of new works and an immersive installation within the gallery space.

SIU’s Sharp Museum seeking cryptid-themed art for juried exhibition

Southern Illinois University Carbondale's Sharp Museum is organizing a national juried exhibition titled "Spooks or Spoofs," centered on cryptid-themed art. The exhibition runs from August 11 to December 21, 2026, and welcomes all media except AI-generated images. Artists may submit up to three works, with a requested donation of $5–$10 per entry. The submission deadline is July 1, with jury results announced by July 14. The juror is Jeremy Efroymson, an artist, collector, and amateur cryptozoologist. The museum's curator of exhibits, T. Lance, highlighted local Illinois legends such as Bigfoot, the Big Muddy Monster, and the Enfield horror as inspiration.

Friend of X. A Conversation with Raque Ford by Qingyuan Deng

Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.

In the Studio with Harley Burns

Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.

Artworks by Mexican printmakers on display at TMoCA

An exhibition of artworks by Mexican printmakers is currently on display at the Tehran Museum of Contemporary Art (TMoCA). The show highlights the rich tradition of Mexican printmaking, featuring works from various artists that explore cultural and social themes.

Limited-edition exhibit ‘Gilded Glamour’ is open at Westmoreland Museum of American Art

The Westmoreland Museum of American Art in Greensburg, Pennsylvania, has opened a limited-edition exhibition titled 'Gilded Glamour,' showcasing works that explore opulence and decorative arts from the Gilded Age. The show features paintings, furniture, and decorative objects drawn from the museum's collection and select loans, highlighting the era's lavish aesthetic and cultural aspirations.

Art Museum of Southeast Texas exhibit captures essence of the Neches River

The Art Museum of Southeast Texas has opened a new exhibition centered on the Neches River, capturing its ecological and cultural significance through a range of artworks. The show features pieces by regional artists who explore the river's landscapes, wildlife, and its role in the community's history.