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mellon foundation emergency funding state councils neh cuts 1234740188

The Mellon Foundation, the largest funder of the arts and humanities in the U.S., announced $15 million in emergency funding to the Federation of State Humanities Councils (FSHC). The funds will be distributed to state councils in all 50 states and six jurisdictions, with each council receiving a $200,000 one-time grant totaling $11.2 million, plus $2.8 million in challenge grants requiring local matching. This comes after the Trump administration cut $65 million from the National Endowment for the Humanities budget that was earmarked for these councils, threatening severe deficits or closures. The cuts were justified by the federal government as necessary for fiscal priorities, with $17 million redirected to a Trump-designated National Garden of American Heroes.

‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.

Salisbury Cathedral restores stained-glass treasure by Edward Burne-Jones and William Morris

Salisbury Cathedral has completed a two-year restoration of a stained-glass window designed by Edward Burne-Jones and William Morris. The 6.5-metre "Angels" window, depicting ministering and praising angels, was carefully removed in February 2024, cleaned, and fitted with protective glazing and oak frames. Head glazier Sam Kelly, who began as an apprentice at the cathedral 40 years ago, led the project alongside colleagues Vicky Pearce, Kate Kersey, and Alfie Durrant. Lost details were restored on backing glass rather than the original surface, and the window will be rededicated at an evensong service on 7 May.

Read a book, flip off a Nazi: when reading meant resistance – in pictures

A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.

Sony world photography awards 2026 – in pictures

The 2026 Sony World Photography Awards have announced their top honors across professional, open, student, and youth categories. Notable winners include Citlali Fabián for her series on Indigenous activists in Mexico, Seungho Kim for a project exploring the intersection of parenting and pet ownership in South Korea, and Dafna Talmor for her abstracted, collaged landscapes. The winning works span a diverse range of subjects, from the documentation of a fire at the Royal Academy of Fine Arts in Stockholm to intimate portraits of faith at the Vatican.

All and Nothing review – inspiring tale of the Chinese artist who cultivated a grassroots scene in Cumbria

A new documentary film, 'All and Nothing,' profiles the life and legacy of Chinese artist Li Yuan-chia, who founded the influential LYC Museum and Art Gallery in rural Cumbria, England, in 1972. The film, directed by Liao I-ling and Chu Po-ying, uses his abstract art and archival materials to trace his journey from China and Taiwan to Italy and London, before he settled in Brampton.

In Bloom review – this riproaring history of botanical adventurers disturbs and delights

A major exhibition titled "In Bloom" explores the intertwined history of botanical science, colonialism, and human obsession with flowers. It features works and stories from figures like Mary Somerset, Carl Linnaeus, and Joseph Hooker, tracing how global plant collecting transformed European gardens and culture.

Tate St Ives to host first UK museum exhibition of groundbreaking artist

Tate St Ives will present the first UK museum exhibition of Aleksandra Kasuba, a Lithuanian American artist (1923–2019), from May 2 to October 4, 2026. The show spans seven decades of her career, featuring early paintings, mosaics, sculptures, and public artworks, including the spatial environment *Spectrum: An Afterthought* and a recreation of her *Live-In Environment*. Works are drawn from the Lithuanian National Museum of Art's collection, where Kasuba donated her pieces.

For the People: Lubbock’s First Friday Art Trail Engages Thousands of Art-Goers Each Month

Lubbock’s First Friday Art Trail (FFAT), now in its 22nd year, has grown from a small gathering of a few dozen attendees to regularly drawing thousands to the downtown arts district each month. In October 2025, the Louise Hopkins Underwood Center for the Arts (LHUCA) distributed 6,000 wristbands before running out. The event features exhibitions, open studios, craft vendors, music, hands-on activities, drinks, and food trucks, with streets closed to traffic and visitors moving on foot or by trolley. The trail began organically in August 2004, spearheaded by artist Steve Teeters of St. Eligius Studio, and was inspired by a First Friday event in Corpus Christi.

Artist and engineer Stern’s new exhibit examines intersection of art and technology

Artist and engineer Nathaniel Stern, in collaboration with poet Sasha Stiles, has opened a new exhibition titled "Generation to Generation: Conversing with Kindred Technologies" at the Kenilworth Square East Gallery in Milwaukee. The show features sculptures, prints, interactive pieces, and poetry created through a nuanced collaboration with artificial intelligence, aiming to explore the evolving dialogue between humans and their technological tools.

Penda Diakité talks prior to her solo art exhibition: Bokolo Roots

Portland-born artist Penda Diakité discusses her upcoming solo exhibition "Bokolo Roots" at Nine Gallery in Portland, opening December 4, 2025. The installation-based show explores bicultural identity through her lived experience between Mali and America, featuring ceramic clay sculptures created through a hands-on process involving plaster molds. Diakité previously exhibited at the Portland Art Museum in the group show "Black Artists of Oregon."

Prague Redefines Contemporary Art. Prague Art Week 2025 Recap.

Prague Art Week 2025 (PAW25) took place from September 25 to 28 across multiple venues in Prague, including the Mánes Exhibition Hall, galleries in Prague 1 and Prague 7, and the Trade Fair Palace of the National Gallery. The program featured exhibitions such as HAC#2 celebrating the 10th anniversary of the Havrlant Art Collection, group shows like Interlude at C12 gallery and IT at HYB4, solo exhibitions by Lenka Glisnikova and Stanislav Zábrodský, the Jindřich Chalupecký Award exhibition, and the duo show With Feathers and Flesh. Activities included guided tours, artist talks, and open studios, with works by Czech and international artists exploring themes of digital transformation, corporeality, identity, environmental crisis, and spirituality.

Young artists show their talent

The Young Artists’ Project (YAP) exhibition returns to the KZNSA Gallery in Durban, South Africa, from August 22 to September 21. Initiated in 2002 by then-curator Storm Janse van Rensburg, the annual project mentors emerging artists in producing their first solo exhibitions. This year features two artists: N’lamwai Luntha Chithambo, a Malawian-born painter who earned degrees from Rhodes University and has shown at the National Arts Festival and Sasol New Signatures; and Zama Mwandla, a South African surrealist painter whose work confronts sexual violence and healing, with exhibitions at the African Feminisms show and the 54th Art & Antique Fair in Salzburg.

Two New Exhibits at Penn’s Institute of Contemporary Art

The Institute of Contemporary Art (ICA) at the University of Pennsylvania has opened two new exhibitions. "Mavis Pusey: Mobile Images" (through December 7, 2025) is the first major museum survey dedicated to Jamaican-born geometric abstractionist Mavis Pusey (1928-2019), featuring over 60 works from her 50-year career, including her "Broken Construction" series. Co-organized with the Studio Museum in Harlem and curated by Hallie Ringle and Kiki Teshome, the show includes archival materials. The second exhibition, "Entryways: Xenobia Bailey" (through August 9, 2026), continues ICA's collaboration with textile studio Maharam, featuring a window installation by Philadelphia-based fiber artist Xenobia Bailey, curated by Denise Ryner.

Immersive experience featuring ‘costumed folk’ shortlisted for world's biggest museum prize

Five British museums have been shortlisted for the 2025 Art Fund Museum of the Year, the world's largest museum prize. The finalists are Beamish, The Living Museum of the North in County Durham; Chapter arts centre in Cardiff; Compton Verney gallery in Warwickshire; Golden Thread Gallery in Belfast; and Perth Museum in Scotland. Beamish, a 55-year-old open-air museum, recently completed its "Remaking Beamish" project recreating a 1950s town with 32,000 community members. Perth Museum opened in March 2024 after a £27m renovation and houses the Stone of Destiny. The winner will be announced on 26 June at the Museum of Liverpool, receiving £120,000, while each of the other finalists gets £15,000.

Two Thousand Seasons: A Conversation

The African Film Institute at e-flux launched its 2026 program with an event titled "Two Thousand Seasons: A Look Into 2026 and Beyond." The evening featured a screening of a curated playlist of film clips and works by artists like Ayesha Hameed, Ousmane Sembène, and John Akomfrah, compiled by Christian Nyampeta, followed by a conversation with Nyampeta, KJ Abudu, and Kaneza Schaal.

Introduction to the Dark Forest Theory of the Internet

The article explores the conceptual origins of the internet, tracing its development to figures like Douglas Engelbart and Jacques Vallée, whose work blended computing with cosmic and paranormal inquiry. It argues that early internet pioneers were deeply influenced by ideas of remote viewing, extrasensory perception, and the search for extraterrestrial intelligence, framing the network as a project of cognitive augmentation and alien encounter.

Images of a Visionary World

Film Notes has published an essay by Mats Antonissen analyzing Henri Michaux's 1963 film "Images du monde visionnaire." The essay situates the film within Michaux's decade-long exploration of psychotropic substances, the history of pharmaceutical filmmaking, and postwar avant-garde cinema. This publication coincides with an exhibition at the Vandenhove Centre in Ghent dedicated to the film and related works, on view through May 2026.

The Left Side of History: On Haile Gerima’s Black Lions—Roman Wolves

The article is a critical essay analyzing Haile Gerima's 2026 film 'Black Lions—Roman Wolves: The Children of Adwa,' focusing on its exploration of Italy's colonial occupation of Ethiopia and the repression of this history. The author uses a scene from Gerima's earlier film 'Teza'—featuring children playing near a decaying fascist monument in Ethiopia—as a starting point to discuss how colonial memory and trauma are cinematically excavated.

After Farce: Ubu, the Imperialist

The article examines the cultural and artistic response to Donald Trump's presidency, tracing how artists and critics initially invoked Alfred Jarry's absurdist character Ubu to make sense of Trump's first term. It argues that the second term has moved beyond farce into a normalized, active remaking of the international political order, with Trump pursuing overt imperial ambitions that exceed Jarry's original satire.

At Frieze New York and Beyond, Indigenous Artists Are in the Spotlight

At Frieze New York and other concurrent exhibitions, Indigenous artists Sara Flores, Suzanne Kite, and Seba Calfuqueo are presenting works that challenge and expand traditional definitions of Indigenous art. Their pieces are on view in New York, Venice, and beyond, marking a significant moment for contemporary Indigenous voices in the global art scene.

Stephanie Chernikowski, 84, Dies; Photographed the ‘Rough Magic’ of Punk

Stephanie Chernikowski, a photographer who documented the raw energy of New York City's punk scene in the 1970s, has died at age 84. She captured iconic images of bands like the Ramones, Blondie, and the Patti Smith Group performing at legendary clubs such as CBGB, preserving the "rough magic" of that era.

Tracking Down a Vase From ‘Bonjour Tristesse’

The New York Times has traced the whereabouts of a distinctive blue-and-white vase featured in the 1958 film 'Bonjour Tristesse,' directed by Otto Preminger. The vase, which played a prominent role in the film's set design, was discovered to be a piece by French ceramicist Georges Jouve and had been quietly residing in a private Los Angeles collection for decades.

Did Andrea Fraser’s Career Bloom Because Her Mother’s Career Died?

A New York Times article examines the complex relationship between artist Andrea Fraser's career and her mother's unfulfilled artistic ambitions. It details how Fraser's mother, a talented painter, largely abandoned her own practice to support her daughter's education and early career, a sacrifice that Fraser has grappled with both personally and within her institutional critique-focused artwork.

fashion louis vuitton artycapucines takashi murakami

Louis Vuitton has launched the Artycapucines VII collection, a collaboration with artist Takashi Murakami for its seventh edition of art-inspired handbags since 2019. Murakami was given full creative control over 11 new pieces, incorporating his signature motifs—such as rainbow grins, Monogram Multicolor in crocodile, skull camouflage, and tentacle-covered fuchsia calfskin—alongside a crystal-encrusted panda bag. The collection builds on over 30 previous artist collaborations with figures like Urs Fischer, Alex Israel, Park Seo-Bo, and Tschabalala Self.

Dries Verhoeven on Representing the Netherlands at the 61st Venice Biennale

Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.

Basel Abbas & Ruanne Abou-Rahme: Archivists and Activists

New York- and Ramallah-based Palestinian artists Basel Abbas and Ruanne Abou-Rahme present *Prisoners of Love: Until the Sun of Freedom* (2025), an hour-long four-channel film installation at The Bell/Brown Arts Institute in Providence. The work layers psychedelic imagery of figures in nature with spoken and written testimonies from Palestinians formerly detained by Israeli authorities, exploring themes of incarceration, surveillance, and resistance through fragmented montage and poetic text. The exhibition also includes drawings by Abou-Rahme’s father and printed screenshots of reflections on the genocide in Gaza.

Rafał Zajko Is Hatching a Plan

Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

Biennale Jogja 18 Review: Occasional Moments of Brilliance

The 18th edition of Biennale Jogja, titled 'KAWRUH: Land of Rooted Practices,' explores Javanese concepts of lived knowledge and alternative epistemologies to challenge Western, human-centric frameworks. The exhibition is split into two phases: a process-driven residency in Boro Hamlet and a larger presentation featuring 60 artists across 11 venues in Yogyakarta. While the show features standout works like Faisal Kamadobat’s mythological illustrations and Yuta Niwa’s cross-cultural mandalas, the physical experience is marred by unfinished venues and logistical hurdles.