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Christie’s expects Elaine Wynn’s collection to bring $75m, while her record-breaking Bacon triptych goes to Lacma

Christie’s will auction more than a dozen jewels from the collection of the late billionaire and philanthropist Elaine Wynn this autumn in New York, with total estimates exceeding $75 million. Highlights include Lucian Freud's *The Painter Surprised by a Naked Admirer* (2005) and Richard Diebenkorn's *Ocean Park #40* (1971), each estimated at $15–$25 million, alongside works by Joan Mitchell, J.M.W. Turner, Wayne Thiebaud, and others. Meanwhile, the crown jewel of Wynn’s collection—Francis Bacon’s 1969 triptych *Three Studies of Lucian Freud*, which she bought for a record $142.4 million at Christie’s in 2013—has been bequeathed to the Los Angeles County Museum of Art (Lacma) and will debut in its new David Geffen Galleries building next April.

Metropolitan Museum gifted 188 Dada and Surrealist works

The Metropolitan Museum of Art has received a promised gift of 188 Dada and Surrealist works from collector and trustee John Pritzker, known as the Bluff Collection. The gift includes pieces by Man Ray, Max Ernst, Marcel and Suzanne Duchamp, Jean Arp, Lee Miller, and others, with 35 works debuting in the upcoming exhibition "Man Ray: When Objects Dream" (14 September 2025 – 1 February 2026). Pritzker is also donating over 100 books and ephemera, and funding a new research initiative, the Bluff Collaborative for Research on Dada and Surrealism, through his family fund.

Baltimore Museum of Art Will Host Amy Sherald’s Canceled Smithsonian Show

The Baltimore Museum of Art (BMA) will host Amy Sherald's exhibition "American Sublime," which was originally scheduled to open at the Smithsonian's National Portrait Gallery on September 19. Sherald canceled the Smithsonian showing in July after learning the institution planned to remove her 2024 painting "Trans Forming Liberty," which depicts a transgender Statue of Liberty, to avoid provoking President Donald Trump, replacing it with a video instead. The exhibition, featuring about fifty works, had previously traveled from the San Francisco Museum of Modern Art to the Whitney Museum of American Art.

Huge fashion photography archive heads this month’s acquisition round-up

The New York Historical has acquired the vast archive of legendary New York Times fashion photographer Bill Cunningham, nearly a decade after his death in 2016. The collection includes tens of thousands of images, negatives, slides, contact sheets, and correspondence documenting Manhattan street style and high-society events over 50 years. Separately, the J. Paul Getty Museum received a gift of 38 Italian manuscript illuminations from T. Robert Burke and Katherine States Burke, doubling its holdings in that area. The Hamburger Kunsthalle purchased René Magritte's painting *Le Palais de Rideaux* (1928) for €2.4 million from a Belgian private collection.

Shaped By Histories: “Iñigo Manglano-Ovalle: A Want for Nothing” at the DePaul Art Museum

The article reviews the exhibition "Iñigo Manglano-Ovalle: A Want for Nothing" at the DePaul Art Museum, which presents the artist's multimedia works that explore themes of history, migration, and identity. Manglano-Ovalle's pieces, including video installations and sculptures, engage with personal and collective narratives, drawing on archival materials and contemporary issues.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

On Loss and Absence: Textiles of Mourning and Survival

The Art Institute of Chicago presents 'On Loss and Absence: Textiles of Mourning and Survival,' an exhibition running from September 6, 2025, to March 15, 2026. Featuring over 100 objects from antiquity to the present, the show draws primarily from the museum's own collection and is organized into four thematic sections: Death and Mourning, Transition of Realms, Care and Repair, and Resistance and Survival. Works include funeral hangings, burial cloths, mourning samplers, Indonesian ship cloths, a Taoist priest's robe, and contemporary pieces by artists such as Nick Cave, Carina Yepez, the Noqanchis collective, and Diné weaver Barbara Teller Ornelas. The exhibition is curated by four artist-educators from the School of the Art Institute of Chicago's Fiber and Material Studies department: Isaac Facio, Nneka Kai, L Vinebaum, and Anne Wilson, with senior museum advisor Melinda Watt.

Man Ray’s Mysteries, in Glorious Bloom at the Met

The Metropolitan Museum of Art is opening a major exhibition titled "Man Ray: When Objects Dream" on September 14, 2025, featuring 64 rayographs and about 100 other works by the artist from his most productive period in the late 1910s and 1920s. Curators Stephanie D'Alessandro and Stephen C. Pinson aim to separate fact from the artist's own mythology, while the exhibition's centerpiece is "Le Violon d'Ingres" (1924), the most expensive photograph ever sold at auction, purchased by museum trustee John Pritzker for $12.4 million at Christie's in 2022. The show also includes a previously unannounced promised gift of 188 artworks by Man Ray and his Dada and Surrealist cohort from Pritzker.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

8 Must-See Solo Gallery Shows in September

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for September, featuring artists from New York to San Francisco. Highlights include Yuan Fang's abstract exploration of her cancer journey at Skarstedt, Sam McKinniss's pop-culture-infused paintings at Jeffrey Deitch, María Berrío's mythological collages at Hauser & Wirth, and Maria Nepomuceno's contemporary take on ancient traditions at Sikkema Malloy Jenkins, among others.

Giorgio Armani, designer who changed how museums engage with fashion, has died aged 91

Giorgio Armani, the Italian fashion designer who bridged fashion and contemporary art, has died aged 91. Born in Piacenza in 1934, he founded his eponymous label in 1975 and became a global brand. In 2000, he became the first fashion designer to have a solo exhibition at the Solomon R. Guggenheim Museum in New York, curated by Germano Celant, which marked a turning point in how museums engage with fashion. In 2015, he opened Armani/Silos in Milan, a converted warehouse serving as an archive and cultural venue, hosting retrospectives of photographers Aldo Fallai and Peter Lindbergh. He also collected photography, sponsored exhibitions like Magnum on Set at the Museo della Permanente, and lent his archive to institutions including the Victoria and Albert Museum.

Dealers get creative pairing artists at Duet—just don’t call it an art fair

Duet, a pop-up exhibition conceived by curators Zoe Lukov and Kyle DeWoody, debuts in Manhattan’s Financial District with 11 galleries and a group show running until 8 September. Housed in the WSA building, each gallery occupies a glass-walled meeting room and pairs two artists around a thematic connection—such as Pace showing Nina Katchadourian with Matthew Day Jackson, or Galerie Sardine pairing Jenna Kaës with Anthony Banks. A group exhibition features works by Marina Abramović, Lynda Benglis, Maya Lin, Radcliffe Bailey, Karon Davis, Miles Greenberg, Carlos Motta, Sam Moyer, Brendan Fernandes, and Naama Tsabar, with performances by Fernandes and Tsabar.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

Giovanni Battista Piranesi: Visions of Grandeur

Middlebury College Museum of Art presents 'Giovanni Battista Piranesi: Visions of Grandeur,' an exhibition showcasing the 18th-century Italian printmaker, architect, designer, and antiquities dealer. The show features prints, drawings, a book, a map, and a recently acquired sculpture drawn from Middlebury's collections, augmented by loans from the Yale University Art Gallery, the Pierpont Morgan Library and Museum, and private collections. Curated by architectural history professor Pieter Broucke, the exhibition includes label texts researched by Middlebury students in a January 2025 curatorial lab course.

Can’t-Miss Chicago Art Moments: Fall 2025

The article previews three major art exhibitions in Chicago for fall 2025. Theaster Gates will present his first solo museum exhibition in his hometown at the Smart Museum of Art, featuring new installations derived from his collections of glass lantern slides, display vitrines, and the Johnson Publishing archive. Diane Simpson, at age ninety, makes her Art Institute of Chicago debut with an installation of three new works on the Bluhm Family Terrace, based on drawings from the mid-1980s. A comprehensive survey of Scott Burton, who died in 1989, opens at Wrightwood 659, showcasing nearly forty sculptures, photographs, ephemera, and the only known video of his performance work.

Ten surprises at the National Gallery’s five-star Van Gogh exhibition

The National Gallery in London opened its exhibition "Van Gogh: Poets & Lovers" (14 September 2024–19 January 2025) to five-star reviews, attracting a record 335,000 visitors. The article reveals ten surprising details about individual paintings on loan from around the world, including a self-portrait that once hung in the American ambassador's residence in Regent's Park, a painting executed on a dish towel when Van Gogh ran out of canvas, and the revelation that casino mogul Steve Wynn owns The Trinquetaille Bridge. Other surprises include a stark white replica frame for Roses, inspired by frames designed by Dr. Paul Gachet, and the fact that The Public Garden, Arles is owned by a foundation set up by Bernard Arnault, the world's third richest person.

Don’t Miss These September Museum Exhibits in NOLA

New Orleans museums are launching several major exhibitions in September 2025. The Ogden Museum of Southern Art presents "Flags of Our Mothers" (September 13–March 8, 2026) featuring Raven Halfmoon's largest ceramic sculptures, and "The Unending Stream: Chapter II" (September 27–March 15, 2026) showcasing six local photographers. The New Orleans Museum of Art opens "Dawoud Bey: Elegy" (September 26–January 4, 2026), a photography and film installation exploring African American historical memory.

Smithsonian leader asserts ‘authority over our programming’ in letters to staff and Trump White House

Smithsonian Secretary Lonnie G. Bunch III sent letters to the White House and staff asserting the institution's independence after President Donald Trump ordered a comprehensive review of eight Smithsonian museums. The review, initiated by an August 12 White House letter, targets exhibitions, collections, and programming for alleged bias and divisive content. Bunch stated the Smithsonian is conducting its own internal review to ensure nonpartisan, factual programming, emphasizing that the institution retains authority over its content. The letters follow Trump's social media attack on the Smithsonian and an earlier executive order directing Vice President J.D. Vance to remove what the administration calls 'race-centred ideology.'

Amy Sherald, Having Canceled Her Smithsonian Show, Will Take Paintings to Baltimore

Amy Sherald has canceled her planned exhibition at the Smithsonian’s National Museum of African American History and Culture in Washington, D.C., and will instead bring her paintings to the Baltimore Museum of Art. The decision follows a period of reflection and logistical challenges, with the Baltimore venue offering a more intimate and locally resonant setting for her work.

Reynolds works acquired by Waddesdon Manor under UK's acceptance in lieu scheme

Two major paintings by 18th-century British artist Joshua Reynolds—David Garrick Between Tragedy and Comedy (1761) and Portrait of Joanna Leigh, Mrs Richard Bennett Lloyd (1775-76)—have been acquired by Waddesdon Manor in Buckinghamshire under the UK’s acceptance in lieu (AIL) scheme. The works, from the estate of Jacob Rothschild who died in February 2024, settled a combined £24.5 million in inheritance tax. Both paintings had been on loan to Waddesdon Manor, a National Trust property managed by Rothschild, since 1995.

Capturing a Major Artist in Print

The Syracuse University Art Museum has opened a new exhibition titled “What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem, running from August 26 through December 9. Curated by Melissa Yuen, the show features 56 works—including prints, paintings, photographs, and letters—by Frankenthaler and her contemporaries, highlighting her experimental approach to printmaking over nearly 50 years. The exhibition includes 11 prints and process proofs gifted by the Helen Frankenthaler Foundation in 2023, along with 24 works borrowed from national and area collections, and draws on Frankenthaler’s correspondence with artist Grace Hartigan.

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

Krannert Art Museum’s opening turned a gallery into gathering

Krannert Art Museum in Champaign-Urbana, Illinois, reopened after an 18-month closure for repairs and upgrades with a celebratory evening event. The crowd included students, retirees, new faculty, and local dignitaries such as Champaign Mayor Deborah Frank Feinen and Urbana Mayor DeShawn Williams. Speeches emphasized the museum's role as a community anchor, and performances by Peruvian Quechua hip-hop artist Liberato Kani and dancer Yana Paqcha energized the space. Attendees explored newly reinstalled collections, including works by Thomas Gainsborough and Nicola Victor Ziroli, as well as exhibitions like "Fragmented Histories: Andean Art Before 1600" and "Ronny Quevedo: a l l s t a r s."

Amy Sherald's canceled Smithsonian art show comes to Baltimore

Artist Amy Sherald has canceled her scheduled exhibition at the Smithsonian's National Portrait Gallery in Washington, D.C., due to censorship concerns over her painting "Trans Forming Liberty," which depicts the Statue of Liberty as a Black trans woman. The exhibition, titled "Amy Sherald: American Sublime," will instead travel to the Baltimore Museum of Art (BMA), where it will run from November 2, 2025, to April 5, 2026. Sherald will also receive one of the museum's "Artist Who Inspires" awards at its 2025 BMA Ball on November 22. The show is a mid-career survey of Sherald's work, previously shown at the San Francisco Museum of Modern Art and the Whitney Museum of American Art.

A former director at Lower Manhattan galleries goes it alone Uptown

Christiana Ine-Kimba Boyle, a former director at Lehmann Maupin, Canada, and Pace, has launched Gladwell Projects, a nomadic gallery with a staff of one. The gallery's second show, "The Spirituality of Color," opens October 3 in a Harlem townhouse, featuring works by Sam Gillam, Kylie Manning, and others. Its first show, "The Metroplex," was held in collector Christie Williams's Dallas home during the Dallas Art Fair, resulting in acquisitions by the Dallas Art Museum. Ine-Kimba Boyle aims to present blue-chip rigor at a smaller, community-focused scale, part of a "Domestic Interventions" series in private homes.

Vermeer’s vandal: the untold story of a vicious attack at London's National Gallery in 1968

In 1968, Vermeer's painting *Young Woman Seated at a Virginal* (1670-72) was vandalized at the National Gallery in London. An unidentified attacker used a sharp instrument, likely a razor blade, to cut around the woman's head, attempting to remove it entirely. The damage was discovered hours later by a visitor, and the painting was swiftly restored; previously unreleased photographs of the attack have now been supplied to The Art Newspaper. The vandal was never caught, and their motivation remains unknown.

The new U-Haul Art Fair is pulling up in Chelsea

A new art fair called U-Haul Art Fair will take place in Chelsea, New York, from September 5-7, 2025, with ten exhibitors presenting work from the backs of rented U-Haul trucks parked streetside. Organized by James Sundquist and Jack Chase of the nomadic U-Haul Gallery, the fair features galleries including Nino Mier Gallery, Hexton Gallery, and Autobody Autobody, with each participant paying $2,500 in fees. The exact location is being kept secret but will be between 10th and 11th avenues and 20th and 30th streets.

Seeing double: Vermeer painting and its mysterious ‘twin’ go on show in London

Kenwood House in London has opened a new display, "Double Vision: Vermeer" (1 September 2025 – 11 January 2026), pairing Vermeer's "The Guitar Player" (1672) from its own collection with its mysterious "twin," "Lady with a Guitar," on loan from the Philadelphia Museum of Art. The exhibition reignites a century-old debate over which painting is the original, as the Philadelphia version has long been questioned since the Kenwood version emerged in 1927. Recent scientific analysis reveals differences in ground layers and pigment use—the Kenwood painting features ultramarine while the Philadelphia version uses cheaper indigo—and experts like former Rijksmuseum specialist Gregor Weber suggest the Philadelphia work may be an early copy.

Fall Arts Preview

The article previews the Fall 2025-26 arts and entertainment season in Richmond, Virginia, highlighting cultural venues and events across the city and surrounding counties. Key highlights include the new Foyer Gallery, which opens with a solo exhibition by Patrick Berran titled "Burn Blue," and the Allianz Amphitheater at Riverfront, which closes its inaugural season with performances by James Taylor, Leon Bridges, Steve Martin and Martin Short, and Tedeschi Trucks Band. Other venues mentioned include The National, The Valentine, and Hanover Tavern, along with events like "InLight" at Abner Clay Park and a concert by Jason Mraz.

The Big Review | 65,000 Years: A Short History of Australian Art at the Potter Museum of Art, Melbourne ★★★★★

The article reviews the exhibition "65,000 Years: A Short History of Australian Art" at the Potter Museum of Art, University of Melbourne. The show features over 400 works, including 194 loans from 78 lenders, spanning 11 rooms and a decade of planning. It highlights rarely seen bark masterpieces from Arnhem Land, such as Woŋgu Munuŋgurr's "Djapu’ miny’tji" (1942), and juxtaposes colonial depictions with Indigenous perspectives, including works by William Barak and John Glover. The exhibition is on track to become the most visited in the museum's history.