Rosewood Arts Center in Kettering, Ohio, has announced the opening of its 32nd annual The View Juried Landscape Exhibition, running from June 8 through July 18, 2026. The exhibition features 48 works selected by juror Rebecca Foley from 308 submissions by 114 Ohio-based artists, with awards totaling $1,100. A free public reception and awards presentation will take place on July 18.
An art exhibition titled "El Arte de la Resistencia" opened in Tucson, featuring artwork created by migrant children who have participated in La Ristra's art therapy program. The show includes life-size paintings, such as a boy's self-portrait with an excavator in his belly symbolizing his deported father's work, and a colorful cactus painted by another child. The exhibition, held in a small gallery near Fourth Avenue and Seventh Street, runs until May 17, 2026, with original pieces for sale to benefit the young artists and prints sold to raise funds for La Ristra, a nonprofit providing emotional support to migrant families.
Frieze New York has opened with strong early sales, particularly in the Focus section, which is dedicated to emerging and underrepresented artists. This year's Focus prize was awarded to W Galería for its presentation of Seba Calfuqueo, a Mapuche artist whose work addresses colonialism, environmentalism, and gender identity through ceramic sculptures and hair-based materials. Her pieces are priced between $8,000 and $40,000, reflecting the market's growing interest in politically engaged contemporary art.
Artist and educator Diego Romero is opening a new gallery called Rayo del Alma in Santa Fe, located at 130 W Palace Avenue. The space, which has been in planning for decades, will feature works by local artists including Maggie Hanley, Donica Dominguez, Oriana Lee, and Marie Maez, alongside Romero's own multimedia photography. The gallery also offers vintage Western wear, jewelry, prints, and stickers, aiming to reflect the collaborative and artisanal spirit of New Mexico. Romero, a Las Vegas, New Mexico native with a background in multimedia and digital media, draws inspiration from his grandfather, who taught him photography with a 35mm Mamiya camera. His practice focuses on nighttime sky shots printed through an aluminum process, capturing the movement of the cosmos in still images.
A ten-day collagraph printmaking exhibition opened on Wednesday at Kaalnee Art Studio in Rayer Bazar, Dhaka. The exhibition features 19 prints by 14 artists, created during a four-day workshop led by UK-based Bangladeshi artist Zaman Md Fakruzzaman and coordinated by Tarek Amin, jointly organized by Kaalnee Art Studio and the East London Academy of Art. Notable artists including Abul Barq Alvi, Nisar Hossain, Shishir Bhattacharya, Saifuddin Ahmed, Rashid Amin, and Tarek Amin attended the opening ceremony.
The Norman Firehouse Art Center in Norman, Oklahoma, will present "Sohail & Co.," a summer exhibition focused on figure drawing and sculpture, on view from May 13 to August 7, 2026. The show brings together artists connected to the University of Oklahoma School of Visual Arts, exploring how the human figure evolves from observation to finished form across drawing, ceramics, and sculpture. An opening reception on May 13 will also feature the unveiling of "Rooted," a new public sculpture by undergraduate student Isabella Clark, installed in the Firehouse park as part of the Lions Park Sculpture Garden initiative.
Christian Art has launched the Faith Art Prize, a rebranded international award formerly known as the Laudamus Award, celebrating contemporary art that engages with faith, prayer, and the sacred. The prize offers a total fund of £30,000, including a £25,000 first prize donated by John J Studzinski CBE, and is open to artists worldwide working in any medium. Up to 100 shortlisted works will be exhibited at Westminster Cathedral and Westminster Cathedral Hall from 9–13 November 2026, with a People's Choice Award of £5,000 selected by public vote. The exhibition coincides with the Christian Art Conference 2026 at the QEII Centre, London.
At the 2026 Venice Biennale, Somalia has established its first-ever national pavilion, commissioned by the Somali government to showcase the richness of Somali culture through the theme of Saddaxleey, a triadic form of Somali poetry and proverbs. The pavilion features works by Somali Swedish artist Ayan Farah, UK-based Somali Danish multidisciplinary artist Asmaa Jama, and Somali British poet Warsan Shire. However, a collective of queer Somali artists, curators, and culture workers called Warbixinta Cidda has publicly criticized the pavilion for overrepresenting the diaspora, selecting an all-male advisory board, and appointing an Italian co-curator instead of Somali curators, raising concerns about representation and neocolonialism.
The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.
The Cincinnati Art Museum has announced its first full-scale scholarly exhibition of works by Cincinnati-based artist Charley Harper, titled "The Art of Charley Harper: Creatures Wild and Tame." The exhibition will run from October 16, 2026, through March 7, 2027, featuring around 150 works, including ten large paintings commissioned by the U.S. National Park Service that were only briefly displayed in Washington, D.C., in the 1990s. The show is presented in partnership with the Charley Harper Art Studio and marks the artist's first museum retrospective.
The UAE Pavilion at the 61st Venice Biennale presents 'Washwasha,' an exhibition curated by Bana Kattan with assistant curator Tala Nassar. The show features six artists—Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva—whose works explore the concept of whispering in Arabic, encompassing oral history, language, rumor, and daily noise. Installations include glass sculptures, sound-based pieces from barbershops and farms, and a reconstructed hammam installation by Al Malhi that plays recordings of wedding rituals. The exhibition runs until November 22.
Gallery 50 in Waynesboro, Pennsylvania, will host an opening reception for its new exhibition “Here Comes the Sun” on Friday, May 8, from 5:30 to 8 p.m. The show features 11 local artists—Jonathan Frazier, Robyn Jacobs, Sarah Maclay, Pat McCleary, Mary Moores, Judy Pyle, Jayne Shord, Anne St. John, Lindsay Tozier-School, Anita Williams, and Marti Yeager (also the gallery’s curator)—with works in oil, acrylic, pastel, photography, watercolor, and enamel on copper. The evening includes free refreshments, live music from Sons of Pitches, and the unveiling of a new mural by California-based artist Nigel Sussman, whose large-scale, hand-drawn murals feature fantasy architecture and imaginary machines.
British artist Stuart Robertson's solo exhibition 'Through The Artist’s Eye' at Bikaner House in Delhi showcases works created during an 18-month residency at Dr Shroff’s Charity Eye Hospital in Daryaganj. The show features photography, drawings, bronze sculptures, and cyanotype prints capturing the daily life of the hospital, its patients, staff, and the surrounding Chandni Chowk neighborhood. Robertson initially sold two watercolor works to a Delhi-based eye surgeon, donated the earnings to the hospital, and was subsequently invited to become an artist-in-residence.
A new exhibition titled "From Hermès to Home" at the Waco Welcome Center showcases the work of internationally acclaimed artist Kermit Oliver alongside local artists Cade Kegerreis and Vincent Thomas, who were mentored by Oliver. Oliver is the only American artist to have designed scarves for Hermès, and the show features his iconic scarf designs alongside paintings and self-portraits by all three artists, marking the first time their work has been exhibited together. The exhibition coincides with a limited-edition re-release of Oliver's scarf design "Faune et Flore du Texas" and the upcoming publication of a book about him by Texas A&M University Press.
CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.
Tashkeel, a Dubai-based art organization founded in 2008 by Sheikha Lateefa bint Maktoum bin Rashid Al Maktoum, is presenting "Unfolding," the debut solo exhibition by Emirati artist Moza Al Falasi. Opening May 12 at Tashkeel's Nad Al Sheba 1 Gallery, the show marks the culmination of Al Falasi's participation in the Tashkeel Critical Practice Programme (CPP), where she was mentored by Luisa Menano and Hanaa Bou Hamdan. The exhibition explores memory, loss, and the passing of time through photography, sound, painting, plaster, and fabric, reflecting on inherited grief and personal loss, including the deaths of her parents and husband.
Mark Seidenfeld, a Hamptons-based abstract painter, will present a solo exhibition titled "Uncharted Waters" at the newly renovated Corwith Homestead Tractor Barn, part of The Bridgehampton Museum in New York. The show runs from June 4 to June 21, 2026, and features paintings that transition from representational work into fully realized abstraction, exploring themes of depth, gesture, and discovery through layered and revised compositions.
The Power Plant Contemporary Art Gallery in Toronto has opened a new interactive exhibition titled "Colourful Parachutes: Imagining Alternative Futures Through the Power of Play," running until September 7. The show features 10 international and local artists and breaks the traditional gallery rule of "do not touch" by inviting visitors to play, climb, and alter the artworks. Curated with children in mind, the exhibition includes works like Harold Offeh's immersive installation "The Mothership Collective 2.0," which uses music, video, and interactive elements to encourage imaginative thinking about the future.
The article reviews 'Threading Inwards,' an exhibition at the Centre for Heritage, Arts and Textile (CHAT) in Hong Kong, curated by Wang Weiwei, Eugene Hannah Park, Kurosawa Seiha, and Wang Huan. It features 14 artists from across Asia who use textile as a medium to explore themes of spirituality, memory, and cultural heritage. Works include Han Sang A's 'Threshold' series, Hu Yinping's 'Soul Bottle' series, and pieces by Aziza Kadyri, Mooni Perry, Citra Sasmita, IV Chan, and Chen Zhe, among others.
Dubai-based Indian Folk Art Corridor (IFAC) held its first-ever exhibition in Mumbai, titled 'Harshit — Experience the Joy of Indian Arts' (April 6–11). The show featured 30 artists—15 from the UAE and 15 from India—curated by IFAC founder Vidisha Pandey. It showcased diverse Indian folk and tribal art forms including Kalighat, Madhubani, Sohrai, Bhil, Warli, Pichwai, Miniature, Jogi, Manjusha, and Tholu art. Dignitaries such as Maharashtra Minister Ashish Shelar, singer Anup Jalota, and actress Sadhna Singh attended. Several artworks were acquired, including a Tholu piece by Shelar and two works by Shoma Banerjee purchased by Jalota; Pandey's works were placed at the Ministry of Culture in Mumbai.
Emma Lamb, a South Devon-based 3D mixed-media artist, has opened a new exhibition titled *Long Live the Wilderness Yet* at Lukesland Gardens near Ivybridge. The show features two of her major series, *Reviving Mires* and *Fragmented Forest*, both inspired by Dartmoor’s fragile ecosystems. Lamb uses handmade paper, natural fibers, pigments, and experimental techniques such as inks made from air pollution to create works that explore peatlands and temperate rainforests. The exhibition runs until early June, and Lamb will also host a workshop in June teaching participants to create collages using natural materials.
Louisville Metro Department of Corrections (LMDC) has partnered with the Portland Museum to display artwork created by inmates in the 'Chance 4 Change' program, a voluntary 90-day substance abuse treatment initiative. The exhibition, titled 'Human, Too,' features paper-based works by at least ten inmates and will run through the end of August, with a public reception scheduled for Friday evening.
The Leominster Public Library recently hosted the annual Head Start Art Show, an event showcasing creative works by preschool-aged children from the local MOC Child Care and Head Start Center. The exhibition featured a variety of media, including three-dimensional canvas pieces made with twigs and glitter, and brought together students, families, and community leaders to celebrate early childhood creativity.
The Margate Art Museum is currently hosting its annual open art exhibition, featuring the work of South Coast-based artist Celeste van der Merwe. Her highlighted painting, 'Knitting the Nations: Will I See Them Again?', depicts a woman knitting textured patches that represent different continents and countries. The piece uses symbolism to explore the emotional weight of global migration and the fragility of family bonds when loved ones are scattered across the world.
Artist Jeremy Okai Davis has launched a solo exhibition titled “Presence of Color” at the Harvey B. Gantt Center for African-American Arts + Culture. The show, curated by Dr. Tamara Brothers, features large-scale paintings that utilize a pixelated, neo-impressionist style to depict Black figures and historical icons like Angela Davis. The works specifically address the history of "Shirley Cards"—color-calibration tools used by Kodak that were based on white skin tones, effectively marginalizing Black subjects in film photography for decades.
The Yale School of Art is hosting "Tender Hell," an exhibition showcasing the thesis work of five Master of Fine Arts students in graphic design. The show features the work of Michael Stevens, Amy Fang, David Wonsik Jung, Camille J. Gwise, and Izza Alyssa, who utilize diverse media including collage, metal sculpture, and large-scale grids to explore the intersection of design and personal narrative.
Conroe-based artist Dirk Strangely is set to debut a new series of portraits titled "Souls of the Titanic" during a commemorative exhibition and dinner in Texas. The artworks are created using a unique process the artist calls "Artifactism," which incorporates authenticated coal recovered from the Titanic wreckage in 1994. By grinding the coal into a pigment through levigation, Strangely has produced watercolor paintings of notable figures such as Captain Edward John Smith and Molly Brown, accented with 24k gold leaf and 1912-era paper.
The Arts Club of Chicago is currently hosting "Into Your Arm’s Length," a solo exhibition by New York-based artist Oren Pinhassi. The installation features a series of anthropomorphic sculptures crafted from sand and polymer, which Pinhassi integrates with rigid architectural elements like steel bedframes, glass panels, and venetian blinds. These hybrid forms create a surreal landscape where bulbous, organic shapes appear to interact with or "clutch" domestic furniture, challenging the viewer's perception of texture and weight.
The Massillon Museum is currently hosting "Isabelle Crawford: Pure Potentiality," a solo exhibition in its Studio M space featuring paintings and drawings by the Akron-based artist. Crawford’s work explores the intersection of human connection and perception, reflecting her commitment to using art as a tool for community engagement and social change. The exhibition, which runs through April 26, will be supplemented by a featured interview with the artist on the museum’s "MassMusings" podcast.
The group exhibition ‘Bándearg’ (Pink) is set to open at Books At One in Louisburgh, County Mayo, featuring the work of five female artists based in Ireland. The show explores the color pink as both a physical medium and a complex cultural symbol, showcasing a diverse range of artistic approaches including the bold, hard-edge op art of Elphin-based artist Nickie Harrington.