Female artists and new buyers breathe life into the art market

The global art market contracted by 12% in 2024, falling to an estimated $57.5 billion in sales from its 2022 peak, according to the Art Basel and UBS Art Market Report 2025 compiled by Dr. Clare McAndrew. Despite the overall decline, the number of transactions grew by 3%, driven by a broadening collector base and increased engagement with more affordable works. The report highlights a surge in interest in female artists, with galleries raising their representation to 41%, and notes that art fairs remain the most common entry point for new buyers. The Aotearoa Art Fair, opening May 1-4 at Auckland's Viaduct Events Centre, exemplifies these trends with strong Indigenous and Pacific representation, emerging artist platforms like Horizons 2025, and affordable works under $5,000 from established galleries such as Gow Langsford Gallery.

Don’t miss these 7 fantastic new London art exhibitions arriving in May 2025

Seven new art exhibitions opening in London in May 2025 are highlighted, including Do Ho Suh's 'Walk the House' at Tate Modern, the reopening of the National Gallery's Sainsbury Wing, and the V&A East Storehouse opening. Other shows include 'Fake Barn Country' at Raven Row, 'Encounters: Giacometti' at Barbican, and 'Hiroshige: Artist of the Open Road' at the British Museum, alongside a photography takeover at Somerset House.

Many Hands Make Great Work at the Weatherspoon’s Student-Curated Show

Cannon Crawford-Wilson, a sculpture and ceramics student at UNC Greensboro, took Art History 490: Museums and Exhibition Spaces and helped curate the exhibition “Embodied: Finding Meaning in the Human Form” at the Weatherspoon Art Museum. Under the guidance of Dr. Emily Stamey, she and her classmates selected artworks, wrote labels, and designed the gallery layout for the Spring 2025 season, working with museum staff like preparator Susan Taaffe. The show features pieces such as Toyin Ojih Odutola's “What’s in a Mistake?” (2014) and Do Ho Suh's “Bowl with Hands.”

Art Brussels 2025 Is Keeping Up with Its European Art Fair Cousins

Art Brussels returned for its 41st edition from April 24-27, 2025, at Brussels Expo Hall on the Heizel Plateau in Laeken, Belgium. The fair featured 165 galleries from 35 countries, 38% of which were first-time exhibitors, showcasing works by over 800 artists across five curated sections: Prime, Solo, Discovery, '68 Forward, and Invited. New initiatives included The Screen, a curated video art section selected by KANAL-Centre Pompidou’s Eliel Jones and filmmaker Alex Reynolds, and Monumental Artworks, a large-scale sculpture section curated by Carine Fol. Highlights included works by Kai-Chung Chang, Guy Van Bossche, Mircea Suciu, Bendt Eyckermans, and others, alongside a special edition of the Belgian Art Prize marking its 75th anniversary.

Activity and optimism at Expo Chicago attest to the city's 'fearless' community of collectors and patrons

Expo Chicago's 12th edition opened at Navy Pier on April 24, featuring over 170 galleries from 36 countries, with a strong South Korean contingent supported by the Galleries Association of Korea and notable participation from Canada, Latin America, and smaller US cities. Highlights include a knitted men's locker room installation by Nathan Vincent at Walter Maciel Gallery and a video project by Deborah Oropallo and Andy Rappaport at Catharine Clark Gallery, alongside a tribute to veteran gallerist Rhona Hoffman, who is closing her namesake gallery after nearly 50 years.

Rose Art Museum Expands Collection with Sam Hunter Committee Acquisitions of Works By Dhambit Munuŋgurr and Yu-Wen Wu

The Rose Art Museum at Brandeis University has acquired works by artists Dhambit Munuŋgurr and Yu-Wen Wu for its permanent collection, selected by the Sam Hunter Emerging Artist Fund Committee. Munuŋgurr's piece, Bäru (2024), is a larrakitj memorial pole reimagined with white clay and ultramarine, while Wu's Recitations (2024) is a wall installation made from Taiwanese tea, gold, and red thread. Both works will debut in the exhibition Fabricated Imaginaries: Crafting Art opening August 20, 2025.

Expo Chicago connects the Midwest to the global art market

Expo Chicago returns for its second edition under Frieze ownership from April 24-27, featuring over 170 galleries from 93 cities across 36 countries. The fair includes 50 new exhibitors, a new partnership with the Galleries Association of Korea bringing 20 South Korean galleries, and a curated sector called Contrast. Local stalwarts like Rhona Hoffman and Gray gallery are participating, balancing international growth with Midwestern roots.

Jennie C. Jones on her sonic sculptures on the Metropolitan Museum's roof

Artist Jennie C. Jones has unveiled 'Ensemble', a new site-specific commission for the Metropolitan Museum of Art's Roof Garden, on view until October 19. The installation features stark, powder-coated aluminum sculptures inspired by stringed instruments—a zither, a harp, and a Blues-inspired one-string—that incorporate acoustic elements, inviting viewers to listen as well as look. This is Jones's second large-scale outdoor project, following her 2020 work 'These (Mournful) Shores' at the Clark Art Institute, which used Aeolian harp principles to evoke the Middle Passage.

India

The article is a promotional notice for The Art Newspaper's digital newsletter, inviting readers to subscribe for a daily digest of essential news, views, and analysis from the international art world. It includes standard footer information such as copyright and social media follow links.

Michaelina Wautier review – an astounding lost artist steps out of her male contemporaries’ shadows

A major exhibition at the Royal Academy is presenting the work of 17th-century Flemish painter Michaelina Wautier, an artist whose significant oeuvre was long misattributed to her male contemporaries, including her brother Charles. The show acts as a real-time art historical investigation, using scientific analysis, scholarship, and connoisseurship to reconstruct her career and assert her authorship of ambitious works like the monumental 'The Triumph of Bacchus'.

london national gallery staff cuts

London's National Gallery is implementing significant staff reductions and program changes to address a projected £8.2 million ($11.2 million) budget deficit. The museum has launched a voluntary exit scheme for employees and will cut public programs, aiming to reduce the deficit by £2.6–3 million through personnel costs. The remaining shortfall will be addressed through other operational cuts.

national gallery of art artemisia gentileschi painting

The National Gallery of Art in Washington, D.C., has acquired its first painting by Baroque artist Artemisia Gentileschi, titled *Mary Magdalene in Ecstasy* (ca. 1625). The work, once thought lost, resurfaced in a French private collection in 2011 and was sold at Sotheby's in 2014 for $1.1 million, setting a then-auction record for the artist.

istanbul biennial ends early curator resigns

The current Istanbul Biennial, titled "The Three-Legged Cat," will end prematurely after its first leg because curator Christine Tohmé resigned due to personal circumstances. The biennial was conceived as a three-part show spanning three years, with an academic program planned for 2026 and a second exhibition set for 2027. The first exhibition ran from September 20 to November 23 across eight venues in Istanbul, attracting over 600,000 visitors. The Istanbul Foundation for Culture and Arts (IKSV), which manages the event, announced the conclusion and stated that planning for the 19th Istanbul Biennial in 2027 will begin soon, with a curator announcement expected in 2026.

louvre museum acquires first video mohamed bourouissa

The Musée du Louvre has acquired its first video work, *Les 4 temps (The 4 Seasons)*, created by Algeria-born artist Mohamed Bourouissa. The piece centers on the Tuileries Gardens in Paris, which connect the museum to the Place de la Concorde, and also references the 4 Temps mall in La Défense where Bourouissa grew up. The video will be on view in the Salle de la Chapelle from October 22 through January 19, 2026. The acquisition follows Bourouissa's year-long Instagram takeover for the Louvre, during which he posted 52 weekly videos that garnered millions of views.

White Stripes Frontman Jack White Is Showing Art at Damien Hirst’s Gallery

Jack White, frontman of the White Stripes, is opening a sculpture exhibition at Damien Hirst’s Newport Street Gallery in London. Titled “Jack White: THESE THOUGHTS MAY DISAPPEAR,” the show runs from May 29 to September 13 and features found-object sculptures, furniture designs, notebooks, and photography. White and Hirst first met in 2021 when White was opening a Third Man Records store near Hirst’s studio, and Hirst encouraged White to mount a show after seeing his artwork.

michael h smith dealer curator artist dead

Michael H. Smith, an artist, dealer, and curator who played a pivotal role in developing Southern California's art scene in the 1970s and '80s, died on October 31 in Santa Barbara at age 80. Smith opened his eponymous gallery in Los Angeles in 1971, later became a partner at the Jack Glenn Gallery, and served as director of the Baxter Art Gallery at Caltech from 1977 to 1982, where he staged exhibitions for artists including Hans Haacke, Richard Tuttle, and Berenice Abbott. He also founded a consultancy for artists, taught at UC Irvine, and worked as a conceptual photographer whose works were exhibited by dealer Craig Krull.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

Richter works from gallerist Marian Goodman and Donald Judd pieces lead Christie's New York auctions

I lavori di Richter della gallerista Marian Goodman e le opere Donald Judd guidano le aste di Christie’s a New York

Christie's New York spring sales opened on May 20, 2026, with two major collections: the minimalist art collection of Henry S. McNeil Jr. and works by Gerhard Richter from the collection of legendary gallerist Marian Goodman. The 42-lot session achieved $162.7 million, with 98% sold by lot. The 21st Century Evening Sale alone reached $136.8 million, a 42% increase over May 2025 and Christie's highest result for the category in five years. Top lots included Donald Judd's "Untitled" (1969) at $12.8 million—a new auction record for a Judd stack—and Richard Artschwager's "Two-Part Invention" (1967) which soared to $635,000 from an estimate of $60,000–80,000. The Goodman collection of eight Richter works, all guaranteed, generated $78.8 million, exceeding expectations.

A $1B Evening With Nicole Kidman

Hyperallergic's newsletter reports on a record-setting $1 billion evening sale at Christie's on May 18, which included works by Jackson Pollock and Constantin Brancusi alongside Hollywood star Nicole Kidman. Other stories cover an exhibition at the DuSable Black History Museum and Education Center celebrating Black American artists in Paris, a painted book cover trend analyzed by Tara Anne Dalbow, a Gaza Square sculpture unveiling in Paterson, New Jersey, and a performance event by Bahar Behbahani on Governors Island.

‘Her crotchless trousers are etched in my brain for ever’: Valie Export remembered by the artists she influenced

Valie Export, the pioneering Austrian feminist artist known for provocative performances like *Tapp-und-Tastkino* (1968) and *Genital Panic* (1969), is remembered by four artists she influenced: Peaches, Florentina Holzinger, Joan Jonas, and Candice Breitz. Each shares personal reflections on Export's radical use of the female body as a political weapon, her confrontational public interventions, and her legacy of civil disobedience against patriarchal structures.

What Does a Booth Cost at a New York Art Fair?

Hyperallergic surveyed 13 New York art fairs about their booth pricing, revealing a wide range of costs from $3,500 at NADA Projects to over $105,000 for large booths at Frieze. The article details specific pricing tiers at Frieze ($31,977–$105,717), NADA ($3,500–$11,000), and Independent ($110 per square foot), noting that Frieze has kept 2025 prices for its 2026 edition and that NADA's costs have remained stable since 2022. The investigation also highlights the debut of the Sherman Family Foundation Acquisition Fund at Frieze and the partnership between Independent and the Henry Street Settlement.

Maia Chao Performs the Museum

Artist Maia Chao will activate the seventh-floor galleries of the Whitney Museum of American Art with her performance "Being Moved" as part of the 2026 Whitney Biennial programming. The work explores the theatricality and choreography of a museum visit, examining the gap between the fantasy of profound encounter and the ambivalence of spectatorship. Chao, who studied cultural anthropology at Brown University and grew up with artist parents in Providence, Rhode Island, approaches the museum as a structure that quietly trains behavior and participation. Her earlier projects include "My Business (Cards)" (2017), which invokes Adrian Piper's work, and "Look at Art, Get Paid" (2015–20), which paid non-museum-goers to serve as guest critics.

Sophia Rivera’s Mythology of Everyday New York

The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.

Alla Tate Modern di Londra arriverà una super mostra di Claude Monet nel 2027

The Tate Modern in London has announced its 2027 program, headlined by the first solo exhibition ever dedicated by the institution to Claude Monet. Titled "Monet: Painting Time," the show opens on February 25, 2027, and explores the Impressionist founder's relationship with time against the backdrop of the industrial era. It will feature celebrated works and rarely seen canvases from international lenders, supported by Morgan Stanley and AI company Anthropic. The exhibition follows an initial presentation at the Musée de l'Orangerie in Paris starting September 30, 2026, which marks the centenary of Monet's death with 40 paintings from the Musée d'Orsay and Musée Marmottan, including a virtual reality component. The iconic Water Lilies series and the 1877 masterpiece "The Arrival of the Normandy Train, Gare Saint-Lazare" will travel to London.

The Kyrgyzstan Pavilion at the Venice Biennale Builds a Bridge Between Two Cultures

Il Padiglione del Kirghizistan alla Biennale di Venezia getta un ponte tra due culture

Alexey Morosov presents "BELEK" at the Kyrgyzstan Pavilion of the 61st Venice Biennale, a project inspired by the mountainous landscapes, glaciers, and brutalist dams of Kyrgyzstan. Combining video, sculpture, painting, and sound, Morosov explores water as a key resource for the future and a deep cultural memory of Central Asia, linking the region's hydro-engineering transformations with the nomadic heritage of the Kyrgyz people. The project centers on the traditional equestrian game Kok-Börü, which Morosov describes as constitutive of Kyrgyz identity, and features centaur-like figures made from raw earth used in local dwellings.

American Folk Art Museum Workers Picket Gala, Calling for Higher Wages

Workers at the American Folk Art Museum in New York City, represented by UAW Local 2110, picketed the museum's annual gala at the Mandarin Oriental in Manhattan on May 6, 2026. They demanded higher wages and better benefits after contract negotiations stalled for nearly two years. Frontline workers earn $19 per hour, about $12,000 below the city's living wage, while the museum's CEO Jason Busch earned $321,882 in 2024. The union requested a three-year contract raising wages to $30 per hour, but management offered only $21.50 and refused to guarantee existing benefits, leading to the protest.

An Unlikely Friendship Between Artist and Forger

The article reviews Steven Soderbergh's 2026 film "The Christophers," which follows an unlikely friendship between two painters in London: Julian Sklar (Ian McKellen), an older artist facing cancellation, and Lori Butler (Michaela Coel), a young painter who restores and forges artworks. The film explores themes of attention, artistic legacy, and the purpose of art, contrasting with darker narratives like "Tár" by offering a comedic yet profound take on these issues.

Remembering Georg Baselitz, Nicole Hollander, and Doris Fisher

Hyperallergic's weekly 'In Memoriam' column honors seven figures from the art world who recently passed away, including German Neo-Expressionist painter Georg Baselitz, feminist cartoonist Nicole Hollander, and arts patron Doris F. Fisher, co-founder of The Gap. Other notable figures remembered are photographer Stephanie Chernikowski, West Coast assemblage artist George Herms, Spanish artist and designer José María Cruz Novillo, and Bay Area muralist Dan Fontes. The article provides brief biographies and highlights of their contributions to visual art, photography, comics, and public art.

Pussy Riot Storms Russia Pavilion at Venice Biennale

Pussy Riot staged a dramatic protest at the Russia Pavilion during the Venice Biennale, releasing pink smoke and waving Ukrainian flags while chanting slogans like 'Blood is Russia’s art.' Around 50 protesters, including members of Femen, occupied the area. Pussy Riot founder Nadya Tolokonnikova called for the pavilion to be closed and given to oppressed peoples, challenging Biennale president Pietrangelo Buttafuoco to meet her. The protest lasted about 20 minutes, with performers climbing the pavilion and exposing political slogans on their chests.

Pussy Riot and FEMEN Join Forces in Punk Protest in Venice: ‘Russia Kills! Biennale Exhibits!’

On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.