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Modern and Contemporary African and Middle Eastern Art: Olympia Auctions’ Largest Sale to Date

Olympia Auctions will hold its largest-ever sale of Modern and Contemporary African and Middle Eastern Art on May 7, 2025, in London. The auction features over 100 lots including works by pioneering Nigerian artists appearing at auction for the first time, Egyptian modernists from the Zulficar collection, classic South African paintings from a major collection, and Botswanan works on paper. Highlights include a portrait of Oum Kalthoum by George Bahgoury (estimate £25,000-30,000) and satirical portraits by Kingsley Obasi. Olympia Auctions expert Janet Rady, who has led the secondary market for Middle Eastern art since 2013, curated the sale.

US participation in 2026 Venice Biennale in limbo amid Trump's arts defunding

The United States' participation in the 2026 Venice Biennale is in jeopardy due to the Trump administration's campaign to defund the arts. According to a Vanity Fair report by Nate Freeman, the US government's preparation is behind schedule, with the typical 18-month planning timeline now reduced to just 12 months before the opening. The National Endowment for the Arts (NEA) faces funding cuts, staff reductions, and a vacant position for coordinating biennale affairs, while the application process has been altered to emphasize "American values" and remove references to diversity, equity, and inclusion.

MSU Broad Museum showcases 'Nabil Kanso: Echoes of War' for first time in Michigan

Michigan State University's Broad Art Museum is presenting "Nabil Kanso: Echoes of War," the first Michigan exhibition of the Lebanese-American artist's work. On view through June 29, the show spans over four decades of Kanso's large-scale, expressive paintings that document the human toll of war, including works addressing the Lebanese Civil War, the Gulf War, and the Syrian conflict. Curated by Rachel Winter in collaboration with the Nabil Kanso Estate and professor Salah Hassan, the exhibition features "Scorching Sparks" (1980s), a painting never before publicly exhibited. Winter first encountered Kanso's work in 2022 and worked with his family to bring the show to fruition, timed to coincide with the 50th anniversary of the Lebanese Civil War and Arab American Heritage Month.

Masterworks from Jacob Rothschild collection go to London's National Gallery and V&A under acceptance in lieu scheme

Two masterworks from the collection of the late Jacob Rothschild—Guercino's *King David* (1651) and John Deare's *Edward and Eleanor* (1790)—have been allocated to London's National Gallery and the Victoria and Albert Museum (V&A) respectively under the UK's acceptance in lieu (AIL) scheme. The Guercino painting settles £5.6 million in inheritance tax, and will be reunited with two related Guercino works already at the National Gallery. The marble relief by Deare enters the V&A's collection.

London's National Gallery buys mysterious altarpiece for $20m

London's National Gallery has acquired a mysterious altarpiece, "Virgin and Child with Saints Louis and Margaret and Two Angels" (1500-10), for just over $20 million in a private sale arranged through Sotheby's. The painting, funded by the American Friends of the National Gallery London, was sold by a descendant of the Blundell family and had been kept on the Lulworth Estate in Dorset. The artist remains unknown, with proposed names including Jan Gossaert, Jean Hey, and the Master of Saint Giles, and no other works by the same hand are known. The altarpiece was last publicly exhibited in 1960 and has only recently been shown privately to specialists, who remain divided on its attribution.

To make up for NEH grants cancelled by Trump, Mellon Foundation gives $15m to US humanities organisations

The Mellon Foundation has announced $15 million in emergency funding for humanities councils in all 50 US states and six territories, after the Trump administration and the Department of Government Efficiency (DOGE) cancelled approximately $65 million in grants from the National Endowment for the Humanities (NEH). The NEH cuts, which affected over 6,600 local organizations, were redirected toward presidential priorities including a planned patriotic sculpture park called the "National Garden of American Heroes" and a new "Celebrate America!" grant program for the 250th anniversary of the Declaration of Independence. The Mellon Foundation's president, Elizabeth Alexander, stated the funds aim to preserve the operational integrity of museums, libraries, and historical societies nationwide.

National Gallery spends £16m on altarpiece by unknown artist

The National Gallery in London has purchased a 500-year-old altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels*, for £16.4 million from an anonymous owner. The painting, created between 1500 and 1510, is of unknown authorship—experts cannot agree whether the artist was Netherlandish or French, with candidates including Jan Gossaert and Jean Hey. The oak panel was felled around 1483, and the work was first documented at the priory of Drongen in Ghent in 1602. It was sold through Sotheby’s with support from the American Friends of the National Gallery London and had been kept at the Lulworth Estate in Dorset, home of the Weld family.

Daniel Johnston: I Think, I Draw, I Am

Daniel Johnston: I Think, I Draw, I Am is the largest New York solo exhibition of work by musician and artist Daniel Johnston (1961-2019). Curated by Lee Foster, co-owner of Electric Lady Studios and Curatorial Advisor for the Daniel Johnston Trust, the show features over 300 drawings that reveal the psychological depth and formal inventiveness of Johnston's comic-inspired art. Johnston first gained fame as a lo-fi musician in Austin, Texas, in the 1980s, and his graphic art reached a national audience when Kurt Cobain wore his Hi, How Are You? T-shirt at the 1992 MTV Music Awards.

‘It’s much more extreme’: US institutions and artists enter a new culture war

Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.

Royal exhibition to recount 40 years of Charles on tour in 70 artworks | King Charles III

Buckingham Palace will host a special exhibition titled "The King’s Tour Artists," showcasing 70 artworks created by 42 artists who accompanied King Charles III (then Prince of Wales) on official tours over the past 40 years. The tradition began in 1985 when Charles invited artist John Ward to join a visit to Italy, and has since spanned 95 countries across 69 tours, with many works being displayed to the public for the first time. The exhibition includes pieces by artists such as Susannah Fiennes, Mary Anne Aytoun Ellis, Richard Foster, and Phillip Butah, capturing moments from tours to Hong Kong, Guyana, the Galápagos, and beyond.

A Landmark Show Returns, Looking for Blackness in a PersonalWay

The sixth edition of the Studio Museum in Harlem’s landmark group survey exhibition has returned, taking a deeply personal and introspective approach to exploring Blackness. The show is described as political yet inwardly focused, operating at a quieter metabolism than previous iterations, emphasizing individual perspectives over broad declarations.

A Storied Rockefeller Art Trove Goes on View at Asia Society

The Asia Society in New York has unveiled a major exhibition drawn from the Rockefeller family's extensive collection of Asian devotional sculptures. The show, curated by the institution's own critic, spans 70 years of acquisitions and features works the critic was personally involved in installing decades ago.

An English Countryside Home That Became Lovelier the More It Fell Apart

The article profiles the unique aesthetic and historical significance of Kettle's Yard, a house in Cambridge, England, created by Jim Ede. Ede, a former Tate curator, transformed a series of dilapidated cottages into a living work of art and a haven for modern artists in the mid-20th century. He filled the space with a carefully arranged collection of modern art, natural objects, and furniture, embracing the building's worn, imperfect character rather than restoring it to pristine condition.

Iran Will Not Participate in Venice Biennale, Organizers Say

Iran will not participate in the 61st Venice Biennale, which opens for previews this week, the Biennale Foundation announced on May 4. The decision comes two months after the United States and Israel launched strikes across Iran, and amid renewed tensions along the Strait of Hormuz. The Iranian pavilion was to be commissioned by Aydin Mehdizadeh Tehrani, director general of the visual arts office in the Iranian Ministry of Culture. Iran has had inconsistent attendance at the Biennale since 1958, with a long absence between the 1960s and 2003, but has participated semi-consistently over the last two decades, most recently in 2024.

California Museum to Remove Cesar Chavez From Hall of Fame Following Abuse Allegations

The California Museum in Sacramento plans to remove labor leader Cesar Chavez from its California Hall of Fame. This unprecedented action follows a New York Times investigation detailing allegations that Chavez sexually abused multiple girls and engaged in misconduct with women in the United Farm Workers movement during the 1970s.

Wexner Center for the Arts Workers Call for Institution to Be Renamed Over Top Funder’s Epstein Ties

Unionized workers at the Wexner Center for the Arts in Columbus, Ohio, have demanded that the institution remove the name of top funder Les Wexner from its moniker, citing his close ties to convicted pedophile Jeffrey Epstein. In a letter to Ohio State University leadership, Wexner Workers United (WWU) argued that Wexner’s name on the building harms the center’s mission and community trust. Wexner, a billionaire retail magnate and art collector, donated $25 million to the center’s construction in the 1980s and has been mentioned over a thousand times in the Epstein Files; Epstein victim Virginia Giuffre named Wexner as among those she was trafficked to, though Wexner denies the allegations.

Seattle Art Museum Workers Announce Unionization

More than one hundred employees at the Seattle Art Museum (SAM) announced their intent to unionize on May 13, delivering a letter to museum director and CEO Scott Stulen. Organizing as Seattle Art Museum Workers United (SAMWU) under the Washington Federation of State Employees/AFSCME Council 28, the staff—spanning over twenty departments—cited unsustainable wages, subpar health benefits, and top-down decision-making as key issues. They filed for an election with the National Labor Relations Board but will withdraw the petition if the museum voluntarily recognizes the union by May 27. Stulen acknowledged receipt of the letter and committed to good-faith negotiations.

EAT/ART Space to inhabit ETSU's Tipton-Ashe Galleries

EAT/ART Space, a collaborative project merging food and visual art, will take over ETSU's Tipton-Ashe Galleries. The initiative transforms the gallery into an interactive environment where visitors can engage with art through culinary experiences, blurring the lines between gallery viewing and dining.

Art House Productions presents "Playing Favorites"

Art House Productions in Jersey City, NJ, presents "Playing Favorites," a solo exhibition by artist Bryant Small, curated by Andrea McKenna. The show runs from May 2 to May 31, 2026, at the Art House Gallery, featuring a selection of Small's most cherished works, many never publicly exhibited before. The exhibition includes an opening reception on May 2 and an artist talk on April 17, with all artwork available for purchase in person and online.

Institutions Across the US to Benefit from Transformative $116 Million Gift to National Gallery

Billionaire collector and National Gallery of Art trustee Mitchell P. Rales has donated $116 million to the museum. The gift, the largest programming endowment in the institution's history, will fund the 'Across the Nation' initiative, which loans works from the National Gallery's permanent collection to small and midsize museums across the United States for two-year periods at no cost to the borrowing institutions.

‘Lillian Pitt: Art, Memory, Home’ exhibition to open May 21 at The Museum at Warm Springs

A major exhibition titled 'Lillian Pitt: Art, Memory, Home' opens at The Museum at Warm Springs on May 21, featuring the contemporary art of celebrated Pacific Northwest Native artist Lillian Pitt alongside works from her personal collection and other institutions. The show, curated by Angela Anne Smith with contributions from Rebecca Dobkins, explores six themes in Pitt's life and work and includes an opening reception sponsored by The Ford Family Foundation.

Color them talented: Teen artists offered big scholarship money

Two Illinois high school seniors, Dashiell Speir and Hazel Anderson, received substantial art-school scholarship offers after participating in the Illinois High School Art Exhibition's northern regional show. Speir, a student at Downers Grove North High School, was offered $524,000 in scholarships, while Anderson, from Central High School in Burlington, received $372,000 in offers. Speir plans to attend the College of DuPage before transferring to a four-year school, and Anderson intends to enroll at the School of the Art Institute of Chicago.

“Double Outsider”: in the London studio of artist Pavel Otdelnov

Russian contemporary artist Pavel Otdelnov has established a home studio in London, where his domestic environment serves as an extension of his artistic practice. Following his relocation in 2022, Otdelnov has integrated Soviet-era motifs—such as wall carpets and television color grids—into his English terraced house to explore themes of memory and the 'uncanny.' His recent works, including 'Unheimlich' and 'No Signal,' utilize these familiar objects to critique how nostalgia can be weaponized and how violence often hides within the mundane.

RELEASE: Christie's Spring Auction Series in New York Achieves a Combined Total of $1.79 billion - Christie's

Christie’s concluded its Spring auction series in New York with a historic total of $1.79 billion, bolstered by the landmark sale of the Peggy and David Rockefeller Collection. The two-week marathon featured high-profile evening and day sales that attracted over 85,000 visitors and bidders from 52 countries. Significant results included record-breaking prices for artists such as Kazimir Malevich, Constantin Brancusi, and Joan Mitchell, alongside major works by Francis Bacon and Vincent van Gogh.

For Which It Stands...

The Fairfield University Art Museum has launched "For Which It Stands…," a landmark exhibition featuring over 70 artworks that utilize the American flag as a central motif. Curated by Carey Mack Weber, the show spans more than a century of artistic production, from World War I-era paintings by Childe Hassam to contemporary works by artists such as Julie Mehretu and Danielle Scott. The exhibition is a centerpiece of the university's America250 programming, marking the 250th anniversary of the United States.

LS Lowry leads the way as North Yorkshire art auction tops £215,000

Tennants Auctioneers in North Yorkshire achieved a total of £215,990 during its Modern and Contemporary Art Sale on February 28. The auction was led by works from LS Lowry, including the signed print 'Going to the Match' which fetched £35,000 and the drawing 'Children in a Crowd' which sold for £25,000. Other significant results included works by Brian ‘Braaq’ Shields, Geoffrey Key, and a David Hockney etching, contributing to a high 96 per cent sell-through rate.

UK artist resale right at 20: how successful has the pioneering scheme been?

The UK's Artist Resale Right (ARR), a law entitling visual artists to royalties from secondary market sales of their work, marks its 20th anniversary. Initially met with fierce opposition from auction houses and dealers who feared it would drive high-value sales offshore, the scheme is now largely accepted by the UK art trade, though concerns about administrative burdens compared to markets like New York and Hong Kong remain.

Booming stock market is fueling a mega-billion return to classic art and a backlash to junk

A booming stock market and increased disposable income among the ultra-wealthy have fueled a $2.2 billion fall auction season in New York, led by Gustav Klimt's "Portrait of Elisabeth Lederer," which sold for $236.4 million at Sotheby's. Other major sales include Frida Kahlo's "El sueño (la cama)" setting a record for a female artist at $55 million, and Mark Rothko's "No. 31 Yellow Stripe" fetching $62 million at Christie's. The surge is attributed to a convergence of high-quality estates coming to market—including those of Leonard Lauder, Robert and Patricia Ross Weis, and Jay and Cindy Pritzker—and renewed confidence among wealthy buyers after a stagnant period for art prices.

The Ohio Art League's Newest Exhibit Features Uncensored, Provocative Art at RAW Gallery

The Ohio Art League has opened a new exhibition titled "Uncensored" at RAW Gallery in Downtown Columbus, running from July 13 through September 12, 2025. The show features provocative, unfiltered artworks that address politically charged topics such as gun violence and reproductive rights. Participating artists include Jim Bowling, a professor at Otterbein University, whose sculpture "Second Amendment Rites" critiques gun violence and was previously questioned for being "too political"; Gwen Waight, whose assemblage "Free Abortion" was censored in another show over funding concerns; and Kenia LaMarr, a master's student at Ohio State University, whose painting "Virtuous Intimacy" explores the sexualization of women's bodies. The exhibition is free and open to the public.

Students curate the past and look toward the future: SVAD centennial exhibition showcases 100 years of art at USC

Students at the University of South Carolina curated "Generations: 100 Years of Art at USC," a centennial exhibition at the McKissick Museum celebrating the School of Visual Art and Design (SVAD). Developed in an exhibition design course taught by museum director Lana Burgess and professor Susan Felleman, the show traces the art department's history from its founding in 1925 by Katherine Heyward to its current status as the state's largest art program. Junior art history major Agostina Mercado and her classmates researched archives, conducted oral histories with former faculty like Philip Mullen, and uncovered themes of mentorship and community that have defined the school for a century.