Expo Chicago, the city's major international art fair, has opened its 2024 edition at Navy Pier with a redesigned floor plan intended to improve visitor flow and gallery visibility. The fair features over 170 galleries from 29 countries, with a notable contingent of Chicago-based exhibitors and a special section dedicated to art from the African diaspora.
The Independent art fair in New York has relocated from Spring Studios in Tribeca to Pier 36 on the East River, doubling its footprint while slightly reducing the number of exhibitors from 87 to 76. The move creates a more spacious, single-level layout with larger stands and improved circulation, allowing for more ambitious installations. Dealers report strong early collector turnout, with over a third of exhibitors presenting solo stands by artists showing in New York for the first time, including Omar Mismar and Julia Maiuri. Notable presentations include Charles Moffett’s revival of late textile artist Silvia Heyden, James Fuentes’s cross-generational downtown New York showcase, and a large-scale installation by Gretchen Bender.
A miniature portrait of Friedrich III (Frederick the Wise) by Lucas Cranach the Elder, missing since World War II, has been returned to the State Art Collections of Dresden, Germany. The painting was last documented in May 1945 in a limestone quarry shelter near Pockau-Lengefeld before vanishing. It resurfaced in 2024 when consigned to Parisian auction house Artcurial, whose provenance investigation revealed a matching inventory number from 1722–1728. The Dreyfus family in France, the modern owners, returned the work after negotiations and a financial agreement. It is now on view at the Coin Cabinet of the Royal Palace in a special exhibition marking the 500th anniversary of Friedrich III's death, and will later be permanently displayed in the Semper Gallery.
independent 2026 exhibitor list
Independent has unveiled the exhibitor list for its 17th edition, scheduled for May 14–17, 2026. The fair is relocating to a new venue at Pier 36 in New York’s Lower East Side and will feature 76 exhibitors showcasing over 100 artists. Notably, more than 70 percent of the booths will be dedicated to solo presentations, including a special solo project by Rei Kawakubo for Comme des Garçons and sculptural installations by Gretchen Bender and Francis Upritchard.
Untitled Art, Miami Beach has announced the 157 exhibitors for its 2025 edition, running December 3–7 on Miami Beach. The fair introduces a new “Artist Spotlight” section organized by artist Petra Cortright, alongside its main Galleries section and the reimagined Nest section curated by Jonny Tanna. Notable first-time exhibitors include Meliksetian | Briggs, PALMA, and Soho Revue in the main section, while several galleries have switched from NADA and Art Basel Miami Beach, including Kavi Gupta returning after a lawsuit hiatus. The fair also features Allison Glenn as curator of site-specific Special Projects.
Galerie Gmurzynska is relocating its New York operations to the historic Fuller Building at 595 Madison Avenue later this month. The gallery, which had been at 43 East 78th Street since 2018, will inaugurate its new space on September 16 with an exhibition of works by Joan Miró and Roberto Matta. The Fuller Building, an Art Deco landmark built between 1928 and 1929, was once a major hub for New York galleries, housing such notable dealers as Pierre Matisse, Charles Egan, André Emmerich, and Marlborough-Gerson.
Intersect Aspen Art and Design Fair returns for its 2025 edition from July 29 to August 3, featuring the largest roster of galleries and programming in its 15-year history. Highlights include works by Shepard Fairey, Pierce Brosnan, and Fernando Botero, with artists such as Cristina Mittermeier, David Drebin, and Kay Seohyung Lee in attendance. The fair will also host talks and signings with photographer Maryam Eisler and a panel on art and the Aspen community.
London Gallery Weekend (LGW) returned for its fifth edition from June 6 to 8, 2025, drawing art enthusiasts across 126 participating spaces despite dark clouds and drizzle. The event showcased cutting-edge performances, digital experiments, and bold textile art, but faced challenges as several trendy younger galleries—including Union Pacific, Guts Gallery, The Sunday Painter, and Xxijra Hii—chose not to participate this year. The weekend also overlapped with the debut London edition of South by Southwest (SXSW), a tech and arts conference that brought 20,505 pass-holders from 77 countries, including King Charles III, and featured visual art offerings such as LDN LAB curated by Alex Poots. While SXSW included works by Andy Warhol and Beeple, coordination between the two events was minimal, though a hastily planned SXSW VIP gallery tour occurred before LGW officially began.
Swiss-born textile artist Silvia Heyden (1927–2015) devoted over half a century to weaving nearly 800 innovative tapestries, despite early discouragement from pursuing violin-making due to her gender. A new exhibition, “Improvisational Nature: The Weavings and Drawings of Silvia Heyden,” at Charles Moffett gallery in New York (through June 7) marks her first solo show in the city and her first U.S. exhibition of tapestries and drawings since 1972. The show, organized with her family, highlights her improvisational, music-inspired approach to the loom, which she likened to playing a violin.
The top lot of Sotheby's May auction season in New York, Alberto Giacometti's bronze sculpture *Grande tête mince (Grande tête de Diego)* (1955), estimated at $70 million, failed to sell on Tuesday night. The work was consigned by the Soloviev Foundation, set up by Stefan Soloviev, son of late mega-collector Sheldon Solow, and was offered without a financial guarantee, a risky strategy that backfired when no bidders emerged. Auctioneer Oliver Barker made several chandelier bids before declaring the lot unsold at $64.2 million, shocking the packed salesroom.
TEFAF New York returns to the Park Avenue Armory from May 9–13, 2025, featuring 91 exhibitors from around the world. The fair presents a broad range of modern and contemporary art, jewelry, antiquities, and design, with highlights including an untitled canvas by Shirley Jaffe at Galerie Nathalie Obadia, a ceramic bird sculpture by Guidette Carbonell at Lebreton Gallery, a Roman marble head of a bearded god at Charles Ede, and design pieces such as Zaha Hadid's Liquid Glacial coffee table at David Gill Gallery and Josef Frank's 'Flora' chest of drawers at Modernity Stockholm. The event also includes curated displays in the venue's historic period rooms, a feature unique to this fair.
The Gwangju Biennale has appointed Singaporean artist Ho Tzu Nyen as artistic director for its 2026 edition, marking a departure from its tradition of selecting world-renowned curators. Ho, known for his films exploring Asia's evolving identity, previously organized the 2019 Asian Art Biennale and represented Singapore at the 2011 Venice Biennale. The biennial hinted that the 2026 edition will focus on art's power to drive change, with Ho emphasizing a collaborative approach that resonates with Gwangju's legacy of democratic transformation.
Artist Craig Jun Li's solo exhibition features collagist wall-works and installations that deconstruct photographic technology. Works like the 2025 silicone sheets incorporate altered dye-transfer prints, Polaroids, and actual camera parts like SX-70 film cartridge springs, redirecting focus from pictorial representation to the mechanical apparatus of image-making.
Sotheby’s London achieved a rare "white-glove" result during its spring modern and contemporary evening sale, with every lot finding a buyer. The auction totaled £131 million ($175 million), representing a 110 percent increase over the previous year's equivalent sale. High-profile successes included a record-breaking £5.2 million sale for Leon Kossoff’s "Children’s Swimming Pool" and strong performances for works by Andy Warhol and Josef Albers, largely driven by prestigious consignments like the Lewis Collection.
A roundup article highlights ten must-see museum and gallery exhibitions in New York City for the summer season. Featured shows include Carol Bove's interactive installation at the Solomon R. Guggenheim Museum, a dual exhibition of Frida Kahlo and Diego Rivera at MoMA, Sarah Lucas's public sculpture "VENUS VICTORIA" at the New Museum, and Andreas Schulze's "Cake" at Sprüth Magers Gallery New York. Other notable exhibitions include "Revolutionary Women" at The New York Historical and "Another Wonderland" at the Museum of the City of New York, which presents a restored 1930s Alice in Wonderland mural.
The National Public Housing Museum in Chicago opened its doors on April 4, 2025, becoming the only museum in the United States dedicated to the histories of public housing and its residents. Located on the site of the historic Jane Addams Homes, the museum was remodeled by architect Peter Landon and features permanent installations, artist residencies, and temporary exhibitions. Current initiatives include Open Mike Eagle's residency as 'Artist as Instigator,' building on his album 'Brick Body Kids Still Daydream' (2017) about life in Robert Taylor Homes, and the art-glass frieze 'Resilient Hues' by Amanda Williams and Olalekan Jeyifous. The museum is led by executive director Lisa Yun Lee and has earned third place on USA Today's list of 'Best New Museums.'
SFMOMA has opened 'Matisse’s Femme au chapeau: A Modern Scandal,' an exhibition that revisits the 1905 debut of Henri Matisse's iconic painting at the Salon d’Automne in Paris, which sparked the Fauvist movement. The show reconstructs Gallery VII of that salon, reuniting works by all ten original artists—including Matisse, André Derain, and Maurice de Vlaminck—and places the painting in dialogue with contemporary artists to trace its lasting influence. The painting, which was purchased by collectors Leo and Gertrude Stein at the 1905 salon, entered SFMOMA’s collection in 1991 as a bequest from Elise S. Haas and never travels, making this the exclusive venue for the exhibition.
During the preview week of the 61st Venice Biennale, escalating protests targeted the national pavilions of Israel and Russia, with demonstrations by Pussy Riot, ANGA (Art Not Genocide Alliance), and Baltic pavilions. A major protest on May 8 drew over 3,000 people in solidarity with Palestine, and 27 national pavilions—including Austria, the Netherlands, France, and Japan—staged a strike, the first at the Biennale since 1968. The Golden Lion jury resigned after declaring they would not consider countries under ICC investigation (Israel and Russia), and the Biennale administration replaced the prize with a visitors' award, from which half the artists in the main exhibition have withdrawn.
Amy Sherald, the celebrated painter known for her official portrait of former first lady Michelle Obama, brings her traveling exhibition 'American Sublime' to Atlanta's High Museum of Art, where it will be on view from May 15 to September 27. The show, the largest presentation of her work to date, marks a homecoming for Sherald, who was born in Columbus, Georgia, and graduated from Clark Atlanta University. The exhibition includes paintings that explore themes of identity, the American South, and the Black experience, and features works such as 'A God Blessed Land (Empire of Dirt)' (2022) and 'They Call Me Redbone, but I'd Rather Be Strawberry Shortcake' (2009).
RocioSantaCruz gallery in Barcelona presents the exhibition "Ouka Leele : Barcelona 1978-1980," showcasing previously unseen photographs and texts by the late Spanish photographer Ouka Leele (Bárbara Allende Gil de Biedma). The show focuses on her formative years in Barcelona from 1978 to 1980, including her seminal series "Peluquería" and other works from that period, drawn from over 600 negatives and contact sheets studied by her daughter María Rosenfeldt, head of the Ouka Leele archive. The exhibition also features unpublished poems and texts from the magazine Ajoblanco, highlighting the artist's deep connection to the Catalan capital.
LACMA has opened its new David Geffen Galleries, a single-story building spanning Wilshire Boulevard that houses the museum's permanent collection spanning 6,000 years of art. The galleries feature a revolutionary curatorial approach organized around bodies of water—Atlantic, Mediterranean, Indian, and Pacific—creating nonhierarchical displays that mix works across time and geography, such as 17th-century Dutch paintings alongside 20th-century photography. The building also includes 3.5 acres of shaded public space below, outdoor sculptures by artists like Alexander Calder and Jeff Koons, and a 220,000-square-foot pavement artwork by Mariana Castillo Deball.
The article is a guide to 15 art exhibitions taking place in Venice during the Biennale, curated by CULTURED magazine. It highlights shows such as "If All Time Is Eternally Present" at Palazzo Nervi-Scattolin, featuring film works by Tai Shani, Meriem Bennani & Orian Barki, and Kandis Williams; "Michael Armitage: The Promise of Change" at Palazzo Grassi; "Amoako Boafo: It doesn’t have to always make sense" at Palazzo Grimani; "Transforming Energy" by Marina Abramović at Gallerie dell’Accademia; and "Helter Skelter" by Arthur Jafa and Richard Prince at Fondazione Prada. Each entry includes location, dates, and curatorial context.
Derrick Adams has opened a maximalist exhibition at the Institute of Contemporary Art (ICA), featuring vibrant, densely layered works that blend pop culture references with social commentary. The show presents a bold visual experience, combining painting, sculpture, and mixed-media installations that celebrate Black joy and resilience while critiquing systemic inequities.
The Buffalo AKG Art Museum has opened "Let Us Gather in a Flourishing Way," the first major institutional survey of contemporary Latinx painting in the United States. Curated by Andrea Alvarez, the exhibition features 58 living artists in an intergenerational dialogue, spanning an entire museum floor with seven thematic groupings. Alvarez conducted extensive studio visits across the U.S. and Puerto Rico over an unusually long research period, focusing solely on painting to establish a clear curatorial lens while reflecting the diversity of the Latino diaspora.
Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'
Art Basel is launching a new initiative called "Basel Exclusive" for its June 2026 Switzerland fair, asking exhibitors to withhold at least one key work from pre-fair digital PDF previews to encourage in-person viewing. Around 170 of 232 exhibitors, including major galleries like Gagosian, Hauser & Wirth, Pace, and David Zwirner, have already adopted the program. Separately, Tate Britain announced the 2026 Turner Prize shortlist featuring artists Simeon Barclay, Tanoa Sasraku, Kira Freije, and Marguerite Humeau, with the exhibition opening at Middlesbrough Institute of Modern Art (MIMA) in September. The Museum of Sonoma County will also commemorate the 50th anniversary of Christo and Jeanne-Claude's land art installation "Running Fence" with a major exhibition opening June 27.
The Vancouver Art Gallery has unveiled 'Highlights from the Collection,' a major long-term exhibition featuring 200 works selected from its permanent holdings of over 13,000 items. Curated by a team led by Eva Respini, the show marks a strategic shift for the institution by committing to a semi-permanent display that will remain on view until 2030. The exhibition includes iconic pieces ranging from Gathie Falk’s ceramics to Andy Warhol’s Marilyn Monroe prints and Claes Oldenburg’s sculptures.
April 2026 marks a significant month for global art exhibitions, featuring major retrospectives and site-specific installations across Rome, Seoul, London, and Paris. Highlights include Gagosian Rome’s exploration of Francesca Woodman’s surrealist photography, a homecoming retrospective for video-art pioneer Nam June Paik in Seoul, and Senga Nengudi’s performance-based sculptures at London’s Whitechapel Gallery. Additionally, Isaac Julien will debut a new moving-image work at The Cosmic House, while the Fondation Louis Vuitton prepares a large-scale exhibition dedicated to Alexander Calder’s kinetic sculptures.
Harry Weller, Tracey Emin’s long-time creative director, provides an intimate look into the artist’s studio practice ahead of her major exhibition at Tate Modern. Weller describes a high-intensity environment where Emin works without preparatory sketches, often entering a trance-like state of "primal instinct" to produce her visceral paintings and text-based works. His role involves acting as a creative antagonist, challenging Emin during the painting process to push the boundaries of her work while documenting the spontaneous poetic fragments she produces.