An important exhibition in Milan tells the story of the lesser-known Man Ray: interview with the curator

Una importante mostra a Milano racconta il Man Ray meno conosciuto: intervista al curatore

The Gió Marconi gallery and Fondazione Marconi in Milan have launched a major retrospective titled "Man Ray: M for Dictionary," marking fifty years since the artist's passing. Curated by Yuval Etgar and Deborah D’Ippolito, the exhibition moves beyond Man Ray’s famous photography to highlight his role as a pioneer of conceptual and multimedia art. The show is organized into five thematic sections that explore his use of visual puns, experimental "Rayographs," and the transformative power of language across painting, drawing, and sculpture.

Philippe Halsman's Portraits Feature the Entire 20th-Century Cultural Elite: The Exhibition in Veneto

Nei ritratti di Philippe Halsman c’è tutta l’élite culturale del Novecento. La mostra in Veneto

The Palazzo Pinato Valeri in Piove di Sacco, Italy, is hosting a comprehensive exhibition dedicated to the legendary photographer Philippe Halsman. The show traces his career from his early 1930s Parisian portraits to his iconic American period, featuring his surrealist collaborations with Salvador Dalí and his famous "Jumpology" series. The collection includes intimate and experimental portraits of 20th-century icons such as Marilyn Monroe, Albert Einstein, Alfred Hitchcock, and Sophia Loren.

WORDS WORDS WORDS at Everard Read shows the power of words in contemporary art

The article reviews 'WORDS, WORDS, WORDS,' an exhibition at Everard Read Gallery's CIRCA space in South Africa, which explores the role of language in contemporary visual art. Curated with a focus on how words are bent, repeated, fragmented, and reassembled, the show features works by South African artists including Willem Boshoff and Luca Evans, who engage with conceptual art traditions from Dada to Barbara Kruger. Boshoff's braille-inset wooden piece 'Planet of Echinus' questions inclusion and exclusion in language, while Evans' work riffs on Joseph Kosuth's iconic text pieces using ancient wood-inlay techniques.

Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample by ANY

Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.

art advisors advice new collectors

CULTURED has compiled advice from top art advisors for novice collectors, drawn from their 2026 Power Art Advisors List. The advisors caution against treating art as a financial investment, urge collectors to follow their own taste rather than trends, and emphasize the importance of looking at art extensively before purchasing. They also warn against impulsive buying, overvaluing social media, and chasing discounts that lead to poor acquisitions.

fashion chanel coco game chess jewelry

Chanel has unveiled the Coco Game chess set, a one-of-a-kind luxury object that doubles as a high-jewelry timepiece, presented at the brand's watch and jewelry boutique on Place Vendôme. The set features 32 pieces crafted from ceramic and gold, adorned with over 9,000 diamonds totaling approximately 110 carats, with each queen concealing a detachable watch. The collection also includes 13 watch designs and is part of Chanel's Haute Horlogerie line for 2026, designed by Arnaud Chastaingt, director of the Chanel Watch Creation Studio.

art mamadou abou catherine sarr collectors

Chicago-based collectors Mamadou-Abou and Catherine Sarr discuss their art collection, which spans works from West Africa, France, and the U.S., in an interview with Cultured. The couple, an investor and a jewelry designer, share how their collection began with Mamadou-Abou's discovery of contemporary African photography and emphasize a patient, conviction-driven approach to acquiring art. They also detail the SARR Prize, an initiative supporting emerging France-based artists with cash awards and a residency at Villa Albertine in Chicago.

art mimosa echard amant show france

French artist Mimosa Echard presents "Facial," a new exhibition at Amant in East Williamsburg, Brooklyn, running through February 16, 2026. The show features a series of palimpsest-like canvases and a video work of Times Square, inspired by Echard's pedestrian observations of New York City. Key motifs include ginkgo trees—which she links to survival, ancient sexuality, and the city's olfactory character—and the repetitive eye imagery found on beauty salon facades, which she interprets as a form of "sweet surveillance." Echard, who won the Prix Marcel Duchamp in 2022, created the works during a two-month residency in the neighborhood, drawing on her characteristic blend of botanical and digital themes.

Give it a chance and you might love abstract art, too

Katie Ruiz, a textile artist and programs associate at Space 4 Art, curated the exhibition "Non-Objective Lessons" at Art Produce Gallery in San Diego, running through Feb. 12. The show features minimalist, non-objective abstract art by artists including Tom Demello and Melissa Walter, aiming to help viewers who struggle to appreciate abstract work. It is the first of seven exhibitions supported by a $200,000 Arts Ecosystem Grant from the Prebys Foundation, which funds a year of programming at Space 4 Art.

Cagecircle: Composition for an Exhibition

An exhibition titled "Cagecircle: Composition for an Exhibition—curated by chance!" will open on June 27, 2026, at Bard College’s Stevenson Library in Annandale-on-Hudson, New York, as part of Upstate Art Weekend. The show features archival items from twenty-two collections, selected using John Cage's chance procedures, including works by Marcel Duchamp, Hannah Arendt’s kitchen cabinet door, a death mask, and an architecture model of a garage. The opening includes free performances of Cage’s "Lecture on Nothing" and "Extended Lullaby."

The Art of Performing Maintenance

This article explores the work of artist Mierle Laderman Ukeles, who in 1969 wrote her "Manifesto for Maintenance Art" after experiencing a crisis of meaning following the birth of her first child. She proposed that routine maintenance tasks—like cleaning, cooking, and laundry—could be redefined as art when performed in public, particularly in museums. The article traces her early exhibitions at the Wadsworth Athenaeum, where she swept and mopped as performance, and her later projects interviewing passersby on New York City sidewalks and embedding herself in a Manhattan office building, where she invited workers to declare their maintenance tasks art.

Scrappy: By Any Means Necessary

MotherShip Studios in San Marcos, Texas, announces its upcoming group exhibition "Scrappy: By Any Means Necessary," running from December 13, 2025, to February 7, 2026. Curated by Jennifer Moore, the show features works by eleven artists—Hollie Brown, Ellen Crofts, Lisa Guevara, Julia Hungerford, John Le, Elisa Lendvay, Niloofar Mofrad, Hilary Nelson, Gyan Shrosbree, Jim Shrosbree, and Narong Tintamusik—who explore the concept of "scrappiness" in artistic practice, embracing improvisation, process, and resourcefulness over polished finish.

Philadelphia Art Museum Announces 2026 Exhibitions

The Philadelphia Art Museum has announced its slate of exhibitions for 2026, prominently featuring Marcel Duchamp's iconic mixed-media work "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . ), 1946-1966." The announcement includes details about the work's complex media assemblage and its acquisition history as a gift from the Cassandra Foundation in 1969.

Ser Serpas: ‘I’m hoping I can add a bit of what I think is a healthy dose of unease’

Ser Serpas, an American artist and activist, presents her multifaceted practice in the exhibition 'Of my life' at Kunsthalle Basel. Known for assemblages from found and discarded materials, she now emphasizes painting, creating large-scale works that double as props and backdrops for a collaboration with the Margo Korableva Performance Theatre from Tbilisi, Georgia. Serpas discusses her sourcing process in Basel, her partnership with director David Chikhladze, and the evolution of her work from sculptures to paintings that record studio activities.

Photographer Walter Pfeiffer: ‘Everyone else my age is already in an asylum’

Swiss photographer and artist Walter Pfeiffer, now in his late 70s, is the subject of a profile in which he discusses his daily life, his love for Marlene Dietrich, his disdain for rude people, and his habit of wearing the same clothes every day. The article offers an intimate glimpse into his personality and creative philosophy.