The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

Two Bouchers for the Prado

Deux Boucher pour le Prado

The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.

Two Sales at Christie's

Deux ventes chez Christie's

Christie's in Paris is hosting two significant sales featuring masterpieces from the legendary Veil-Picard collection, which had been largely inaccessible to the public and scholars for decades. Highlights include a perfect Watteau drawing unseen on the market since 1900 and two major Hubert Robert paintings commissioned by the famed salonnière Madame Geoffrin, offering a rare glimpse into 18th-century Parisian interiors.

A Caravaggio for Rome

Un Caravage pour Rome

The Italian Ministry of Culture has acquired Caravaggio's 'Portrait of Maffeo Barberini' for the state. The painting, which had been on loan to the Palazzo Barberini from its private owner, will now be permanently deposited at the museum.

Rising Artist Veronica Fernandez’s Uneasy Monument to Childhood Imagination

Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.

Dresden museum wins Tefaf award for Rubens restoration

The Gemäldegalerie Alte Meister in Dresden has received the Tefaf Museum Restoration Fund award for its ongoing restoration of Peter Paul Rubens's 17th-century painting 'The Boar Hunt'. The project involves removing discolored 19th-century varnish and undoing damaging 19th-century stabilization attempts that caused cracks in the wooden panel, aiming to reveal the work's original dynamism and palette.

Derrick Adams: Glimpses of Black Leisure

The Institute of Contemporary Art, Boston, is hosting 'Derrick Adams: View Master,' the first mid-career survey dedicated to the multidisciplinary artist. Featuring over 100 works spanning two decades, the exhibition includes painting, collage, sculpture, video, and performance that highlight Adams's unique visual language of pattern and color.

Michaelina Wautier Finally Known by Her Name

The Royal Academy of Arts in London has launched a monographic exhibition dedicated to Michaelina Wautier, a 17th-century Brussels-based painter whose work was misattributed to male contemporaries for centuries. Despite her mastery across diverse genres—including portraiture, floral still lifes, and large-scale history paintings typically reserved for men—her identity was obscured by patriarchal societal norms and a lack of biographical documentation. The show highlights her technical brilliance, notably in works like "The Triumph of Bacchus," which was long credited to male artists due to the era's restrictions on women studying nude models.

A View From the Easel

Artist Katya Granova discusses her creative practice within her studio at the Spinnerei, a massive former yarn factory in Leipzig, Germany. Granova details her daily routine, which is dictated by natural light and a soundtrack of rock and metal music, and explains how the industrial scale of the space allows her to create large-format works that blend painting with physical movement akin to dance.

Juan Uslé’s Childhood Shipwrecks

The Museo Reina Sofía in Madrid has opened a major retrospective of Spanish painter Juan Uslé, titled "That Ship on the Mountain." The exhibition features approximately 100 works spanning four decades, tracing the artist's journey from his childhood in Cantabria to his established career in New York City. It notably uses the traumatic shipwreck of the Elorrio, which Uslé witnessed as a boy, as its conceptual starting point.

Homework till midnight and ‘one breakdown a week’: the mysterious art school keeping a forgotten style alive

The École Van der Kelen-Logelain, a unique and mythologized painting school in Brussels founded in 1892, continues to operate under strict, traditional methods. Students endure a rigorous six-month winter course, adhering to rules like mandatory white lab coats, silence, and no phones, to master specialized decorative painting skills, most notably the art of trompe l'oeil, or illusionistic painting.

Researchers at Art Gallery of Ontario identify painter and subject of 18th-century portrait of Black woman

Researchers at the Art Gallery of Ontario have identified the artist and sitter of an 18th-century portrait of a young Black woman. The painting, purchased in 2020, is now titled 'Portrait of Eleonora Susette' (1775), revealing the subject as a woman born around 1756 in the Dutch colony of Berbice (now Guyana). The artist is Berlin-born Jeremias Schultz, who painted the portrait in Amsterdam after Eleonora Susette was brought there by her enslaver, the artist's cousin.

Merike Estna on Representing Estonia at the 61st Venice Biennale

Artist Merike Estna will represent Estonia at the 61st Venice Biennale in 2026 with a project that transforms the national pavilion into an active, open studio. Eschewing the display of finished products, Estna plans to start with empty canvases and complete a series of 22 paintings over the course of the exhibition, allowing visitors to witness the "living" process of creation.

In a Show at Stanford, Miljohn Ruperto Trolls the Death Drive of AI Guys

Artist Miljohn Ruperto's exhibition at Stanford's Cantor Arts Center features works that critically engage with AI and technology. His piece *Fathoms (Tartarapelagic)* uses AI to generate images of deep-sea creatures from the Clarion-Clipperton Zone, while highlighting that mining the minerals essential for that same AI technology is destroying their real-world habitats.

Newly Unearthed Letter Reveals Edvard Munch’s Influence on Paula Rego

A newly discovered 1951 letter reveals that a teenage Paula Rego was profoundly impressed by an Edvard Munch exhibition, specifically citing 'The Scream' and 'Inheritance.' This formative experience directly influenced her early work, such as her 1952 painting 'Drought,' which echoes Munch's style and themes. The letter, written to her mother, documents a pivotal artistic encounter she never publicly discussed.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.

Peter Halley Continues to Probe the ‘Crisis in Geometry’

American artist Peter Halley is presenting his first solo show in Austria in two decades at Galerie Nikolus Ruzicska in Salzburg. The exhibition, titled 'Peter Halley: Six Paintings for Salzburg,' features six new works created specifically for the occasion, showcasing his mature exploration of geometric abstraction using his signature 'Cells,' 'Prisons,' and 'Conduits.'

April Book Bag: from a Matthew Wong catalogue to a history of dogs in art

The Art Newspaper’s April book roundup highlights four significant new publications spanning art history and contemporary practice. Featured titles include Thomas Laqueur’s visual history of dogs in art, a study of marble depictions in Late Gothic and Early Renaissance painting edited by Karl Kolbitz, a comprehensive overview of Antony Gormley’s drawings, and a new catalogue focusing on Matthew Wong’s interior scenes.

Italy purchases rare Caravaggio painting for $34.7 million.

Italy purchases rare Caravaggio painting for $34.7 million.

The Italian government has purchased Caravaggio's *Ecce Homo* for $34.7 million, preventing the 17th-century masterpiece from leaving the country. The painting, which depicts a bound Christ presented to the crowd, was sold by its private owners after its rediscovery and authentication in 2021. The state exercised its right of first refusal to match a sale agreed with an unnamed foreign buyer, securing the work for public ownership.

DHS Appropriates Japanese Artist’s Work in Racist X Post

The U.S. Department of Homeland Security (DHS) used a painting by Japanese artist Hiroshi Nagai in a social media post without his permission. The agency cropped his 2017 untitled beach scene and overlaid it with the text "America After 100 Million Deportations," accompanied by a caption about national peace. Nagai, 78, expressed being "at a loss" and disappointed that a government agency would use his work to promote a political message he does not endorse.

Walter Price at David Zwirner

Artist Walter Price is presenting a solo exhibition titled "Pearl Lines" at David Zwirner’s Hong Kong gallery. Running from March 24 through May 9, 2026, the show features a new body of work that continues Price’s exploration of the boundaries between figuration and abstraction through his signature use of vibrant color and psychological depth.

Raymond Saunders at David Zwirner

The David Zwirner gallery in Los Angeles is presenting "Raymond Saunders: Notes from LA," a solo exhibition of the late artist's work. The show, curated by Ebony L. Haynes, runs from February 24 to April 25, 2026, and features works courtesy of the artist's estate.

Unbound Narratives: Embodied Language at Atlanta Contemporary, Atlanta

The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.

Almost Everything in the World Depends on This Substance

"Fast alles in der Welt hängt von dieser Substanz ab"

Artist Monira Al Qadiri presents her exhibition "Hero" at the Berlinische Galerie, focusing on oil tankers as central figures. The show explores the hidden violence and scale of the petroleum industry through a large wall painting of the supertanker Hero, miniature tankers with satirical names, and a video work depicting their destruction. Al Qadiri connects this to her long-term artistic investigation of oil's imagery and materiality.

Renoir: A festival of loans for a double exhibition

Renoir : un festival de prêts pour une double exposition

The Musée d'Orsay in Paris has launched a major two-part exhibition dedicated to Auguste Renoir, titled "Renoir dessinateur" (Renoir as a Draughtsman) and "Renoir et l'amour" (Renoir and Love). The initiative began with a study for Renoir's controversial painting *Les Grandes Baigneuses* and has grown into an international loan effort, featuring over 150 rarely seen drawings, watercolors, pastels, and paintings from major museums and private collections worldwide, including the Philadelphia Museum of Art, the MET, and the Barnes Foundation.

Giuditta Branconi “Cannon Fodder” at Collezione Maramotti, Reggio Emilia

Italian artist Giuditta Branconi has unveiled her first institutional solo exhibition, titled "Cannon Fodder," at the Collezione Maramotti in Reggio Emilia. The exhibition features a series of new large-scale paintings and a site-specific installation characterized by dense, chaotic compositions where multiple narratives unfold simultaneously. Branconi describes her approach as fostering an "anarchic gaze," intentionally refusing to guide the viewer through her crowded, vibrant visual landscapes.

Pedro Friedeberg, Whose Hand Chair Drew Outsize Attention, Dies at 90

Pedro Friedeberg, the Mexican surrealist artist and designer, has died at age 90. He was best known for his iconic "Hand Chair," a functional sculpture shaped like a hand that became a symbol of 1960s and '70s pop culture and design, as well as for his intricate, fantastical paintings of impossible architectures.

9 Art Shows to Catch Before They Close This Spring

Several major art exhibitions are concluding their runs this spring, offering a final chance for public viewing. Highlights include a rare Caravaggio painting on display, immersive installations featuring streetscapes covered in orchids, and a showcase of colorful figurative works by German Expressionist Gabriele Münter.

Sara Flores on Representing Peru at the 61st Venice Biennale

Sara Flores will represent Peru at the 61st Venice Biennale in 2026 with an immersive exhibition titled 'From Other Worlds.' The presentation, curated with Issela Ccoyllo and Matteo Norzi, will feature large-scale kené paintings, ethereal sculptures, and a video work in the Arsenale, aiming to create portals to Shipibo-Konibo ancestral knowledge and Indigenous futures.

Louise Bourgeois’s Body Clock

A new exhibition titled 'Louise Bourgeois: Echoes of the Morning' has opened at the PoMo museum in Trondheim. The show centers on a series of vibrant, visceral gouaches created by Bourgeois in the last four years of her life, presented in dialogue with major sculptural installations like 'Peaux de lapins, chiffons ferrailles à vendre' (2006) and 'Spider Couple' (2003). The exhibition offers an intimate, focused exploration of the artist's late work.