The Carnegie Museum of Art held a press tour on May 1, 2026, for the 59th Carnegie International, titled "If the word we." The exhibition features 61 artists from around the world, including 36 newly commissioned works, alongside pieces from the museum's permanent collection. It opens to the public on May 2, 2026, and runs through January 3, 2027.
The Ellen Noël Art Museum of the Permian Basin in Odessa, Texas, reopened in December 2025 after a decade-long, $20 million renovation. The project added 8,000 square feet, a new silver oval exterior, a two-story lobby, renovated galleries, and a state-of-the-art lighting system. The museum is currently in transition, with interim director Steve Patton overseeing operations while a search for a permanent executive director is underway. Recent exhibitions include "Home, Love, and Loss" and "Shifting Subjects: The Heroes of the West."
The Sacramento Fine Arts Center (Sac Arts) is celebrating its 40th anniversary in April 2026. Founded in April 1986 by five independent regional art clubs, including Northern California Arts and Watercolor Artists of Sacramento Horizons, the center began in a former high school building in Carmichael, California. Volunteers cleaned and renovated the space, which is owned by the Carmichael Recreation and Park District. Over the years, the center has expanded with studio spaces, galleries, and a rental gallery, supported by community donations and volunteer efforts. The anniversary year features special events, classes, and a new banner project with 130 submissions for 21 PVC mesh banners.
The Floyd Memorial Library in Greenport, New York, is hosting an opening reception for the exhibition "Stow Wengenroth The Flacks: The Greenport Group." The show features nearly fifty rarely seen lithographs by Stow Wengenroth, a prominent 20th-century printmaker whose work is held in major institutions like the Met and MoMA. The exhibition also highlights Wengenroth’s creative circle, including doll-maker Edith Flack Ackley and children’s author Marjorie Flack, alongside contemporary commissions by puppet-maker Carmen Campos.
The Lexicon Art in New Delhi is set to host "Dvaita (द्वैत): Dualities," a group exhibition curated by architect and artist Ankon Mitra opening on April 18, 2026. Featuring the work of 11 contemporary artists, the show explores the philosophical concept of dualism through contrasting elements such as light and shadow, geometric and amorphous forms, and gold and silver. The exhibition design moves away from the traditional white cube format, instead utilizing the gallery space to create a physical "dance of dualities" that reflects India’s layered cultural realities.
The Fullerton Museum Center has launched "OC Made," a new biennial juried exhibition dedicated exclusively to artists living and working in Orange County. Curated by Georgette Collard and Jasmine McNeal, the inaugural show features over 130 artworks by more than 100 local artists selected from a pool of 260 submissions. The exhibition includes a diverse range of mediums, from glass sculptures and ceramics to photorealistic paintings of local landmarks, and awarded top honors to artists Ramón Vargas, Jaime “Germs” Zacarias, and Mahta Jafari.
The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.
A global series of exhibitions celebrating the legacy of Tove Jansson and the Moomins has been announced for 2026, with major programming centered in Finland. Key highlights include the expansion of the Tove Jansson Gallery at the Helsinki Art Museum (HAM) with the 'Artist Family Jansson' exhibition, a design-focused showcase at the Architecture & Design Museum, and a contemporary dialogue at Chappe featuring artists Erika Adamsson and Katja Syrjä. The programming coincides with the 80th anniversary of the book 'Comet in Moominland'.
The McMullen Museum of Art at Boston College has launched "Collaborating in Conflict: The Yeats Family and the Public Arts," a comprehensive exhibition exploring three generations of the Yeats family. Featuring approximately 200 works including paintings, embroideries, and rare manuscripts, the show highlights the collaborative yet often tense creative output of patriarch John Butler Yeats and his children, including the poet William Butler Yeats and the painter Jack B. Yeats. Many of the items on display are being shown publicly for the first time or for the first time outside of Ireland.
The article previews several major biennials scheduled for 2026, including the 61st Venice Biennale, the 25th Sydney Biennale, and the 16th Gwangju Biennale. The Venice Biennale will proceed posthumously under the vision of curator Koyo Kouoh, who died in May 2025; she was the first African woman appointed to curate the event. The Sydney Biennale, themed "Rememory" and inspired by Toni Morrison, will be directed by Hoor Al Qasimi, while the Gwangju Biennale will be led by Singaporean artist Ho Tzu Nyen, focusing on collective artistic responses to global crises.
The Hessel Museum of Art at Bard College in New York State has opened "All Manner of Experiments: Legacies of the Baghdad Modern Art Group," the first major US survey of the influential Iraqi collective. Organized by curators Nada Shabout, Tiffany Floyd, and Lauren Cornell, the exhibition brings together 64 works by 30 artists—including Dia al-Azzawi, Jewad Selim, and Mohammed Ghani Hikmat—spanning from 1951 to 2023. Many pieces have not been publicly displayed in decades, and the show draws from private collections and major Arab institutions such as the Barjeel Art Foundation, the Dalloul Art Foundation, the Ibrahimi Collection, and Qatar Museums. The exhibition also addresses the devastating loss of modern Iraqi art during the Iraq War, with an estimated 85% of 8,000 works from the Saddam Arts Centre looted or damaged.
ArtReview has released its 2025 Power 100 list, ranking the most influential figures in the art world over the past year. Artists dominate the top ten, with Ghanaian artist Ibrahim Mahama taking the first place for using his art profits to build institutions and community spaces in Tamale. Other top artists include Wael Shawky, Ho Tzu Nyen, Amy Sherald, Kerry James Marshall, Forensic Architecture, and Wolfgang Tillmans. Gulf royalty also feature prominently: Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani of Qatar ranks second, and Sheikha Hoor Al Qasimi of Sharjah ranks third, reflecting the region's growing art-world influence. The list also includes academic Saidiya Hartman as a "thinker" in eighth place.
Conni Freestone's solo exhibition "Proof I Was Here" opens June 1, 2026 at the Ocean County Artists' Guild in Island Heights, New Jersey, running through the end of the month. The show spans three interconnected spaces and explores themes of existence, memory, and identity through photography, featuring images of Bruce Springsteen, Asbury Park cars, Havana's aging vehicles, and Route 66 remnants, alongside self-portraiture. An opening reception on June 7 includes live music by Johnny Kasun and Timmy Basskidd Douglas, and a RiverJAM event on June 16 features additional performances.
A roundup of art gallery exhibitions in Bangkok for May 2026 highlights four shows: 'The Fourth Decade of the Bualuang Paintings' at The Queen's Gallery, featuring 141 works by 52 Thai artists from the Bualuang painting contests; 'New Beginning' at ART Space by MOCA Four Seasons, a group show with artists from Japan and Thailand exploring renewal; 'Museum of Monsters' at River City Bangkok, a solo exhibition by artist FAHFAHS (Napath Kuntaruck) confronting hidden memories; and 'Beneath the Horizon Line' at Art Jewel Gallery, Siam.
Gallery Dotwalk in New Delhi has opened its second exhibition, 'The Architecture of the Void: Lines on a Postcolonial Skeleton,' featuring works on paper by leading modern Indian artists. The show, which runs until May 30, 2026, highlights drawings, watercolors, and etchings from a generation of artists processing India's post-Independence and Partition era.
Phillips auction house has launched a selling exhibition titled "Crossing Borders" at its Berkeley Square location in London, featuring 64 South Asian Modernist artists including Bhupen Khakhar, Huma Bhabha, Rasheed Araeen, and Nilima Sheikh. The show, organized in collaboration with Grosvenor Gallery, includes major market figures like S.H. Raza and F.N. Souza alongside lesser-known names such as Ahmed Parvez and Viswanathan. Prices range from £5,000 to £1.5 million, with works jointly consigned and profits shared between Phillips and Grosvenor. The exhibition marks Phillips' most significant entry into the South Asian art market, a sector long dominated by Sotheby's, Christie's, and Bonhams.
A new group exhibition titled 'An Ancient Ballad' opens at Emami Art in Kolkata on 22 May 2026, bringing together 12 artists across generations. The show examines recurring motifs of nature, the human body, and animal forms in modern and contemporary art through photography, painting, printmaking, textile, ceramics, and sculpture. Historical works by L. M. Sen and K. C. Pyne are displayed alongside contemporary artists including Arunima Choudhury, Ajit Kumar Das, Alakananda Sengupta, Raja Boro, and Rahul Sarkar, creating an intergenerational dialogue on memory, mythology, and lived experience.
This article presents Jorge Nava's 2022 painting "Untitled," an oil-on-linen work measuring 180 × 180 cm, offered by Arma Gallery in Madrid. Nava, a Spanish artist born in Gijón in 1980, studied at the University of the Basque Country and Kunsthochschule Berlin Weissensee under Professor Katherina Grosse. His career includes participation in international fairs such as ARCO, CIRCA in Puerto Rico, Scope Art Fair in New York, and Photo Miami Art Basel, as well as exhibitions at Alzueta Gallery and the Barjola Museum. His work belongs to collections including the María Cristina Masaveu Peterson Foundation and private collections across Europe and North America.
The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.
The article highlights five must-see art exhibitions in San Francisco during the winter season, centered around San Francisco Art Week in January. Featured shows include 'Labor Is on Our Mind' at CCA Wattis Institute, exploring labor through three interconnected exhibitions; 'Emory Douglas: In Our Lifetime' at the African American Art & Culture Complex, celebrating the artist's 50-year career in activism; 'Moving San Francisco' at City Hall's North Light Gallery, showcasing public transit history through photographs; and '1-800 Happy Birthday,' a participatory project beginning on Martin Luther King Jr. Day.
Ilya and Emilia Kabakov's participatory art project *Ship of Tolerance* (2005–present) has been reinstalled at Oakville Galleries on Lake Ontario, near Toronto, opening on 31 May as part of the exhibition *Between Heaven and Earth* (through 20 September). The project, which involves children from diverse backgrounds creating painted sails for a 60-foot wooden boat, has previously traveled to locations including Siwa, Egypt; the Venice Biennale; Sharjah; Brooklyn; Miami; Moscow; and London. Emilia Kabakov continues to lead the project after Ilya Kabakov's death in 2023, and the latest iteration arrives amid global crises including wars, migrant displacement, and US President Donald Trump's threats to annex Canada.
The Marjorie Barrick Museum of Art in Las Vegas is presenting "Perception," an exhibition drawn from its permanent collection that explores the relationship between sight and cognition. Featuring works by over twenty artists—including new acquisitions by Thomas Burke, Denise R. Duarte, Dirk Staschke, and Thomas Ray Willis—the show includes paintings, sculptures, photography, and neon pieces that challenge viewers' trust in visual perception. The exhibition runs from June 20 to December 20, 2025, with an opening reception on September 5.
Ben Davis and Jo Lawson-Tancred of Artnet News have published complementary projects analyzing global art biennials. Davis compiled data from major biennials including Istanbul, Gwangju, São Paulo, Sharjah, and Venice over the past four years, tracking which artists have been shown most frequently worldwide since the 2022 Venice Biennale. Lawson-Tancred examined the upcoming Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, comparing the demographics of its artists to previous editions to trace shifts in the global art conversation.
The Guardian’s picture editors have curated a selection of global photographs capturing significant moments from Thursday, April 9, 2026. The collection spans a wide range of subjects, including a dramatic sunset at Milk Beach in Sydney, environmental concerns over a widening faultline in the Swiss Alps, and political activities involving leaders in Scotland and Italy. It also documents somber events, such as the funeral of Al Jazeera correspondent Mohammed Wishah in Gaza.
The Biennale of Sydney has officially denied allegations of discrimination and bias following claims from Australia’s Jewish community that the exhibition's selection process favored anti-Zionist artists. The controversy intensified when the NSW Jewish Board of Deputies declined a preview invitation, citing "objectionable social media activity" by participating artists rather than the artworks themselves. In response, the Biennale maintained that its selection process is based strictly on artistic merit and that the organization maintains a zero-tolerance policy toward all forms of racism, including antisemitism and Islamophobia.
The Museum of Fine Arts, Boston laid off 33 staff members, including several curators of color, prompting accusations that the cuts disproportionately targeted minority employees. Director Pierre Terjanian issued a statement denying the claim, asserting that the percentage of staff identifying as people of color remained unchanged at one-third. Among those let go were Marina Tyquiengco, associate curator of Native American art; Nadirah Mansour, assistant curator of Islamic art; and theo tyson, a curator in fashion arts who was reportedly the only Black curator at the museum. A union representative said workers were notified only five minutes before the public announcement, and no leadership took pay cuts despite the elimination of the COO position.
Cecilia Giménez Zueco, the amateur Spanish painter who became a global sensation after her botched 2012 restoration of a 1930 fresco of Christ, has died at age 94. The mural, Ecce Homo by Elías García Martínez, was housed in a church in Borja, Spain; Giménez’s unsanctioned touch turned Christ’s face into a monkey-like image, spawning the nickname "Beast Jesus" and a wave of online memes.
Libya’s National Museum, also known as the Red Castle Museum (As-Saraya Al-Hamra), has reopened in Tripoli for the first time since the 2011 revolution that ended Muammar el-Qaddafi’s rule. The museum, the largest in North Africa, closed at the onset of Libya’s military instability during the Arab Spring. Its 10,000-square-meter gallery houses artifacts spanning prehistory through Greek, Roman, and Islamic periods, including millennia-old mummies. Renovations began in 2023, with a full public reopening scheduled for early 2026; currently admission is limited to students.
The Southwest Art Gallery and Science Center in Dickinson, North Dakota, hosted a public artist reception on May 14 for its women’s Western art exhibition, featuring regional female artists whose work depicts the landscapes, wildlife, and culture of the Northern Plains and American West. The exhibition includes paintings, sculptures, and mixed-media works centered on ranching, farming, and rural life, and will remain on display through June 12. Featured artists include Daphne Clark, Afton Ray Rossol, Barb Kalenze Kraft, Oksana Zvyagelskiy, Trish Stevenson, and Kelsey Jacobson, each sharing personal stories of how art became a creative outlet and source of healing.